Part 7

Mr. Bulwer's novels have acquired no inconsiderable degree of popularity in the circles of fashionable literature. Whether they are destined to survive the temporary admiration bestowed on them, is at this time a subject of speculation; but in the next generation, will become matter of fact. We are among those who think that they will quietly glide into that oblivious ocean, which is destined to receive a large proportion of the ever multiplying productions of this prolific age. We do not say this either, in disparagement of many of those labors of the mind which even intrinsic excellence cannot save from perishing. Great and valuable as some of them undoubtedly are, such is the onward march of intellect, and such the endless creations which fancy and genius are continually rearing for man's gratification and improvement,--to say nothing of the almost illimitable progress of science, that posterity will find no room for the thousandth part of our present stock of literature. We do not anticipate that Mr. Bulwer's writings will be among the select few which will outlive the general wreck; because, unless we are much mistaken, he is one of those authors who write more for present than permanent fame. This is emphatically the age of great moral and mental excitability. It is a period of incessant restlessness and activity; and he who would expect to command much attention, must seek to gratify the appetite for novelty and variety, even at the expense of good sense, sound morality and correct taste. We incline to the opinion that Mr. Bulwer has forgotten, that society in the aggregate, frequently resembles the individual man; and that whilst it often experiences paroxysms of unnatural excitement, there are long lucid intervals of returning reason and sober simplicity. The volume before us is not calculated, we think, to leave any lasting impression, either of good or evil. Whilst it certainly abounds in felicitous language, and contains passages of fine sentiment, it is grossly defective both in plot and machinery; and if it were worth while to descend to minute criticism, it would be easy to point out many examples of false morality as well as false taste. Mr. Bulwer seems to have been aware, in his preface, that he was making a bold experiment upon popular favor, and accordingly he claims the reader's "indulgence for the superstitions he has incorporated with his tale--for the floridity of his style, and the redundance of his descriptions." As if somewhat apprehensive, however, that that indulgence might not possibly be granted, he assures the public that "various reasons have conspired to make this the work, above all others that he has written, which has given him the most delight (though not unmixed with melancholy,) in producing, and in which his mind, for the time, has been the most completely absorbed." A popular writer, thus bespeaking the public approbation in advance, by stamping his last production with his own decided preference, could not expect to be treated uncourteously by his readers. In the first sentence of the second chapter too, the author declares as follows: "I wish only for such readers as give themselves heart and soul up to me: if they begin to cavil, I have done with them; their fancy should put itself entirely under my management." Now whether it proceeded from a spirit of perverseness or not, we cannot tell; but we resolved when we read this passage, neither to surrender our heart, fancy or judgment to Mr. Bulwer's guidance. On the contrary, we determined to read the book and decide on its merits, in the spirit of perfect impartiality and entire independence. The story upon which the work is founded--at least that part of it which treats of mortal affairs, consists of the simplest materials. Trevylyan, a gentleman of "a wild, resolute and active nature, who had been thrown upon the world at the age of sixteen, and had passed his youth in alternate pleasure, travel and solitary study," falls in love with Gertrude Vane, a young girl, described as "the loveliest person that ever dawned upon a poet's vision." A fatal disease, "consumption in its most beautiful shape," had set its seal upon her, and yet Trevylyan loved with an irresistible passion. With the consent, rather than by the advice of the faculty and her friends, the young and interesting invalid, attended by her father and lover, goes upon a pilgrimage up the beautiful and romantic Rhine. From that pilgrimage she never returned; but in one of those wild and legendary spots which impart such interest to that celebrated stream--a spot selected by herself as her last grassy couch, she breathed out her gentle spirit, and quietly sunk to her lasting repose. Such is the simple thread upon which Mr. Bulwer has contrived to weave a variety of German legends and fairy fictions, having no necessary connection with the main story, except that the principal episodes were suggested by some remarkable scenery or some castellated ruin on the banks of the Rhine. The _underplot_, if it may be so called, or the adventures of Nymphalin, queen of the fairies, and her Elfin court, is altogether unworthy of Mr. Bulwer's genius. It is rather a bungling attempt to revive the exploded machinery of supernatural agency; and we moreover do not perceive any possible connection or sympathy between these imaginary beings and the principal personages of the tale. Apart from other considerations, the actions and conversations of these roving elves are destitute of all interest and attraction; and nothing in our eyes appears more preposterous than the introduction of the Lord Treasurer into Queen Nymphalin's train. We always thought that the fairies were mischievous spirits--sometimes a little wicked, and often very benevolent; but never before did we suspect that this ideal population of the world of fancy, manifested any concern in the dry subject of finance, or in the _unfairy-like_ establishment of a regular exchequer. The story of "The Wooing of Master Fox," related for the amusement of Queen Nymphalin, making every allowance for the author's design in introducing it, is to our taste unutterably disgusting and ridiculous.

