Chapter 20
Pleasure and Recreation of one Kind or other are absolutely necessary to relieve our Minds and Bodies from too constant Attention and Labour: Where therefore publick Diversions are tolerated, it behoves Persons of Distinction, with their Power and Example, to preside over them in such a Manner as to check any thing that tends to the Corruption of Manners, or which is too mean or trivial for the Entertainment of reasonable Creatures. As to the Diversions of this Kind in this Town, we owe them to the Arts of Poetry and Musick: My own private Opinion, with Relation to such Recreations, I have heretofore given with all the Frankness imaginable; what concerns those Arts at present the Reader shall have from my Correspondents. The first of the Letters with which I acquit myself for this Day, is written by one who proposes to improve our Entertainments of Dramatick Poetry, and the other comes from three Persons, who, as soon as named, will be thought capable of advancing the present State of Musick.
_Mr_. SPECTATOR,
I am considerably obliged to you for your speedy Publication of my last in yours of the 18th Instant, and am in no small Hopes of being settled in the Post of _Comptroller of the Cries_. Of all the Objections I have hearkened after in publick Coffee-houses there is but one that seems to carry any Weight with it, _viz_. That such a Post would come too near the Nature of a Monopoly. Now, Sir, because I would have all Sorts of People made easy, and being willing to have more Strings than one to my Bow; in case that of _Comptroller_ should fail me, I have since formed another Project, which, being grounded on the dividing a present Monopoly, I hope will give the Publick an Equivalent to their full Content. You know, Sir, it is allowed that the Business of the Stage is, as the _Latin_ has it, _Jucunda et Idonea dicere Vitæ_. Now there being but one Dramatick Theatre licensed for the Delight and Profit of this extensive Metropolis, I do humbly propose, for the Convenience of such of its Inhabitants as are too distant from _Covent-Garden_, that another _Theatre of Ease_ may be erected in some spacious Part of the City; and that the Direction thereof may be made a Franchise in Fee to me, and my Heirs for ever. And that the Town may have no Jealousy of my ever coming to an Union with the Set of Actors now in being, I do further propose to constitute for my Deputy my near Kinsman and Adventurer, _Kit Crotchet_, [1] whose long Experience and Improvements in those Affairs need no Recommendation. Twas obvious to every Spectator what a quite different Foot the Stage was upon during his Government; and had he not been bolted out of his Trap-Doors, his Garrison might have held out for ever, he having by long Pains and Perseverance arriv'd at the Art of making his Army fight without Pay or Provisions. I must confess it, with a melancholy Amazement, I see so wonderful a Genius laid aside, and the late Slaves of the Stage now become its Masters, Dunces that will be sure to suppress all Theatrical Entertainments and Activities that they are not able themselves to shine in!
Every Man that goes to a Play is not obliged to have either Wit or Understanding; and I insist upon it, that all who go there should see something which may improve them in a Way of which they are capable. In short, Sir, I would have something _done_ as well as _said_ on the Stage. A Man may have an active Body, though he has not a quick Conception; for the Imitation therefore of such as are, as I may so speak, corporeal Wits or nimble Fellows, I would fain ask any of the present Mismanagers, Why should not Rope-dancers, Vaulters, Tumblers, Ladder-walkers, and Posture-makers appear again on our Stage? After such a Representation, a Five-bar Gate would be leaped with a better Grace next Time any of the Audience went a Hunting. Sir, these Things cry loud for Reformation and fall properly under the Province of SPECTATOR General; but how indeed should it be otherwise, while Fellows (that for Twenty Years together were never paid but as their Master was in the Humour) now presume to pay others more than ever they had in their Lives; and in Contempt of the Practice of Persons of Condition, have the Insolence to owe no Tradesman a Farthing at the End of the Week. Sir, all I propose is the publick Good; for no one can imagine I shall ever get a private Shilling by it: Therefore I hope you will recommend this Matter in one of your this Weeks Papers, and desire when my House opens you will accept the Liberty of it for the Trouble you have receiv'd from, _SIR_, _Your Humble Servant_, Ralph Crotchet.
