Part 14

The spacious bar-room of our magnificent hotel, as I descended to it on Sabbath morning, resounded to the footsteps of a hundred gentlemen, some promenading and in earnest conversation--some hastening to, or lounging about the bar, that magnet of attraction to thirsty spirits, on which was displayed a row of rapidly disappearing glasses, containing the tempting, green-leaved, mint-julep--while, along the sides of the large room, or clustered around the tall, black columns, which extended through the centre of the hall, were others, some _tete a tete_, and others again smoking, and sipping in quiet their morning potation. A few, with legs _a la Trollope_, upon the tables, were reading stray papers, and at the farther extremity of the hall, standing around a lofty desk, were ranks of merchants similarly engaged. My northern friend, with whom I had planned a visit to the cathedral, met me at the door of the hotel, around which, upon the side-walk, was gathered a knot of fashionably dressed, cane-wearing young men, talking, all together, of a duel that had taken place, or was about to "come off," we could not ascertain exactly which, from the few words heard in passing to the street. This, by the by, is a frequent theme of conversation here, and too often based upon facts to be one of light moment.[10]

The morning was cloudless and beautiful. The air was mild, and for the city, elastic and exhilarating. The sun shone down warm and cheerfully, enlivening the spirits, and making all things glad with its brightness. The whole city had come forth into the streets to enjoy it; and as we passed from Camp-street across Canal, into Chartres-street, all the gay inhabitants, one would verily believe, had turned out as to a gala. The long, narrow streets were thronged with moving multitudes, and flashing with scarfs, ribbons, and feathers. Children, with large expressive eyes, and clustering locks, their heads surmounted with tasselled caps and fancy hats, arrayed in their "brightest and best," bounded along behind their more soberly arrayed, but not less gay parents, followed by gaudily dressed slaves, who chattered incessantly with half-suppressed laughter to their acquaintances on the opposite trottoir. Clerks, just such looking young men as you will meet on Sabbath mornings in Broadway, or Cornhill--released from their six days' confinement--lounged by us arm in arm, as fine as the tailor and hair-dresser could make them. Crowds, or gangs of American and English sailors, mingling most companionably, on a cruise through the city, rolled jollily along--the same careless independent fellows that they are all the world over. I have observed that in foreign ports, the seamen of these once hostile nations link together like brothers. This is as it should be. The good feeling existing generally among all classes of Americans toward the mother country, must be gratifying both to reflecting Americans and to Englishmen. These sons of Neptune were all dressed nearly alike in blue jackets, and full white trowsers, with black silk handkerchiefs knotted carelessly around their necks, and confined by some nautical breast-pin, in the shape of a foul anchor, a ship under her three top-sails, or plain gold hearts, pierced by arrows. Sailors are very sentimental fellows on shore! In direct contrast to these frank-looking, open-browed tars, who yawed along the side-walk, as a landsman would walk on a ship's deck at sea, we passed, near the head of Bienville-street, a straggling crew of some Spanish trader, clothed in tarry pantaloons and woollen shirts, and girt about with red and blue sashes, bucanier fashion, with filthy black whiskers, and stealthy glowing eyes, who glided warily along with lowering brows. The unsailor-like French sailor--the half horse and half alligator Kentucky boatman--the gentlemanly, carelessly-dressed cotton planter--the pale valetudinarian, from the north, whose deep sunken eye told of suicidal vigils over the midnight lamp--a noble looking foreigner, and a wretched beggar--a troop of Swiss emigrants, from the grand sire to the infant, and a gang of Erin's toil-worn exiles--all mingled _en masse_--swept along in this living current; while, gazing down upon the moving multitude from lofty balconies, were clusters of bright eyes, and sunny faces flashed from every window.

