Chapter 4

One day, Hal, reading the paper, came across a paragraph concerning the young minister who had once lived there, and who had thought and written there and so influenced the lives of those about him that they remembered him even while they disapproved.

“He cut a man's throat on board ship for Australia,” said he, “and then he cut his own, without fatal effect--and jumped overboard, and so ended it. What a strange thing!”

Then they all looked at one another with subtle looks, and a shadow fell upon them and stayed the blood at their hearts.

The next week the room of the Evil Thought was pulled down to make way for a pansy bed, which is quite gay and innocent, and blooms all the better because the larches, with their eternal murmuring, have been laid low and carted away to the sawmill.

STORY OF THE VANISHING PATIENT

THERE had always been strange stories about the house, but it was a sensible, comfortable sort of a neighborhood, and people took pains to say to one another that there was nothing in these tales--of course not! Absolutely nothing! How could there be? It was a matter of common remark, however, that considering the amount of money the Nethertons had spent on the place, it was curious they lived there so little. They were nearly always away,--up North in the summer and down South in the winter, and over to Paris or London now and then,--and when they did come home it was only to entertain a number of guests from the city. The place was either plunged in gloom or gayety. The old gardener who kept house by himself in the cottage at the back of the yard had things much his own way by far the greater part of the time.

Dr. Block and his wife lived next door to the Nethertons, and he and his wife, who were so absurd as to be very happy in each other's company, had the benefit of the beautiful yard. They walked there mornings when the leaves were silvered with dew, and evenings they sat beside the lily pond and listened for the whip-poor-will. The doctor's wife moved her room over to that side of the house which commanded a view of the yard, and thus made the honeysuckles and laurel and clematis and all the masses of tossing greenery her own. Sitting there day after day with her sewing, she speculated about the mystery which hung impalpably yet undeniably over the house.

It happened one night when she and her husband had gone to their room, and were congratulating themselves on the fact that he had no very sick patients and was likely to enjoy a good night's rest, that a ring came at the door.

“If it's any one wanting you to leave home,” warned his wife, “you must tell them you are all worn out. You've been disturbed every night this week, and it's too much!”

The young physician went downstairs. At the door stood a man whom he had never seen before.

“My wife is lying very ill next door,” said the stranger, “so ill that I fear she will not live till morning. Will you please come to her at once?”

“Next door?” cried the physician. “I didn't know the Nethertons were home!”

“Please hasten,” begged the man. “I must go back to her. Follow as quickly as you can.”

The doctor went back upstairs to complete his toilet.

“How absurd,” protested his wife when she heard the story. “There is no one at the Nethertons'. I sit where I can see the front door, and no one can enter without my knowing it, and I have been sewing by the window all day. If there were any one in the house, the gardener would have the porch lantern lighted. It is some plot. Some one has designs on you. You must not go.”

But he went. As he left the room his wife placed a revolver in his pocket.

The great porch of the mansion was dark, but the physician made out that the door was open, and he entered. A feeble light came from the bronze lamp at the turn of the stairs, and by it he found his way, his feet sinking noiselessly in the rich carpets. At the head of the stairs the man met him. The doctor thought himself a tall man, but the stranger topped him by half a head. He motioned the physician to follow him, and the two went down the hall to the front room. The place was flushed with a rose-colored glow from several lamps. On a silken couch, in the midst of pillows, lay a woman dying with consumption. She was like a lily, white, shapely, graceful, with feeble yet charming movements. She looked at the doctor appealingly, then, seeing in his eyes the involuntary verdict that her hour was at hand, she turned toward her companion with a glance of anguish. Dr. Block asked a few questions. The man answered them, the woman remaining silent. The physician administered something stimulating, and then wrote a prescription which he placed on the mantel-shelf.

“The drug store is closed to-night,” he said, “and I fear the druggist has gone home. You can have the prescription filled the first thing in the morning, and I will be over before breakfast.”

After that, there was no reason why he should not have gone home. Yet, oddly enough, he preferred to stay. Nor was it professional anxiety that prompted this delay. He longed to watch those mysterious persons, who, almost oblivious of his presence, were speaking their mortal farewells in their glances, which were impassioned and of unutterable sadness.

He sat as if fascinated. He watched the glitter of rings on the woman's long, white hands, he noted the waving of light hair about her temples, he observed the details of her gown of soft white silk which fell about her in voluminous folds. Now and then the man gave her of the stimulant which the doctor had provided; sometimes he bathed her face with water. Once he paced the floor for a moment till a motion of her hand quieted him.

After a time, feeling that it would be more sensible and considerate of him to leave, the doctor made his way home. His wife was awake, impatient to hear of his experiences. She listened to his tale in silence, and when he had finished she turned her face to the wall and made no comment.

