Part 21

Dr Davy asserts that in India, however, the poison fangs are _not_ extracted. He tells us that he has himself examined the snakes exhibited (which are always Cobras) and have found the fangs uninjured. He attributes the power of the charmers to their agility and courage, founded on an intimate acquaintance with the habits and disposition of the reptiles. The learned Doctor acting on this persuasion, says that he has himself repeatedly irritated these serpents with impunity. They can be readily appeased when irritated, by the voice and by gentle movements of the hand in a circle, and by stroking them on the body.

A very curious subject, closely connected with serpent-charming, is the power of extracting venom from a wound inflicted by reptiles, attributed to the "snake-stone," which the Hindoos and Cingalese usually carry with them. Captain Napier thus describes it:--

"These people generally have for sale numbers of _snake-stones_, which are said to be equally an antidote against the bite of the serpent and the sting of the scorpion. For the former I have never seen it tried: and to prove its efficacy with the latter, the samp-wallah generally carries about in small earthen vessels a number of these animals, one of which he allows to wound him with his sting. The snake-stone, which is a dark, shining, smooth pebble, about the size and shape of a French bean, on being applied to the wound, instantly adheres to it, and by a power of suction appears to draw out the poison, which is supposed to be contained in the small bubbles which, on the immersion of the stone into a glass of water are seen in great numbers to rise to the surface.

"My first idea on beholding the samp-wallah allow himself to be stung by the scorpion was that the latter had by some means been rendered harmless. However, not wishing voluntarily to put this to the test by personal experience, I purchased some of the stones, resolved on the very first opportunity to try their efficacy. Shortly after this, happening to be marching up the country with a detachment, we pitched our camp on some very stony ground, in clearing which one of the English soldiers happened to be bit [stung] in the hand by a large scorpion. As soon as I heard of this circumstance, I sent for the sufferer, who appeared to be in great pain, which he described as a burning sensation running all the way up his arm to the very shoulder.

"I applied one of the snake-stones to the puncture; it adhered immediately, and during about eight minutes that it remained on the patient, he by degrees became easier; the pain diminished, gradually coming down from the shoulder, until it appeared entirely confined to the immediate vicinity of the wound. I now removed the stone; on putting it into a cup of water, numbers of small air-bubbles rose to the surface, and in a short time the man ceased to suffer any inconvenience from the accident."[201]

It is scarcely needful to say that the emission of bubbles is a most ordinary phenomenon, and could have not the slightest connexion with the alexipharmic power of the stone, whether real or imaginary. Any one may see exactly the same thing on dropping a bit of new flower-pot, or a very dry brick into water, or any other substance heavier than the fluid, which is at the same time dry and porous. It results from the air which is contained in the pores of the material, which on immersion is displaced by the heavier water, and rises in oozing bubbles to the surface.

Sir Emerson Tennent has some observations of much value on these "stones," as well as on cognate matters, which my readers may like to see, and with which I close this subject:--

