The Spectator, Volume 2.

Chapter 7

Chapter 73,986 wordsPublic domain

The natural Love to _Latin_ which is so prevalent in our common People, makes me think that my Speculations fare never the worse among them for that little Scrap which appears at the Head of them; and what the more encourages me in the Use of Quotations in an unknown Tongue is, that I hear the Ladies, whose Approbation I value more than that of the whole Learned World, declare themselves in a more particular manner pleased with my _Greek_ Mottos.

Designing this Days Work for a Dissertation upon the two Extremities of my Paper, and having already dispatch'd my Motto, I shall, in the next place, discourse upon those single Capital Letters, which are placed at the End of it, and which have afforded great Matter of Speculation to the Curious. I have heard various Conjectures upon this Subject. Some tell us that C is the Mark of those Papers that are written by the Clergyman, though others ascribe them to the Club in general: That the Papers marked with R were written by my Friend Sir ROGER: That L signifies the Lawyer, whom I have described in my second Speculation; and that T stands for the Trader or Merchant: But the Letter X, which is placed at the End of some few of my Papers, is that which has puzzled the whole Town, as they cannot think of any Name which begins with that Letter, except _Xenophon_ and _Xerxes_, who can neither of them be supposed to have had any Hand in these Speculations.

In Answer to these inquisitive Gentlemen, who have many of them made Enquiries of me by Letter, I must tell them the Reply of an ancient Philosopher, who carried something hidden under his Cloak. A certain Acquaintance desiring him to let him know what it was he covered so carefully; _I cover it,_ says he, _on purpose that you should not know_. I have made use of these obscure Marks for the same Purpose. They are, perhaps, little Amulets or Charms to preserve the Paper against the Fascination and Malice of evil Eyes; for which Reason I would not have my Reader surprized, if hereafter he sees any of my Papers marked with a Q, a Z, a Y, an &c., or with the Word _Abracadabra_ [3]

I shall, however, so far explain my self to the Reader, as to let him know that the Letters, C, L, and X, are Cabalistical, and carry more in them than it is proper for the World to be acquainted with. Those who are versed in the Philosophy of Pythagoras, and swear by the _Tetrachtys_, [4] that is, the Number Four, will know very well that the Number _Ten_, which is signified by the Letter X, (and which has so much perplexed the Town) has in it many particular Powers; that it is called by Platonick Writers the Complete Number; that One, Two, Three and Four put together make up the Number Ten; and that Ten is all. But these are not Mysteries for ordinary Readers to be let into. A Man must have spent many Years in hard Study before he can arrive at the Knowledge of them.

We had a Rabbinical Divine in _England_, who was Chaplain to the Earl of _Essex_ in Queen _Elizabeth's_ Time, that had an admirable Head for Secrets of this Nature. Upon his taking the Doctor of Divinity's Degree, he preached before the University of _Cambridge_, upon the _First_ Verse of the _First_ Chapter of the _First_ Book of _Chronicles_, in which, says he, you have the three following Words,

_Adam, Sheth, Enosh_.

He divided this short Text into many Parts, and by discovering several Mysteries in each Word, made a most Learned and Elaborate Discourse. The Name of this profound Preacher was Doctor _Alabaster_, of whom the Reader may find a more particular Account in Doctor _Fullers_ Book of _English_ Worthies. [5] This Instance will, I hope, convince my Readers that there may be a great deal of fine Writing in the Capital Letters which bring up the Rear of my Paper, and give them some Satisfaction in that Particular. But as for the full Explication of these Matters, I must refer them to Time, which discovers all things.

C.

[Footnote 1: Diogenes Laertius, Bk. V. ch. I.]

[Footnote 2: Quæ Genus and As in Præsenti were the first words in collections of rules then and until recently familiar as part of the standard Latin Grammar, Lilly's, to which Erasmus and Colet contributed, and of which Wolsey wrote the original Preface.]

