Part 11

Suddenly the relentless fair one concluded her mazy circles by forming one with her nude arms over Eckhardt's head and inclining herself towards him, she whispered a few words into his ear. A lightning change seemed to come over the commander's countenance, intensifying its pallor, and struck with the impression she had produced, the Sicilian continued her importunities, nodding towards the old hag in the background, until Eckhardt half reluctantly, half wrathfully permitted himself to be drawn towards the group, of which the old woman formed the center. Pausing before her and whispering a few words into her ear, which caused the hag to glance up with a scowling leer, the girl took a small bronze mirror of oval shape from beneath her tunic and after breathing upon the surface, requested the old woman to proceed with the spell. The two Calabrians hurriedly gathered some dried leaves, which they stuffed under a tripod, that seemed to constitute the entire stock-in-trade of the group. After placing thereon a copper brazier, on which the old woman scattered some spices, the latter commanded the girl to hold the mirror over the fumes, which began to rise, after the two Calabrians had set the leaves on fire. The flames, which greedily licked them up, cast a strange illumination over the scene. The crowds attracted by the uncommon spectacle pushed nearer and nearer, while Eckhardt watched the process with an air of ill-disguised impatience and annoyance leaning upon his huge brand.

The old woman was mumbling some words in a strange unintelligible jargon and the Calabrians were replenishing the consumed leaves with a new supply they had gathered up, when Eckhardt's strange companion drawing closer, whispered to him:

"Now your wish! Think it--but do not speak!"

Eckhardt nodded, half indifferently, half irritated, when the girl suddenly held the bronze mirror before his eyes and bade him look. But no sooner had he obeyed her behest, than with an outcry of amazement he darted forward and fairly captured his unsuspecting tormentor.

"Who are you?" he questioned breathlessly, "to read men's thoughts and the silent wish of their heart?"

But in his eagerness he probably hurt the girl against the iron scales, of whose jangling he had boasted, for she uttered a cry and called in great terror: "Rescue--Rescue!"

Before the words were well uttered the two Calabrians rushed towards them with drawn daggers. The mob also raised a shout and seemed to meditate interference. This uproar changed the nature of the dancer's alarm.

"In our Holy Mother's name--forbear--" she addressed the two Calabrians, and the mob, and turning to her captor, she muttered in a tone of almost abject entreaty:

"Release me--noble stranger! Indeed I am not what I seem, and to be recognized here would be my ruin. Nay--look not so incredulous! I have but played this trick on you, to learn if you indeed hated all woman-kind. You think me beautiful,--ah! Could you but see my mistress! You would surely forget these poor charms of mine."

"And who is your mistress?" questioned Eckhardt persisting in his endeavour to remove her mask, and still under the spell of the strange and to him inexplicable vision in the bronze mirror.

"Mercy--mercy! You know it is a grievous offence to be seen without my Cardinal melon," pleaded the girl with a return of the wiling witchery in her tones and attempting, but in vain, to release herself from Eckhardt's determined grasp.

"Who is your mistress?" insisted the Margrave. "And who are you?"

"Release the wanton! How dare you, a soldier of the church, break the commands of the Apostolic lieutenant?" exclaimed a husky voice and a strong arm grasped Eckhardt's shoulder. Turning round, the latter saw himself confronted by the towering form of the monk Nilus, who seemed ignorant of the person and rank of him he was addressing and whose countenance flamed with fanatic wrath.

"Ay! And it hath come to my turn to rescue damsels, and moreover to serve the church," added another speaker in a bantering tone and Eckhardt instantly recognized the Lord Vitelozzo, who having eluded the pursuit of the monk of Cluny, held a mace he had secured in lieu of his cross-bow high and menacingly in the air.

"Friar, look to your ally, if such he be, lest I do what I should have done before and make a very harmless rogue of him," said Eckhardt, holding the girl with one hand while with the other he unsheathed his sword.

