Part 14

The crowd had already gathered when I reached the court house of ----. The political rivals had commenced haranguing the mob; the shrill cry of the Yankee pedler vendueing his goods, the hoarse laugh of the stout Virginia planter, the neighing of horses, the loud voice of the stump orator, and the menaces of county bullies, met for the purpose of testing their pugilistic talents, broke upon the tympanum in no agreeable confusion. Here was a group collected around a decapitated cask of whiskey, emptying its contents to the health of favorite candidates; there a collection eyeing with eagerness two combatants encircled in a ring, struggling for the acclamation of "the best man." At a respectful distance stood the man of authority, the Virginia justice, commanding the peace; but his vociferous interference only met with the response of "Hands off: fair play!" In this promiscuous assemblage, every grade of society in the county was represented. Here was the rich, unpopular aristocrat, with his lofty bearing. The representatives of old, and once rich and aristocratical families, who had left nothing but a name for their posterity, were here mingling familiarly with the plebeian herd, seeking popularity as the only step-stone to political eminence. Here was seen, also, the rich demagogue--the people's man--the frequenter of militia musters, the giver of good dinners, without distinction of guests. Here, also, was the substantial two hundred acre freeholder. Of the most conspicuous "_minora sidera_," the Kentuckian horsedrover, the horsejockey, the ganderpuller, might be mentioned. I soon passed this congregated mass, and reached the bar. One of the fraternity was kind enough to introduce me to the court and his professional brethren. It is useless to describe my sensations during the continuance of that term of the court. I was, generally, either entirely unnoticed, or treated with marked contempt. So undeserving and discourteous did this treatment seem, that I asked an old lawyer, who appeared rather more affable than his brethren, what it meant; he smiled, and whispered that every young lawyer, and particularly _a college lawyer_, was, _prima facie_, a fool, until he showed the contrary. I profited so much by this rough response, as to resolve to push my own way, without soliciting favor, and careless even of common courtesy.

After about four months attention to my courts, I found a world of difference between the life of a student and a lawyer. The one deals with his fellow at the most confiding and innocent age; the other deals with every variety of character, and meets with every grade of vice. When I first discovered with what a cold and selfish set of creatures I had to mingle, I became melancholy, disgusted with my profession and every thing attached to it. The fearful thought came over my mind to turn scoundrel, and manage the _world_ in its own way; to "carve it like an oyster"--"to ride mankind as Pyrrhus did his elephant." But my better nature prevailed, and I determined to persevere in the difficult task of mingling with mankind and preserving my principles uncontaminated by the contact.

When we reflect what a trivial occurrence alters one's fortunes, we are ready to conclude that life is a complete game of hazard, and man the creature of circumstances. If it had not been for a singular accident, I might have toiled on through the prime of my existence, without success in my profession, and deserted it after my glittering youth was spent, a disappointed and pennyless misanthrope. I took a small "tide of fortune at its flood, and it led to glory." It was twelve months from the time I took out license, that I was touched on the arm by a stranger, who asked me if I was not Owen the lawyer? I told him I was; he then retained me to defend him in a prosecution against him for forgery, and added, that my general celebrity as a criminal advocate, had induced him to employ me. The application was of a kind so new to me, (for I had never been spoken to either for counsel or defence) that in the agitation of the moment I did not discover that I was mistaken for a lawyer of some eminence, of the same name, who attended the same court. As soon as he left me, cool reflection came, and I was convinced that I had been retained through mistake. I immediately went in search of the forger, to suggest the mistake. I met with him among a number of by-standers and a few members of the bar. As soon as he saw me, he accused me of practising a fraud upon him, by designingly confirming him in his error. I immediately turned from him, remarking that I could be no gainer by altercation with a forger. But from the reception that his charge met with among some of the by-standers and lawyers, I was impressed with the conviction that they either believed, or affected to believe, the accusation of the forger. I concealed my chagrin as well as I could until his trial came on, and availing myself of the invitation of the prosecutor to assist him, I made a speech containing the bitterest invective and perhaps the best argument that I have ever made since. As soon as I look my seat I observed approbation or envy on every countenance that met my eye, for the criminal was very opprobrious to the multitude. He was convicted by the unanimous voice of the court. I was congratulated on every side on the success of my "maiden effort," and by numbers of the obsequious crowd who previously withheld from me even the ordinary civilities of life.

NARRATOR.

LITERARY NOTICES.

THE CRAYON MISCELLANY, No. II. containing Abbotsford and Newstead Abbey. Philadelphia: Carey, Lea & Blanchard. 1835.