[Footnote 3: Abraxas, which in Greek letters represents 365, the number of the deities supposed by the Basilidians to be subordinate to the All Ruling One, was a mystical name for the supreme God, and was engraved as a charm on stones together with the figure of a human body (Cadaver), with cats head and reptiles feet. From this the name Abracadabra may have arisen, with a sense of power in it as a charm. Serenus Sammonicus, a celebrated physician who lived about A.D. 210, who had, it is said, a library of 62,000 volumes, and was killed at a banquet by order of Caracalla, said in an extant Latin poem upon Medicine and Remedies, that fevers were cured by binding to the body the word Abracadabra written in this fashion:

Abracadabra Abracadabr Abracadab Abracada

and so on, till there remained only the initial A. His word was taken, and this use of the charm was popular even in the Spectators time. It is described by Defoe in his History of the Plague.]

[Footnote 4: The number Four was called Tetractys by the Pythagoreans, who accounted it the most powerful of numbers, because it was the foundation of them all, and as a square it signified solidity. They said it was at the source of Nature, four elements, four seasons, &c., to which later speculators added the four rivers of Paradise, four evangelists, and association of the number four with God, whose name was a mystical Tetra grammaton, Jod, He, Vau, He.]

[Footnote 5: Where it is explained that Adam meaning Man; Seth, placed; and Enosh, Misery: the mystic inference is that Man was placed in Misery.]

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No. 222. Wednesday, November 14, 1711. Steele.

Cur alter fratrum cessare, et ludere, et ungi, Præferat Herodis palmetis pinguibus

Hor.

_Mr_. SPECTATOR,

There is one thing I have often look'd for in your Papers, and have as often wondered to find my self disappointed; the rather, because I think it a Subject every way agreeable to your Design, and by being left unattempted by others, seems reserved as a proper Employment for you; I mean a Disquisition, from whence it proceeds, that Men of the brightest Parts, and most comprehensive Genius, compleatly furnished with Talents for any Province in humane Affairs; such as by their wise Lessons of Oeconomy to others have made it evident, that they have the justest Notions of Life and of true Sense in the Conduct of it--: from what unhappy contradictious Cause it proceeds, that Persons thus finished by Nature and by Art, should so often fail in the Management of that which they so well understand, and want the Address to make a right Application of their own Rules. This is certainly a prodigious Inconsistency in Behaviour, and makes much such a Figure in Morals as a monstrous Birth in Naturals, with this Difference only, which greatly aggravates the Wonder, that it happens much more frequently; and what a Blemish does it cast upon Wit and Learning in the general Account of the World? And in how disadvantageous a Light does it expose them to the busy Class of Mankind, that there should be so many Instances of Persons who have so conducted their Lives in spite of these transcendent Advantages, as neither to be happy in themselves, nor useful to their Friends; when every Body sees it was entirely in their own Power to be eminent in both these Characters? For my part, I think there is no Reflection more astonishing, than to consider one of these Gentlemen spending a fair Fortune, running in every Body's Debt without the least Apprehension of a future Reckoning, and at last leaving not only his own Children, but possibly those of other People, by his Means, in starving Circumstances; while a Fellow, whom one would scarce suspect to have a humane Soul, shall perhaps raise a vast Estate out of Nothing, and be the Founder of a Family capable of being very considerable in their Country, and doing many illustrious Services to it. That this Observation is just, Experience has put beyond all Dispute. But though the Fact be so evident and glaring, yet the Causes of it are still in the Dark; which makes me persuade my self, that it would be no unacceptable Piece of Entertainment to the Town, to inquire into the hidden Sources of so unaccountable an Evil. _I am, SIR, Your most Humble Servant_.

What this Correspondent wonders at, has been Matter of Admiration ever since there was any such thing as humane Life. _Horace_ reflects upon this Inconsistency very agreeably in the Character of _Tigellius_, whom he makes a mighty Pretender to Oeconomy, and tells you, you might one Day hear him speak the most philosophick Things imaginable concerning being contented with a little, and his Contempt of every thing but mere Necessaries, and in Half a Week after spend a thousand Pound. When he says this of him with Relation to Expence, he describes him as unequal to himself in every other Circumstance of Life. And indeed, if we consider lavish Men carefully, we shall find it always proceeds from a certain Incapacity of possessing themselves, and finding Enjoyment in their own Minds. Mr. _Dryden_ has expressed this very excellently in the Character of _Zimri_. [1]

A Man so various, that he seem'd to be Not one, but all Mankind's Epitome. Stiff in Opinion, always in the Wrong, Was every Thing by Starts, and Nothing long; But in the Course of one revolving Moon, Was Chymist, Fidler, Statesman, and Buffoon. Then all for Women, Painting, Rhiming, Drinking, Besides ten thousand Freaks that died in thinking; Blest Madman, who could every Hour employ In something new to wish or to enjoy! In squandering Wealth was his peculiar Art, Nothing went unrewarded but Desert.

