The Sick-a-Bed Lady And Also Hickory Dock, The Very Tired Girl, The Happy-Day, Something That Happened in October, The Amateur Lover, Heart of The City, The Pink Sash, Woman's Only Business

Part 10

Chapter 104,119 wordsPublic domain

Nothing really mattered, however, except the hearth-fire itself.

Alrik and the Pretty Lady were already there before us, kneeling down with giggly, scorching faces before a huge corn-popper foaming white with little muffled, ecstatic notes of heat and harvest.

The Pretty Lady turned a crimson cheek to us, and Alrik's tanned skin glowed like a freshly shellacked Indian. Even the Old Mother's asthmatic breath purred from the jogging rocker like a specially contented pussy-cat.

Nothing in all the room, I remember, looked pallid or fretted except the great, ghastly white face of the clock. I despise a clock that looks worried. It wasn't late, anyway. It was scarcely quarter-past four.

Indeed, it was only half-past four when the company came. We were making such a racket among ourselves that our very first warning was the sudden, blunt, rubbery _m-o-o_ of an automobile directly outside. Mud was the first thing I thought of.

Then the door flew open peremptorily, and there on the threshold stood the Blue Serge Man--not dank and wet with slime and seaweed, but fat and ruddy and warm in a huge gray 'possum coat. Only the fearful, stilted immovability of him gave the lie to his reality.

_It was a miracle!_ I had always wondered a great deal about miracles. I had always longed, craved, prayed to experience a miracle. I had always supposed that a miracle was the supreme sensation of existence, the ultimate rapture of the soul. But it seems I was mistaken. A miracle doesn't do anything to your soul for days and days and days. Your heart, of course, may jump, and your blood foam, but first of all it simply makes you very, very sick in the pit of your stomach. It made a man like Alrik clutch at his belt and jump up and down and "holler" like a lunatic. It smote the Partridge Hunter somewhere between a cramp and a sob. It ripped the Old Mother close at her waist-line, and raveled her out on the floor like a fluff of gray yarn.

But the Pretty Lady just stood up with her hands full of pop-corn, and stared and stared and stared and STARED. From her shining blond head to her jet-black slippers she was like an exploded pulse.

The Blue Serge Man stepped forward into the room and faltered. In that instant's faltering, Alrik jumped for him like a great, glad, loving dog, and ripped the coat right off his shoulders.

The Blue Serge Man's lips were all a-grin, but a scar across his forehead gave a certain tense, stricken dignity to his eyes. Very casually, very indolently, he began to tug at his gloves, staring all the while with malevolent joy on the fearful crayon portrait of the ancient grandame.

"That's the very last face I thought of when I was drowning," he drawled, "and there wasn't room enough in all heaven for the two of us. Bully old face, I'm glad I'm here. I've been in Cuba," he continued quite abruptly, "and I meant to play dead forever and ever. But there was an autumn leaf--a red autumn leaf in a lady's hat--and it made me homesick." His voice broke suddenly, and he turned to his wife with quick, desperate, pleading intensity. "I'm not--much--good," he gasped. "But I've--_come back_!"

I saw the flaky white pop-corn go trickling through the Pretty Lady's fingers, but she just stood there and shook and writhed like a tightly wrung newspaper smoldering with fire. Then her face flamed suddenly with a light I had never, never seen since my world was made.

"I don't care whether you're any good or not," she cried. "You're alive! You're alive! You're alive! You're _alive_! You're--ALIVE!"

I thought she would never stop saying it, on and on and on and on. "You're alive, you're alive, you're alive." Like a defective phonograph disk her shattered sense caught on that one supreme phrase, "You're alive! You're alive! You're alive! You're alive!"

Then the blood that had blazed in her face spread suddenly to her nerveless hands, and she began to pluck at the crape ruffles on her gown. Stitch by stitch I heard the rip-rip-rip like the buzz of a fishing-reel. But louder than all came that maddening, monotonous cry, "You're alive! You're alive! You're alive!" I thought her brain was broken.

Then the Blue Serge Man sprang toward her, and I shut my eyes. But I caught the blessed, clumsy sound of a lover's boot tripping on a ruffle--the crushing out of a breath--the smother of a half-lipped word.

