Chapter 7

"Maybe I 'm ol'-fashioned, but I can't believe in any ooman's ladyship when she shows herse'f lak dem gals does. Oh, Kit, don't do it. Ain't you seen enough? Don't you know enough already to stay away f'om dese hyeah people? Dey don't want nothin' but to pull you down an' den laugh at you w'en you 's dragged in de dust."

"You must n't feel that away, ma. I 'm doin' it to help you."

"I do' want no sich help. I 'd ruther starve."

Kit did not reply, but there was no yielding in her manner.

"Kit," her mother went on, "dey 's somep'n I ain't nevah tol' you dat I 'm goin' to tell you now. Mistah Gibson ust to come to Mis' Jones's lots to see me befo' we moved hyeah, an' he 's been talkin' 'bout a good many things to me." She hesitated. "He say dat I ain't noways ma'ied to my po' husban', dat a pen'tentiary sentence is de same as a divo'ce, an' if Be'y should live to git out, we 'd have to ma'y ag'in. I would n't min' dat, Kit, but he say dat at Be'y's age dey ain't much chanst of his livin' to git out, an' hyeah I 'll live all dis time alone, an' den have no one to tek keer o' me w'en I git ol'. He wants me to ma'y him, Kit. Kit, I love yo' fathah; he 's my only one. But Joe, he 's gone, an' ef yo go, befo' Gawd I 'll tell Tawm Gibson yes."

The mother looked up to see just what effect her plea would have on her daughter. She hoped that what she said would have the desired result. But the girl turned around from fixing her neck-ribbon before the glass, her face radiant. "Why, it 'll be splendid. He 's such a nice man, an' race-horse men 'most always have money. Why don't you marry him, ma? Then I 'd feel that you was safe an' settled, an' that you would n't be lonesome when the show was out of town."

"You want me to ma'y him an' desert yo' po' pa?"

"I guess what he says is right, ma. I don't reckon we 'll ever see pa again an' you got to do something. You got to live for yourself now."

Her mother dropped her head in her hands. "All right," she said, "I 'll do it; I 'll ma'y him. I might as well go de way both my chillen 's gone. Po' Be'y, po' Be'y. Ef you evah do come out, Gawd he'p you to baih what you 'll fin'." And Mrs. Hamilton rose and tottered from the room, as if the old age she anticipated had already come upon her.

Kit stood looking after her, fear and grief in her eyes. "Poor ma," she said, "an' poor pa. But I know, an' I know it 's for the best."

On the next morning she was up early and practising hard for her interview with the managing star of "Martin's Blackbirds."

When she arrived at the theatre, Hattie Sterling met her with frank friendliness.

"I 'm glad you came early, Kitty," she remarked, "for maybe you can get a chance to talk with Martin before he begins rehearsal and gets all worked up. He 'll be a little less like a bear then. But even if you don't see him before then, wait, and don't get scared if he tries to bluff you. His bark is a good deal worse than his bite."

When Mr. Martin came in that morning, he had other ideas than that of seeing applicants for places. His show must begin in two weeks, and it was advertised to be larger and better than ever before, when really nothing at all had been done for it. The promise of this advertisement must be fulfilled. Mr. Martin was late, and was out of humour with every one else on account of it. He came in hurried, fierce, and important.

"Mornin', Mr. Smith, mornin', Mrs. Jones. Ha, ladies and gentlemen, all here?"

He shot every word out of his mouth as if the after-taste of it were unpleasant to him. He walked among the chorus like an angry king among his vassals, and his glance was a flash of insolent fire. From his head to his feet he was the very epitome of self-sufficient, brutal conceit.

Kitty trembled as she noted the hush that fell on the people at his entrance. She felt like rushing out of the room. She could never face this terrible man. She trembled more as she found his eyes fixed upon her.

"Who 's that?" he asked, disregarding her, as if she had been a stick or a stone.

"Well, don't snap her head off. It 's a girl friend of mine that wants a place," said Hattie. She was the only one who would brave Martin.