This loose State of the Soul hurries the Extravagant from one Pursuit to another; and the Reason that his Expences are greater than anothers, is, that his Wants are also more numerous. But what makes so many go on in this Way to their Lives End, is, that they certainly do not know how contemptible they are in the Eyes of the rest of Mankind, or rather, that indeed they are not so contemptible as they deserve. _Tully_ says, it is the greatest of Wickedness to lessen your paternal Estate. And if a Man would thoroughly consider how much worse than Banishment it must be to his Child, to ride by the Estate which should have been his had it not been for his Fathers Injustice to him, he would be smitten with the Reflection more deeply than can be understood by any but one who is a Father. Sure there can be nothing more afflicting than to think it had been happier for his Son to have been born of any other Man living than himself.

It is not perhaps much thought of, but it is certainly a very important Lesson, to learn how to enjoy ordinary Life, and to be able to relish your Being without the Transport of some Passion or Gratification of some Appetite. For want of this Capacity, the World is filled with Whetters, Tipplers, Cutters, Sippers, and all the numerous Train of those who, for want of Thinking, are forced to be ever exercising their Feeling or Tasting. It would be hard on this Occasion to mention the harmless Smoakers of Tobacco and Takers of Snuff.

The slower Part of Mankind, whom my Correspondent wonders should get Estates, are the more immediately formed for that Pursuit: They can expect distant things without Impatience, because they are not carried out of their Way either by violent Passion or keen Appetite to any thing. To Men addicted to Delight[s], Business is an Interruption; to such as are cold to Delights, Business is an Entertainment. For which Reason it was said to one who commended a dull Man for his Application,

_No Thanks to him; if he had no Business, he would have nothing to do._

T.

[Footnote 1: i.e. The Duke of Buckingham, in Part I. of 'Absalom and Achitophel'.]

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No. 223. Thursday, Nov. 15, 1711. Addison.

O suavis Anima! qualem te dicam bonam Antehac fuisse, tales cùm sint reliquiæ!

Phæd.

When I reflect upon the various Fate of those Multitudes of Ancient Writers who flourished in _Greece_ and _Italy_, I consider Time as an Immense Ocean, in which many noble Authors are entirely swallowed up, many very much shattered and damaged, some quite disjointed and broken into pieces, while some have wholly escaped the Common Wreck; but the Number of the last is very small.

_Apparent rari nantes in gurgite vasto_.

Among the mutilated Poets of Antiquity, there is none whose Fragments are so beautiful as those of _Sappho_. They give us a Taste of her Way of Writing, which is perfectly conformable with that extraordinary Character we find of her, in the Remarks of those great Criticks who were conversant with her Works when they were entire. One may see by what is left of them, that she followed Nature in all her Thoughts, without descending to those little Points, Conceits, and Turns of Wit with which many of our modern Lyricks are so miserably infected. Her Soul seems to have been made up of Love and Poetry; She felt the Passion in all its Warmth, and described it in all its Symptoms. She is called by ancient Authors the Tenth Muse; and by _Plutarch_ is compared to _Cacus_ the Son of _Vulcan_, who breathed out nothing but Flame. I do not know, by the Character that is given of her Works, whether it is not for the Benefit of Mankind that they are lost. They were filled with such bewitching Tenderness and Rapture, that it might have been dangerous to have given them a Reading.

An Inconstant Lover, called _Phaon_, occasioned great Calamities to this Poetical Lady. She fell desperately in Love with him, and took a Voyage into _Sicily_ in Pursuit of him, he having withdrawn himself thither on purpose to avoid her. It was in that Island, and on this Occasion, she is supposed to have made the Hymn to _Venus_, with a Translation of which I shall present my Reader. Her Hymn was ineffectual for the procuring that Happiness which she prayed for in it. _Phaon_ was still obdurate, and _Sappho_ so transported with the Violence of her Passion, that she was resolved to get rid of it at any Price.