“You seem to be ill, my dear,” he said. “You have a chill. You are shivering.”

“I have no chill,” she replied sharply. “But I--well, you may leave the light burning.”

The next morning before breakfast the doctor crossed the dewy sward to the Netherton house. The front door was locked, and no one answered to his repeated ringings. The old gardener chanced to be cutting the grass near at hand, and he came running up.

“What you ringin' that door-bell for, doctor?” said he. “The folks ain't come home yet. There ain't nobody there.”

“Yes, there is, Jim. I was called here last night. A man came for me to attend his wife. They must both have fallen asleep that the bell is not answered. I wouldn't be surprised to find her dead, as a matter of fact. She was a desperately sick woman. Perhaps she is dead and something has happened to him. You have the key to the door, Jim. Let me in.”

But the old man was shaking in every limb, and refused to do as he was bid.

“Don't you never go in there, doctor,” whispered he, with chattering teeth. “Don't you go for to 'tend no one. You jus' come tell me when you sent for that way. No, I ain't goin' in, doctor, nohow. It ain't part of my duties to go in. That's been stipulated by Mr. Netherton. It's my business to look after the garden.”

Argument was useless. Dr. Block took the bunch of keys from the old man's pocket and himself unlocked the front door and entered. He mounted the steps and made his way to the upper room. There was no evidence of occupancy. The place was silent, and, so far as living creature went, vacant. The dust lay over everything. It covered the delicate damask of the sofa where he had seen the dying woman. It rested on the pillows. The place smelled musty and evil, as if it had not been used for a long time. The lamps of the room held not a drop of oil.

But on the mantel-shelf was the prescription which the doctor had written the night before. He read it, folded it, and put it in his pocket.

As he locked the outside door the old gardener came running to him.

“Don't you never go up there again, will you?” he pleaded, “not unless you see all the Nethertons home and I come for you myself. You won't, doctor?”

“No,” said the doctor.

When he told his wife she kissed him, and said:

“Next time when I tell you to stay at home, you must stay!”

THE PIANO NEXT DOOR

BABETTE had gone away for the summer; the furniture was in its summer linens; the curtains were down, and Babette's husband, John Boyce, was alone in the house. It was the first year of his marriage, and he missed Babette. But then, as he often said to himself, he ought never to have married her. He did it from pure selfishness, and because he was determined to possess the most illusive, tantalizing, elegant, and utterly unmoral little creature that the sun shone upon. He wanted her because she reminded him of birds, and flowers, and summer winds, and other exquisite things created for the delectation of mankind. He neither expected nor desired her to think. He had half-frightened her into marrying him, had taken her to a poor man's home, provided her with no society such as she had been accustomed to, and he had no reasonable cause of complaint when she answered the call of summer and flitted away, like a butterfly in the morning sunshine, to the place where the flowers grew.

He wrote to her every evening, sitting in the stifling, ugly house, and poured out his soul as if it were a libation to a goddess. She sometimes answered by telegraph, sometimes by a perfumed note. He schooled himself not to feel hurt. Why should Babette write? Does a goldfinch indict epistles; or a humming-bird study composition; or a glancing, red-scaled fish in summer shallows consider the meaning of words?

He knew at the beginning what Babette was--guessed her limitations--trembled when he buttoned her tiny glove--kissed her dainty slipper when he found it in the closet after she was gone--thrilled at the sound of her laugh, or the memory of it! That was all. A mere case of love. He was in bonds. Babette was not. Therefore he was in the city, working overhours to pay for Babette's pretty follies down at the seaside. It was quite right and proper. He was a grub in the furrow; she a lark in the blue. Those had always been and always must be their relative positions.

Having attained a mood of philosophic calm, in which he was prepared to spend his evenings alone--as became a grub--and to await with dignified patience the return of his wife, it was in the nature of an inconsistency that he should have walked the floor of the dull little drawing-room like a lion in cage. It did not seem in keeping with the position of superior serenity which he had assumed, that, reading Babette's notes, he should have raged with jealousy, or that, in the loneliness of his unkempt chamber, he should have stretched out arms of longing. Even if Babette had been present, she would only have smiled her gay little smile and coquetted with him. She could not understand. He had known, of course, from the first moment, that she could not understand! And so, why the ache, ache, ache of the heart! Or WAS it the heart, or the brain, or the soul?

Sometimes, when the evenings were so hot that he could not endure the close air of the house, he sat on the narrow, dusty front porch and looked about him at his neighbors. The street had once been smart and aspiring, but it had fallen into decay and dejection. Pale young men, with flurried-looking wives, seemed to Boyce to occupy most of the houses. Sometimes three or four couples would live in one house. Most of these appeared to be childless. The women made a pretence at fashionable dressing, and wore their hair elaborately in fashions which somehow suggested boarding-houses to Boyce, though he could not have told why. Every house in the block needed fresh paint. Lacking this renovation, the householders tried to make up for it by a display of lace curtains which, at every window, swayed in the smoke-weighted breeze. Strips of carpeting were laid down the front steps of the houses where the communities of young couples lived, and here, evenings, the inmates of the houses gathered, committing mild extravagances such as the treating of each other to ginger ale, or beer, or ice-cream.

