Chapter 36
I was last Night to visit a Lady who I much esteem, and always took for my Friend; but met with so very different a Reception from what I expected, that I cannot help applying my self to you on this Occasion. In the room of that Civility and Familiarity I used to be treated with by her, an affected Strangeness in her Looks, and Coldness in her Behaviour, plainly told me I was not the welcome Guest which the Regard and Tenderness she has often expressed for me gave me Reason to flatter my self to think I was. Sir, this is certainly a great Fault, and I assure you a very common one; therefore I hope you will think it a fit Subject for some Part of a Spectator. Be pleased to acquaint us how we must behave our selves towards this valetudinary Friendship, subject to so many Heats and Colds, and you will oblige, SIR, Your humble Servant, Miranda.
SIR,
I cannot forbear acknowledging the Delight your late Spectators on Saturdays have given me; for it is writ in the honest Spirit of Criticism, and called to my Mind the following four Lines I had read long since in a Prologue to a Play called Julius Cæsar [1] which has deserved a better Fate. The Verses are addressed to the little Criticks.
Shew your small Talent, and let that suffice ye; But grow not vain upon it, I advise ye. For every Fop can find out Faults in Plays: You'll ne'er arrive at Knowing when to praise.
Yours, D. G.
T.
[Footnote 1: By William Alexander, Earl of Stirling (who died in 1640); one of his four Monarchicke Tragedies. He received a grant of Nova Scotia to colonize, and was secretary of state for Scotland.]
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No. 301. Thursday, February 14, 1712. Budgell.
Possint ut Juvenes visere fervidi Multo non sine risu, Dilapsam in cineres facem.
Hor.
We are generally so much pleased with any little Accomplishments, either of Body or Mind, which have once made us remarkable in the World, that we endeavour to perswade our selves it is not in the Power of Time to rob us of them. We are eternally pursuing the same Methods which first procured us the Applauses of Mankind. It is from this Notion that an Author writes on, tho he is come to Dotage; without ever considering that his Memory is impaired, and that he has lost that Life, and those Spirits, which formerly raised his Fancy, and fired his Imagination. The same Folly hinders a Man from submitting his Behaviour to his Age, and makes Clodius, who was a celebrated Dancer at five and twenty, still love to hobble in a Minuet, tho he is past Threescore. It is this, in a Word, which fills the Town with elderly Fops, and superannuated Coquets.
Canidia, a Lady of this latter Species, passed by me Yesterday in her Coach. Canidia was an haughty Beauty of the last Age, and was followed by Crowds of Adorers, whose Passions only pleased her, as they gave her Opportunities of playing the Tyrant. She then contracted that awful Cast of the Eye and forbidding Frown, which she has not yet laid aside, and has still all the Insolence of Beauty without its Charms. If she now attracts the Eyes of any Beholders, it is only by being remarkably ridiculous; even her own Sex laugh at her Affectation; and the Men, who always enjoy an ill-natured Pleasure in seeing an imperious Beauty humbled and neglected, regard her with the same Satisfaction that a free Nation sees a Tyrant in Disgrace.
WILL. HONEYCOMB, who is a great Admirer of the Gallantries in King Charles the Seconds Reign, lately communicated to me a Letter written by a Wit of that Age to his Mistress, who it seems was a Lady of Canidia's Humour; and tho I do not always approve of my Friend WILLS Taste, I liked this Letter so well, that I took a Copy of it, with which I shall here present my Reader.
To CLOE. MADAM,
Since my waking Thoughts have never been able to influence you in my Favour, I am resolved to try whether my Dreams can make any Impression on you. To this end I shall give you an Account of a very odd one which my Fancy presented to me last Night, within a few Hours after I left you.
Methought I was unaccountably conveyed into the most delicious Place mine Eyes ever beheld, it was a large Valley divided by a River of the purest Water I had ever seen. The Ground on each Side of it rose by an easie Ascent, and was covered with Flowers of an infinite Variety, which as they were reflected in the Water doubled the Beauties of the Place, or rather formed an Imaginary Scene more beautiful than the real. On each Side of the River was a Range of lofty Trees, whose Boughs were loaden with almost as many Birds as Leaves. Every Tree was full of Harmony.