We have no objection to the occasional use of the fairy superstition in tales of fancy; no more than we have to the frequent classical allusions to heathen mythology which distinguish the best writers. They are pleasing and beautiful illustrations, when happily introduced. But we do protest against lifting the veil from the world of imagination, and investing its shadowy beings with the common place attributes, the vulgar actions and frivolous dialogue of mere mortals. It is in truth dispelling the illusion in which the spirit of poetry delights to indulge. It takes away the most powerful charm from the cool and sequestered grotto, the shady grove or moonlit bower. It vulgarises the world of romance, and reduces the region of mind to a level with brute sense, or even coarser matter.

Condemning as we do, in perfect good faith, these exceptionable portions of Mr. Bulwer's volume, we take pleasure in awarding due praise to some of the legends and stories introduced into the work, and which are for the most part related by Trevylyan for the amusement of Gertrude. Of these, we give the decided preference to "The Brothers" and "The Maid of Malines." The latter indeed, strikes us as so finished an illustration of some of the noble qualities of woman kind, that we have determined to present it entire for the benefit of our readers.

THE MAID OF MALINES.

It was noonday in the town of Malines, or Mechlin, as the English usually term it: the Sabbath bell had summoned the inhabitants to divine worship; and the crowd that had loitered round the Church of St. Rembauld, had gradually emptied itself within the spacious aisles of the sacred edifice.

A young man was standing in the street, with his eyes bent on the ground, and apparently listening for some sound; for, without raising his looks from the rude pavement, he turned to every corner of it with an intent and anxious expression of countenance; he held in one hand a staff, in the other a long slender cord, the end of which trailed on the ground; every now and then he called, with a plaintive voice, "Fido, Fido, come back! Why hast thou deserted me?" Fido returned not: the dog, wearied of confinement, had slipped from the string, and was at play with his kind in a distant quarter of the town, leaving the blind man to seek his way as he might to his solitary inn.

By and by a light step passed through the street, and the young stranger's face brightened--

"Pardon me," said he, turning to the spot where his quick ear had caught the sound, "and direct me, if you are not by chance much pressed for a few moment's time, to the hotel _Mortier d'or_."

It was a young woman, whose dress betokened that she belonged to the middling class of life, whom he thus addressed. "It is some distance hence, sir," said she, "but if you continue your way straight on for about a hundred yards, and then take the second turn to your right hand--"

"Alas!" interrupted the stranger, with a melancholy smile, "your direction will avail me little; my dog has deserted me, and I am blind!"

There was something in these words, and in the stranger's voice, which went irresistibly to the heart of the young woman. "Pray forgive me," she said, almost with tears in her eyes, "I did not perceive your--" misfortune, she was about to say, but she checked herself with an instinctive delicacy. "Lean upon me, I will conduct you to the door; nay, sir," observing that he hesitated, "I have time enough to spare, I assure you."

The stranger placed his hand on the young woman's arm, and though Lucille was naturally so bashful that even her mother would laughingly reproach her for the excess of a maiden virtue, she felt not the least pang of shame, as she found herself thus suddenly walking through the streets of Malines, alone with a young stranger, whose dress and air betokened him of a rank superior to her own.

"Your voice is very gentle," said he, after a pause, "and that," he added, with a slight sigh, "is the criterion by which I only know the young and the beautiful." Lucille now blushed, and with a slight mixture of pain in the blush, for she knew well that to beauty she had no pretension. "Are you a native of this town?" continued he. "Yes, sir; my father holds a small office in the customs, and my mother and I eke out his salary by making lace. We are called poor, but we do not feel it, sir."

"You are fortunate: there is no wealth like the heart's wealth, content," answered the blind man mournfully.

"And Monsieur," said Lucille, feeling angry with herself that she had awakened a natural envy in the stranger's mind, and anxious to change the subject--"and Monsieur, has he been long at Malines?"

"But yesterday. I am passing through the Low Countries on a tour; perhaps you smile at the tour of a blind man--but it is wearisome even to the blind to rest always in the same place. I thought during church time, when the streets were empty, that I might, by the help of my dog, enjoy safely, at least the air, if not the sight of the town; but there are some persons, methinks, who cannot even have a dog for a friend."

The blind man spoke bitterly,--the desertion of his dog had touched him to the core. Lucille wiped her eyes. "And does Monsieur travel then alone?" said she; and looking at his face more attentively than she had yet ventured to do, she saw that he was scarcely above two-and-twenty. "His father, his _mother_," she added, with an emphasis on the last word, "are they not with him?"

