Chapter 4
For, after all, it is woman who decides. A clever girl may usually marry any man she sees fit to honour with the responsibility of her bills. The ardent lover counts for considerably less than he is wont to suppose.
[Sidenote: The Only One They Know]
There is a good old scheme which the world of lovers has unanimously adopted, in order to find out where they stand. It is so simple as to make one weep, but it is the only one they know. This consists of an intentional absence, judiciously timed.
Suppose a man has been spending three or four evenings a week with the same girl, for a period of two or three months. Flowers, books, and chocolates have occasionally appeared, as well as invitations to the theatre. The man has been fed out of the chafing-dish, and also with accidental cake, for men are as fond of sugar as women, though they are ashamed to admit it.
Suddenly, without warning, the man misses an evening, then another, then another. Two weeks go by, and still no man. The neighbours and the family begin to ask questions of a personal nature.
It is at this stage that the immature and childish woman will write the man a note, expressing regret for his long absence, and trusting that nothing may interfere with their "pleasant friendship." Sometimes the note brings the man back immediately and sometimes it doesn't. He very seldom condescends to make an explanation. If he does, it is merely a casual allusion to "business." This is the only excuse even a bright man can think of.
[Sidenote: "Climbing a Tree"]
This act is technically known among girls as "climbing a tree." When a man does it, he wants a girl to bring a ladder and a lunch and plead with him to come down and be happy, but doing as he wishes is no way to attract a man up a tree.
Men are as impervious to tears and pleadings as a good mackintosh to mist, but at the touch of indifference, they melt like wax. So when her quondam lover attempts metaphorical athletics, the wise girl smiles and withdraws into her shell.
She takes care that he shall not see her unless he comes to her. She draws the shades the moment the lamps are lighted. If he happens to pass the house in the evening, he may think she is out, or that she has company--it is all the same to her. She arranges various evenings with girl friends and gets books from the library. This is known as "provisioning the citadel for a siege."
[Sidenote: Pride and Pride]
It is a contest between pride and pride which occurs in every courtship, and the girl usually wins. True lovers are as certain to return as Bo-Peep's flock or a systematically deported cat. Shame-faced, but surely, the man comes back.
Various laboratory note-books yield the same result. A single entry indicates the general trend of the affair.
_MAN calls on GIRL after five weeks of unexplained absence. She asks no questions, but keeps the conversation impersonal, even after he shows symptoms of wishing to change its character._
MAN. (_Finally._) "I haven't seen you for an awfully long time."
GIRL. "Haven't you? Now that I think of it, it has been some time."
MAN. "How long has it been, I wonder?"
GIRL. "I haven't the least idea. Ten days or two weeks, I guess."
MAN. (_Hastily._) "Oh no, it's been much longer than that. Let's see, it's"--(_makes great effort with memory_)--"why, it's five weeks! Five weeks and three days! Don't you remember?"
GIRL. "I hadn't thought of it. It doesn't seem that long. How time does fly, doesn't it!" (_Long silence._)
MAN. "I've been awfully busy. I wanted to come over, but I just couldn't."
GIRL. "I've been very busy, too." (_Voluminous detail of her affairs follows, entirely pleasant in character._)
MAN. (_Tenderly._) "Were you so busy you didn't miss me?"
GIRL. "Why, I can't say I missed you, exactly, but I always thought of you pleasantly."
MAN. "Did you think of me often?"
GIRL. (_Laughing._) "I didn't keep any record of it. Do you want me to cut a notch in the handle of my parasol every time I think of you? If all my friends were so exacting, I'd have time for nothing else. I'd need a new one every week and the house would be full of shavings. All my fingers would be cut, too."
MAN. (_Unconsciously showing his hand._) "I thought you'd write me a note."
[Sidenote: His Short Suit]
GIRL. (_Leading his short suit._) "You could have waited on your front steps till the garbage man took you away, and I wouldn't have written you any note."