There was a Promontory in _Acarnania_ called _Leucrate_ [1] on the Top of which was a little Temple dedicated to Apollo. In this Temple it was usual for _despairing_ Lovers to make their Vows in secret, and afterwards to fling themselves from the Top of the Precipice into the Sea, where they were sometimes taken up alive. This Place was therefore called, _The Lovers Leap_; and whether or no the Fright they had been in, or the Resolution that could push them to so dreadful a Remedy, or the Bruises which they often received in their Fall, banished all the tender Sentiments of Love, and gave their Spirits another Turn; those who had taken this Leap were observed never to relapse into that Passion. _Sappho_ tried the Cure, but perished in the Experiment.

After having given this short Account of _Sappho_ so far as it regards the following Ode, I shall subjoin the Translation of it as it was sent me by a Friend, whose admirable Pastorals and _Winter-Piece_ have been already so well received. [2] The Reader will find in it that Pathetick Simplicity which is so peculiar to him, and so suitable to the Ode he has here Translated. This Ode in the Greek (besides those Beauties observed by Madam _Dacier_) has several harmonious Turns in the Words, which are not lost in the _English_. I must farther add, that the Translation has preserved every Image and Sentiment of _Sappho_, notwithstanding it has all the Ease and Spirit of an Original. In a Word, if the Ladies have a mind to know the Manner of Writing practised by the so much celebrated _Sappho_, they may here see it in its genuine and natural Beauty, without any foreign or affected Ornaments.

An HYMN to VENUS.

I. _O_ Venus, _Beauty of the Skies, To whom a Thousand Temples rise, Gayly false in gentle Smiles, Full of Loves perplexing Wiles; O Goddess! from my Heart remove The wasting Cares and Pains of Love_.

II. _If ever thou hast kindly heard A Song in soft Distress preferr'd, Propitious to my tuneful Vow, O gentle Goddess! hear me now. Descend, thou bright, immortal Guest, In all thy radiant Charms confest_.

III. _Thou once didst leave Almighty Jove, And all the Golden Roofs above: The Carr thy wanton Sparrows drew; Hovring in Air they lightly flew, As to my Bower they wing'd their Way: I saw their quivring Pinions play_.

IV. _The Birds dismist (while you remain) Bore back their empty Carr again: Then You, with Looks divinely mild, In evry heavnly Feature smil'd, And ask'd what new Complaints I made, And why I call'd you to my Aid_?

V. _What Phrenzy in my Bosom rag'd, And by what Care to be asswag'd? What gentle Youth I could allure, Whom in my artful Toiles secure? Who does thy tender Heart subdue, Tell me, my_ Sappho, _tell me Who_?

VI. _Tho now he Shuns thy longing Arms, He soon shall court thy slighted Charms; Tho now thy Offrings he despise, He soon to thee shall Sacrifice; Tho now he freeze, he soon shall burn, And be thy Victim in his turn_.

VII. _Celestial Visitant, once more Thy needful Presence I implore! In Pity come and ease my Grief, Bring my distemper'd Soul Relief; Favour thy Suppliants hidden Fires, And give me All my Heart desires_.

Madam _Dacier_ observes, there is something very pretty in that Circumstance of this Ode, wherein _Venus_ is described as sending away her Chariot upon her Arrival at _Sappho's_ Lodgings, to denote that it was not a short transient Visit which she intended to make her. This Ode was preserved by an eminent _Greek_ Critick, [3] who inserted it intire in his Works, as a Pattern of Perfection in the Structure of it.

_Longinus_ has quoted another Ode of this great Poetess, which is likewise admirable in its Kind, and has been translated by the same Hand with the foregoing one. I shall oblige my Reader with it in another Paper. In the mean while, I cannot but wonder, that these two finished Pieces have never been attempted before by any of our Countrymen. But the Truth of it is, the Compositions of the Ancients, which have not in them any of those unnatural Witticisms that are the Delight of ordinary Readers, are extremely difficult to render into another Tongue, so as the Beauties of the Original may not appear weak and faded in the Translation.

C.

