Chapter 8

"To have a spirit inside of one's throat is a little startling, even to me," I admitted, sympathetically. "But there was more of this business. Another member of the circle--a young man--became entranced, and proceeded to impersonate lost souls, 'earth-bound spirits,' in the manner of our friend Mrs. Harris, and wailed and wept and moaned in most grewsome fashion. However, I think Miller considered both of these performances merely cases of hysteria, induced by the darkness and the constraint of sitting about the table. And perhaps he was correct."

"Anything a doctor doesn't understand he calls hysteria," put in Brierly. "I consider these specialists nuisances."

"Well, anyhow, our 'Amateur Spook-spotter Association' seems to have come to an untimely end," said I, regretfully. "Of the original number, only Brierly remains. Wouldn't our deserters be chagrined if we should now proceed to enjoy a really startling session?"

"We will," Mrs. Smiley responded. "I feel the power all about me."

"Good!" cried Fowler. "That is the way you should feel. If you are at ease, the spirits will do the rest."

"Sit back and rest," I said. "We have plenty of time. You've been too anxious. Don't worry."

In the mean while, between the sitting at Miller's house and this present one, I had been reading much on the subject of the trance and of "the externalization of the fluidic double," of which the Continental philosophers have much to say. If not convinced, I was at least under conviction that the liberation of the astral self was possible (if at all) only in the deepest trance, and I now attempted to discover by interrogation of Mrs. Smiley precisely what her own conception of the process was.

"You told me once that you are conscious of leaving your body when in trance," I said. "Do you always have that sensation?"

"Yes, I almost always have a feeling of floating in the air," she answered. "It often seems as if I had risen a few feet above and a little to one side of my material self, to which I am somehow attached. I can see my body and what goes on around it, and yet, somehow, it all seems kind of dim, like a dream. It's hard to tell you just what I mean, but I seem to be in both places at once."

"Do you ever have any perception of a physical connection between yourself and the sitters?"

She seemed to me to answer this a bit reluctantly. "Yes, I sometimes feel as though little shining threads went out from me and those in the circle, and sometimes these threads meet and twine themselves around the cone or the pencil. This means that I draw power from all my sitters."

This was in accord with the accounts of a "cobwebby feeling" which both Maxwell and Flammarion had drawn from their mediums. Maxwell makes much of this curious physical sensation which accompanied certain of M. Meurice's phenomena. Here also seemed to be an unconscious corroboration of Albert de Rochas's experiments in the "externalization of motivity," as he calls it. The "cobwebby feeling" of the fingers might mean an actual raying-out of some subtle form of matter. Indeed, M. Meurice, Maxwell's medium, declared he could see "a sheath of filaments pass from his fingers to the objects of experimentation."

"Tell us about your journeys into the spirit land," I suggested. "You sometimes seem to go far away, do you not?"

Her voice became very wistful as she complied. "Yes, sometimes I seem to go to a far-off, bright world. I don't always want to come back, but there is a little shining white ribbon that unites my spirit with my body and holds me fast. Once when I had resolved never to return, that little band of light began to tug at me, and, although it broke my heart to leave my children, who were there with me, I yielded, and came back to life. It was very cheerful and lovely in that land, and I hated to come back to the cold and cruel earth-plane."

"Can't you tell us about it more particularly?"

"No; it is so different from this plane that I have no words in which to describe it. All I can say is that it seems glorious and happy and very light."

Something in her gentle accent excited Fowler's sympathy. "Mrs. Smiley, you have the blood of the martyrs in you. It takes courage to put one's self into the hands of a cold-blooded scientist like Miller. Even Garland, here, has no pity. He's like a hound on the trail of a fawn. It's all 'material' for him. Now, I am nothing but a mild-mannered editor. I have all the facts I require concerning the spirit world. I am busied with trying to make people happy here on this earth. But these scientific 'sharps' are avid for any fact which sustains the particular theory they happen to hold. Not one in a hundred will go where the facts lead. Their investigation is all a process of self-glorification, wherein each one thinks he must prove all the others liars or weak-minded in order to exalt himself."

To this I could only reply: "I'm not a scientist, though, I must say, I sympathize with the scientific method. And as for my treatment of Mrs. Smiley, I am following exactly the advice of her controls. They assure me that they will take care of her."

"And so they will," responded the devoted little psychic.

By the closest questioning I had never been able to change a single line of her simple faith. She was perfectly certain of the spirit world. She had daily messages from "Wilbur" and her spirit father, partly by voices, but mainly by intuition. Her children hovered over her while she slept. "Mitchell" healed her if she were ill. "Maudie" comforted her loneliest hours. These voices, these hands were an integral part of her world--as necessary and as dear to her as those of her friends in the flesh. As she talked on I experienced a keen pang of regret. "Why disturb her belief in the spirit world?" I asked myself. "Why attempt to reduce her manifestations to natural magic? To rob her of her conviction that 'Maudie' is able to come back to her would leave her poor indeed."