I had not gone far in this pleasant Valley, when I perceived that it was terminated by a most magnificent Temple. The Structure was ancient, and regular. On the Top of it was figured the God Saturn, in the same Shape and Dress that the Poets usually represent Time.
As I was advancing to satisfie my Curiosity by a nearer View, I was stopped by an Object far more beautiful than any I had before discovered in the whole Place. I fancy, Madam, you will easily guess that this could hardly be any thing but your self; in reality it was so; you lay extended on the Flowers by the side of the River, so that your Hands which were thrown in a negligent Posture, almost touched the Water. Your Eyes were closed; but if your Sleep deprived me of the Satisfaction of seeing them, it left me at leisure to contemplate several other Charms, which disappear when your Eyes are open. I could not but admire the Tranquility you slept in, especially when I considered the Uneasiness you produce in so many others.
While I was wholly taken up in these Reflections, the Doors of the Temple flew open, with a very great Noise; and lifting up my Eyes, I saw two Figures, in human Shape, coming into the Valley. Upon a nearer Survey, I found them to be YOUTH and LOVE. The first was encircled with a kind of Purple Light, that spread a Glory over all the Place; the other held a flaming Torch in his Hand. I could observe, that all the way as they came towards us, the Colours of the Flowers appeared more lively, the Trees shot out in Blossoms, the Birds threw themselves into Pairs, and Serenaded them as they passed: The whole Face of Nature glowed with new Beauties. They were no sooner arrived at the Place where you lay, when they seated themselves on each Side of you. On their Approach, methought I saw a new Bloom arise in your Face, and new Charms diffuse themselves over your whole Person. You appeared more than Mortal; but, to my great Surprise, continued fast asleep, tho the two Deities made several gentle Efforts to awaken you.
After a short Time, YOUTH (displaying a Pair of Wings, which I had not before taken notice of) flew off. LOVE still remained, and holding the Torch which he had in his Hand before your Face, you still appeared as beautiful as ever. The glaring of the Light in your Eyes at length awakened you; when, to my great Surprise, instead of acknowledging the Favour of the Deity, you frowned upon him, and struck the Torch out of his Hand into the River. The God after having regarded you with a Look that spoke at [once [1]] his Pity and Displeasure, flew away. Immediately a kind of Gloom overspread the whole Place. At the same time I saw an hideous Spectre enter at one end of the Valley. His Eyes were sunk into his Head, his Face was pale and withered, and his Skin puckered up in Wrinkles. As he walked on the sides of the Bank the River froze, the Flowers faded, the Trees shed their Blossoms, the Birds dropped from off the Boughs, and fell dead at his Feet. By these Marks I knew him to be OLD-AGE. You were seized with the utmost Horror and Amazement at his Approach. You endeavoured to have fled, but the Phantome caught you in his Arms. You may easily guess at the Change you suffered in this Embrace. For my own Part, though I am still too full of the [frightful [2]] Idea, I will not shock you with a Description of it. I was so startled at the Sight that my Sleep immediately left me, and I found my self awake, at leisure to consider of a Dream which seems too extraordinary to be without a Meaning. I am, Madam, with the greatest Passion, Your most Obedient, most Humble Servant, &c.
X.
[Footnote 1: [the same time]]
[Footnote 2: [dreadful]]
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No. 302. Friday, February 15, 1712. Steele.
Lachrymæque decoræ, Gratior et pulchro veniens in corpore Virtus.
Vir. Æn. 5.
I read what I give for the Entertainment of this Day with a great deal of Pleasure, and publish it just as it came to my Hands. I shall be very glad to find there are many guessed at for Emilia.