"Peace, fool!" the monk addressed his would-be ally, drawing him back forcibly. "The church needs not the aid of one rogue to subdue another. Let the girl go, my son!" he then turned to the Margrave.

"Nay, father--by these bruises, which still ache, I will retrieve my wrong and rescue the wench," insisted the Roman, again raising his massive weapon, but the monk and some bystanders wedged themselves between Eckhardt and his opponent.

"Nay, then, now we are like to have good sport," exclaimed a fourth. "A monk, a woman and a soldier,--it requires not more to set the world ablaze."

"Stranger,--I implore you, release me," whispered Eckhardt's captive with frantic entreaty amidst the ever increasing tumult of the bystanders, who appeared to be divided, some favouring the monk, while others sided with the girl's captor, whose intentions they sorely misconstrued. "I would not stand revealed to yonder monk for all the world!" concluded the girl in fear-struck tones.

At this moment a cry among the bystanders warned Eckhardt that Vitelozzo's wrath had at length mastered every effort to restrain him, and, whirling round, to defend himself he was compelled to release the girl. But instead of making the use she might have been expected to do of her liberty, she called to the monk, to part the combatants in the name of the saints.

But it required no expostulation on the part of the friar, for when Eckhardt turned fully upon him, Vitelozzo, for the first time recognizing his antagonist, beat a precipitate retreat, but at some distance he turned, shouting derisively:

"An olive for a fig! Your dove has flown!" and when Eckhardt, recovering from his surprise, wheeled about, he found, much to his chagrin, the Roman's words confirmed by the absence of the girl as well as of her associates, who managed to make their escape at the moment when the impending encounter had momentarily drawn off the attention of the crowd.

"The devil can speak truth, they say, though I believed it not till now," muttered Eckhardt to himself as, vexed and mystified beyond measure, he strode through the scattering crowds.

Had it been some jeer of the fiend? Had he been made the victim of some monstrous deceit?

Who was the Sicilian dancer, whose manners and golden language belied her demeaning attire, whose strange eyes had penetrated into the darkness of his soul, whose voice had thrilled him with the echoes of one long silent and forever?

The magic mirror in which, as in a haze, he had seen the one face he most longed to see,--the strange and sudden fulfillment of the unspoken wish of his heart,--the dancer's marked persistence in the face of his declared abhorrence,--her mask and her incongruous companions,--her fear of the monk and concern for himself,--all these incidents, which one by one floated on the mirror of his memory, rose ever and anon before his inner gaze--each time more mystifying and bewildering.

In deep rumination Eckhardt pursued his way, gazing absently upon the roofless columns and shattered walls, everywhere visible, over which the star-light shone--ghostly and transparent, backed by the frowning and embattled fortresses of the Cavalli, half hidden by the dark foliage that sprang up amidst the very fanes and palaces of old. Now and then he paused with a deep and heavy sigh, as he pondered over the dark and desolate path upon which he was about to enter, over the lack of a guiding hand in which he might trust, over the uncertainty of the step, which, once taken was beyond recall.

Suddenly a light caught the solitary rambler's eye, a light almost like a star, scarcely larger indeed, but more red and intense in its ray. Of itself it was nothing uncommon and might have shone from either convent or cottage. But it streamed from a part of the Aventine, which contained no habitations of the living, only deserted ruins and shattered porticoes of which even the names and memories of their former inhabitants had been long forgotten. Aware of this, Eckhardt felt a slight awe, as the light threw its unsteady beam over the dreary landscape; for he was by no means free from the superstition of the age and it was near the hour consecrated to witches and ghosts.

But fear, whether of this world or the next, could not long daunt the mind of the Margrave; and after a brief hesitation he resolved to make a digression from his way, to discover the cause of the phenomenon. Unconsciously Eckhardt's tread passed over the site of the ill-famed temple of Isis which had at one time witnessed those wildest of orgies commemorated by the pen of Juvenal. At last he came to a dense and dark copse from an opening in the center of which gleamed the mysterious light. Penetrating the gloomy foliage Eckhardt found himself before a large ruin, grey and roofless. Through a rift in the wall, forming a kind of casement and about ten feet from the ground, the light gleamed over the matted and rank soil, embedded, as it were, in vast masses of shade. Without knowing it, Eckhardt stood on the very spot once consecrated to the cult of the Egyptian goddess, and now shunned as an abode of evil spirits. The walls of the ruin were covered with a dense growth of creepers, which entwined even the crumbled portico to an extent that made it almost impossible to penetrate into its intricate labyrinth of corridors.