"I am an orphan," answered the stranger; "and I have neither brother nor sister."

The desolate condition of the blind man quite melted Lucille; never had she been so strongly affected. She felt a strange flutter at the heart--a secret and earnest sympathy, that attracted her at once towards him. She wished that heaven had suffered her to be his sister.

The contrast between the youth and the form of the stranger, and the affliction which took hope from the one, and activity from the other, increased the compassion he excited. His features were remarkably regular, and had a certain nobleness in their outline; and his frame was gracefully and firmly knit, though he moved cautiously and with no cheerful step.

They had now passed into a narrow street leading towards the hotel, when they heard behind them the clatter of hoofs; and Lucille, looking hastily back, saw that a troop of the Belgian horse was passing thro' town.

She drew her charge close by the wall, and trembling with fear for him, she stationed herself by his side. The troop passed at a full trot through the street; and at the sound of their clanging arms, and the ringing hoofs of their heavy chargers, Lucille might have seen, had she looked at the blind man's face, that its sad features kindled with enthusiasm, and his head was raised proudly from its wonted and melancholy bend. "Thank heaven," she said, as the troop had nearly passed them, "the danger is over!" Not so. One of the last two soldiers who rode abreast, was unfortunately mounted on a young and unmanageable horse. The rider's oaths and digging spur only increased the fire and impatience of the charger; he plunged from side to side of the narrow street.

"_Gardez vous_," cried the horseman, as he was borne on to the place where Lucille and the stranger stood against the wall; "are ye mad--why do you not run?"

"For heaven's sake, for mercy sake, he is blind!" cried Lucille, clinging to the stranger's side.

"Save yourself, my kind guide!" said the stranger. But Lucille dreamt not of such desertion. The trooper wrested the horse's head from the spot where they stood; with a snort, as he felt the spur, the enraged animal lashed out with its hind legs; and Lucille, unable to save _both_, threw herself before the blind man, and received the shock directed against him; her slight and delicate arm fell shattered by her side--the horseman was borne onward. "Thank God, _you_ are saved!" was poor Lucille's exclamation; and she fell, overcome with pain and terror, into the arms which the stranger mechanically opened to receive her.

"My guide, my friend!" cried he, "you are hurt, you--"

"No, sir," interrupted Lucille, faintly, "I am better, I am well. _This_ arm, if you please--we are not far from your hotel now."

But the stranger's ear, tutored to every inflection of voice, told him at once of the pain she suffered; he drew from her by degrees the confession of the injury she had sustained; but the generous girl did not tell him it had been incurred solely in his protection. He now insisted on reversing their duties, and accompanying _her_ to her home; and Lucille, almost fainting with pain, and hardly able to move, was forced to consent. But a few steps down the next turning stood the humble mansion of her father--they reached it--and Lucille scarcely crossed the threshold, before she sank down, and for some minutes was insensible to pain. It was left to the stranger to explain, and to beseech them immediately to send for a surgeon, "the most skilful--the most practised in town," said he. "See, I am rich, and this is the least I can do to atone to your generous daughter for not forsaking even a stranger in peril."

He held out his purse as he spoke, but the father refused the offer; and it saved the blind man some shame that he could not see the blush of honest resentment with which so poor a species of remuneration was put aside.

The young man staid till the surgeon arrived, till the arm was set; nor did he depart until he had obtained a promise from the mother, that he should learn the next morning how the sufferer had passed the night.

The next morning, indeed, he had intended to quit a town that offers but little temptation to the traveller; but he tarried day after day, until Lucille herself accompanied her mother to assure him of her recovery.

You know, or at least I do, dearest Gertrude, that there _is_ such a thing as love at the first meeting--a secret and unaccountable affinity between persons (strangers before,) which draws them irresistibly together. If there were truth in Plato's beautiful phantasy, that our souls were a portion of the stars, it might be, that spirits thus attracted to each other, have drawn their original light from the same orb; and they thus but yearn for a renewal of their former union. Yet, without recurring to such ideal solutions of a daily mystery, it was but natural that one in the forlorn and desolate condition of Eugene St. Amand, should have felt a certain tenderness for a person who had so generously suffered for his sake.

The darkness to which he was condemned did not shut from his mind's eye the haunting images of ideal beauty; rather, on the contrary, in his perpetual and unoccupied solitude, he fed the reveries of an imagination naturally warm, and a heart eager for sympathy.