However, as the scientist cannot permit pity to hinder his purpose, I was determined to disassociate the _facts_ of spiritualism from the _cult_ of spiritualism. I was not concerned with faith or consolation. I returned to a study of the facts as a part of nature. I was now observing closely the three levels of sleep into which Mrs. Smiley seemed to lower herself at will, or upon the suggestion of those in the circle. I had adopted the theory that in the lighter trance she spoke unconsciously and wrote automatically. In the second, and deeper, trance she became the somnambulist possessed of diabolic cleverness, when, with the higher senses in abeyance, she was able to deceive and to elude all detection. In the third, or death-like, trance, I was ready to admit, for the sake of argument, that she was able, as De Rochas and Maxwell seem to have demonstrated, to exert an unknown form of force beyond the periphery of the body--that is to say, to move objects at a distance and to produce voices from the horn.

To prove that she actually left the body would do much to explain the phenomena, and I was very eager to push toward this demonstration. I had now been her chief inquisitor for nearly thirty sittings, and had developed (apparently) the power to throw her into trance almost instantly. A few moments of monotonous humming, intoned while my hand rested upon hers, generally sufficed to bring the first stage of her trance. As we had been sitting for half an hour, I now proceeded to chant my potent charm, with intent to liberate the "spirits" to their work.

In a few moments she responded to my suggestion. A nervous tremor, now expected and now familiar, developed in her hands. This was followed by a slight, convulsive, straining movement of her arms. Her fingers grew hot, and seemed to quiver with electric energy. Ten minutes later all movement ceased. Her temperature abruptly fell. Her breath grew tranquil, and at last appeared to fail altogether. This was the first stage of her trance. "Take your hand away, Fowler," I said. "We have nothing to do now but wait. The psychic is now in the hands of 'Mitchell.'"

Fowler remarked, with some humor: "I can tell by your tone that you're still unconvinced."

"I'm like the Scotchman--ready for convincement, but I'd like to see the man who could do it."

After a few minutes' silence Mrs. Fowler asked: "What is the most conclusive phenomenon you have ever witnessed, Mr. Garland?"

"That's a little difficult to answer," I replied, slowly, "but at the moment I think the playing of a closed piano, which I once heard, is the most inexplicable of all my experiments."

"What do you mean by 'the playing of a closed piano'?" queried Brierly.

"I'll tell you about it. It happened during the second sitting I ever had with Mrs. Smiley. I was lecturing in her home town at the time, and after the close of my address, and while we were talking together, some one who was aware of Mrs. Smiley's mediumship suggested: 'Let's go somewhere and have a sitting.' The plan pleased me, and, after some banter pro and con, we made up a party of six or eight people, and adjourned to the home of the chairman of the lecture committee, a certain Miss Halsey. I want to emphasize the high character of Miss Halsey, as well as the casual way in which we happened to go to her rooms, for it puts out of the way all question of collusion. There was no premeditation in the act, and Miss Halsey, who was the librarian of the city, and a pronounced disbeliever in spiritistic theories, had never met Mrs. Smiley before.

"The circle was made up about equally of men and women, all of them well-known residents of the town. So far as most of the phenomena resulting from this sitting are concerned, they have very little value, for they took place in the dark and the medium was not closely guarded. It was only toward the end of the sitting, which, by-the-way, took place in Miss Halsey's library and music-room, that the unexpected suddenly happened, the inexplicable came to pass.

"We were gathered about a long table, with Mrs. Smiley at one end sandwiched between the editor of the local paper and myself. Behind me, and just within reach of my hand, stood an upright piano, with its cover down, but not locked. We had heard drumming on the table for some time, and writing had apparently taken place on the pads in the middle of the table. But all this was inconclusive, for the reason that Mrs. Smiley was not fastened as she is now. I took it all with a pinch of salt. My mental reservations must have reached the minds of the 'guides,' for with startling suddenness they left the table and fell upon the top of the piano. After drumming for some time, the invisible fingers seemed to drop to the strings beneath, and a treble note was sounded as if plucked by a strong hand."

"You are sure the piano was closed?"

"I am coming to that. Highly delighted by this immediate response to my request, I said to the 'forces': 'Can't you demonstrate to us that these sounds are not accidental or caused by the jarring of cars in the street? Can't you pluck the bass strings?' Instantly, and with clangor, the lower strings replied. Thereupon I said: 'Can't you play a tune?' To this only a confused jangle made answer. I was unable to secure any orderly succession of notes. 'Can't you keep time while I whistle?' I insisted, with intent to show that intelligence guided these sounds. The 'spirits' twanged three times in the affirmative, and when I began to whistle 'Yankee Doodle' the invisible musician kept perfect time, playing according to my request--now on the treble, now on the bass. Leaning far back in my chair, I placed my hand upon the lid of the closed piano, and called out to the others in the circle: 'The lid of the piano is closed. My hand is upon it. So far as the sense of touch and hearing are concerned, we have here an action absolutely unaccounted for by any scientific law.