While indulging in a thousand speculations, occasioned by the hour and the spot, Eckhardt suddenly perceived a shadow in the portico. Only the head was visible in the moonlight, which bathed the ruin, and it disappeared almost as quickly as it had been revealed. While meditating upon the expediency of exploring the mystery which confronted him, Eckhardt was startled by the sound of footsteps. Straining his gaze through the haze of the moonlight he beheld emerging from the portico of the temple the tall form of a man, wrapt in a long black cloak. He wore a conical hat with sloping brim which entirely shadowed his face and on his right arm he carried the apparently lifeless body of a girl. With the object of preventing a probable crime Eckhardt stepped from his place of concealment just as the stranger was about to pass him with his mysterious burden and placed his hands arrestingly on the other's shoulder.

"Who are you? And what is your business here?" he questioned curtly, attempting to remove the stranger's vizor.

"The one matters little to your business,--the other little to mine," the tall individual replied enigmatically while he dexterously resisted his questioner's effort to gain a glimpse at his face. "But," he added in a strange oracular tone, which moved Eckhardt despite himself, "if you value my aid in your hour of trial--assist me now in my hour of need!"

"Your aid?" echoed Eckhardt, staring amazed at his companion. "Do you know me? In what can you assist me?"

"You are Eckhardt the Margrave," replied the stranger; then inclining his head slightly towards him he whispered a word, the effect of which seemed to paralyze his listener, for his arresting hand fell and he retreated a step or two, surveying him in speechless wonder.

"Who are you?" he stammered at last.

The stranger raised the long visor of his conical hat. An exclamation of surprise came from Eckhardt's lips.

"Hezilo, the harper!"

The other replied with a silent nod.

"And we have never met!"

"I seldom go out!" said the harper.

"What know you of Ginevra?" begged the Margrave.

The harper shook his head.

"This is neither the time, nor the place. I must be gone--to shelter my burden! We shall meet again! If you follow me," he concluded, noting Eckhardt's persistence, "you will learn nothing and only endanger my safety and that of this child!"

"Is she dead?" Eckhardt questioned with a shudder.

"Would she were!" replied the stranger mournfully.

"Can I assist you?"

"I thank you! The burden is light. We will meet again."

There was something in the harper's tone which arrested Eckhardt's desire to ignore his injunction. How long he remained on the site of the ill-famed ruin, the Margrave hardly knew. When the fresh breeze of night, blowing from the Campagna, roused him at last from his reverie the mysterious stranger and his equally mysterious burden had disappeared in the haze of the moonlit night. Like one walking in a dream Eckhardt slowly retraced his steps to his palace on the Caelian Mount, where an imperial order sanctioning his purpose and relieving him of his command awaited him.

*CHAPTER XI*

*NILUS OF GAETA*

A grand high mass in honour of the pilgrims was on the following eve to be celebrated in the ancient Basilica of St. Peter's. But vast as was its extent, only a part of the pilgrims could be contained and the bronze gates were thrown open to allow the great multitude which filled the square to share the benefits and some of the glories of the ceremony.