P.S. I have Assurances that the Trunk-maker will declare for us.
_Mr_. SPECTATOR,
We whose Names are subscribed, [2] think you the properest Person to signify what we have to offer the Town in Behalf of our selves, and the Art which we profess, _Musick_. We conceive Hopes of your Favour from the Speculations on the Mistakes which the Town run into with Regard to their Pleasure of this Kind; and believing your Method of judging is, that you consider Musick only valuable, as it is agreeable to, and heightens the Purpose of Poetry, we consent that That is not only the true Way of relishing that Pleasure, but also, that without it a Composure of Musick is the same thing as a Poem, where all the Rules of Poetical Numbers are observed, tho the Words have no Sense or Meaning; to say it shorter, meer musical Sounds are in our Art no other than nonsense Verses are in Poetry. Musick therefore is to aggravate what is intended by Poetry; it must always have some Passion or Sentiment to express, or else Violins, Voices, or any other Organs of Sound, afford an Entertainment very little above the Rattles of Children. It was from this Opinion of the Matter, that when Mr. _Clayton_ had finished his Studies in _Italy_, and brought over the Opera of _Arsinoe_, that Mr. _Haym_ and Mr. _Dieupart_, who had the Honour to be well known and received among the Nobility and Gentry, were zealously inclined to assist, by their Solicitations, in introducing so elegant an Entertainment as the _Italian_ Musick grafted upon _English_ Poetry. For this End Mr. _Dieupart_ and Mr. _Haym_, according to their several Opportunities, promoted the Introduction of _Arsinoe_, and did it to the best Advantage so great a Novelty would allow. It is not proper to trouble you with Particulars of the just Complaints we all of us have to make; but so it is, that without Regard to our obliging Pains, we are all equally set aside in the present Opera. Our Application therefore to you is only to insert this Letter, in your Papers, that the Town may know we have all Three joined together to make Entertainments of Musick for the future at Mr. _Claytons_ House in _York-buildings_. What we promise ourselves, is, to make a Subscription of two Guineas, for eight Times; and that the Entertainment, with the Names of the Authors of the Poetry, may be printed, to be sold in the House, with an Account of the several Authors of the Vocal as well as the Instrumental Musick for each Night; the Money to be paid at the Receipt of the Tickets, at Mr. _Charles Lillie's_. It will, we hope, Sir, be easily allowed, that we are capable of undertaking to exhibit by our joint Force and different Qualifications all that can be done in Musick; but lest you should think so dry a thing as an Account of our Proposal should be a Matter unworthy your Paper, which generally contains something of publick Use; give us leave to say, that favouring our Design is no less than reviving an Art, which runs to ruin by the utmost Barbarism under an Affectation of Knowledge. We aim at establishing some settled Notion of what is Musick, as recovering from Neglect and Want very many Families who depend upon it, at making all Foreigners who pretend to succeed in _England_ to learn the Language of it as we our selves have done, and not be so insolent as to expect a whole Nation, a refined and learned Nation, should submit to learn them. In a word, Mr. SPECTATOR, with all Deference and Humility, we hope to behave ourselves in this Undertaking in such a Manner, that all _English_ Men who have any Skill in Musick may be furthered in it for their Profit or Diversion by what new Things we shall produce; never pretending to surpass others, or asserting that any Thing which is a Science is not attainable by all Men of all Nations who have proper Genius for it: We say, Sir, what we hope for is not expected will arrive to us by contemning others, but through the utmost Diligence recommending ourselves. _We are, SIR, Your most humble Servants_, Thomas Clayton, Nicolino Haym, Charles Dieupart.
[Footnote 1: Christopher Rich, of whom Steele wrote in No. 12 of the _Tatler_ as Divito, who
has a perfect art in being unintelligible in discourse and uncomeatable in business. But he, having no understanding in his polite way, brought in upon us, to get in his money, ladder-dancers, rope-dancers, jugglers, and mountebanks, to strut in the place of Shakespeare's heroes and Jonson's humorists.]