"Humph. Let her wait. I ain't got no time to hear any one now. Get yourselves in line, you all who are on to that first chorus, while I 'm getting into my sweat-shirt."

He disappeared behind a screen, whence he emerged arrayed, or only half arrayed, in a thick absorbing shirt and a thin pair of woollen trousers. Then the work began. The man was indefatigable. He was like the spirit of energy. He was in every place about the stage at once, leading the chorus, showing them steps, twisting some awkward girl into shape, shouting, gesticulating, abusing the pianist.

"Now, now," he would shout, "the left foot on that beat. Bah, bah, stop! You walk like a lot of tin soldiers. Are your joints rusty? Do you want oil? Look here, Taylor, if I did n't know you, I 'd take you for a truck. Pick up your feet, open your mouths, and move, move, move! Oh!" and he would drop his head in despair. "And to think that I 've got to do something with these things in two weeks--two weeks!" Then he would turn to them again with a sudden reaccession of eagerness. "Now, at it again, at it again! Hold that note, hold it! Now whirl, and on the left foot. Stop that music, stop it! Miss Coster, you 'll learn that step in about a thousand years, and I 've got nine hundred and ninety-nine years and fifty weeks less time than that to spare. Come here and try that step with me. Don't be afraid to move. Step like a chicken on a hot griddle!" And some blushing girl would come forward and go through the step alone before all the rest.

Kitty contemplated the scene with a mind equally divided between fear and anger. What should she do if he should so speak to her? Like the others, no doubt, smile sheepishly and obey him. But she did not like to believe it. She felt that the independence which she had known from babyhood would assert itself, and that she would talk back to him, even as Hattie Sterling did. She felt scared and discouraged, but every now and then her friend smiled encouragingly upon her across the ranks of moving singers.

Finally, however, her thoughts were broken in upon by hearing Mr. Martin cry: "Oh, quit, quit, and go rest yourselves, you ancient pieces of hickory, and let me forget you for a minute before I go crazy. Where 's that new girl now?"

Kitty rose and went toward him, trembling so that she could hardly walk.

"What can you do?"

"I can sing," very faintly.

"Well, if that 's the voice you 're going to sing in, there won't be many that 'll know whether it 's good or bad. Well, let 's hear something. Do you know any of these?"

And he ran over the titles of several songs. She knew some of them, and he selected one. "Try this. Here, Tom, play it for her."

It was an ordeal for the girl to go through. She had never sung before at anything more formidable than a church concert, where only her immediate acquaintances and townspeople were present. Now to sing before all these strange people, themselves singers, made her feel faint and awkward. But the courage of desperation came to her, and she struck into the song. At the first her voice wavered and threatened to fail her. It must not. She choked back her fright and forced the music from her lips.

When she was done, she was startled to hear Martin burst into a raucous laugh. Such humiliation! She had failed, and instead of telling her, he was bringing her to shame before the whole company. The tears came into her eyes, and she was about giving way when she caught a reassuring nod and smile from Hattie Sterling, and seized on this as a last hope.

"Haw, haw, haw!" laughed Martin, "haw, haw, haw! The little one was scared, see? She was scared, d' you understand? But did you see the grit she went at it with? Just took the bit in her teeth and got away. Haw, haw, haw! Now, that 's what I like. If all you girls had that spirit, we could do something in two weeks. Try another one, girl."

Kitty's heart had suddenly grown light. She sang the second one better because something within her was singing.

"Good!" said Martin, but he immediately returned to his cold manner. "You watch these girls close and see what they do, and to-morrow be prepared to go into line and move as well as sing."

He immediately turned his attention from her to the chorus, but no slight that he could inflict upon her now could take away the sweet truth that she was engaged and to-morrow would begin work. She wished she could go over and embrace Hattie Sterling. She thought kindly of Joe, and promised herself to give him a present out of her first month's earnings.