The Vatican Basilica of the tenth century, far from possessing its present splendour, was as yet but the old consecrated palace, hallowed by memories of the olden time, in which Charlemagne enjoyed the hospitality of Leo III, when at his hands he received the imperial crown of the West. Similar to the restored church of St. Paul fuori le Mure, as we now see it, it was some twenty feet longer and considerably wider, having five naves divided off by four rows of vast monolith columns. There were ninety-six columns in all, of various marbles, differing in size and style, for they had been the first hasty spoils of antique palaces and temples. The walls above the order of columns were decorated with mosaics such as no Roman hand could then produce or even restore. A grand arch, such as we see at the older Basilicas to-day, inlaid with silver and adorned with mosaic, separated the nave from the chancel, below which was the tribune, an inheritance from the praetor's court of old. It now contained the high altar and the sedile of the Vicar of Christ. Before the altar stood the Confession, the vault wherein lay the bones of St. Peter, with a screen of silver crowned with images of saints and virgins. And the whole was illumined by a gigantic candelabrum holding more than a thousand lighted tapers.

The chief attraction, however, was yet wanting, for the pontiff and his court still tarried in the Vatican receiving the homage of the foreign pilgrims. While listlessly noting the preparations from his chosen point of vantage, Eckhardt discovered himself the object of scrutiny on the part of a monk, who had been listlessly wandering about and who disappeared no sooner than he had caught the eye of the great leader.

Unwilling to continue the target of observation on the part of those who recognized him despite his closed visor, Eckhardt entered the Basilica and took up his station near a remote shrine, whence he could witness the entrance of the pontifical procession, without attracting undue attention to his person. When the pontifical train did appear, it seemed one mass of glitter and sumptuous colour, as it filed down the aisles of the Basilica. The rich copes of the ecclesiastics, stiff with gold and gorgeous brocade, the jewelled mantles of the nobles, the polished breast plates and tasselled spears of the guards passed before his eyes in a bewildering confusion of splendour. In his gilded chair, under a superb canopy, Gregory, the youthful pontiff, was borne along, surrounded by a crowd of bishops, extending his hands in benediction as he passed the kneeling worshippers.

An infinite array of officials followed. Then came pilgrims of the highest rank, each order marching in separate divisions, in the fantastic costumes of their respective countries. In their wake marched different orders of monks and nuns, the former carrying torches, the latter lighted tapers, although the westering sun still flamed down the aisles in cataracts of light. After these fraternities and sisterhoods, Crescentius, the Senator, was seen to enter with his suite, conspicuous for the pomp of their attire, the taste of Crescentius being to sombre colours.

Descending from his elevated station, Gregory proceeded to officiate as High Priest in the august solemnity. Come with what prejudices one might, it was not in humanity to resist the impressions of overwhelming awe, produced by the magnificence of the spectacle and the sublime recollections with which the solemnity itself in every stage is associated. Despite his extreme youth, Gregory supported all the venerableness and dignity of the High Priest of Christendom and when at the conclusion of the high mass he bestowed his benediction on all Christendom, Eckhardt was kneeling with the immense multitude, perhaps more convinced than the most enthusiastic pilgrim, that he was receiving benediction direct from heaven.

The paroxysm only subsided, when raising his head, he beheld a gaunt monk in the funereal garb of the brotherhood of Penitent Friars ascend the chancel. He was tall, lean as a skeleton and from his shrivelled face two eyes, sunken deep in their sockets, burnt with the fire of the fanatic. This was the celebrated hermit, Nilus of Gaeta, of whose life and manners the most wonderful tales were current. He was believed to be of Greek extraction, perhaps owing to his lengthy residence in Southern Italy, near the shrines of Monte Gargano in Apulia. In the pursuit of recondite mysteries of the Moorish and Cabalistical schools, he had attained such proficiency, that he was seized with a profound disgust for the world and became a monk. Several years he spent in remote and pagan lands, spreading the tidings of salvation, until, as it was whispered, he received an extraordinary call to the effect, as was more mysteriously hinted, to turn the church from diverse great errors, into which she had fallen, and which threatened her downfall. Last, not least, he was to prepare the minds of mortal men for the great catastrophe of the Millennium,--the End of Time, the end of all earthly vanity. Special visions had been vouchsafed him, and there was that in his age, in his appearance and his speech which at once precluded the imposter. Nilus of Gaeta himself believed what he preached.