"This was at the moment absolutely convincing to me, as to the others, and I promptly reported the case to the American Psychical Society in Boston. Since then I may say I have had many experiments quite as convincing, but never a repetition of this peculiar phenomenon. It is useless to talk about secret wires, or a mouse running up and down the strings, or any other material explanation of this fact. It took place precisely as I relate it, and remains a mystery to this day."

Fowler remained very calm. "Crookes saw in a full light an accordion playing beneath the touch of invisible fingers."

"Yes," I retorted, in protest, "but this action of a closed piano happened in my presence, under my hand, and there is always so much more convincing quality in the miracle which happens in one's own house. But, seriously, that performance on the closed piano remains a profound mystification to me. If it had happened in the medium's house, or in the home of some one who knew her, I might have suspected fraud--but it did not! It happened in the study of one of the most respected women in the city, a student who did not believe in psychic phenomena. Furthermore, my own hand was on the lid of the piano. I was so convinced of Mrs. Smiley's possession of some occult force that I at once wrote to the society, telling them that a study of her phases would, in my judgment, be the most important work its directors could engage upon. This is one of my crack stories, and I wouldn't believe it as related by any one else. However, you may read my report, which I made at the time, if that will be of any satisfaction to you."

"Oh, I don't need it," responded Mr. Fowler. "I was merely trying to find out what your best experiments had been. Have they all been on the physical plane?"

"They are all on the physical plane--that is to say, on one plane for me. Any 'spirit manifestation,' so long as we are what we are, must be an agitation of what we call 'molecules of matter,' and is to that extent physical. I have no patience with those highfilutin teachers who speak of matter as though it were ignoble in some way. Matter to me is as mysterious as spirit."

At this moment a slight movement of the psychic arrested me, and as we listened the silvery sweet voice of "Maudie" issued from the darkness, saying: "_Mr. Mitchell wants Mr. Garland to change places with Mr. Fowler. Be very careful as you move about. Don't joggle mama. It's very dangerous to her._"

As I rose to comply, "Maude" called out: "_Mr. Mitchell wishes the threads fastened to mama's wrists. He wants you and Mr. Fowler to hold them the way you did at Mr. Miller's house._"

Turning up the lights, we tied a strong silk thread to each wrist, and passed the ends under each arm of the chair. Fowler took one of these ends while I retained the other. I then called the attention of Brierly to the fact that the table was seventeen inches from the feet of the psychic, and that the fastenings were unchanged. When his examination was completed, the lights were again turned off, and the circuit of hands restored.

"Maudie" then requested that the pieces of cone be put together and placed on the floor beside the table. Fowler did this, and drew a chalk mark about it, numbering it "Position No. 1." Immediately after his return to his seat the table was strongly pushed away from the psychic. It moved in impulses, an inch or two at a time, until it was certainly six or eight inches farther from the psychic.

It is impossible to conceive how this movement without contact takes place; but, then, what do we know about the action of the magnet on a pile of iron filings? How can a thought in the brain of man contract a set of muscles and lift a cannon-ball? At bottom we do not know how the will, as we call it, crosses the chasm between mind and matter--we don't even know there is a chasm.

"Do you feel any motion in your thread, Fowler?" I asked.

"Nothing but a faint quiver," he replied.

"Neither do I, and yet the table moved."

"The table is crowding against me!" called Mrs. Fowler, in some excitement.

The fact that the table moved toward us and directly away from the psychic was in itself suspicious; but, as a matter of fact, at other sittings we obtained sidewise movements of the table--generally to the left. The present experiment did not stand alone. You must remember also that the table was at this time more than two feet from Mrs. Smiley's toes, her dress was tacked to the floor, and her ankles controlled by a tape whose ends were nailed to the floor four feet behind her chair.

"So far as matter can testify, Mrs. Smiley is not concerned in this movement of the table," I said. "The question is now up to us. Which of us is doing this?"

"I am not," answered Brierly.

"Nor I," declared Fowler.

"Nor I," chimed in Mrs. Fowler.

At this moment the psychic began to stir again. "Look out!" I called, warningly. "Let every hand be accounted for. Some new demonstration is preparing. These periods of suffering are strangely like the pangs of childbirth. I wonder if, after all, Archdeacon Colley was not in the right when he asserted that he had seen the miraculous issue of phantoms. I confess that when I read it first I smiled with the rest, for his description of the process was not very poetic. He declared that he saw a white vapor steam from the side of the psychic, like vapor from a kettle, forming a little cloud, and from this nebulous mass various phantasms appeared, ranging from a little child to a full-grown man. It is curious how exactly similar all the reports of this process are. Crookes speaks of a milky-white vapor which condensed to a form, and Richet and Maxwell describe it as a sort of condensing process. I have seen it myself, but could not believe in the evidence of my own eyes. One can see all kinds of things in the dark."