We hailed with pleasure the appearance of the first number of the Crayon Miscellany, but we knew not what a feast was preparing for us in the second. In Abbotsford and Newstead Abbey, the author of the Sketch Book is at home. By no one could this offering to the memories of Scott and Byron have been more appropriately made. It is the tribute of genius to its kindred spirits, and it breathes a sanctifying influence over the graves of the departed. The kindly feelings of Irving are beautifully developed in his description of the innocent pursuits and cheerful conversation of Sir Walter Scott, while they give a melancholy interest to the early misfortunes of Byron. He luxuriates among the scenes and associations which hallow the walls of Newstead, and warms us into admiration of the wizard of the north, by a matchless description of the man, his habits, and his thoughts. The simplicity and innocence of his heart, his domestic affections, and his warm hospitality, are presented in their most attractive forms. The scenes and the beings with which Sir Walter was surrounded, are drawn with a graphic pencil. All conduce to strengthen impressions formerly made of the goodness and beneficence of Scott's character, and to gratify the thousands who have drawn delight from his works, with the conviction that their author was one of the most amiable of his species. No man knows better than Washington Irving, the value which is placed by the world (and with justice) upon incidents connected with really great men, which seem trifling in themselves, and which borrow importance only from the individuals to whom they have relation. Hence he has given us a familiar (yet how beautiful!) picture of Abbotsford and its presiding genius; but the relics of Newstead, which his pensive muse has collected and thrown together, brightening every fragment by the lustre of his own genius, are perhaps even more attractive. He touches but a few points in Byron's early history, but they are those on which we could have wished the illumination of his researches. The whole of the details respecting Miss Chaworth, and Byron's unfortunate attachment to that lady, are in his best manner. The story of the White Lady is one of deep interest, and suits well with the melancholy thoughts connected with Newstead. An instance of monomania like that of the White Lady, has seldom been recorded; and the author has, without over-coloring the picture, presented to his readers the history of a real being, whose whole character and actions and melancholy fate belong to the regions of romance. In nothing that he has ever written, has his peculiar faculty of imparting to all he touches the coloring of his genius, been more fully displayed than in this work.

We give a short extract from each of these sketches, although they can afford no idea of their collective charms. The conversational powers and social qualities of Sir Walter Scott, are thus described:

"The conversation of Scott was frank, hearty, picturesque, and dramatic. During the time of my visit he inclined to the comic rather than the grave, in his anecdotes and stories, and such, I was told, was his general inclination. He relished a joke, or a trait of humor in social intercourse, and laughed with right good will. He talked not for effect or display, but from the flow of his spirits, the stores of his memory, and the vigor of his imagination. He had a natural turn for narration, and his narratives and descriptions were without effort, yet wonderfully graphic. He placed the scene before you like a picture; he gave the dialogue with the appropriate dialect or peculiarities, and described the appearance and characters of his personages with that spirit and felicity evinced in his writings. Indeed, his conversation reminded me continually of his novels; and it seemed to me, that during the whole time I was with him, he talked enough to fill volumes, and that they could not have been filled more delightfully.

"He was as good a listener as talker, appreciating every thing that others said, however humble might be their rank or pretensions, and was quick to testify his perception of any point in their discourse. He arrogated nothing to himself, but was perfectly unassuming and unpretending, entering with heart and soul into the business, or pleasure, or, I had almost said folly, of the hour and the company. No one's concerns, no one's thoughts, no one's opinions, no one's tastes and pleasures seemed beneath him. He made himself so thoroughly the companion of those with whom he happened to be, that they forgot for a time his vast superiority, and only recollected and wondered, when all was over, that it was Scott with whom they had been on familiar terms, and in whose society they had felt so perfectly at their ease.

"It was delightful to observe the generous mode in which he spoke of all his literary cotemporaries, quoting the beauties of their works, and this, too, with respect to persons with whom he might be supposed to be at variance in literature or politics. Jeffrey, it was thought, had ruffled his plumes in one of his reviews, yet Scott spoke of him in terms of high and warm eulogy, both as an author and as a man.

"His humor in conversation, as in his works, was genial and free from all causticity. He had a quick perception of faults and foibles, but he looked upon poor human nature with an indulgent eye, relishing what was good and pleasant, tolerating what was frail, and pitying what was evil. It is this beneficent spirit which gives such an air of bonhommie to Scott's humor throughout all his works. He played with the foibles and errors of his fellow beings, and presented them in a thousand whimsical and characteristic lights, but the kindness and generosity of his nature would not allow him to be a satirist. I do not recollect a sneer throughout his conversation any more than there is throughout his works."