I don't know what became of Alrik. I don't know what became of Alrik's Old Mother. But the Partridge Hunter, with his arm across his eyes, came groping for me through the red, red room.

"Let's get out of this," he whispered. "Let's get out of this."

So once again, amateurs both in sorrow and in gladness, the Partridge Hunter and I fled fast before the Incomprehensible. Out we ran through Amy's frost-blighted rose-garden, _where no gay, shrill young voice challenged our desecration_, out through the senile old apple orchard, _where no suspicious dog came bristling forth to question our innocent intrusion_, up through the green-ribbon roadway, up through the stumbling wood-path, to the safe, sound, tangible, moss-covered pasture-bars, where the warm, brown-fur bossies, sweet-breathed and steaming, came lolling gently down through the gauzy dusk to barter their pleasant milk for a snug night's lodging and a troughful of yellow mush.

A dozen mysterious wood-folk crackled close within reach, as though all the little day-animals were laying aside their starched clothes for the night; and the whole earth teemed with the exquisite, sleepy, nestling-down sound of fur and feathers and tired leaves. Out in the forest depths somewhere a belated partridge drummed out his excuses. Across on the nearest stone wall a tawny marauder went hunching his way along. It might have been a fox, it might have been Amy's thrown-away coon-cat. Short and sharp from the house behind us came the fast, furious crash of Alrik's frenzied young energies, chopping wood enough to warm a dozen houses for a dozen winters for a dozen new brides. But high above even the racket of his ax rang the sweet, wild, triumphant resonance of some French Canadian _chanson_. His heart and his lungs seemed fairly to have exploded in relief.

And over the little house, and the dark woods, and the mellow pasture, and the brown-fur bossies, broke a little, wee, tiny prick-point of a star, as though some Celestial Being were peeping down whimsically to see just what the Partridge Hunter and I thought of it all.

THE AMATEUR LOVER

WITH every night piercing her like a new wound, and every morning stinging her like salt in that wound, Ruth Dudley's broken engagement had dragged itself out for four long, hideous months. There's so much fever in a woman's sorrow.

At first, to be sure, there had been no special outward and visible sign of heartbreak except the thunderstorm shadows under the girl's blue eyes. Then, gradually, very gradually, those same plucky eyes had dulled and sickened as though every individual thought in her brain was festering. Later, an occasional loosened finger ring had clattered off into her untouched plate or her reeking strong cup of coffee. At the end of the fourth month the family doctor was quite busy attesting that she had no tubercular trouble of any sort. There never yet was any stethoscope invented that could successfully locate consumption of the affections.

It was about this time that Ruth's Big Brother, strolling smokily into her room one evening, jumped back in tragic dismay at the astonishing sight that met his eyes. There, like some fierce young sacrificial priestess, with a very modern smutty nose and scorched cheeks, Ruth knelt on the hearth-rug, slamming every conceivable object that she could reach into the blazing fire. The soft green walls of the room were utterly stripped and ravished. The floor in every direction lay cluttered deep with books and pictures and clothes and innumerable small bits of bric-a-brac. Already the brimming fireplace leaked forth across the carpet in little gray, gusty flakes of ash and cinder.

The Big Brother hooted right out loud. "Why, Ruthy Dudley," he gasped. "What _are_ you doing? You look like the devil!"

Blissfully unconscious of smoke or smut, the girl pushed back the straggling blond hair from her eyes and grinned, with her white teeth shot like a bolt through her under lip to keep the grin in place.

"I'm not a 'devil,'" she explained. "I'm a god! And what am I doing? I'm creating a new heaven and a new earth."

"You won't have much left to create it with," scoffed the Big Brother, kicking the tortured wreck of a straw hat farther back into the flames.

The girl reached up impatiently and smutted her other hand across her eyes. "Nothing left to create it with?" she mocked. "Why, if I had anything left to create it with, I'd be only a--mechanic!"

Then, blackened like a coal-heaver and tousled like a Skye terrier, she picked up the scarlet bellows and commenced to pump a savage yellow flame into a writhing, half-charred bundle of letters.