On the first night of the show pretty little Kitty Hamilton was pointed out as a girl who would n't be in the chorus long. The mother, who was soon to be Mrs. Gibson, sat in the balcony, a grieved, pained look on her face. Joe was in a front row with some of the rest of the gang. He took many drinks between the acts, because he was proud.

Mr. Thomas was there. He also was proud, and after the performance he waited for Kitty at the stage door and went forward to meet her as she came out. The look she gave him stopped him, and he let her pass without a word.

"Who 'd 'a' thought," he mused, "that the kid had that much nerve? Well, if they don't want to find out things, what do they come to N' Yawk for? It ain't nobody's old Sunday-school picnic. Guess I got out easy, anyhow."

Hattie Sterling took Joe home in a hansom.

"Say," she said, "if you come this way for me again, it 's all over, see? Your little sister 's a comer, and I 've got to hustle to keep up with her."

Joe growled and fell asleep in his chair. One must needs have a strong head or a strong will when one is the brother of a celebrity and would celebrate the distinguished one's success.

XIII

THE OAKLEYS

A year after the arrest of Berry Hamilton, and at a time when New York had shown to the eyes of his family so many strange new sights, there were few changes to be noted in the condition of affairs at the Oakley place. Maurice Oakley was perhaps a shade more distrustful of his servants, and consequently more testy with them. Mrs. Oakley was the same acquiescent woman, with unbounded faith in her husband's wisdom and judgment. With complacent minds both went their ways, drank their wine, and said their prayers, and wished that brother Frank's five years were past. They had letters from him now and then, never very cheerful in tone, but always breathing the deepest love and gratitude to them.

His brother found deep cause for congratulation in the tone of these epistles.

"Frank is getting down to work," he would cry exultantly. "He is past the first buoyant enthusiasm of youth. Ah, Leslie, when a man begins to be serious, then he begins to be something." And her only answer would be, "I wonder, Maurice, if Claire Lessing will wait for him?"

The two had frequent questions to answer as to Frank's doing and prospects, and they had always bright things to say of him, even when his letters gave them no such warrant. Their love for him made them read large between the lines, and all they read was good.

Between Maurice and his brother no word of the guilty servant ever passed. They each avoided it as an unpleasant subject. Frank had never asked and his brother had never proffered aught of the outcome of the case.

Mrs. Oakley had once suggested it. "Brother ought to know," she said, "that Berry is being properly punished."

"By no means," replied her husband. "You know that it would only hurt him. He shall never know if I have to tell him."

"You are right, Maurice, you are always right. We must shield Frank from the pain it would cause him. Poor fellow! he is so sensitive."

Their hearts were still steadfastly fixed upon the union of this younger brother with Claire Lessing. She had lately come into a fortune, and there was nothing now to prevent it. They would have written Frank to urge it, but they both believed that to try to woo him away from his art was but to make him more wayward. That any woman could have power enough to take him away from this jealous mistress they very much doubted. But they could hope, and hope made them eager to open every letter that bore the French postmark. Always it might contain news that he was coming home, or that he had made a great success, or, better, some inquiry after Claire. A long time they had waited, but found no such tidings in the letters from Paris.

At last, as Maurice Oakley sat in his library one day, the servant brought him a letter more bulky in weight and appearance than any he had yet received. His eyes glistened with pleasure as he read the postmark. "A letter from Frank," he said joyfully, "and an important one, I 'll wager."

He smiled as he weighed it in his hand and caressed it. Mrs. Oakley was out shopping, and as he knew how deep her interest was, he hesitated to break the seal before she returned. He curbed his natural desire and laid the heavy envelope down on the desk. But he could not deny himself the pleasure of speculating as to its contents.

It was such a large, interesting-looking package. What might it not contain? It simply reeked of possibilities. Had any one banteringly told Maurice Oakley that he had such a deep vein of sentiment, he would have denied it with scorn and laughter. But here he found himself sitting with the letter in his hand and weaving stories as to its contents.