As we approached the cathedral, a dark-hued and finely moulded quadroon, with only a flowing veil upon her head, glided majestically past us. The elegant olive-browned Louisianese--the rosy-cheeked maiden from _La belle riviere_--the Parisian gentilhomme--a dignified, light-mustachoed palsgrave, and a portly sea-captain--the haughty Englishman and prouder southerner--a blanketed Choctaw, and a negro in uniform--slaves and freed-men of every shade, elbowed each other very familiarly as they traversed in various directions the crowded side-walks.

Crossing rue St. Louis, we came in collision with a party of gens d'armes with drawn swords in their hands, which they used as walking canes, leading an unlucky culprit to the calaboose--that "black-hole" of the city. Soldiers in splendid uniforms, with clashing and jingling accoutrements, were continually hurrying past us to parade. At the corner of Toulouse-street we met a straggling procession of bare-headed, sturdy-looking priests, in soiled black surplices and fashionable boots, preceded by half a dozen white-robed boys, bare-legged and dirty. By this dignified procession, among which the crowd promiscuously mingled as they passed along, and whose august approach is usually notified by the jingling of the "sacring bell," was borne the sacred "host." They hastily passed us, shoved and jostled by the crowd, who scarcely gave way to them as they hastened on their ghostly message. These things are done differently in Buenos Ayres or Rio Janeiro, where such a procession is escorted by an armed guard, and a bayonet thrust, or a night in a Spanish prison, is the penalty for neglecting to genuflect, or uncover the heretical head. As we issued from Chartres-street--where all "nations and kingdoms and tongues" seemed to have united to form its pageant of life--upon the esplanade in front of the cathedral, we were surprised by the sound of martial music pealing clearly above the confusion of tongues, the tramp of feet, and the rattling of carriages. On and around the noble green, soldiers in various uniforms, some of them of a gorgeous and splendid description, were assembling for parade. Members of the creole regiment--the finest body of military men I ever beheld, with the exception of a Brazilian regiment of blacks--were rapidly marshalling in the square. And mounted hussars, with lofty caps and in glittering mail, were thundering in from the various streets, their spurs, chains and sabres, ringing and jingling warlike music, as they dashed up to the rendezvous.

At the head of this noble square, so variegated and tumultuous with its dazzling mimicry of war, rose in solemn and imposing grandeur the venerable cathedral, lifting its heavy towers high above the emmet-crowd beneath. Its doors, in front of which was extended a line of carriages, were thronged with a motley crowd, whose attention was equally divided between the religious ceremonies within the temple and the military display without. We forced our way through the mass, which was composed of strangers like ourselves--casual spectators--servants--hack-drivers --fruit sellers, and some few, who, like the publican, worshipped "afar off."

It was the celebration of the Eucharist. Within, crowds were kneeling upon the pavement under the corridor and along the aisles--some in attitudes of the profoundest humility and awe. Others were kneeling, as nominal Protestants stand in prayer, without intention or feeling of humility; but merely assuming the posture as a matter of form. Among these last were many young Frenchmen, whose pantaloons were kept from soiling by white handkerchiefs as they kneeled, playing with their watch-guards, twirling their narrow-brimmed silk hats, or gazing idly about over the prostrate multitude. Here and there kneeled a fine female figure; and dark eyes from artfully arranged veils wandered every where but over the missal, clasped in unconscious fingers. At the base of a massive column two fair girls, kneeling side by side, were laughingly whispering together. But there were also venerable sires with locks of snow, and aged matrons, and manly forms of men, and graceful women, maidens and children, who bowed with their faces to the ground in deep devotion. As we entered, the solemn peal of an organ, mingled with the deep toned voices of the priests chanting the imposing mass, rolled over the prostrate assembly; at the same moment the host was elevated and the multitude, bowing their foreheads to the pavement, profoundly adored this Roman _schechinah_, or _visible_ presence of the Saviour.

