Chapter 24

There is also a very beautiful torso of Venus accompanied by Cupid, and in one of the more distant museums two fine fragments of a relief of undoubtedly Greek work. There are many striking fragments of architectural carving, among which one of the most interesting is a balustrade bearing close resemblance to the carving upon an ambo at S. Agata, Ravenna, but constructed of many pieces, whereas that is an adaptation of a portion of a fluted column. There are also a good many pieces of ninth and tenth-century work, and a large collection of Christian lamps. The most ancient object in the collection is a Corinthian vase with cover of the sixth century B.C., found at Salona, and ornamented with animals and rosettes in black and violet on a yellow ground. A new museum is to be built near the agricultural college on the way to the monastery of the Paludi, which lies on the shore on the Salona side of Marjan, with cypresses in its grassy forecourt, and a garden beyond the cloister.

This convent is Franciscan, but was founded by Benedictines in the eleventh century, the Franciscans taking their place in the fifteenth century. Near the entrance is the inscribed lid of a sarcophagus upside down, used as a water-trough. The convent was fortified by the Spalatines in 1540, of which fortification the machicolated tower to the left of the church remains. The church is early Renaissance in appearance, and is dedicated to S. Maria delle Grazie. It was a favourite place of burial for distinguished Spalatine families, and the floor was covered with fine gravestones in relief, mainly of the sixteenth century, worked in a hard white Dalmatian limestone. These have now been taken up (in 1900) and arranged along the wall of the cloister. Many of them are beautiful in design, with borders of early Renaissance ornament. Perhaps the most charming is that of Caterina Cvitic, but the historic interest of that of Tommaso de Nigris of Scardona and Traù who died in 1527 in Spalato, is greater. There is a half-length portrait of him in the library by Lorenzo Lotto. Behind the high-altar in the monks' choir is an important picture by Girolamo da Santa Croce (1549). It consists of ten panels. In the upper row the centre is occupied by a Madonna and Child surrounded by child angels, flanked by SS. Helena and Scolastica, beyond whom are SS. Catherine and Mary Magdalene. In the centre of the lower row is S. Francis in ecstasy, with SS. Antonio and Bernardino, flanked by S. Doimo (with the city of Spalato) and S. Louis of Toulouse, beyond whom are SS. John the Baptist and Jerome. In the gable of a much restored frame is a dove. On the right side is a curious lintelled door with dull arabesques emphasised by lines of drilling and pictures on either side. One is a Carpaccio in tempera on canvas, a "Madonna auxilium Christianorum," with the Child in a vesica on her breast, and S. Sebastian and a bishop (S. Doimus), one on each side. She holds her cloak out to shelter a crowd of kneeling men on one side, and women on the other, from the darts which God the Father is showering from above. In the sky are cherub heads; two child angels hold a crown above the Virgin's head; in the background are Venetian towers and hills. The frame is architectural, with painted arabesques. Close by is an inlaid black marble slab, with music, the words of a psalm, and flowers in colour. On the other side of the door is a Virgin and Child, with SS. John, Peter, and Scolastica in front, and two little angels on the steps of the throne, a tempera picture on panel, rather grey in colour. A ghastly painted crucifix, with a great deal of blood, stands near the door. On one of the wells in the cloister is the date 1453; they are decorated with roundels bearing various devices. The remarkable thing which brings tourists to the Paludi is, however, the antiphonary of Padre Bonaventura Radmilovic, painted with vegetable colours, and finished after ten years' labour in 1675.

Not far away, among the vineyards, is the ninth-century church of SS. Trinita, of which the earliest known mention is in the eleventh century. It consists of six niches surrounding a circle of the same diameter as the similar buildings already described at Zara. At the springing of the arches a cornice runs right round the building. The niches terminate in semi-domes, and two of them are pierced with doors, one of which is of a later date than the rest of the building. The exterior of each niche has a rough arcading of three arches. The springing of the dome and ornamented rosettes in the semi-domes still remain. The courses are horizontal, and the niches terminate outside in a slightly sloped roof. The door has been made into a window, and the lintel bears a bit of antique egg-and-tongue moulding. Three Latin inscriptions of the ninth century have been found, and various pieces of ornament, which are in the museum, also quantities of bones, testifying to its long use as a cemetery chapel. On the way back to Spalato the Casa Katic may be noted, in the walls of which many antique fragments are encrusted.

There was another early church, that of S. Eufemia, within the military hospital, which was destroyed in 1877. It had a central elliptical dome without windows resting on four pillars; two more on each side made the nave four bays long. The apse and aisle ends were square, and the nave was vaulted with a wagon vault.