Boyce watched these tawdry makeshifts at sociability with bitterness and loathing. He wondered how he could have been such a fool as to bring his exquisite Babette to this neighborhood. How could he expect that she would return to him? It was not reasonable. He ought to go down on his knees with gratitude that she even condescended to write him.

Sitting one night till late,--so late that the fashionable young wives with their husbands had retired from the strips of stair carpeting,--and raging at the loneliness which ate at his heart like a cancer, he heard, softly creeping through the windows of the house adjoining his own, the sound of comfortable melody.

It breathed upon his ear like a spirit of consolation, speaking of peace, of love which needs no reward save its own sweetness, of aspiration which looks forever beyond the thing of the hour to find attainment in that which is eternal. So insidiously did it whisper these things, so delicately did the simple and perfect melodies creep upon the spirit--that Boyce felt no resentment, but from the first listened as one who listens to learn, or as one who, fainting on the hot road, hears, far in the ferny deeps below, the gurgle of a spring.

Then came harmonies more intricate: fair fabrics of woven sound, in the midst of which gleamed golden threads of joy; a tapestry of sound, multi-tinted, gallant with story and achievement, and beautiful things. Boyce, sitting on his absurd piazza, with his knees jambed against the balustrade, and his chair back against the dun-colored wall of his house, seemed to be walking in the cathedral of the redwood forest, with blue above him, a vast hymn in his ears, pungent perfume in his nostrils, and mighty shafts of trees lifting themselves to heaven, proud and erect as pure men before their Judge. He stood on a mountain at sunrise, and saw the marvels of the amethystine clouds below his feet, heard an eternal and white silence, such as broods among the everlasting snows, and saw an eagle winging for the sun. He was in a city, and away from him, diverging like the spokes of a wheel, ran thronging streets, and to his sense came the beat, beat, beat of the city's heart. He saw the golden alchemy of a chosen race; saw greed transmitted to progress; saw that which had enslaved men, work at last to their liberation; heard the roar of mighty mills, and on the streets all the peoples of earth walking with common purpose, in fealty and understanding. And then, from the swelling of this concourse of great sounds, came a diminuendo, calm as philosophy, and from that, nothingness.

Boyce sat still for a long time, listening to the echoes which this music had awakened in his soul. He retired, at length, content, but determined that upon the morrow he would watch--the day being Sunday--for the musician who had so moved and taught him.

He arose early, therefore, and having prepared his own simple breakfast of fruit and coffee, took his station by the window to watch for the man. For he felt convinced that the exposition he had heard was that of a masculine mind. The long, hot hours of the morning went by, but the front door of the house next to his did not open.

“These artists sleep late,” he complained. Still he watched. He was too much afraid of losing him to go out for dinner. By three in the afternoon he had grown impatient. He went to the house next door and rang the bell. There was no response. He thundered another appeal. An old woman with a cloth about her head answered the door. She was very deaf, and Boyce had difficulty in making himself understood.

“The family is in the country,” was all she would say. “The family will not be home till September.”

“But there is some one living here?” shouted Boyce.

“_I_ live here,” she said with dignity, putting back a wisp of dirty gray hair behind her ear. “It is my house. I sublet to the family.”

“What family?”

But the old creature was not communicative.

“The family that lives here,” she said.

“Then who plays the piano in this house?” roared Boyce. “Do you?”

He thought a shade of pallor showed itself on her ash-colored cheeks. Yet she smiled a little at the idea of her playing.

“There is no piano,” she said, and she put an enigmatical emphasis to the words.

“Nonsense,” cried Boyce, indignantly. “I heard a piano being played in this very house for hours last night!”

“You may enter,” said the old woman, with an accent more vicious than hospitable.

Boyce almost burst into the drawing-room. It was a dusty and forbidding place, with ugly furniture and gaudy walls. No piano nor any other musical instrument stood in it. The intruder turned an angry and baffled face to the old woman, who was smiling with ill-concealed exultation.

“I shall see the other rooms,” he announced. The old woman did not appear to be surprised at his impertinence.

“As you please,” she said.

So, with the hobbling creature, with her bandaged head, for a guide, he explored every room of the house, which being identical with his own, he could do without fear of leaving any apartment unentered. But no piano did he find!

“Explain,” roared Boyce at length, turning upon the leering old hag beside him. “Explain! For surely I heard music more beautiful than I can tell.”