[Footnote 2: Thomas Clayton (see note on p. 72) had set Dryden's _Alexanders Feast_ to music at the request of Steele and John Hughes; but its performance at his house in York Buildings was a failure. Clayton had adapted English words to Italian airs in the drama written for him by Motteux, of _Arsinoe, Queen of Cyprus_, and called it his own opera. Steele and Addison were taken by his desire to nationalize the opera, and put native music to words that were English and had literature in them. After _Camilla_ at Drury Lane, produced under the superintendence of Nicolino Haym, Addison's _Rosamond_ was produced, with music by Clayton and Mrs. Tofts in the part of Queen Eleanor. The music killed the piece on the third night of performance. The coming of Handel and his opera of _Rinaldo_ set Mr. Clayton aside, but the friendship of Steele and Addison abided with him, and Steele seems to have had a share in his enterprises at York Buildings. Of his colleagues who join in the signing of this letter, Nicola Francesco Haym was by birth a Roman, and resident in London as a professor of music. He published two good operas of sonatas for two violins and a bass, and joined Clayton and Dieupart in the service of the opera, until Handel's success superseded them. Haym was also a man of letters, who published two quartos upon Medals, a notice of rare Italian Books, an edition of Tasso's Gerusalemme, and two tragedies of his own. He wrote a _History of Music_ in Italian, and issued proposals for its publication in English, but had no success. Finally he turned picture collector, and was employed in that quality by Dr. Mead and Sir Robert Walpole.
Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord. At the representation of _Arsinoe_ and the other earliest operas, he played the harpsichord and Haym the violoncello. Dieupart, after the small success of the design set forth in this letter, taught the harpsichord in families of distinction, but wanted self-respect enough to save him from declining into a player at obscure ale-houses, where he executed for the pleasure of dull ears solos of Corelli with the nicety of taste that never left him. He died old and poor in 1740.]
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No. 259. Thursday, December 27, 1711. Steele.
Quod decet honestum est, et quod honestum est decet.
Tull.
There are some Things which cannot come under certain Rules, but which one would think could not need them. Of this kind are outward Civilities and Salutations. These one would imagine might be regulated by every Man's Common Sense without the Help of an Instructor; but that which we call Common Sense suffers under that Word; for it sometimes implies no more than that Faculty which is common to all Men, but sometimes signifies right Reason, and what all Men should consent to. In this latter Acceptation of the Phrase, it is no great Wonder People err so much against it, since it is not every one who is possessed of it, and there are fewer, who against common Rules and Fashions, dare obey its Dictates. As to Salutations, which I was about to talk of, I observe as I strole about Town, there are great Enormities committed with regard to this Particular. You shall sometimes see a Man begin the Offer of a Salutation, and observe a forbidding Air, or escaping Eye, in the Person he is going to salute, and stop short in the Pole of his Neck. This in the Person who believed he could do it with a good Grace, and was refused the Opportunity, is justly resented with a Coldness the whole ensuing Season. Your great Beauties, People in much Favour, or by any Means or for any Purpose overflattered, are apt to practise this which one may call the preventing Aspect, and throw their Attention another Way, lest they should confer a Bow or a Curtsie upon a Person who might not appear to deserve that Dignity. Others you shall find so obsequious, and so very courteous, as there is no escaping their Favours of this Kind. Of this Sort may be a Man who is in the fifth or sixth Degree of Favour with a Minister; this good Creature is resolved to shew the World, that great Honours cannot at all change his Manners; he is the same civil Person he ever was; he will venture his Neck to bow out of a Coach in full Speed, at once, to shew he is full of Business, and yet is not so taken up as to forget his old Friend. With a Man, who is not so well formed for Courtship and elegant Behaviour, such a Gentleman as this seldom finds his Account in the Return of his Compliments, but he will still go on, for he is in his own Way, and must not omit; let the Neglect fall on your Side, or where it will, his Business is still to be well-bred to the End. I think I have read, in one of our _English_ Comedies, a Description of a Fellow that affected knowing every Body, and for Want of Judgment in Time and Place, would bow and smile in the Face of a Judge sitting in the Court, would sit in an opposite Gallery and smile in the Ministers Face as he came up into the Pulpit, and nod as if he alluded to some Familiarities between them in another Place. But now I happen to speak of Salutation at Church, I must take notice that several of my Correspondents have importuned me to consider that Subject, and settle the Point of Decorum in that Particular.