"On one occasion, in March 1854, a friend of mine was riding, with some other civil officers of the government, along a jungle-path in the vicinity of Bintenne, when they saw one of two Tamils, who were approaching them, suddenly dart into the forest and return, holding in both hands a _cobra di capello_ which he had seized by the head and tail. He called to his companion for assistance to place it in their covered basket, but in doing this, he handled it so inexpertly that it seized him by the finger, and retained its hold for a few seconds, as if unable to retract its fangs. The blood flowed, and intense pain appeared to follow almost immediately; but, with all expedition, the friend of the sufferer undid his waistcloth, and took from it two snake-stones, each of the size of a small almond, intensely black and highly polished, though of an extremely light substance. These he applied one to each wound inflicted by the teeth of the serpent, to which the stones attached themselves closely, the blood that oozed from the bites being rapidly imbibed by the porous texture of the article applied. The stones adhered tenaciously for three or four minutes, the wounded man's companion in the meanwhile rubbing his arm downwards from the shoulder towards the fingers. At length the snake-stones dropped off of their own accord; the suffering appeared to have subsided; he twisted his fingers till the joints cracked, and went on his way without concern. Whilst this had been going on, another Indian of the party who had come up took from his bag a small piece of white wood, which resembled a root, and passed it gently near the head of the cobra, which the latter immediately inclined close to the ground; he then lifted the snake without hesitation, and coiled it into a circle at the bottom of his basket. The root, by which he professed to be enabled to perform this operation with safety, he called the _Naya-thalee Kalinga_ (the root of the snake-plant,) protected by which he professed his ability to approach any reptile with impunity. In another instance, in 1853, Mr Lavalliere, the District Judge of Kandy, informed me that he saw a snake-charmer in the jungle, close by the town, search for a _cobra di capello_, and, after disturbing it in its retreat, the man tried to secure it, but, in the attempt, he was bitten in the thigh till blood trickled from the wound. He instantly applied the _Pamboo-Kaloo_ (or snake-stone), which adhered closely for about ten minutes, during which time he passed the root which he held in his hand backwards and forwards above the stone, till the latter dropped to the ground. He assured Mr Lavalliere that all danger was then past. That gentleman obtained from him the snake-stone he had relied on, and saw him repeatedly afterwards in perfect health. The substances which were used on both these occasions are now in my possession. The roots employed by the several parties are not identical. One appears to be a bit of the stem of an _Aristolochia_; the other is so dry as to render it difficult to identify it, but it resembles the quadrangular stem of a jungle vine. Some species of _Aristolochia_, such as the _A. serpentaria_ of North America, are supposed to act as a specific in the cure of snake-bites; and the _A. Indica_ is the plant to which the ichneumon is popularly believed to resort as an antidote when bitten; but it is probable that the use of any particular plant by the snake-charmers is a pretence, or rather a delusion, the reptile being overpowered by the resolute action of the operator, and not by the influence of any secondary appliance, the confidence inspired by the supposed talisman enabling its possessor to address himself fearlessly to his task, and thus to effect by determination and will, what is popularly believed to be the result of charms and stupefaction."

The writer then alludes to the facts mentioned by Bruce, which I have before adduced; and proceeds:--

"As to the snake-stone itself, I submitted one, the application of which I have been describing, to Mr Faraday, and he has communicated to me, as the result of his analysis, his belief that it is 'a piece of charred bone which has been filled with blood perhaps several times, and then carefully charred again. Evidence of this is afforded, as well by the apertures of cells or tubes on its surface as by the fact that it yields and breaks under pressure, and exhibits an organic structure within. When heated slightly, water rises from it, and also a little ammonia; and, if heated still more highly in the air, the carbon burns away, and a bulky white ash is left, retaining the shape and size of the 'stone.' This ash, as is evident from inspection, cannot have belonged to any vegetable substance, for it is almost entirely composed of phosphate of lime. Mr Faraday adds that 'if the piece of matter has ever been employed as a spongy absorbent, it seems hardly fit for that purpose in its present state; but who can say to what treatment it has been subjected since it was fit for use, or to what treatment the natives may submit it when expecting to have occasion to use it?'"

Sir E. Tennent supposes that the animal charcoal may be sufficiently absorbent to extract the venom from the recent wound together with a portion of the blood, before it has had time to be carried into the system. If this be so the process is analogous to that of sucking a poisoned wound, already referred to.[202]

What the author means by a jungle vine I do not exactly know, but conjecture that it may be one of the _Bignoniaceæ_, the woody climbing species of which have in general their stem divided into lobes arranged in a quadrangular manner. I am not aware that any species of this order is an antidote to animal poisons, but many have powerful medicinal properties, and abound in bitter juices. The whitewood of Jamaica (_Bignonia leucoxylon_) enjoys a reputation as a remedy for the poison of the Manchineel (_Hippomane mancinella_) which is so virulent that persons are reported to have been killed by its volatile emanations, when accidentally sleeping under its shade, and a drop of its juice falling on the skin burns it like fire, and produces an ulcer difficult to heal. The value of the _Aristolochia_ has been already referred to; and on the whole I am disposed to attach more importance to the use of vegetable specifics by the Ceylonese operators than the learned author whom I have just quoted. The subject is a highly curious one, and well worthy of minute investigation by able and unprejudiced men of science, willing to receive unscientific information and suggestions, in various parts of the world, particularly in the intertropical regions of both hemispheres.