Mr. SPECTATOR, [1]
If this Paper has the good Fortune to be honoured with a Place in your Writings, I shall be the more pleased, because the Character of Emilia is not an imaginary but a real one. I have industriously obscured the whole by the Addition of one or two Circumstances of no Consequence, that the Person it is drawn from might still be concealed; and that the Writer of it might not be in the least suspected, and for [other [2]] Reasons, I chuse not to give it the Form of a Letter: But if, besides the Faults of the Composition, there be any thing in it more proper for a Correspondent than the SPECTATOR himself to write, I submit it to your better Judgment, to receive any other Model you think fit. I am, SIR, Your very humble Servant.
There is nothing which gives one so pleasing a Prospect of human Nature, as the Contemplation of Wisdom and Beauty: The latter is the peculiar Portion of that Sex which is therefore called Fair; but the happy Concurrence of both these Excellencies in the same Person, is a Character too celestial to be frequently met with. Beauty is an over-weaning self-sufficient thing, careless of providing it self any more substantial Ornaments; nay so little does it consult its own Interests, that it too often defeats it self by betraying that Innocence which renders it lovely and desirable. As therefore Virtue makes a beautiful Woman appear more beautiful, so Beauty makes a virtuous Woman really more virtuous. Whilst I am considering these two Perfections gloriously united in one Person, I cannot help representing to my Mind the Image of Emilia.
Who ever beheld the charming Emilia, without feeling in his Breast at once the Glow of Love and the Tenderness of virtuous Friendship? The unstudied Graces of her Behaviour, and the pleasing Accents of her Tongue, insensibly draw you on to wish for a nearer Enjoyment of them; but even her Smiles carry in them a silent Reproof to the Impulses of licentious Love. Thus, tho the Attractives of her Beauty play almost irresistibly upon you and create Desire, you immediately stand corrected not by the Severity but the Decency of her Virtue. That Sweetness and Good-humour which is so visible in her Face, naturally diffuses it self into every Word and Action: A Man must be a Savage, who at the Sight of Emilia, is not more inclined to do her Good than gratifie himself. Her Person, as it is thus studiously embellished by Nature, thus adorned with unpremeditated Graces, is a fit Lodging for a Mind so fair and lovely; there dwell rational Piety, modest Hope, and chearful Resignation.
Many of the prevailing Passions of Mankind do undeservedly pass under the Name of Religion; which is thus made to express itself in Action, according to the Nature of the Constitution in which it resides: So that were we to make a Judgment from Appearances, one would imagine Religion in some is little better than Sullenness and Reserve, in many Fear, in others the Despondings of a melancholly Complexion, in others the Formality of insignificant unaffecting Observances, in others Severity, in others Ostentation. In Emilia it is a Principle founded in Reason and enlivened with Hope; it does not break forth into irregular Fits and Sallies of Devotion, but is an uniform and consistent Tenour of Action; It is strict without Severity, compassionate without Weakness; it is the Perfection of that good Humour which proceeds from the Understanding, not the Effect of an easy Constitution.
By a generous Sympathy in Nature, we feel our selves disposed to mourn when any of our Fellow-Creatures are afflicted; but injured Innocence and Beauty in Distresses an Object that carries in it something inexpressibly moving: It softens the most manly Heart with the tenderest Sensations of Love and Compassion, till at length it confesses its Humanity, and flows out into Tears.
Were I to relate that part of Emilia's Life which has given her an Opportunity of exerting the Heroism of Christianity, it would make too sad, too tender a Story: But when I consider her alone in the midst of her Distresses, looking beyond this gloomy Vale of Affliction and Sorrow into the Joys of Heaven and Immortality, and when I see her in Conversation thoughtless and easie as if she were the most happy Creature in the World, I am transported with Admiration. Surely never did such a Philosophic Soul inhabit such a beauteous Form! For Beauty is often made a Privilege against Thought and Reflection; it laughs at Wisdom, and will not abide the Gravity of its Instructions.