I do not pretend to be the best Courtier in the World, but I have often on publick Occasions thought it a very great Absurdity in the Company (during the Royal Presence) to exchange Salutations from all Parts of the Room, when certainly Common Sense should suggest, that all Regards at that Time should be engaged, and cannot be diverted to any other Object, without Disrespect to the Sovereign. But as to the Complaint of my Correspondents, it is not to be imagined what Offence some of them take at the Custom of Saluting in Places of Worship. I have a very angry Letter from a Lady, who tells me [of] one of her Acquaintance, [who,] out of meer Pride and a Pretence to be rude, takes upon her to return no Civilities done to her in Time of Divine Service, and is the most religious Woman for no other Reason but to appear a Woman of the best Quality in the Church. This absurd Custom had better be abolished than retained, if it were but to prevent Evils of no higher a Nature than this is; but I am informed of Objections much more considerable: A Dissenter of Rank and Distinction was lately prevailed upon by a Friend of his to come to one of the greatest Congregations of the Church of _England_ about Town: After the Service was over, he declared he was very well satisfied with the little Ceremony which was used towards God Almighty; but at the same time he feared he should not be able to go through those required towards one another: As to this Point he was in a State of Despair, and feared he was not well-bred enough to be a Convert. There have been many Scandals of this Kind given to our Protestant Dissenters from the outward Pomp and Respect we take to our selves in our Religious Assemblies. A Quaker who came one Day into a Church, fixed his Eyes upon an old Lady with a Carpet larger than that from the Pulpit before her, expecting when she would hold forth. An Anabaptist who designs to come over himself, and all his Family, within few Months, is sensible they want Breeding enough for our Congregations, and has sent his two [eldest [1]] Daughters to learn to dance, that they may not misbehave themselves at Church: It is worth considering whether, in regard to awkward People with scrupulous Consciences, a good Christian of the best Air in the World ought not rather to deny herself the Opportunity of shewing so many Graces, than keep a bashful Proselyte without the Pale of the Church.
[Footnote 1: [elder]]
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No. 260. Friday, December 28, 1711. Steele.
Singula de nobis anni prædantur euntes.
Hor.
_Mr_. SPECTATOR,
I am now in the Sixty fifth Year of my Age, and having been the greater Part of my Days a Man of Pleasure, the Decay of my Faculties is a Stagnation of my Life. But how is it, Sir, that my Appetites are increased upon me with the Loss of Power to gratify them? I write this, like a Criminal, to warn People to enter upon what Reformation they may please to make in themselves in their Youth, and not expect they shall be capable of it from a fond Opinion some have often in their Mouths, that if we do not leave our Desires they will leave us. It is far otherwise; I am now as vain in my Dress, and as flippant if I see a pretty Woman, as when in my Youth I stood upon a Bench in the Pit to survey the whole Circle of Beauties. The Folly is so extravagant with me, and I went on with so little Check of my Desires, or Resignation of them, that I can assure you, I very often meerly to entertain my own Thoughts, sit with my Spectacles on, writing Love-Letters to the Beauties that have been long since in their Graves. This is to warm my Heart with the faint Memory of Delights which were once agreeable to me; but how much happier would my Life have been now, if I could have looked back on any worthy Action done for my Country? If I had laid out that which I profused in Luxury and Wantonness, in Acts of Generosity or Charity? I have lived a Batchelor to this Day; and instead of a numerous Offspring, with which, in the regular Ways of Life, I might possibly have delighted my self, I have only to amuse my self with the Repetition of Old Stories and Intrigues which no one will believe I ever was concerned in. I do not know whether you have ever treated of it or not; but you cannot fall on a better Subject, than that of the Art of growing old. In such a Lecture you must propose, that no one set his