MAN. (_With evident sincerity._) "That's no dream! I could do just that!" (_Proposal follows in due course, MAN making full and complete confession._)
If he is foolish enough to complicate his game with another girl, he loses much more than he gains, for he lowers the whole affair to the level of a flirtation, and destroys any belief the girl may have had in him. He also forces her to do the same thing, in self-defence. Flirtation is the only game in which it is advisable and popular to trump one's partner's ace.
He who would win a woman must challenge her admiration, prove himself worthy of her regard, appeal to her sympathy--and then wound her. She is never wholly his until she realises that he has the power to make her miserable as well as to make her happy, and that love is an infinite capacity for suffering.
A man who does it consciously is apt to overdo it, out of sheer enthusiasm, and if a girl suspects that it is done intentionally, the hurt loses its sting and changes her love to bitterness. A succession of attempts is also useless, for a man never hurts a woman twice in exactly the same way. When he has run the range of possible stabs, she is out of his reach--unless she is his wife.
[Sidenote: A State Secret]
The intentional absence scheme is too transparent to succeed, and temporary devotion to another girl is definite damage to his cause, for it indicates fickleness and instability. There is only one way by which a man may discover his true position without asking any questions, and that is--a state secret. Now and then a man strikes it by accident, but nobody ever tells--even brothers or platonic friends.
Some men select a wife as they would a horse, paying due attention to appearance, gait, disposition, age, teeth, and grooming. High spirits and a little wildness are rather desirable than otherwise, if both are young. Men who have had many horses or many wives and have grown old with both, have a slight inclination toward sedate ways and domestic traits.
[Sidenote: The "Woman's Column"]
Modern society makes it fully as easy to choose the one as the other. In communities where the chaperone idea is at its prosperous zenith, a man may see a girl under nearly all circumstances. The men who conduct the "Woman's Column" in many pleasing journals are still writing of the effect it has on a man to catch a girl in curl papers of a morning, though curl papers have been obsolete for many and many a moon.
Cycling, golf, and kindred out-door amusements have been the death of careless morning attire. Uncorseted woman is unhappy woman, and the girl of whom the versatile journalist writes died long ago. Perhaps it is because a newspaper man can write anything at four minutes' notice and do it well, that the press fairly reeks with "advice to women."
The question, propounded in a newspaper column, "What Kind of a Girl Does a Man Like Best," will bring out a voluminous symposium which adds materially to the gaiety of the nation. It would be only fair to have this sort of thing temporarily reversed--to tell men how to make home happy for their wives and how to keep a woman's love, after it has once been given.
Some clever newspaper woman might win everlasting laurels for herself if she would contribute to this much neglected branch of human knowledge. How is a man to know that a shirt-front which looks like a railroad map diverts one's mind from his instructive remarks? How is he to know that a cane is a nuisance when he fares forth with a girl? It is true that sisters might possibly attempt this, but the modern sister is heavily overworked at present and it is not kind to suggest an addition to her cares.
[Sidenote: Neglected By His Kind]
There is no advice of any sort given to men except on the single subject of choosing a wife. This is to be found only in the books in the Sabbath-School library, or in occasional columns of the limited number of saffron dailies which illuminate the age. Surely, man has been neglected by his kind!
[Sidenote: Indecision]
The general masculine attitude indicates widespread belief in the promise, "Ask, and ye shall receive." A man will tell his best friend that he doesn't know whether to marry a certain girl. If she hears of his indecision there is trouble ahead, if he finally decides in the affirmative, and it is quite possible that he may not marry her.
After the door of a woman's heart has once swung on its silent hinges, a man thinks he can prop it open with a brick and go away and leave it. A storm is apt to displace the brick, however--and there is a heavy spring on the door. Woe to the masculine finger that is in the way!
A man often hesitates between two young women and asks his friends which he shall marry. Custom has permitted the courtship of both and neither has the right to feel aggrieved, because it is exceedingly bad form for a girl to love a man before he has asked her to.