[183] Psalm lviii. 4, 5.

[184] Jer. viii. 17.

[185] This is the Tuberose, a liliaceous plant, so commonly cultivated in our conservatories. It is generally stated to be a native of the East Indies, but the one spoken of by Tschudi, with a Peruvian name, must certainly be an indigenous plant of the country.

[186] The genus _Mikania_ of Willdenow is one of the tubuliflorous _Asteraceæ_. _M. guaco_ Humboldt mentions, under the name of Vijuco del Guaco, as being highly esteemed in South America as a valuable antidote against the bite of serpents. "Guaco" and "huaco" are the same word, the intensity of the aspirate varying among different peoples. The power of this _Mikania_ is denied in the most positive terms by Hancock, who suspects that the real Guaco antidote is some kind of _Aristolochia_. The word "Vijuco" or "Bejuco," in Tropical America, signifies any climbing plant, and is equivalent to our florist word "creeper."

_Eupatorium ayapana_, belonging to the same order as _Mikania_, is a valuable repellent of the poison of venomous snakes. For this purpose it is used in Brazil. A quantity of the bruised leaves, which are to be frequently changed, is laid on the scarified wound, and some spoonfuls of the expressed juice are from time to time administered to the patient, till he is found to be free from the symptoms, especially the dreadful anxiety which follows the wounds of venomous reptiles. _E. perfoliatum_ has a very similar action, and _Mikania opifera_ is employed in the same way.--(_Lindley's Veg. Kingd._, p. 707.) These facts tend to confirm the accuracy of Tschudi and Humboldt against Hancock.

[187] _Campaigns and Cruises in Venezuela_, vol. i., p. 43.

[188] _Dahomey and the Dahomans._

[189] Several of the _Aristolochieæ_--plants generally having a very bitter taste, and a strong, pungent, disagreeable smell--are valuable alexipharmics. There is a plant very common in Jamaica, where it is called snake-withe, trailing over the stone fences, which I suspect to be an _Aristolochia_, and perhaps _A. trilobata_; it is employed as a sudden and potent sudorific, and as an antidote to serpent-bites in other countries, for in Jamaica there is no venomous reptile. The _A. anguicida_ of Carthagena is described by Jacquin as fatal to serpents. He says that the juice of the root chewed and introduced into the mouth of a serpent so stupefies it that it may be for a long time handled with impunity: if the reptile is compelled to swallow a few drops, it perishes in convulsions. The root is also reputed to be an antidote to serpent-bites. "It is not a little remarkable," observes Dr Lindley, "that the power of stupefying snakes, ascribed in Carthagena to _Aristolochia anguicida_, should be also attributed to _A. pallida_, _longa_, _b{oe}tica_, _sempervirens_ and _rotunda_; which are said to be the plants with which the Egyptian jugglers stupefy the snakes they play with."

[190] _Ceylon_, i., 147.

[191] "On the Habits of the Viper in Silesia:" _Zoologist_, p. 829.

[192] _Trav. to the Sources of the Nile, passim._

[193] _Travels in the Levant, passim._

[194] _Discov. in Africa_, ii., p. 292.

[195] _Lucan's Pharsalia._

[196] _Ind. Field Sports._

[197] _Mod. Egyptians._

[198] _Zool._, 6400.