Through all the sweet, calm hours of that warm June night the sacrifice progressed with amazing rapacity. By midnight she had just finished stirring the fire-tongs through the ghostly, lacelike ashes of her wedding gown. At two o'clock her violin went groaning into the flames. At three her Big Brother, yawning sleepily back in his nightclothes, picked her up bodily and dumped her into her bed. He was very angry. "Little Sister," he scolded, "there's no man living worth the fuss you're making over Aleck Reese!" And the little sister sat up and rubbed her smutty, scorched cheek against his cool, blue-shaven face as she tilted the drifting ashes from the bedspread. "I'm not making any 'fuss,'" she protested. "I'm only just--burning my bridges." It was the first direct allusion that she had ever made to her trouble.

Twice after that--between three o'clock and breakfast time--the Big Brother woke from his sleep with a horrid sense that the house was on fire. Twice between three o'clock and breakfast time he met the Housekeeper scuttling along the halls on the same sniffy errand. Once with a flickering candle-light Ruth herself crept out to the doorway and laughed at them. "The house isn't on fire, you sillies," she cried. "Don't you know a burnt bridge when you smell it?" But the doctor had said quite distinctly: "You must watch that little girl. Sorrow in the tongue will talk itself cured, if you give it a chance; but sorrow in the eyes has a wicked, wicked way now and then of leaking into the brain."

It was the Housekeeper, though, whose eyes looked worried and tortured at breakfast time. It was the Big Brother's face that showed a bit sharp on the cheek-bones. Ruth herself, for the first time in a listless, uncollared, unbelted, unstarched month, came frisking down to the table as white and fresh and crisp as linen and starch and curls could make her.

"I'm going to town this morning," she announced nonchalantly to her relieved and delighted hearers. The eyes that turned to her brother's were almost mischievous. "Couldn't you meet me at twelve o'clock," she suggested, "and take me off to the shore somewhere for lunch? I'll be shopping on Main Street about that time, so suppose I meet you at Andrew Bernard's office."

Half an hour later she was stealing out of the creaky back door into the garden, along the gray, pebbly gravel walk between the tall tufts of crimson and purple phlox, to the little gay-faced plot of heart's-ease where the family doctor, symbolist and literalist, had bade her dig and delve every day in the good, hot, wholesome, freckly sunshine. Close by in the greensward an absurd pet lamb was tugging and bouncing at the end of its stingy tether. In a moment's time the girl had transferred the clumsy iron tether-stake to the midst of her posy bed. Then she started for the gate.

Pausing for just one repentant second with her hand on the gate latch, she turned and looked back to the ruthlessly trodden spot where the bland-eyed lamb stood eyeing her quizzically with his soft, woolly mouth fairly dripping with the tender, precious blossoms. "Heart's-ease. B-a-a!" mocked the girl, with a flicker of real amusement. "Heart's-ease. B-a-a-a!" scoffed the lamb, just because his stomach and his tongue happened to be made like that. Then with a quick dodge across the lane she ran to meet the electric car and started off triumphantly for the city, shutting her faint eyes resolutely away from all the roadside pools and ponds and gleams of river whose molten, ultimate peace possibilities had lured her sick mind so incessantly for the past dozen weeks.

Two hours later, with a hectic spurt of energy, she was racing up three winding, dizzy flights of stairs in a ponderous, old-fashioned office building.

Before a door marked "Andrew Bernard, Attorney at Law," she stopped and waited a frightened moment for breath and courage. As though the pounding of her heart had really sounded as loud as it felt, the door handle turned abruptly, and a very tall, broad-shouldered, grave-faced young man greeted her with attractive astonishment.

"Good morning, Drew," she began politely. "Why, I haven't seen you for a year." Then, with alarming vehemence, she finished: "Are you all alone? I want to talk with you."

Her breathlessness, her embarrassment, her fragile intensity sobered the young man instantly as he led her into his private office and stood for a moment staring inquiringly into her white face. Her mouth was just as he had last seen it a year ago, fresh and whimsical and virginal as a child's; but her eyes were scorched and dazed like the eyes of a shipwreck survivor or any other person who has been forced unexpectedly to stare upon life's big emotions with the naked eye.

"I hear you've been ill this spring," he began gently. "If you wanted to talk with me, Ruthy, why didn't you let me come out to the house and see you? Wouldn't it have been easier?"