Now and then a third girl is a man's confidante at this trying period. Nothing so bores a person as to be a man's "guide, philosopher and friend" in his perplexities with other girls. To one distinct class of women men tell their troubles and the other class sees that they have plenty to tell. It is better to be in the second category than in the first.
Sooner or later, the confidante explains the whole affair to the subjects of the confidence and strange, new kinds of trouble immediately come to the rash man. It is a common failing to expect another person to keep a secret which we have just proved is beyond our own capability.
[Sidenote: The Adamantine Fortress]
When a man has once deeply wounded a woman's pride, he may just as well give up his hope of winning her. At that barrier, the little blind god may plead in vain. Love's face may be sad, his big, sightless eyes soft with tears, and his helpless hands outstretched in pleading and prayer, but that stern sentinel will never yield. Wounded love is easily forgiven, wounded belief sometimes forgotten, but wounded pride--never. It is the adamantine fortress. There is only one path which leads to the house of forgiveness--that of understanding, and it is impassable if woman's pride has come between.
A girl never knows whether a courtship is in progress or not, unless a man tells her. He may be interested and amused, but not in love. It is only in the comic papers that a stern parent waits upon the continuous caller and demands to know his "intentions," so a girl must, perforce, be her own guide.
[Sidenote: The Continuous Caller]
A man may call upon a girl so constantly and so regularly that the neighbours daily expect wedding invitations, and the family inquire why he does not have his trunk sent to the house. Later, quite casually, he will announce his engagement to a girl who is somewhere else. This fiancée is always a peculiarly broad-minded girl who knows all about her lover's attentions to the other and does not in the least object. She wants him to "have a good time" when he is away from her, and he is naturally anxious to please her. He wants the other girl to know his wife--he is sure they will be good friends.
Lasting feminine friendships are not built upon foundations of that kind. It is very unfortunate, for the world would be gladdened by many more than now exist.
According to geometry, "things which are equal to the same thing are equal to each other," and it would seem, from the standpoint of pure reason, that people who are fond of the same people would naturally be congenial and take pleasure in being together.
But a sensitive spinster is often grieved when she discovers that her men friends do not readily assimilate. If she leaves two of them to entertain each other, the conversation does not flow with desirable spontaneity. There is no lack of courtesy between them, however, even of that finer sort which keeps them both there, lest one, by leaving, should seem to remind his companion that it was late.
On the contrary, if a man is fond of two different girls, they are seldom to be seen apart. They exchange long visits regularly and this thoughtfulness often saves him from making an extra call.
[Sidenote: A Happy Triumvirate]
A happy triumvirate is thus formed and the claws of it do not show. Sometimes it is hard to decide between them, and he cuts the Gordian knot by marrying someone else, but the friendship is never the same afterward. The girls are no longer boon companions and when the man crosses their paths, they manage to convey the impression of great distance.
[Sidenote: Narrowed Down to Two]
In the beginning, almost any number may join in the game, but the inevitable process of selection eventually narrows it down to two. Society has given men a little the best of it, but perhaps woman's finer sight compensates her for the apparent disadvantages--and even Love, who deals the cards, is too blind to see the fatal consequences of his mistakes.
The Natural History of Proposals
The Natural History of Proposals
[Sidenote: The Inquiring Spinster]
There is no subject which presents more difficulties to the inquiring spinster. Contemporary spinsters, when approached upon the topic, are anything but encouraging; apparently lacking the ability to distinguish between impertinent intrusion into their personal affairs and the scientific spirit which prompts the collection of statistics.
Married women, when asked to repeat the exact language of the lover at the happy moment, are wont to transfix the sensitive aspirant for knowledge with lofty scorn. Mothers are accustomed to dissemble and say they "have forgotten." Men in general are uncommunicative, though occasionally some rare soul will expand under the influence of food and freely give more valuable information than can be extracted from an indefinite number of women.