The great excursion from Spalato is to Salona, a city large enough to quarter the entire army of the Consul L. Cecilius Metellus in 119 B.C., and then known as Colonia Martia Julia. The walls extend for a long distance upon the roads to Traù and to Clissa after crossing the Jader, and the city also stretched some distance up the mountain slopes, the débris from which have done so much to hide its remains. Several burial-places have been discovered, of greater or less extent, an amphitheatre, basilicas, a baptistery with the buildings appertaining, city gates, and more than one circuit of walls. Salona may be reached by rail or road; in the latter case the aqueduct may be observed, originally constructed by Diocletian for his palace, and restored in 1879 by Dr. Bajamonti for the use of the Spalatines. It is six miles long, and taps the source of the Jader. The road descends by long curves to the valley, and enters the village, where the Clissa road diverges, under the pleasant shade of trees, beyond which is a marshy field, white in spring with the giant snowdrop. Half-way down the hill is a fountain which muleteers and pedestrians find most refreshing, especially if they are pressed for time as we were on one occasion when we had an appointment in Spalato, and, missing the train, had to return on foot in the middle of the day. The railway customs are rather curious. On one visit I asked for return tickets, and, as they were not taken on leaving the station at Salona, supposed I had them. In the train the guard told us as we were returning that they were not available, and that we must therefore pay a fine of a florin! I, of course, protested, detailed the circumstances, and pleaded the ignorance of a foreigner; and on arrival at Spalato the matter was referred to a higher official, who was graciously pleased to refund the fine, and accept the fare for a single journey. The traveller in Austria must not calculate on paying his fare on the train, as he would do on the Italian light railways.

Near the station at Salona is a little _osteria_, in and about which a number of antique fragments are disposed. It was stopping to have some wine here that caused us to miss our train. There were some eight or ten children playing beneath the pergola, and I found by experience how small a sum may suffice to make a human being happy, since the distribution of three halfpence in heller, the small copper coin which is the basis of calculation, delighted them all! As we left the station on arriving we saw a crowd of peasants kneeling at the cross roads, with three banners, a big crucifix, a chandelier with three candles, and other objects rising above their bent heads. The priest in the centre was blessing the fields, sprinkling holy water in all directions, whilst prayers and responses went up from the kneeling people, the smoke from the censers which the acolytes were slowly swinging hanging round the group like a cloud. Afterwards they came down the road in procession. The priest held a little silver crucifix on a base; near him were the acolytes bearing their various, utensils, and a choir of male singers. The men and boys went first, in two rows down the sides of the road, just as we had often seen in Italy. The women and girls followed.

The oldest part of the city is towards the Clissa road, for it spread westwards. The Basilica Urbana is quite close to the wall, and only a little farther south are the Porta Suburbia and the Porta Cæsarea. Of the latter the arches no longer exist, but the ruts in the stone show the carriage-way, flanked by two footways. The Basilica Urbana, with its accompanying buildings, has been fully excavated. It was used for religious purposes till its restoration in the ninth century, for Salona was not entirely abandoned after its destruction in 639. The soil removed showed evident traces of its destruction by burning. It consisted of nave and aisles with a western narthex, and buildings both to the north and to the south. The nave appears to have had twelve columns on either side, with projecting piers from the narthex and from the eastern wall. There was one apse with an ambulatory surrounding it, as in the Lycaonian buildings recently described by Miss Lowthian Bell. The foundations of the chancel were found, and of an enclosure which reached to the second column on the right. In the north aisle wall were two doors, one towards the baptistery, the other to the catechumens' room, and all along the wall there was a seat. The _prothesis_ is an irregular space to the north of the apse, entered by a door at the end of the aisle, with a short column in the middle, probably the central column of a table. For ritual reasons this arrangement (the _diakonikon_ communicating directly with the presbytery, while the _prothesis_ does not) is usual in the Greek Church. The nave appears to have been flagged, but the aisles were covered with a mosaic pavement, now more or less damaged. Fragments of glass were found, and an inscription of the fourth or fifth century discovered in the cemetery, "Pasc[asi]o vitriario," shows that glassmaking was a Salonitan industry. Beneath the presbytery remains of an earlier building were discovered with a pagan mosaic of the second or third century, representing the poetess Sappho and the nine muses. The ambulatory is also floored with mosaic, in which is this inscription:

NOVA POST VETERA COEPIT SYNFERIUS ESYCHIUS CJUS NEPOS CUM CLERO ET POPULO FECIT HAEC MUNERA DOMUS XPE GRATA TENE.