[Footnote 1: Leucas]

[Footnote 2: Ambrose Philips, whose Winter Piece appeared in No. 12 of the _Tatler_, and whose six Pastorals preceded those of Pope. Philips's Pastorals had appeared in 1709 in a sixth volume of a Poetical Miscellany issued by Jacob Tonson. The first four volumes of that Miscellany had been edited by Dryden, the fifth was collected after Dryden's death, and the sixth was notable for opening with the Pastorals of Ambrose Philips and closing with those of young Pope which Tonson had volunteered to print, thereby, said Wycherley, furnishing a Jacob's ladder by which Pope mounted to immortality. In a letter to his friend Mr. Henry Cromwell, Pope said, generously putting himself out of account, that there were no better eclogues in our language than those of Philips; but when afterwards Tickell in the _Guardian_, criticising Pastoral Poets from Theocritus downwards, exalted Philips and passed over Pope, the slighted poet took his revenge by sending to Steele an amusing one paper more upon Pastorals. This was ironical exaltation of the worst he could find in Philips over the best bits of his own work, which Steele inserted (it is No. 40 of the _Guardian_). Hereupon Philips, it is said, stuck up a rod in Buttons Coffee House, which he said was to be used on Pope when next he met him. Pope retained his wrath, and celebrated Philips afterwards under the character of Macer, saying of this _Spectator_ time,

_When simple Macer, now of high renown, First sought a Poets fortune in the town, Twas all the ambition his high soul could feel, To wear red stockings, and to dine with Steele._]

[Footnote 3: Dionysius of Halicarnassus.]

* * * * *

No. 224. Friday, November 16, 1711. Hughes.

--Fulgente trahit constrictos Gloria curru Non minus ignotos generosis

Hor. Sat. 6.

If we look abroad upon the great Multitudes of Mankind, and endeavour to trace out the Principles of Action in every Individual, it will, I think, seem highly probable that Ambition runs through the whole Species, and that every Man in Proportion to the Vigour of his Complection is more or less actuated by it. It is indeed no uncommon thing to meet with Men, who by the natural Bent of their Inclinations, and without the Discipline of Philosophy, aspire not to the Heights of Power and Grandeur; who never set their Hearts upon a numerous Train of Clients and Dependancies, nor other gay Appendages of Greatness; who are contented with a Competency, and will not molest their Tranquillity to gain an Abundance: But it is not therefore to be concluded that such a Man is not Ambitious; his Desires may have cut out another Channel, and determined him to other Pursuits; the Motive however may be still the same; and in these Cases likewise the Man may be equally pushed on with the Desire of Distinction.

Though the pure Consciousness of worthy Actions, abstracted from the Views of popular Applause, be to a generous Mind an ample Reward, yet the Desire of Distinction was doubtless implanted in our Natures as an additional Incentive to exert our selves in virtuous Excellence.

This Passion indeed, like all others, is frequently perverted to evil and ignoble Purposes; so that we may account for many of the Excellencies and Follies of Life upon the same innate Principle, to wit, the Desire of being remarkable: For this, as it has been differently cultivated by Education, Study and Converse, will bring forth suitable Effects as it falls in with an [ingenuous] [1] Disposition, or a corrupt Mind; it does accordingly express itself in Acts of Magnanimity or selfish Cunning, as it meets with a good or a weak Understanding. As it has been employed in embellishing the Mind, or adorning the Outside, it renders the Man eminently Praise-worthy or ridiculous. Ambition therefore is not to be confined only to one Passion or Pursuit; for as the same Humours, in Constitutions otherwise different, affect the Body after different Manners, so the same aspiring Principle within us sometimes breaks forth upon one Object, sometimes upon another.

It cannot be doubted, but that there is as great Desire of Glory in a Ring of Wrestlers or Cudgel-Players, as in any other more refined Competition for Superiority. No Man that could avoid it, would ever suffer his Head to be broken but out of a Principle of Honour. This is the secret Spring that pushes them forward; and the Superiority which they gain above the undistinguish'd many, does more than repair those Wounds they have received in the Combat. Tis Mr. _Waller's_ Opinion, that _Julius Cæsar_, had he not been Master of the _Roman_ Empire, would in all Probability have made an excellent Wrestler.

_Great_ Julius _on the Mountains bred, A Flock perhaps or Herd had led; He that the World subdued, had been But the best Wrestler on the Green._ [2]