One's own experience is naturally limited, even though proposals constitute the main joy and excitement of the spinster's monotonous life. Emerson says: "All is sour if seen as experience," though the gentle sage was not referring especially to offers of marriage. Nevertheless, there is a charm about other people's affairs which would render life beautiful indeed if it could be added to one's own.
Nothing strengthens a woman's self-confidence like a proposal. One is a wonder, two a superfluity, and three an epidemic. Four are proof of unusual charm, five go to the head, and it is a rare girl whom six or seven will not permanently spoil.
[Sidenote: Disillusion]
To the girl fed upon fiction, the first proposal comes in the nature of a shock. Disillusion follows as a matter of course. Men, evidently, do not read fiction, or at least do not profit by the valuable hints to be found in any novel.
A small book entitled: _How Men Propose_, was eagerly sought by young women who were awaiting definite experience. This was discovered to be a collection of proposals carefully selected from fiction. It was done with care and discernment, but was not satisfying. The natural inference was that the actual affairs were just like those in the book.
[Sidenote: "In Books?"]
Nothing can exceed the grace and tenderness with which men propose--in books. Such chivalrous worship, such pleasing deference is accorded--in books! Such pretty pleading, such knightly vows of eternal allegiance, as are always found--in books!
The hero of a few years back was wont to make his offer on his knees. He also haunted the home of the beloved maiden, deeming himself well repaid for five hours wait if he had a fleeting glimpse of her at the window. Torn hair was frequent, and refusal drove men to suicide and madness.
The young women who were the cause of all this trouble were never more than eighteen or twenty years of age. Mature spinsters of twenty-five figured as envious deterrents in the happy affair. Many a story-book marriage has been spoiled by the jealousy of the wrinkled rival of twenty-five.
[Sidenote: The First Proposal]
The violent protestations of the lover in the novel were indeed something to be awaited with fear and trembling. With her anticipations aroused by this kind of reading and her eagerness whetted by interminable years of waiting, Mademoiselle receives her first offer of marriage.
She is in doubt, at first, as to whether it is a proposal. It seems like some dreadful mistake. Where is the courtly manner of the lover in the book? What is the matter with this red-faced boy? Where is the pretty pleading, the gracious speech? Why should a lover stammer and confuse his verbs?
Mademoiselle recoils in disgust. This, then, is what she has been waiting for. It is not at all like the book. Her lover is entirely different from other girls' lovers--so different that he is pathetic.
Her faith in the gospel of romance is sadly shaken, when the next experience is a great deal like the first. No one, in the book, could doubt the lover's meaning. Yet in the halting sentences and confused metaphors of actual experience, there is sometimes much question as to what he really means. A girl often has to ask a man if he has just proposed to her, that she may accept or refuse, in a gracious and proper way.
[Sidenote: The Ordeal]
In a girl's early ideas on the subject, she has much sympathy for the man who has to undergo the ordeal of asking a woman to be his wife. She thinks he must contemplate the momentous step for weeks, await the opportunity with expectant terror, and when his lady is in a happy mood, recite with fear and trembling, the proposal which he has written out and learned, appropriately enough, by heart.
Later, she comes to know that after the first few times, men propose as thoughtlessly and easily as they dress for dinner, that they devote no particular study to the art, that constant practice makes them proficient, and that almost any girl will do when the proposal mood is on.
She discovers that they often do it simply to make a pleasing impression upon a girl, with no thought of acceptance. Many an engagement is more of a surprise to the man than to anybody else.
Because fiction comes very near to the heart of woman, she invariably follows its dictates and shows great astonishment at every proposal. The women who have been thus surprised are even more rare than days in June.
[Sidenote: The False and the True]
When a man begins to compare a girl to a flower, a baby, or a kitten, she knows what is coming next. She spends her mental energy in distinguishing the false from the true--which is sufficient employment for anyone. There is not enough cerebral tissue to waste much of it upon unnecessary processes.