Were I able to represent Emilia's Virtues in their proper Colours and their due Proportions, Love or Flattery might perhaps be thought to have drawn the Picture larger than Life; but as this is but an imperfect Draught of so excellent a Character, and as I cannot, will not hope to have any Interest in her Person, all that I can say of her is but impartial Praise extorted from me by the prevailing Brightness of her Virtues. So rare a Pattern of Female Excellence ought not to be concealed, but should be set out to the View and Imitation of the World; for how amiable does Virtue appear thus as it were made visible to us in so fair an Example!
Honoria's Disposition is of a very different Turn: Her Thoughts are wholly bent upon Conquest and arbitrary Power. That she has some Wit and Beauty no Body denies, and therefore has the Esteem of all her Acquaintance as a Woman of an agreeable Person and Conversation; but (whatever her Husband may think of it) that is not sufficient for Honoria: She waves that Title to Respect as a mean Acquisition, and demands Veneration in the Right of an Idol; for this Reason her natural Desire of Life is continually checked with an inconsistent Fear of Wrinkles and old Age.
Emilia cannot be supposed ignorant of her personal Charms, tho she seems to be so; but she will not hold her Happiness upon so precarious a Tenure, whilst her Mind is adorned with Beauties of a more exalted and lasting Nature. When in the full Bloom of Youth and Beauty we saw her surrounded with a Crowd of Adorers, she took no Pleasure in Slaughter and Destruction, gave no false deluding Hopes which might encrease the Torments of her disappointed Lovers; but having for some Time given to the Decency of a Virgin Coyness, and examined the Merit of their several Pretensions, she at length gratified her own, by resigning herself to the ardent Passion of Bromius. Bromius was then Master of many good Qualities and a moderate Fortune, which was soon after unexpectedly encreased to a plentiful Estate. This for a good while proved his Misfortune, as it furnished his unexperienced Age with the Opportunities of Evil Company and a sensual Life. He might have longer wandered in the Labyrinths of Vice and Folly, had not Emilia's prudent Conduct won him over to the Government of his Reason. Her Ingenuity has been constantly employed in humanizing his Passions and refining his Pleasures. She shewed him by her own Example, that Virtue is consistent with decent Freedoms and good Humour, or rather, that it cannot subsist without em. Her good Sense readily instructed her, that a silent Example and an easie unrepining Behaviour, will always be more perswasive than the Severity of Lectures and Admonitions; and that there is so much Pride interwoven into the Make of human Nature, that an obstinate Man must only take the Hint from another, and then be left to advise and correct himself. Thus by an artful Train of Management and unseen Perswasions, having at first brought him not to dislike, and at length to be pleased with that which otherwise he would not have bore to hear of, she then knew how to press and secure this Advantage, by approving it as his Thoughts, and seconding it as his Proposal. By this Means she has gained an Interest in some of his leading Passions, and made them accessary to his Reformation.
There is another Particular of Emilia's Conduct which I cant forbear mentioning: To some perhaps it may at first Sight appear but a trifling inconsiderable Circumstance but for my Part, I think it highly worthy of Observation, and to be recommended to the Consideration of the fair Sex. I have often thought wrapping Gowns and dirty Linnen, with all that huddled Oeconomy of Dress which passes under the general Name of a Mob, the Bane of conjugal Love, and one of the readiest Means imaginable to alienate the Affection of an Husband, especially a fond one. I have heard some Ladies, who have been surprized by Company in such a Deshabille, apologize for it after this Manner; Truly I am ashamed to be caught in this Pickle; but my Husband and I were sitting all alone by our selves, and I did not expect to see such good Company--This by the way is a fine Compliment to the good Man, which tis ten to one but he returns in dogged Answers and a churlish Behaviour, without knowing what it is that puts him out of Humour.
Emilia's Observation teaches her, that as little Inadvertencies and Neglects cast a Blemish upon a great Character; so the Neglect of Apparel, even among the most intimate Friends, does insensibly lessen their Regards to each other, by creating a Familiarity too low and contemptible. She understands the Importance of those Things which the Generality account Trifles; and considers every thing as a Matter of Consequence, that has the least Tendency towards keeping up or abating the Affection of her Husband; him she esteems as a fit Object to employ her Ingenuity in pleasing, because he is to be pleased for Life.