Having, with some difficulty, worked our way through the worshippers, who, after the solemn service of the consecration of the bread and wine was finished, arose from their knees, we gained an eligible situation by one of the pillars which support the vaulted roof, and there took our post of observation. A marble font of holy water stood near us on our right hand, into which all true Catholics who entered or departed from the church, dipped the tip of a finger, with the greatest possible veneration; and therewith--the while moving their lips with a brief, indistinctly-heard prayer--crossed themselves upon both the forehead and the breast. This ceremony was also performed by proxy. A very handsome French lady entered the church, while we leaned against the column, and advancing directly to the font, dipped her ungloved finger into the consecrated laver, made the sign of the cross first upon her own fine forehead, and then turning, stooped down and crossed affectionately and prayerfully the pure, olive brows of two beautiful little girls who followed her, and the forehead of an infant borne in the arms of a slave; who, dipping her tawny fingers in the water, blessed her own black forehead; and then all passed up the aisle toward the altar--a sanctified family! How like infant baptism, this beautiful and affecting little scene of a mother thus blessing in the sincerity of her heart, her innocent offspring! White, black, and yellow--the rich and the poor, the freeman and slave, all dipped in the same font--were all blessed by the same water. A beautiful emblem of the undistinguishing blood of the Saviour of the world!

Not far from this holy vessel, behind a table or temporary altar, sat a man with a scowling brow and a superstitious eye, coarsely dressed, without vest or cravat. Before him lay a large salver strewed in great profusion with pieces of silver coin from a _bit_ to a dollar. On the centre, and only part of the waiter not piled with money, lay a silver crucifix. At the moment this display caught our eyes, and before we had time to form any conjectures as to its object, a mulatress gave us the desired explanation. Crossing from the broad aisle of the church, she reverently approached the spot and kneeling before the altar, added a quarter of a dollar to the glittering pile, and bending over, kissed first the feet, then the knees, hands, and wounded side of the image, while real tears flowed down her saffron cheeks. Elevating her prostrate form, she passed to the font, dipped her finger in the holy water and disappeared amid the crowd at the door. A gay demoiselle tripping lightly past us, bent on one knee before the waiter, threw down upon it a heavy piece of silver, and, less humble than the one who had preceded her, imprinted a kiss upon the metal lips of the image and glided from the cathedral. She was followed by a lame negro, darker than Othello, uglier and more clumsy than Caliban, who for a piccaiune, which tinkled upon the salver, had the privilege of saluting the senseless image from head to foot in the most devotional and lavish manner. A little child, led by its nurse, followed, and timidly, at the direction of its coloured governess, kissed the calm and expansive forehead of the sculptured idol. During the half hour we remained, there was a continual flow of the current of devotees to this spot, in their way to and from the high altar. But I observed that ten blacks approached the crucifix for every white!

This altar with its enriched salver is merely a Roman Catholic "contribution-box,"--a new way of doing an old thing. Some of the Protestant churches resound with a sacred hymn, or the voice of the clergyman reading a portion of the liturgy or discipline, calculated to inspire charitable feelings, while the contribution-box or bag makes its begging tour among the pews. In the cathedral the same feelings are excited by an appeal to the senses through the silent exhibition of the sufferings of the Redeemer. With one, the ear is the road to the heart, with the other, the eye; but if it is only reached, it were useless to quibble about the medium of application.

I lingered long after the great body of the congregation had departed. Here and there, before a favourite shrine--the tutelary guardian of the devotee--kneeled only a solitary individual. Close by my side, before the pictured representation of a martyrdom, bent a female form enveloped in mourning robes, her features concealed in the folds of a rich black veil. Far off, before the distant shrine of the Virgin Mother, knelt a very old man engaged in inaudible prayer, with his head pressed upon the cold stone pavement. Slowly and reflectingly I paced the deserted aisles toward the high altar, which stood in the midst of a splendid and dazzling creation of gold and silver, rich colouring, architectural finery, and gorgeous decorations, burning tapers, and candlesticks like silver pillars; the whole extending from the pavement to the ceiling, and all so mingled and confused in the religious gloom of the church, that I was unable to analyse or form any distinct idea of it. But the _coup d'oeil_ was unrivalled by any display I had ever seen in an American temple.