Peace had again fallen upon our psychic--the peace of exhaustion; as if, her struggles being over, her flesh-free spirit were at large in the room. The silence was profound, yet somehow thrilling with potency.

In this hush the megaphone was lifted slightly and dropped, making us all start. It was as if a feeble hand had tried to manipulate it without success. "Let us keep test conditions," I urged. "Please do not make a movement now without warning me of your intentions. Keep the circuit closed." Here I addressed "Wilbur": "Let's see if you can handle the cone under strictly test conditions. Come now, lift it! Lift it!" I repeated the command with intent to concentrate all will-power of both psychic and sitters upon the thing desired, as Maxwell was accustomed to do in his experiments with Meurice.

Several times the forces strove to carry out my wishes, but could not. Twice the horn rose from the carpet, only to fall back helplessly. Fowler placed it in position each time, marking each new position, while I took note of the convulsive tremor which swept from time to time over the psychic. It was exactly as if she were a dynamo generating some unknown electrical energy, which, after accumulating for a time in her organism (as in a jar), was discharged along the direction of our will, and yet I could not detect any marked synchronism of movement between these impulses and the movement of the horn.

After each fall of the cone she moaned and writhed, _but not till the hush of death came over her did the horn move_. So intense was the silence each time that we could hear the slightest breath, the minutest movement of the tin as it scraped along the rug.

"It is useless to talk of a confederate," I remarked; "it is of no value to refer this action to the hands of the psychic. We must look to subtler causes for this phenomenon. Perhaps Maxwell's theory that some magnetic power is liberated by the contraction of the larger muscles will account for it, but in no other way."

At last the megaphone soared into the air, passed over our heads, and dropped gently upon the table. It did not fall with a bang; on the contrary, it seemed to descend gently--_as if under perfect control of both hand and eye_. And yet I assert there was nothing to indicate that the psychic shared in these movements. She lay as still as a corpse. Nothing but a minute continuous tremor in the thread told that she was still alive. I was enormously impressed by the silence. The darkness seemed athrill with mystery--not the mystery of the discarnate soul, but the mystery of the X-ray. I felt that we were ourselves involved in a production of each and every one of these movements.

"There is no use attempting to deny this fact," I insisted to the other sitters. "Either the psychic is able to control that cone by the exercise of her will over some unknown invisible force, or she has left her body and is now at work, a sentient entity in the air about us. There is the same precision in all this which Lombroso observed. It really seems that the medium has the faculty of using her senses at a distance. To say that she is handling that cone with her ordinary physical limbs is absurd. This single inexplicable moving of a mass of matter from A to B makes the experiments of Crookes and Maxwell very much more vital to me. I shall reread their books with new interest."

This result should have awed me, but it did not. I felt a deep interest, of course, but no bewilderment. My mind was perfectly clear and my senses alert to every sound, every ray of light.

At this moment the psychic again began to twist and turn as if in pain, and at last the little voice of "Maudie" anxiously asked: "_Is Mr. Garland going to take a train at seven o'clock?_"

This query convinced me that deep in the subconscious mind of the psychic lay the knowledge that I had thought of catching this train, and that a sense of my plan was disturbing her and interfering with our experiment. To remove the uneasiness, I replied: "No, I am going to stay; for I think 'Mr. Mitchell' has something very special in store for me. Tell her not to think of it any more. I am in no hurry. I have no appointment elsewhere."

To this "Maudie" replied: "_Mr. Mitchell says, 'Thank you'; he will do the best he can for you. He says go down-stairs now and get your supper. Leave mama just where she is. He will take care of her._"

As we had been sitting for nearly three hours in a dark close room we welcomed this suggestion from our thoughtful guide, although it tended to make the sitting less conclusive. As I followed my hostess down the stairs I shared her remorseful pity of poor Mrs. Smiley, bound and helpless in her inquisitorial seat. "Mitchell" did not ask that she be fed, only that she be covered with a shawl to keep her warm.

"If she is doing this for her own entertainment," I said, "she has singular tastes. If she is doing it to advance the cause of spiritualism, she is a noble creature--though a mistaken devotee, in the eyes of Miller."

Our hostess's uneasiness concerning the psychic made the meal a hurried one. None of us felt very much like eating, and I could see that Fowler was disposed to cut corners. "Well, Garland, what do you intend to do with the facts obtained this afternoon? You have plenty of authority behind which to shelter yourself. Why not admit the truth? So far as I am concerned, I am willing to swear that Mrs. Smiley had no actual hand in the movement of the cone."