Heart upon what is transient; the Beauty grows wrinkled while we are yet gazing at her. The witty Man sinks into a Humourist imperceptibly, for want of reflecting that all Things around him are in a Flux, and continually changing: Thus he is in the Space of ten or fifteen Years surrounded by a new Set of People whose Manners are as natural to them as his Delights, Method of Thinking, and Mode of Living, were formerly to him and his Friends. But the Mischief is, he looks upon the same kind of Errors which he himself was guilty of with an Eye of Scorn, and with that sort of Ill-will which Men entertain against each other for different Opinions: Thus a crasie Constitution, and an uneasie Mind is fretted with vexatious Passions for young Mens doing foolishly what it is Folly to do at all. Dear Sir, this is my present State of Mind; I hate those I should laugh at, and envy those I contemn. The Time of Youth and vigorous Manhood passed the Way in which I have disposed of it, is attended with these Consequences; but to those who live and pass away Life as they ought, all Parts of it are equally pleasant; only the Memory of good and worthy Actions is a Feast which must give a quicker Relish to the Soul than ever it could possibly taste in the highest Enjoyments or Jollities of Youth. As for me, if I sit down in my great Chair and begin to ponder, the Vagaries of a Child are not more ridiculous than the Circumstances which are heaped up in my Memory. Fine Gowns, Country Dances, Ends of Tunes, interrupted Conversations, and midnight Quarrels, are what must necessarily compose my Soliloquy. I beg of you to print this, that some Ladies of my Acquaintance, and my Years, may be perswaded to wear warm Night-caps this cold Season: and that my old Friend _Jack Tawdery_ may buy him a Cane, and not creep with the Air of a Strut. I must add to all this, that if it were not for one Pleasure, which I thought a very mean one till of very late Years, I should have no one great Satisfaction left; but if I live to the 10th of _March_, 1714, and all my Securities are good, I shall be worth Fifty thousand Pound.
_I am, SIR, Your most humble Servant,_ Jack Afterday.
Mr. SPECTATOR,
You will infinitely oblige a distressed Lover, if you will insert in your very next Paper, the following Letter to my Mistress. You must know, I am not a Person apt to despair, but she has got an odd Humour of stopping short unaccountably, and, as she her self told a Confident of hers, she has cold Fits. These Fits shall last her a Month or six Weeks together; and as she falls into them without Provocation, so it is to be hoped she will return from them without the Merit of new Services. But Life and Love will not admit of such Intervals, therefore pray let her be admonished as follows.
_Madam,_
I Love you, and I honour you: therefore pray do not tell me of waiting till Decencies, till Forms, till Humours are consulted and gratified. If you have that happy Constitution as to be indolent for ten Weeks together, you should consider that all that while I burn in Impatiences and Fevers; but still you say it will be Time enough, tho I and you too grow older while we are yet talking. Which do you think the more reasonable, that you should alter a State of Indifference for Happiness, and that to oblige me, or I live in Torment, and that to lay no Manner of Obligation upon you? While I indulge your Insensibility I am doing nothing; if you favour my Passion, you are bestowing bright Desires, gay Hopes, generous Cares, noble Resolutions and transporting Raptures upon, _Madam,_
_Your most devoted humble Servant._
_Mr_. SPECTATOR,
Here's a Gentlewoman lodges in the same House with me, that I never did any Injury to in my whole Life; and she is always railing at me to those that she knows will tell me of it. Don't you think she is in Love with me? or would you have me break my Mind yet or not? _Your Servant,_ T. B.
_Mr._ SPECTATOR,
I am a Footman in a great Family, and am in Love with the House-maid. We were all at Hot-cockles last Night in the Hall these Holidays; when I lay down and was blinded, she pulled off her Shoe, and hit me with the Heel such a Rap, as almost broke my Head to Pieces. Pray, Sir, was this Love or Spite?
T.
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No. 261. Saturday. December 29, 1711. Addison.
[Greek: Gámos gàr anphrôpoisin euktaion kakón].
Frag. Vet. Poet.