At the lower termination of the side aisles of the cathedral, stood dark mahogany confessionals, with blinds at the sides--reminding one of sentry boxes. These, however, were deserted and apparently seldom occupied. Sins must be diminished here, or penitents have grown more discreet than in former times! In a little while the cathedral, save by a poor woman kneeling devoutly before a wretched picture, which I took to be a representation of the martyrdom of saint Peter, became silent and deserted. While gazing upon the image of the Virgin Mary, arrayed like a prima donna, and profusely decorated with finery, standing pensively within an isolated niche, to the left of the grand altar, a slight noise, and the simultaneous agitation of a curtain, drew my attention to the entrance of a trio of young ladies, through a side door hitherto concealed behind the arras, preceded by an elderly brown-complexioned lady, of the most duenna-like physiognomy and bearing. Without noticing the presence of a stranger and a heretic--for I was gazing most undevoutly and heretically upon the jewelled image before me as they entered--they dipped the tips of their fingers in a font of holy water which stood by the entrance--passed into the centre aisle in front of the great crucifix, and kneeling in a cluster upon a rich carpet, spread upon the pavement over the crypts of the distinguished dead, by a female slave who attended them, were at once engaged in the most absorbing devotion. After a short period they arose--bowed sweepingly to the crucifix, genuflected most gracefully with a sort of familiar nod of recognition before the shrine of the Virgin, and moistening the ends of their fingers again in the marble basin, quietly disappeared.

I was now alone in the vast building. Though the current of human life flowed around its walls, with a great tumult of mingled sounds, yet only a noise, like the faintly heard murmuring of distant surf, penetrated its massive walls, and broke a silence like that of the grave which reigned within. The illustrious dead slept beneath the hollow pavement, which echoed to my footfall like a vaulted sepulchre. The ghastly images of slaughtered men looked down upon me from the walls, with agony depicted on their pale and unearthly countenances, seen indistinctly through the dim twilight of the place. The melancholy tapers burned faintly before the deserted shrines, increasing, rather than illuminating the gloom of the venerable temple. Gradually, under the combined influence of these gloomy objects, I felt a solemnity stealing over me, awed and depressed by the tomb-like repose that reigned around. Suddenly the clear light of noon-day flashed in through the drawn curtain, and another worshipper entered. Turning to take a last glance at the interior of this imposing fabric, so well calculated to excite the religious feelings of even a descendant of the Puritans, I drew aside the curtain, and the next moment was involved in the life, bustle, and tumult of the streets of a large city, whose noise, confusion, and bright sunshine contrasted strangely with the perfect stillness and "dim religious light" of the cathedral.

FOOTNOTES:

[10] The rage for duelling is at such a pitch, that a jest or smart repartee is sufficient excuse for a challenge, in which powder and ball are the arguments. The Court of honour has proved unsuccessful in its operation, and no person, it is said, has yet dared to stem the current of popular opinion. The accuracy of the Creoles, with the pistol, is said to be astonishing, and no youngster springing into life, is considered entitled to the claims of manhood, until made the mark of an adversary's bullet. In their shooting galleries, the test of their aim is firing at a button at ten or twelve paces distance, suspended by a wire, which, when struck, touches a spring that discloses a flag. There are but few who miss more than once in three times. An appointment for a duel is talked of with the _nonchalance_ of an invitation to a dinner or supper party.

XXI.

Sabbath in New-Orleans--Theatre--Interior--A New-Orleans audience--Performance--Checks--Theatre d'Orleans--Interior --Boxes--Audience--Play--Actors and actresses--Institutions --M. Poydras--Liberality of the Orleanese--Extracts from Flint upon New-Orleans.

"Do you attend the _Theatre d'Orleans_ to night?" inquired a young Bostonian, forgetful of his orthodox habits--last Sabbath evening, twirling while he spoke a ticket in his fingers--"you know the maxim--when one is in Rome"--

"I have not been here quite long enough yet to apply the rule," said I; "is not the theatre open on other evenings of the week?" "Very seldom," he replied, "unless in the gayest part of the season--though I believe there is to be a performance some night this week; I will ascertain when and accompany you."