There was a brief silence, during which the Romans acquainted their foreign guests in hurried whispers with the name and renown of the reputed hermit. The latter stood motionless in the chancel and seemed to offer up a silent prayer, ere he pronounced his harangue.

His sermon was delivered in Latin, still the common language of Italy, even in its corrupt state, and its quality was such as to impress at once the most skeptical with the extraordinary gifts of the preacher.

The monk began with a truly terrific picture of the state of society and religion throughout the Christian world, which he delineated with such gloom and horror, that but for his arabesque entanglement and his gorgeousness of imagery one might have believed him a spirit of hell, returned to paint the orb of the living with colours borrowed from its murkiest depths. But with all the fantastic convolutions of his reasoning the fervour of a real eloquence soon began to overflow the twisted fountains, in which the scholastic rhetoric of the time usually confined its displays. These qualities Nilus especially exhibited when describing the pure dawn of Christianity, in which the pagan gods had vanished like phantoms of night. He declared that they were once more deified upon earth and the clear light all but extinguished. And treating the antique divinities as impersonations of human passions and lusts, the monk's eloquence suddenly took the most terrible tints, and considering the nature of some of the crimes which he thus delineated and anathematized, his audience began to suspect personal allusions of the most hideous nature.

After this singular exordium, the monk proceeded in his harangue and it seemed as if his words, like the lava overflow from a volcano, withered all that was green and flowery in their path. The Universe in his desponding eloquence seemed but a vast desolation. All the beautiful illusions which the magic of passion conjures into the human soul died beneath his touch, changing into the phantoms, which perhaps they are. The vanity of hope, the shallowness of success, the bitterness which mingles with the greatest glory, the ecstasy of love,--all these the monk painted in the most powerful colours, to contrast them with the marble calm of that drooping form crucified upon the hill of Calvary.

Spellbound, the immense multitude listened to the almost superhuman eloquence of the friar. As yet his attacks had dealt only in generalities. The Senator of Rome seemed to listen to his words with a degree of satisfaction. A singularity remarked in his character by all his historians, which, by some, has been considered as proof of a nature not originally evil, was his love of virtue in the abstract. Frequent resolutions and recommendations to reform were perhaps only overcome by his violent passions, his ambition and the exigencies of his ambiguous state between church and empire. But as the monk detailed the crimes and monstrosities of the age, the calm on the Senator's face changed to a livid, satirical smile, and occasionally he pointed the invectives of the friar by nodding to those of his followers who were supposed to be guilty of the crimes alleged, as if to call upon them to notice that they were assailed, and many a noble shrank behind his neighbour whose conscience smote him of one or all the crimes enumerated by Nilus.

In one of his most daring flights the monk suddenly checked himself and announcing his vision of impending judgment, he bid his listeners prepare their souls in a prophetic and oracular tone, which was distinctly audible, amid all the muttering which pervaded the Basilica.

A few moments of devout silence followed. The monk was expected to kneel, to offer up a prayer for divine mercy. But he stood motionless in the chancel, and after waiting a short time, Gregory turned to an attendant:

"Go and see what ails the disciple of Benedict,--we will ourselves say the Gratias."

After rising, he stepped to the altar with the accustomed retinue of cardinals and prelates and chanted the benediction. At the conclusion Crescentius approached the altar alone, demanded permission to make a duteous offering and emptied a purse of gold on the salver.

"A most princely and regal benefaction," muttered the Pontifical Datary--"a most illustrious example."

"Charlemagne gave more, but so will I, when like him I come to receive the crown of the West," muttered the Senator of Rome. His example was immediately followed, and in a few moments the altar was heaped round with presents of extraordinary magnificence and bounty. Sacks of gold and silver were emptied out, jewels, crucifixes, relics, amber, gold-dust, ivories, pearls and rare spices were heaped up in promiscuous profusion, and in return each donor received a branch of consecrated palm from the hand of the Datary, whose keen eyes reflected the brightness of the treasures whose receipts he thus acknowledged.