First, now, it might be a notice that Frank had received the badge of the Legion of Honour. No, no, that was too big, and he laughed aloud at his own folly, wondering the next minute, with half shame, why he laughed, for did he, after all, believe anything was too big for that brother of his? Well, let him begin, anyway, away down. Let him say, for instance, that the letter told of the completion and sale of a great picture. Frank had sold small ones. He would be glad of this, for his brother had written him several times of things that were a-doing, but not yet of anything that was done. Or, better yet, let the letter say that some picture, long finished, but of which the artist's pride and anxiety had forbidden him to speak, had made a glowing success, the success it deserved. This sounded well, and seemed not at all beyond the bounds of possibility. It was an alluring vision. He saw the picture already. It was a scene from life, true in detail to the point of very minuteness, and yet with something spiritual in it that lifted it above the mere copy of the commonplace. At the Salon it would be hung on the line, and people would stand before it admiring its workmanship and asking who the artist was. He drew on his memory of old reading. In his mind's eye he saw Frank, unconscious of his own power or too modest to admit it, stand unknown among the crowds around his picture waiting for and dreading their criticisms. He saw the light leap to his eyes as he heard their words of praise. He saw the straightening of his narrow shoulders when he was forced to admit that he was the painter of the work. Then the windows of Paris were filled with his portraits. The papers were full of his praise, and brave men and fair women met together to do him homage. Fair women, yes, and Frank would look upon them all and see reflected in them but a tithe of the glory of one woman, and that woman Claire Lessing. He roused himself and laughed again as he tapped the magic envelope.

"My fancies go on and conquer the world for my brother," he muttered. "He will follow their flight one day and do it himself."

The letter drew his eyes back to it. It seemed to invite him, to beg him even. "No, I will not do it; I will wait until Leslie comes. She will be as glad to hear the good news as I am."

His dreams were taking the shape of reality in his mind, and he was believing all that he wanted to believe.

He turned to look at a picture painted by Frank which hung over the mantel. He dwelt lovingly upon it, seeing in it the touch of a genius.

"Surely," he said, "this new picture cannot be greater than that, though it shall hang where kings can see it and this only graces the library of my poor house. It has the feeling of a woman's soul with the strength of a man's heart. When Frank and Claire marry, I shall give it back to them. It is too great a treasure for a clod like me. Heigho, why will women be so long a-shopping?"

He glanced again at the letter, and his hand went out involuntarily towards it. He fondled it, smiling.

"Ah, Lady Leslie, I 've a mind to open it to punish you for staying so long."

He essayed to be playful, but he knew that he was trying to make a compromise with himself because his eagerness grew stronger than his gallantry. He laid the letter down and picked it up again. He studied the postmark over and over. He got up and walked to the window and back again, and then began fumbling in his pockets for his knife. No, he did not want it; yes, he did. He would just cut the envelope and make believe he had read it to pique his wife; but he would not read it. Yes, that was it. He found the knife and slit the paper. His fingers trembled as he touched the sheets that protruded. Why would not Leslie come? Did she not know that he was waiting for her? She ought to have known that there was a letter from Paris to-day, for it had been a month since they had had one.

There was a sound of footsteps without. He sprang up, crying, "I 've been waiting so long for you!" A servant opened the door to bring him a message. Oakley dismissed him angrily. What did he want to go down to the Continental for to drink and talk politics to a lot of muddle-pated fools when he had a brother in Paris who was an artist and a letter from him lay unread in his hand? His patience and his temper were going. Leslie was careless and unfeeling. She ought to come; he was tired of waiting.

A carriage rolled up the driveway and he dropped the letter guiltily, as if it were not his own. He would only say that he had grown tired of waiting and started to read it. But it was only Mrs. Davis's footman leaving a note for Leslie about some charity.

He went back to the letter. Well, it was his. Leslie had forfeited her right to see it as soon as he. It might be mean, but it was not dishonest. No, he would not read it now, but he would take it out and show her that he had exercised his self-control in spite of her shortcomings. He laid it on the desk once more. It leered at him. He might just open the sheets enough to see the lines that began it, and read no further. Yes, he would do that. Leslie could not feel hurt at such a little thing.