You are aware that the rituals, or established forms of the Roman church, do not prohibit amusements on this sacred day. The Sabbath, consequently, in a city, the majority of whose inhabitants are Catholics, is not observed as in the estimation of New-Englanders, or Protestants it should be. The lively Orleanese defend the custom of crowding their theatres, attending military parades, assembling in ball-rooms, and mingling in the dangerous masquerade on this day, by wielding the scriptural weapon--"the Sabbath was made for man--not man for the Sabbath;" and then making their own inductions, they argue that the Sabbath is, literally, as the term imports, a day of rest, and not a day of religious labour. They farther argue, that religion was bestowed upon man, not to lessen, but to augment his happiness--and that it ought therefore to infuse a spirit of cheerfulness and hilarity into the mind--for cheerfulness is the twin-sister of religion.

Last evening, as I entered my room, after a visit to two noble packet ships just arrived from New-York, which as nearly resemble "floating palaces" as any thing not described in the Arabian tales well can--I discovered, lying upon my table, a ticket for the American or Camp-street theatre, folded in a narrow slip of a play-bill, which informed me that the laughable entertainment of the "Three Hunchbacks," with the interesting play of "Cinderella," was to constitute the performance of the night: Cinderella, that tale which, with Blue Beard, the Forty Thieves, and some others, has such charms for children, and which, represented on the stage, has the power to lead stern man, with softened feelings, back to infancy. In a few moments afterward my Boston friend, who had left the ticket in my room, came in with another for the French theatre, giving me a choice between the two. I decided upon attending both, dividing the evening between them. After tea we sallied out, in company with half of those who were at the supper-table, on our way to the theatre. The street and adjacent buildings shone brilliantly, with the glare of many lamps suspended from the theatre and coffee houses in the vicinity. A noisy crowd was gathered around the ticket-office--the side-walks were filled with boys and negroes--and the curb-stone was lined with coloured females, each surrounded by bonbons, fruit, nuts, cakes, pies, gingerbread, and all the other et cetera of a "cake-woman's commodity." Entering the theatre, which is a plain handsome edifice, with a stuccoed front, and ascending a broad flight of steps, we passed across the first lobby, down a narrow aisle, opened through the centre of the boxes into the pit or _parquette_, as it is here termed, which is considered the most eligible and fashionable part of the house. This is rather reversing the order of things as found with us at the north. The pews, or slips--for the internal arrangement, were precisely like those of a church--were cushioned with crimson materials, and filled with bonnetless ladies, with their heads dressed _a la Madonna_. We seated ourselves near the orchestra. The large green curtain still concealed the mimic world behind it; and I embraced the few moments of delay previous to its rising, to gaze upon this Thespian temple of the south, and a New Orleans audience.

The "parquette" was brilliant with bright eyes and pretty faces; and upon the bending galaxy of ladies which glittered in the front of the boxes around it, I seemed to gaze through the medium of a rainbow. There were, it must be confessed, some plain enough faces among them; but, at the first glance of the eye, one might verily have believed himself encircled by a gallery of houris. The general character of their faces was decidedly American; exactly such as one gazes upon at the Tremont or Park theatre; and I will henceforward eschew physiognomy, if "I guess" would not have dropped more naturally from the lips of one half who were before me, while conversing, than "I reckon." There were but few French faces among the females; but, with two or three exceptions, these were extremely pretty. Most of the delicately-reared Creoles, or Louisianian ladies, are eminently beautiful. A Psyche-like fascination slumbers in their dark, eloquent eyes, whose richly fringed lids droop timidly over them--softening but not diminishing their brilliance. Their style of beauty is _unique_, and not easily classed. It is neither French nor English, but a combination of both, mellowed and enriched under a southern sky.--They are just such creatures as Vesta and Venus would have moulded, had they united to form a faultless woman.