It is more difficult to fix upon an extract from the sketch of Newstead Abbey, but we take the following as coming within the limits of our notice:

"I was attracted to this grove, however, by memorials of a more touching character. It had been one of the favorite haunts of the late Lord Byron. In his farewell visit to the abbey, after he had parted with the possession of it, he passed some time in this grove, in company with his sister; and as a last memento, engraved their names on the bark of a tree.

"The feelings that agitated his bosom during this farewell visit, when he beheld around him objects dear to his pride, and dear to his juvenile recollections, but of which the narrowness of his fortune would not permit him to retain possession, may be gathered from a passage in a poetical epistle, written to his sister in after years.

"'I did remind you of our own dear lake By the old hall, _which may be mine no more_; Lemans is fair; but think not I forsake The sweet remembrance of a dearer shore: Sad havoc Time must with my memory make Ere _that_ or _thou_ can fade these eyes before; Though, like all things which I have loved, they are Resign'd for ever, or divided far.

I feel almost at times as I have felt In happy childhood; trees, and flowers, and brooks, Which do remember me of where I dwelt Ere my young mind was sacrificed to books, Come as of yore upon me, and can melt My heart with recognition of their looks, And even at moments I would think I see Some living things I love--but none like thee.'

"I searched the grove for sometime, before I found the tree on which Lord Byron had left his frail memorial. It was an elm of peculiar form, having two trunks, which sprang from the same root, and after growing side by side, mingled their branches together. He had selected it doubtless, as emblematical of his sister and himself. The names of BYRON and AUGUSTA were still visible. They had been deeply cut in the bark, but the natural growth of the tree was gradually rendering them illegible, and a few years hence, strangers will seek in vain for this record of fraternal affection.

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"At a distance on the border of the lawn, stood another memento of Lord Byron; an oak planted by him in his boyhood, on his first visit to the abbey. With a superstitious feeling inherent in him, he linked his own destiny with that of the tree. 'As it fares,' said he, 'so will fare my fortunes.' Several years elapsed, many of them passed in idleness and dissipation. He returned to the abbey a youth scarce grown to manhood, but as he thought with vices and follies beyond his years. He found his emblem oak almost choked by weeds and brambles, and took the lesson to himself.

"'Young oak, when I planted thee deep in the ground, I hoped that thy days would be longer than mine, That thy dark waving branches would flourish around, And ivy thy trunk with its mantle entwine.

Such, such was my hope--when in infancy's years On the land of my fathers I reared thee with pride; They are past, and I water thy stem with my tears-- Thy decay not the weeds that surround thee can hide.'

"I leaned over the stone ballustrade of the terrace, and gazed upon the valley of Newstead, with its silver sheets of water gleaming in the morning sun. It was a Sabbath morning, which always seems to have a hallowed influence over the landscape, probably from the quiet of the day, and the cessation of all kinds of week day labor. As I mused upon the mild and beautiful scene, and the wayward destinies of the man whose stormy temperament forced him from this tranquil paradise to battle with the passions and perils of the world, the sweet chime of bells from a village a few miles distant, came stealing up the valley. Every sight and sound this morning, seemed calculated to summon up touching recollections of poor Byron. The chime was from the village spire of Hucknall Torkard, beneath which his remains lie buried!

"I have since visited his tomb. It is in an old gray country church, venerable with the lapse of centuries. He lies buried beneath the pavement, at one end of the principal aisle. A light falls upon the spot through the stained glass of a gothic window, and a tablet on the adjacent wall announces the family vault of the Byrons. It had been the wayward intention of the poet to be entombed with his faithful dog in the monument erected by him in the garden of Newstead Abbey. His executors showed better judgment and feeling, in consigning his ashes to the family sepulchre, to mingle with those of his mother and his kindred.

* * * * *

"How nearly did his dying hour realize the wish made by him but a few years previously in one of his fitful moods of melancholy and misanthropy:

"'When time, or soon or late, shall bring, The dreamless sleep that lulls the dead, Oblivion! may thy languid wing Wave gently o'er my dying bed!

No band of friends or heirs be there, To weep or wish the coming blow: No maiden with dishevelled hair, To feel or feign decorous woe.

But silent let me sink to earth, With no officious mourners near: I would not mar one hour of mirth, Nor startle friendship with a fear.'

"He died among strangers, in a foreign land, without a kindred hand to close his eyes, yet he did not die unwept. With all his faults, and errors, and passions, and caprices, he had the gift of attaching his humble dependants warmly to him. One of them, a poor Greek, accompanied his remains to England, and followed them to the grave. I am told that during the ceremony, he stood holding on by a pew in an agony of grief, and when all was over, seemed as if he would have gone down into the tomb with his master.--A nature that could inspire such attachments, must have been generous and beneficent."