The two names here recorded are those of bishops of the end of the fourth and beginning of the fifth centuries, judging from the palæography of other inscriptions. Esychius was bishop, 406-426. The baptistery is accessible by steps both from the basilica and the narthex. Attached to it is the _consignatorium_, as at Parenzo. This retains its mosaic pavement, with a design of stags drinking at a vase, and the text "Sicut cervus," &c. It is kept covered with pebbles to preserve it. The baptistery itself is octagonal externally and circular internally, with niches and several doors. It appears to have had six columns (fragments of three of cipollino remain) and grey stone bases. The font is somewhat cruciform in shape, about 3 ft. deep, and with a little step at one end. The slabs at the bottom and the conduit for the water still remain. North of this is the house of the Director of the Excavations, with a pergola composed of fragments from the campanile, &c., among which is a cap the exact counterpart of one in the cathedral at Veglia.

North-west of the house is the Christian cemetery, a bewildering mass of sarcophagi and foundations of several epochs, from among which many objects have been taken to the museum. All the sarcophagi had been broken into and plundered; with a single exception, that of a little Greek girl who still had the earrings in her ears. Apparently apses were built round the martyrs' tombs, pointing in all directions, and many burials took place close to them. When the Goths destroyed the city they plundered the tombs; and when the Christians returned they levelled the ground, and built another basilica properly orientated; and here, also, burials took place. The Avars descended upon this and destroyed it, and the soil washed down from the hills covered much of it to the depth of 15 ft. Fragments found of the eighth and ninth centuries, however, show that the place was not abandoned; the theatre was only demolished at the end of the tenth century to build S. Michele, and the amphitheatre lasted till the close of the thirteenth. Upon the extinction of the Croatian dynasty in 1102, Salona rapidly declined, and when the Turks appeared in the sixteenth century it became a neglected ruin.

At Marusinac, some distance to the north of the station and the amphitheatre, is another basilica, dedicated to S. Anastasius, and a Christian cemetery. The children are on the look-out for chance visitors, and ready to point out the road; and sell copper coins and tesseræ of mosaic at a price which lowers remarkably as the basilica is approached. It is to be feared that they come from the great mosaic, which is necessarily unguarded. The basilica consists of nave and aisles, separated apparently by six columns on each side, with a single apse, which seems to have had external buttresses, but there is no trace of the usual internal bench. The total length approaches 150 ft., the nave is 39 ft. wide, the left aisle about 14 ft., and the right 17 ft. 6 in. The _prothesis_ and _diakonikon_ are square, and a long _schola cantorum_ forms a continuation to the presbytery westward, though it is less in width. The westward angles of the aisles also have rectangular rooms walled off. The whole surface was covered with mosaic, of which a great deal is still preserved, consisting of geometrical pattern work for the most part, without inscriptions, though there is one panel showing a vase with scrolls issuing from it. A large drawing to scale has been made of it, which is in the communal palace. It took a full year's labour to complete. The basilica was built between 425 and 443, but there was a villa there previously, of which considerable remains were discovered in 1890, at the same time that the first sarcophagi came to light.

In the modern chapel of S. Caius, pope and martyr, the side of an antique sarcophagus serves as altar-frontal. It is sculptured with the deeds of Hercules. The subjects are the Killing of the Dragon of the Hesperides (which the peasantry mistake for the Garden of Eden), Alcestis being brought back from Hades, and the Binding of Cerberus. The water which filtered into the sarcophagus believed to be the tomb of S. Caius was credited with the same miraculous powers as the "Manna" of S. Nicola at Bari.

A path skirts the wall of Salona to the Porta Andetria upon the Clissa road, which climbs the hillside in well-graded curves. To the north the ridge of Kozjak rises to the height of 2,000 ft.; across the gap up which the Roman Via Gabiniana ran, the course of which the modern road follows, beyond Clissa, the still higher crests of Mosor frown. The isolated rock on which the fortress stands appears to have been an outwork of Salona in Roman times, and some assume that it was Andetrium, which others place farther off; the Byzantines called it Clausura. It is the key between Sinj and Spalato, its possession effectually closing the pass to an enemy. The Avars took it in 640 by stratagem, disguising themselves as Romans. It was Turkish from 1537 till 1669, except for a short period, and one of the attempts of the Spalatines to possess themselves of it has been referred to. The fort has three terraces, and retains a characteristic building, a mosque of Turkish times, now used as an ammunition store. Round arches which sustain the dome spring from stalactite-shaped brackets. There is also a Venetian wall-fountain, but considerable additions have been made to the buildings in modern times by the Austrian military authorities, who have held the place since 1813; and permission from the command at Spalato is necessary to enter the fort. To the south-east are the ruins of the Roman camp.