He had said rightly that his only test of beauty was in the melody of voice; and never had a softer or a more thrilling tone than that of the young maiden touched upon his ear. Her exclamation, so beautifully denying self, so devoted in its charity, "Thank God, _you_ are saved!" uttered too, in the moment of her own suffering, rang constantly upon his soul, and he yielded, without precisely defining their nature, to vague and delicious sentiments, that his youth had never awakened to till then. And Lucille--the very accident that had happened to her on his behalf, only deepened the interest she had already conceived for one who, in the first flush of youth, was thus cut off from the glad objects of life, and led to a night of years, desolate and alone. There is, to your beautiful and kindly sex, a perpetual and gushing _lovingness to protect_. This makes them the angels of sickness, the comforters of age, the fosterers of childhood; and this feeling, in Lucille peculiarly developed, had already inexpressibly linked her compassionate nature to the lot of the unfortunate traveller. With ardent affections, and with thoughts beyond her station and her years, she was not without that modest vanity which made her painfully susceptible to her own deficiencies in beauty. Instinctively conscious of how deeply she herself could love, she believed it impossible that she could ever be so loved in return. This stranger, so superior in her eyes to all she had yet seen, was the first out of her own household who had ever addressed her in that voice, which by tones, not words, speaks that admiration most dear to a woman's heart. To _him_ she was beautiful, and her lovely mind spoke out undimmed by the imperfections of her face. Not, indeed, that Lucille was wholly without personal attraction; her light step and graceful form were elastic with the freshness of youth, and her mouth and smile had so gentle and tender an expression, that there were moments when it would not have been the blind only who would have mistaken her to be beautiful. Her early childhood had indeed given the promise of attractions, which the small-pox, that then fearful malady, had inexorably marred. It had not only seared the smooth skin and the brilliant hues, but utterly changed even the character of the features. It so happened that Lucille's family were celebrated for beauty, and vain of that celebrity; and so bitterly had her parents deplored the effects of the cruel malady, that poor Lucille had been early taught to consider them far more grievous than they really were, and to exaggerate the advantages of that beauty, the loss of which was considered by her parents so heavy a misfortune. Lucille too, had a cousin named Julie, who was the wonder of all Malines for her personal perfections; and as the cousins were much together, the contrast was too striking not to occasion frequent mortification to Lucille. But every misfortune has something of a counterpoise; and the consciousness of personal inferiority, had meekened, without souring, her temper--had given gentleness to a spirit that otherwise might have been too high, and humility to a mind that was naturally strong, impassioned, and energetic.

And yet Lucille had long conquered the one disadvantage she most dreaded in the want of beauty. Lucille was never known but to be loved. Wherever came her presence, her bright and soft mind diffused a certain inexpressible charm; and where she was not, a something was missing from the scene which not even Julie's beauty could replace.

"I propose," said St. Amand to Madame le Tisseur, Lucille's mother, as he sat in her little salon,--for he had already contracted that acquaintance with the family which permitted him to be led to their house, to return the visits Madame le Tisseur had made him, and his dog, once more returned a penitent to his master, always conducted his steps to the humble abode, and stopped instinctively at the door,--"I propose," said St. Amand, after a pause, and with some embarrassment, "to stay a little while longer at Malines; the air agrees with me, and I like the quiet of the place; but you are aware, Madame, that at a hotel among strangers, I feel my situation somewhat cheerless. I have been thinking"--St. Amand paused again--"I have been thinking that if I could persuade some agreeable family to receive me as a lodger, I would fix myself here for some weeks. I am easily pleased."

"Doubtless there are many in Malines who would be too happy to receive such a lodger."

"Will you receive me?" said St. Amand, abruptly. "It was of your family I thought."

"Of us? Monsieur is too flattering, but we have scarcely a room good enough for you."

"What difference between one room and another can there be to me? That is the best apartment to my choice in which the human voice sounds most kindly."

The arrangement was made, and St. Amand came now to reside beneath the same roof as Lucille. And was she not happy that _he_ wanted so constant an attendance? was she not happy that she was ever of use? St. Amand was passionately fond of music: he played himself with a skill that was only surpassed by the exquisite melody of his voice; and was not Lucille happy when she sat mute and listening to such sounds as at Malines were never heard before? Was she not happy in gazing on a face to whose melancholy aspect her voice instantly summoned the smile? Was she not happy when the music ceased, and St. Amand called "Lucille?" Did not her own name uttered by that voice, seem to her even sweeter than the music? Was she not happy when they walked out in the still evenings of summer, and her arm thrilled beneath the light touch of one to whom she was so necessary? Was she not proud in her happiness, and was there not something like worship in the gratitude she felt to him, for raising her humble spirit to the luxury of feeling herself loved?

St. Amand's parents were French; they had resided in the neighborhood of Amiens, where they had inherited a competent property, to which he had succeeded about two years previous to the date of my story.