“I know nothing,” she said. “But it is true I once had a lodger who rented the front room, and that he played upon the piano. I am poor at hearing, but he must have played well, for all the neighbors used to come in front of the house to listen, and sometimes they applauded him, and sometimes they were still. I could tell by watching their hands. Sometimes little children came and danced. Other times young men and women came and listened. But the young man died. The neighbors were angry. They came to look at him and said he had starved to death. It was no fault of mine. I sold his piano to pay his funeral expenses--and it took every cent to pay for them too, I'd have you know. But since then, sometimes--still, it must be nonsense, for I never heard it--folks say that he plays the piano in my room. It has kept me out of the letting of it more than once. But the family doesn't seem to mind--the family that lives here, you know. They will be back in September. Yes.”

Boyce left her nodding her thanks at what he had placed in her hand, and went home to write it all to Babette--Babette who would laugh so merrily when she read it!

AN ASTRAL ONION

WHEN Tig Braddock came to Nora Finnegan he was red-headed and freckled, and, truth to tell, he remained with these features to the end of his life--a life prolonged by a lucky, if somewhat improbable, incident, as you shall hear.

Tig had shuffled off his parents as saurians, of some sorts, do their skins. During the temporary absence from home of his mother, who was at the bridewell, and the more extended vacation of his father, who, like Villon, loved the open road and the life of it, Tig, who was not a well-domesticated animal, wandered away. The humane society never heard of him, the neighbors did not miss him, and the law took no cognizance of this detached citizen--this lost pleiad. Tig would have sunk into that melancholy which is attendant upon hunger,--the only form of despair which babyhood knows,--if he had not wandered across the path of Nora Finnegan. Now Nora shone with steady brightness in her orbit, and no sooner had Tig entered her atmosphere, than he was warmed and comforted. Hunger could not live where Nora was. The basement room where she kept house was redolent with savory smells; and in the stove in her front room--which was also her bedroom--there was a bright fire glowing when fire was needed.

Nora went out washing for a living. But she was not a poor washerwoman. Not at all. She was a washerwoman triumphant. She had perfect health, an enormous frame, an abounding enthusiasm for life, and a rich abundance of professional pride. She believed herself to be the best washer of white clothes she had ever had the pleasure of knowing, and the value placed upon her services, and her long connection with certain families with large weekly washings, bore out this estimate of herself--an estimate which she never endeavored to conceal.

Nora had buried two husbands without being unduly depressed by the fact. The first husband had been a disappointment, and Nora winked at Providence when an accident in a tunnel carried him off--that is to say, carried the husband off. The second husband was not so much of a disappointment as a surprise. He developed ability of a literary order, and wrote songs which sold and made him a small fortune. Then he ran away with another woman. The woman spent his fortune, drove him to dissipation, and when he was dying he came back to Nora, who received him cordially, attended him to the end, and cheered his last hours by singing his own songs to him. Then she raised a headstone recounting his virtues, which were quite numerous, and refraining from any reference to those peculiarities which had caused him to be such a surprise.

Only one actual chagrin had ever nibbled at the sound heart of Nora Finnegan--a cruel chagrin, with long, white teeth, such as rodents have! She had never held a child to her breast, nor laughed in its eyes; never bathed the pink form of a little son or daughter; never felt a tugging of tiny hands at her voluminous calico skirts! Nora had burnt many candles before the statue of the blessed Virgin without remedying this deplorable condition. She had sent up unavailing prayers--she had, at times, wept hot tears of longing and loneliness. Sometimes in her sleep she dreamed that a wee form, warm and exquisitely soft, was pressed against her firm body, and that a hand with tiniest pink nails crept within her bosom. But as she reached out to snatch this delicious little creature closer, she woke to realize a barren woman's grief, and turned herself in anguish on her lonely pillow.

So when Tig came along, accompanied by two curs, who had faithfully followed him from his home, and when she learned the details of his story, she took him in, curs and all, and, having bathed the three of them, made them part and parcel of her home. This was after the demise of the second husband, and at a time when Nora felt that she had done all a woman could be expected to do for Hymen.

Tig was a preposterous baby. The curs were preposterous curs. Nora had always been afflicted with a surplus amount of laughter--laughter which had difficulty in attaching itself to anything, owing to the lack of the really comic in the surroundings of the poor. But with a red-headed and freckled baby boy and two trick dogs in the house, she found a good and sufficient excuse for her hilarity, and would have torn the cave where echo lies with her mirth, had that cave not been at such an immeasurable distance from the crowded neighborhood where she lived.

At the age of four Tig went to free kindergarten; at the age of six he was in school, and made three grades the first year and two the next. At fifteen he was graduated from the high school and went to work as errand boy in a newspaper office, with the fixed determination to make a journalist of himself.