It is very hard to tell whether a man really means a proposal. It may have been made under romantic circumstances, or because he was lonesome for the other girl, or, in the case of an heiress, because he was tired of work. Longing for the absent sweetheart will frequently cause a man to become engaged to someone near by, because, though absence may make a woman's heart grow fonder, it is presence that plays the mischief with a man. No wise girl would accept a man who proposed by moonlight or just after a meal. The dear things aren't themselves then.
Food, properly served, will attract a proposal at almost any time, especially if it is known that the pleasing viands were of the girl's own making. Cooking and love may seem at first glance to be widely separated, but no woman can have one without the other. The brotherly love for all creation, which emanates from the well-fed man, overflows, concentrates, and naturally becomes a proposal.
[Sidenote: Written Proposals]
Other things being equal, a written proposal is apt to be genuine, especially if it is signed with the full name and address of the writer, and the date is not omitted. Long and painful experience in the courts of his country has made man wary of direct evidence.
But a written proposal is extremely bad form. A girl never can be sure that her lover did not attempt to fish it out of the letter-box after it had slipped from his fingers. The author of _How to Be Happy, Though Married_, once saw a miserable young man attempting to get his convicting letter back by means of a forked stick. The sight must be quite common everywhere. Proposing in haste and repenting at leisure is not by any means unusual.
Then, too, a girl misses a possible opportunity of seeing a man blush and stammer. One does not often get a chance to see a man willingly making himself ridiculous, and the spectacle is worth waiting for.
[Sidenote: Confusion and Awkwardness]
Confusion and awkwardness are high trumps with a woman, for they indicate inexperience and uncertainty. The man who proposes in a finished and nonchalant manner, as if he had done it frequently and were sure of the result, is now and then astonished at a refusal. It is also a risk to offer a ring immediately after acceptance. The suspicion is that the ring has been worn before, or else the man was sure enough of the girl to invest heavily in his future.
Sometimes a man will disclose to a platonic friend the form he habitually employs in proposals. The hero of battle engagements has proverbial charm for woman, and the hero of matrimonial engagements is meat and drink to the spinster athirst for knowledge.
Feed the man, and when the brotherly love for the entire universe begins to radiate, approach him gently upon the subject.
"Why, bless your little heart," the man will say, "of course I'll tell you about it. Yes, you're right in supposing that I know more about it than anyone else you know. I've never been refused in my life and I know I've asked a hundred. I've had medals for that.
"I always try to make each one different," he will continue. "Girls sometimes compare notes and it makes it awkward. The girl I'm engaged to now doesn't know any of my other girls, though, so I'm safe enough.
[Sidenote: "One of the Best Proposals"]
"I'll never forget the way I did that. I think it was one of the best proposals I ever made. She's a mighty pretty little thing,--blue eyes and black hair,--a regular Irish type. I must tell you first, though, how I came to know her.
"The one I was engaged to just before I asked her, had just broken it off on account of property which her children would lose if she married again. She was a widow, you know. I've told you about her--the one with red hair. Between you and me, that's the only woman in God's world my heart ever went out to. That is the love of my life. Her little girl, eleven years old, was in love with me, too. She used to tremble when I kissed her, and was jealous of her mother. But this little girl I'm engaged to now, why I just love the ground she walks on.
[Sidenote: "A Very Peculiar Affair"]
"Well," after a pause, "this was a very peculiar affair. Of course I was all broken up over losing her--couldn't eat nor sleep--I was a perfect wreck. This old friend of mine happened along, and he says, 'You'll have to brace up, old man. Come on out to my house in the country and rest up a bit.' So I went, and met his daughter.
"Five days after I met her, I asked him for her hand. I explained it to him just as I would to my own father, and he understood all right. He's a fine fellow. He said I could have her. Of course I'd asked her first.