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THE CONQUEST OF FLORIDA, by Hernando de Soto; by Theodore Irving. Philadelphia: Carey, Lea & Blanchard.

There is so much of romance in the details of Spanish conquests in America, that a history of any one of the numerous expeditions for discovery and conquest, possesses the charm of the most elaborate fiction, even while it bears the marks of general truth. These adventures occurred during the age of chivalry, when danger was courted for distinction, before the progress of science and literature had opened other avenues to renown, and when personal valor was looked upon as the pre-eminent quality--skill in arms as the highest accomplishment of an aspiring spirit. No nation was more celebrated during that chivalrous age than Spain, and in none did the genius of chivalry longer resist the influences under which it finally fell into decay. Upon the discovery of America, a wide field was opened for the warlike spirit of the age, and Spain sent forth her hosts of adventurers, filled with wild visions of boundless wealth, and the easy conquest of the barbarian nations of those golden regions. There are in the histories of their exploits, so many displays of dauntless courage--of skill in overcoming difficulties--of the power of a few disciplined warriors, to contend successfully with hosts of equally brave, but untutored savages--and so many exhibitions of the generous qualities of the soldier, that in the glare of brilliant achievements, and the excitement of thrilling incident, we are tempted to overlook the injustice and cruelty which marked the footsteps of the conquerors.

Mr. Irving's work is one of great interest. The conquest of Florida by De Soto, while it is contrasted with the conquest of Mexico by Cortez, (which immediately preceded it) in regard to its results to those engaged in it, resembles it in the patient suffering and indomitable bravery of the adventurers, and in the numerous thrilling scenes through which they passed. While the conquest of Mexico enriched the followers of Cortez, and poured the wealth of the new world into the lap of Spain, that of Florida proved fatal to all who attempted it, and ended in disaster to the ultimate conquerors. Ponce de Leon, the visionary, who sought in Florida the Fountain of Youth, Vasques de Ayllon, the ruthless kidnapper, and Pamphilo de Narvaez, the well known rival and opponent of Cortez, had made fruitless attempts to colonize this disastrous coast. But the last and most splendid effort of that day, was made by Hernando de Soto, a cavalier who had served with Cortez, and had returned to Spain in the possession of immense wealth derived from the spoil of Mexico. The enjoyment of the highest favor at the court of his sovereign, the charms of a young and lovely bride, and the allurements of his splendid position at home, were insufficient to repress the spirit of adventure which he had imbibed in the wars in Mexico, and the prevalent belief that Florida presented a scene for conquest still more magnificent than Mexico. De Soto was doomed to prove that the golden dreams of wealth with which the unexplored regions of Florida had been invested, were baseless illusions. But his adventures and achievements afford a rich mine of romantic incidents which Mr. Irving has presented in a most attractive form:

"Of all the enterprises," says he, "undertaken in this spirit of daring adventure, none has surpassed for hardihood and variety of incident, that of the renowned Hernando de Soto and his band of cavaliers. It was poetry put in action; it was the knight-errantry of the old world carried into the depths of the American wilderness: indeed, the personal adventures, the feats of individual prowess, the picturesque descriptions of steel-clad cavaliers, with lance and helm and prancing steed, glittering through the wildernesses of Florida, Georgia, Alabama, and the prairies of the Far West, would seem to us mere fictions of romance, did they not come to us recorded in matter-of-fact narratives of cotemporaries, and corroborated by minute and daily memoranda of eye witnesses."

Hernando de Soto was in every respect qualified for the task he undertook in this ill-starred expedition. But the Floridian savage was a more formidable foe than his Mexican brother--more hardy of frame, and more implacable in his revenge. Hence, although the imagination is not dazzled in the conquest of Florida, with descriptions of boundless wealth and regal magnificence--although the chiefs are not decked in "barbaric pearls and gold"--their sturdy resistance, and the varied vicissitudes created by the obstacles which nature presented to the conqueror's march, afford numberless details of great interest. The book abounds with thrilling passages, from which, but for the crowded state of our pages, we should make a few extracts. Whether it is the merit of the writer or his subject, (probably it is a combination of both,) which gives to this work so much fascination, we will not decide; but it is scarcely possible to commence it, (at least we found it so) and lay it aside until its perusal is concluded.

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CHANCES AND CHANGES; a Domestic Story, by the author of "Six Weeks on the Loire." Philadelphia: Carey, Lea & Blanchard.