The first line had only "Dear Brother." "Dear Brother"! Why not the second? That could not hold much more. The second line held him, and the third, and the fourth, and as he read on, unmindful now of what Leslie might think or feel, his face turned from the ruddy glow of pleasant anxiety to the pallor of grief and terror. He was not half-way through it when Mrs. Oakley's voice in the hall announced her coming. He did not hear her. He sat staring at the page before him, his lips apart and his eyes staring. Then, with a cry that echoed through the house, crumpling the sheets in his hand, he fell forward fainting to the floor, just as his wife rushed into the room.

"What is it?" she cried. "Maurice! Maurice!"

He lay on the floor staring up at the ceiling, the letter clutched in his hands. She ran to him and lifted up his head, but he gave no sign of life. Already the servants were crowding to the door. She bade one of them to hasten for a doctor, others to bring water and brandy, and the rest to be gone. As soon as she was alone, she loosed the crumpled sheets from his hand, for she felt that this must have been the cause of her husband's strange attack. Without a thought of wrong, for they had no secrets from each other, she glanced at the opening lines. Then she forgot the unconscious man at her feet and read the letter through to the end.

The letter was in Frank's neat hand, a little shaken, perhaps, by nervousness.

"DEAR BROTHER," it ran, "I know you will grieve at receiving this, and I wish that I might bear your grief for you, but I cannot, though I have as heavy a burden as this can bring to you. Mine would have been lighter to-day, perhaps, had you been more straightforward with me. I am not blaming you, however, for I know that my hypocrisy made you believe me possessed of a really soft heart, and you thought to spare me. Until yesterday, when in a letter from Esterton he casually mentioned the matter, I did not know that Berry was in prison, else this letter would have been written sooner. I have been wanting to write it for so long, and yet have been too great a coward to do so.

"I know that you will be disappointed in me, and just what that disappointment will cost you I know; but you must hear the truth. I shall never see your face again, or I should not dare to tell it even now. You will remember that I begged you to be easy on your servant. You thought it was only my kindness of heart. It was not; I had a deeper reason. I knew where the money had gone and dared not tell. Berry is as innocent as yourself--and I--well, it is a story, and let me tell it to you.

"You have had so much confidence in me, and I hate to tell you that it was all misplaced. I have no doubt that I should not be doing it now but that I have drunken absinthe enough to give me the emotional point of view, which I shall regret to-morrow. I do not mean that I am drunk. I can think clearly and write clearly, but my emotions are extremely active.

"Do you remember Claire's saying at the table that night of the farewell dinner that some dark-eyed mademoiselle was waiting for me? She did not know how truly she spoke, though I fancy she saw how I flushed when she said it: for I was already in love--madly so.

"I need not describe her. I need say nothing about her, for I know that nothing I say can ever persuade you to forgive her for taking me from you. This has gone on since I first came here, and I dared not tell you, for I saw whither your eyes had turned. I loved this girl, and she both inspired and hindered my work. Perhaps I would have been successful had I not met her, perhaps not.

"I love her too well to marry her and make of our devotion a stale, prosy thing of duty and compulsion. When a man does not marry a woman, he must keep her better than he would a wife. It costs. All that you gave me went to make her happy.

"Then, when I was about leaving you, the catastrophe came. I wanted much to carry back to her. I gambled to make more. I would surprise her. Luck was against me. Night after night I lost. Then, just before the dinner, I woke from my frenzy to find all that I had was gone. I would have asked you for more, and you would have given it; but that strange, ridiculous something which we misname Southern honour, that honour which strains at a gnat and swallows a camel, withheld me, and I preferred to do worse. So I lied to you. The money from my cabinet was not stolen save by myself. I am a liar and a thief, but your eyes shall never tell me so.

"Tell the truth and have Berry released. I can stand it. Write me but one letter to tell me of this. Do not plead with me, do not forgive me, do not seek to find me, for from this time I shall be as one who has perished from the earth; I shall be no more.

"Your brother, FRANK."