XXII

THE SOUTHERN GROUP OF ISLANDS

The chain of islands which forms a natural breakwater to the coast of Dalmatia is broken into two groups by the Punta Planka, the ancient Promontorium Syrtis, south of Sebenico. To the northern group belong Veglia, Cherso, Ossero, Arbe, Pago, and a number of smaller and less important islands, including Ugljan, opposite Zara, and Pasman, a little farther south. Of these the first four have been described at length, and the others are mentioned briefly in the chapter dealing with Zara and its surroundings. The southern group lies south of the harbour of Spalato, and includes Solta, Brazza, Lesina, Curzola, Meleda, the more distant Lissa, Busi, and Lagosta, and a few small islands which belonged to the Republic of Ragusa. The interest of these varies a good deal, some containing much to delight the traveller, while others are scarcely worth a visit. Most of them have historical memories reaching from the dawn of history to times which are within the memory of many now living, and some of them are remarkable for their geological formation or luxuriant Southern vegetation. The planning of a tour among them requires the most careful comparison of the time-tables of the various shipping companies, and the scheme, once decided on, must be strictly adhered to under pain of the risk of being stranded in some little visited place for three or four days without any of the comforts which the average traveller now expects to find everywhere; for the weather cannot be relied on for twenty-four hours together in the seasons when travellers are most numerous, the sea frequently rising under an unfavourable wind so rapidly as to make escape by a fishing-boat a doubtful experiment.

The direct boats, on leaving Spalato, steer between Solta and Brazza, and round the point of Lesina, proceeding by the Canals of Curzola and Meleda towards Gravosa; and we cannot do better than visit the islands in much the same order.

Solta is the ancient Olinthia, celebrated for its honey; Olinthian honey was held to be superior to all other, except that of Hymettus. The bees are of a special kind, which work hard, and go out in wind and slight rain; but the excellence of the honey was probably due to the rosemary blossoms, on which they feed by preference, only visiting other flowers when these have been completely rifled. Of late years the inhabitants have cleared a great part of the land in order to cultivate vines or chrysanthemum, so the yield of honey is much reduced. Remains of mosaic pavements found here and there show the sites of Roman villas.

Brazza is the largest of the Dalmatian islands, the most populous, and the richest in wine and oil. The stone for Diocletian's palace came mainly from this island; and Professor Bulic has found abandoned fragments partially worked in the quarries, as well as inscriptions. The greater part of the stone with which Salona was built also came from Brazza. Its history commences with the destruction of Salona and Epetium in the seventh century, much of the population taking refuge in the island, though it is believed that Greeks inhabited it before the Romans. The legend that S. Helena, the mother of Constantine, was born here (though most historians regard her as English) probably arose from the name of Brettanide, which is said to have been the Greek name for the island, though Brattia is also met with. The most ancient document preserved is a privilege of 1077, given to the nobles by Demetrius Zvonimir; but the island belonged by turns to Byzantium, Venice, the Ostrogoth, Frank, Narentan, and Hungarian, becoming finally Venetian in 1420, except for the disturbed period which closed in 1815; since then it has been Austrian. In a convent of Dominicans at Bol, on the south coast, is a Gothic church, with a restored altar-piece representing the Marriage of S. Catherine, with SS. Mary Magdalene, Paul, and Dominic as witnesses. An entry in the convent register attests the authorship--"to Master Jacomo Tintoretto, painter, a further payment of 200 ducats for the high-altar piece." In the convent is a collection of coins and a Lombard lintel with ninth-century interlacings; and on the Casa Nisiteo a knocker resembling that at Curzola--a female figure with an anchor in the middle, a lion on each side with head turned up, a shell below and a shield with arms above, charged with a sun and dolphin one above the other; a crowned lion and an eagle as supporters.

In a hut at Birce, near Serip, Andrea, son of Salomon the exiled king of Hungary, lived as a shepherd and died.

Lesina was once a Venetian arsenal and station of the fleet. The vegetation is sub-tropical. Rosemary fills the air with its aromatic scent, oleanders, lemons, lofty palms, carob and bay trees are continually met with, and aloes are often used for hedges. It was the island Pharos of the Greeks, a colony from the Ægean Paros, founded in 385 B.C., and a free republic. Coins which have been found are similar to the most ancient ones of Greece and Asia Minor, and the remains of walls appear to be Pelasgic. From 221 B.C. it belonged to the Roman province of Dalmatia, and shared the fate of its neighbour Brazza. The Illyrian pirates mastered it, and under their lordship the celebrated Demetrios was born, who was like a condottiere of the Middle Ages and Renaissance, and whose treachery led to the destruction of the Greek city. Many Christian martyrs were buried here, and it became known as "the Holy." The population is Slav, and the Greek name "Pharia" is preserved to some extent in the Slav name "Hvar." It is the longest of the Dalmatian islands, being 70 kilometres long by 10 broad.