She shook her head. "No," she protested, "I wanted to come here. What I've got to talk about is very awkward, and if things get too awkward--why, an embarrassed guest has so much better chance to escape than an embarrassed host." She struggled desperately to smile, but her lips twittered instead into a frightened quiver. With narrowing eyes the young man drew out his big leather chair for her. Then he perched himself on the corner of his desk and waited for her to speak.

"Ruthy dear," he smiled, "what's the trouble? Come, tell your old chum all about it."

The girl scrunched her eyes up tight, like a person who starts to jump and doesn't care where he lands. Twice her lips opened and shut without a sound. Then suddenly she braced herself with an intense effort.

"Drew," she blurted out, "do you remember--three years ago--you asked me to--marry--you?"

"Do I remember it?" gasped Drew. The edgy sharpness of his tone made the girl open her eyes and stare at him. "Yes," he acknowledged, "I remember it."

The girl began to smooth her white skirts with excessive precision across her knees. "What made you--ask me?" she whispered.

"What made me ask you?" cried the man.

"What made me ask you? Why, I asked you because I love you."

The girl bent forward anxiously as though she were deaf. "You asked me because--_what_?" she quizzed him.

"Because I love you," he repeated.

She jumped up suddenly and ran across the room to him. "Because you--love me?" she reiterated. "'Love?' Not 'loved'? Not past tense? Not all over and done with?"

There was no mistaking her meaning. But the man's face did not kindle, except with pain. Almost roughly he put his hands on her shoulders and searched down deep into her eyes. "Ruth," he probed, "what are you trying to do to me? Open an old wound? You know I--love you."

The girl's mouth smiled, but her eyes blurred wet with fright and tears.

"Would you care anything--about--marrying me--now?" she faltered.

Drew's face blanched utterly, and the change gave him such a horridly foreign, alien look that the girl drew away from his hands and scuttled back to the big chair, and began all over again to smooth and smooth the garish white skirt across her knees. "Oh, Drew, Drew," she pleaded, "please look like--_you_. Please--please--don't look like anybody else."

But Drew did not smile at her. He just stood there and stared in a puzzled, tortured sort of way.

"What about Aleck Reese?" he began with fierce abruptness.

The girl met the question with unwonted flippancy. "I've broken my engagement to Aleck Reese," she said coolly. "Broken it all to smash."

But the latent tremor in her voice did not satisfy the man. "Why did you break it?" he insisted. "Isn't Aleck Reese the man you want?"

Her eyes wavered and fell, and then rallied suddenly to Drew's utmost question.

"Yes, Drew," she answered ingenuously, "Aleck Reese _is_ the man I want, _but he's not the kind of man I want_!" As the telltale sentence left her lips, every atom of strength wilted out of her, and she sank back into her chair all sick and faint and shuddery.

The impulsive, bitter laugh died dumb on Drew's lips. Instantly he was at her side, gentle, patient, compassionate, the man whom she knew so well. "Do you mean," he stammered in a startled sort of way, "do you mean that--love or no love--I, I am the kind of man that you do want?"

Her hand stole shyly into his and she nodded her head. But her eyes were turned away from him.

For the fraction of a second he wondered just what the future would hold for him and her if he should snatch the situation into his arms and crush her sorrow out against his breast. Then in that second's hesitancy she shook her hair out of her eyes and looked up at him like a sick, wistful child.

"Oh, Drew," she pleaded, "you've never, never failed me yet--all my hard lessons, all my Fourth-of-July accidents, all my broken sleds and lost skates. Couldn't you help me now we're grown up? I'm so unhappy."

The grimness came back to Drew's face.

"Has Aleck Reese been mean to you?" he asked.

Her eyebrows lifted in denial. "Oh, no--not specially," she finished a trifle wearily. "I simply made up my mind at last that I didn't want to marry him."

Drew's frown relaxed. "Then what's the trouble?" he suggested.

Her eyebrows arched again. "What's the trouble?" she queried. "Why, I happen to love him. That's all."

She took her hand away from Drew and began to smooth her skirt once more.