By the Help of these, and a thousand other nameless Arts, which tis easier for her to practise than for another to express, by the Obstinacy of her Goodness and unprovoked Submission, in spight of all her Afflictions and ill Usage, Bromius is become a Man of Sense and a kind Husband, and Emilia a happy Wife.
Ye guardian Angels to whose Care Heaven has entrusted its dear Emilia, guide her still forward in the Paths of Virtue, defend her from the Insolence and Wrongs of this undiscerning World; at length when we must no more converse with such Purity on Earth, lead her gently hence innocent and unreprovable to a better Place, where by an easie Transition from what she now is, she may shine forth an Angel of Light.
T.
[Footnote 1: The character of Emilia in this paper was by Dr. Bromer, a clergyman. The lady is said to have been the mother of Mr. Ascham, of Conington, in Cambridgeshire, and grandmother of Lady Hatton. The letter has been claimed also for John Hughes (Letters of John Hughes, &c., vol. iii. p. 8), and Emilia identified with Anne, Countess of Coventry.]
[Footnote 2: [some other]]
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No. 303. Saturday, February 16, 1712. Addison.
--volet hæc sub luce videri, Judicis argulum quæ non formidat acumen.
Hor.
I have seen in the Works of a Modern Philosopher, a Map of the Spots in the Sun. My last Paper of the Faults and Blemishes in Milton's Paradise Lost, may be considered as a Piece of the same Nature. To pursue the Allusion: As it is observed, that among the bright Parts of the Luminous Body above mentioned, there are some which glow more intensely, and dart a stronger Light than others; so, notwithstanding I have already shewn Milton's Poem to be very beautiful in general, I shall now proceed to take Notice of such Beauties as appear to me more exquisite than the rest. Milton has proposed the Subject of his Poem in the following Verses.
Of Man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought Death into the World and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blisful Seat, Sing Heavenly Muse--
These Lines are perhaps as plain, simple and unadorned as any of the whole Poem, in which Particular the Author has conformed himself to the Example of Homer and the Precept of Horace.
His Invocation to a Work which turns in a great measure upon the Creation of the World, is very properly made to the Muse who inspired Moses in those Books from whence our Author drew his Subject, and to the Holy Spirit who is therein represented as operating after a particular manner in the first Production of Nature. This whole Exordium rises very happily into noble Language and Sentiment, as I think the Transition to the Fable is exquisitely beautiful and natural.
The Nine Days Astonishment, in which the Angels lay entranced after their dreadful Overthrow and Fall from Heaven, before they could recover either the use of Thought or Speech, is a noble Circumstance, and very finely imagined. The Division of Hell into Seas of Fire, and into firm Ground impregnated with the same furious Element, with that particular Circumstance of the Exclusion of Hope from those Infernal Regions, are Instances of the same great and fruitful Invention.
The Thoughts in the first Speech and Description of Satan, who is one of the Principal Actors in this Poem, are wonderfully proper to give us a full Idea of him. His Pride, Envy and Revenge, Obstinacy, Despair and Impenitence, are all of them very artfully interwoven. In short, his first Speech is a Complication of all those Passions which discover themselves separately in several other of his Speeches in the Poem. The whole part of this great Enemy of Mankind is filled with such Incidents as are very apt to raise and terrifie the Readers Imagination. Of this nature, in the Book now before us, is his being the first that awakens out of the general Trance, with his Posture on the burning Lake, his rising from it, and the Description of his Shield and Spear.
Thus Satan talking to his nearest Mate, With head up-lift above the wave, and eyes That sparkling blazed, his other parts beside Prone on the Flood, extended long and large, Lay floating many a rood--
Forthwith upright he rears from off the pool His mighty Stature; on each hand the flames Drivn backward slope their pointing Spires, and roared In Billows, leave i'th midst a horrid vale. Then with expanded wings he steers his flight Aloft, incumbent on the dusky Air That felt unusual weight--