"Yes," she repeated slowly, "as long ago as last winter I made up my mind that I didn't want to marry him--but I didn't make up my courage until Spring. My courage, I think, is just about six months slower than my mind. And then, too, my 'love-margin' wasn't quite used up, I suppose. A woman usually has a 'love-margin,' you know, and, besides, there's always so much more impetus in a woman's love. Even though she's hurt, even though she's heartbroken, even though, worst of all, she's a tiny bit bored, all her little, natural love courtesies go on just the same of their own momentum, for a day or a week, or a month, or half a lifetime, till the love-flame kindles again--or else goes out altogether. Love has to be like that. But if I were a man, Drew, I'd be awfully careful that that love-margin didn't ever get utterly exhausted. Aleck, though, doesn't understand about such things. I smoothed his headaches just as well, and listened to his music just as well, so he shiftlessly took it for granted that I loved him just as well. What nonsense! 'Love?'" Her voice rose almost shrilly. "'Love?' Bah! What's love, anyway, but a wicked sort of hypnotism in the way that a mouth slants, or a cheek curves, or a lock of hair colors? Listen to me. If Aleck Reese were a woman and I were a man, I certainly wouldn't choose his type for a sweetheart--irritable, undomestic, wild for excitement. How's that for a test? And if Aleck Reese and I were both women, I certainly shouldn't want him for my friend. Oughtn't that to decide it? Not a vital taste in common, not a vital interest, not a vital ideal!"

She began to laugh hysterically. "And I can't sleep at night for remembering the droll little way that his hair curls over his forehead, or the hurt, surprised look in his eyes when he ever really did get sorry about anything. My God! Drew, look at me!" she cried, and rolled up her sleeves to her elbow. The flesh was gone from her as though a fever had wasted her.

The muscles in Drew's throat began to twitch unpleasantly. "Was Aleck Reese mean to you?" he persisted doggedly.

A little faint, defiant smile flickered across her lips. "Never mind, Drew," she said, "whether Aleck Reese was mean to me or not. It really doesn't matter. It doesn't really matter at all just exactly what a man does or doesn't do to a woman as long as, by one route or another, before her wedding day, he brings her to the place where she can honestly say in her heart, 'This man that I want is not the kind of man that I want.' Honor, loyalty, strength, gentleness--why, Drew, the man I marry has _got_ to be the kind of man I want.

"I've tried to be fair to Aleck," she mused almost tenderly. "I've tried to remember always that men are different from women, and that Aleck perhaps is different from most men. I've tried to remember always that he is a musician--a real, real musician with all the ghastly, agonizing extremes of temperament. I've tried to remember always that he didn't grow up here with us in our little town with all our fierce, little-town standards, but that he was educated abroad, that his whole moral, mental, and social ideals are different, that the admiration and adulation of--new--women is like the breath of life to him--that he simply couldn't live without it any more than I could live without the love of animals, or the friendship of children, or the wonderfulness of outdoors, all of which bore _him_ to distraction.

"Oh, I've reasoned it all out, night after night after night, fought it out, _torn_ it out, that he probably really and truly did love me quite a good deal--in his own way--when there wasn't anything else to do. But how can it possibly content a woman to have a man love her as well as _he_ knows how--if it isn't as well as _she_ knows how? We won't talk about--Aleck Reese's morals," she finished abruptly. "Fickleness, selfishness, neglect, even infidelity itself, are such purely minor, incidental data of the one big, incurably rotten and distasteful fact that--such and such a man is _stupid in the affections_."

With growing weakness she sank back in her chair and closed her eyes.

For an anxious moment Drew sat and watched her. "Is that all?" he asked at last.

She opened her eyes in surprise. "Why, yes," she said, "that's all--that is, it's all if you understand. I'm not complaining because Aleck Reese didn't love me, but because, loving me, he wasn't _intelligent_ enough to be true to me. You do understand, don't you? You understand that it wasn't because he didn't pay his love bills, but because he didn't know enough to pay them. He took my loyalty without paying for it with his; he took my devotion, my tenderness, my patience, without ever, ever making any adequate return. Any girl ought to be able to tell in six months whether her lover is using her affection rightly, whether he is taking her affection and investing it with his toward their mutual happiness and home. Aleck invested nothing. He just took all my love that he could grab and squandered it on himself--always and forever on himself. A girl, I say, ought to be able to tell in six months. But I am very stupid. It has taken me three years."

"Well, what do you want _me_ to do?" Drew asked a bit quizzically.

"I want you to advise me," she said.

"Advise you--_what_?" persisted Drew.