[199] _Beauties of Christianity._

[200] _Note-book of a Naturalist_, 202.

[201] Napier's _Scenes and Sports_, vol. ii., p. 227.

[202] Tennent's _Ceylon_.

X.

BEAUTY.

Very much of the delight with which we pursue natural history is surely due to the almost constant recognition of the beautiful. I do not know that I could say with the poet,--

"A thing of beauty is a joy _for ever_;"

but certainly it is a joy as long as it endures; and the naturalist finds an endless recurrence of things of beauty. Birds, insects, shells, zoophytes, flowers, sea-weeds, are all redundant of beauty; and all the classes of natural objects, though not in an equal degree, nor manifestly in every individual object, yet possess it as a prominent element. Indeed, from the profusion with which loveliness is sown broadcast over the works of God, I have often thought, though it is not directly revealed, that a sense of the beautiful and a complacency in it, altogether independent of fitness for certain ends, or the uses which may be subserved, is an attribute of the Holy One Himself, and that our perception of it is the reflection of His--a part of that image of God in which man was created, and which sin has not wholly obliterated. I know that God may have clothed His works with beauty for other admiring eyes than man's; and that it is probable that the holy angels may be far more conversant with creation than we are with all our researches,--that the ten thousand times ten thousand flowers which are "born to blush unseen" by _man_, may be seen and admired by "ten thousand times ten thousand" angels,[203] and thus the tribute of praise for their perfection may be ever ascending before Him whose hands made them for His glory. We may allow this; and yet with reverence presume that His own pure eyes look upon the lilies' array with a delight in their mere loveliness, infinitely greater than that which men, or even angels, take in it, seeing it is written,--"for thy pleasure they are, and were created."

I remember being struck, and somewhat awed, too, with a thought of this kind, once, when, pushing my way through a very dense and tangled thicket in a lone and lofty mountain region of Jamaica, sufficiently remote from the dwellings of man to render it probable that no civilized human foot had penetrated thither before. I suddenly came upon a most magnificent terrestrial orchid in full blossom. It was _Phajus Tankervilliæ_,--a noble plant, which from the midst of broad leaves growing out of a mass of green bulbs, had thrown up its stout blossom-stems to the height of a yard or more, crowned with the pyramidal spike of lily-like flowers, whose expanding petals of pure white on one side and golden brown on the other, and trumpet-lip of gorgeous purple seemed, to my ravished gaze, the very perfection of beauty. For ages, I thought, that beauteous flower had been growing in that wild and unvisited spot, every season "filling the air around with beauty," and had in all probability never met a single human gaze before. Had, then, all that divinely-formed loveliness been mere waste for those generations? I asked myself; and I immediately replied, No: the eye of God himself hath rested on it with satisfaction, and the Lord hath taken pleasure in this work of His hands.

I shall not make this chapter an essay on the sublime and beautiful, nor seek to analyse the sense of beauty. It is enough that it is an appetite of our being, and that most abundantly in nature, on every side, there is the material of its gratification. So abundantly, indeed, that it were easy to expand the few pages which I propose to devote to the subject into a volume, or a dozen volumes, and yet leave untouched vast treasures of the beautiful in natural history. I must content myself and my readers with the selection of a few of the more prominent objects in which this sense is gratified, and with a discrimination of two or three distinct phases or conditions of existence which contribute, each in its measure, to give delight to the eyes.

Among Quadrupeds, there is perhaps less of beauty, strictly considered, than in most other classes of animals. Elegance of form, however, which is one phase of it, is seen in the lithe and active squirrel, the pretty petaurist, and many other of the smaller beasties, and is found in perfection in the deer and antelopes. Who that has seen a pet fawn coming to be caressed by a fair girl, but must have had his sense of the beautiful gratified? Mark the freedom and grace of every motion! See how it stretches out its pretty meek face and taper neck towards the hand; its extreme timidity causing its whole body and every limb to start on the slightest stir from the beholders, while on the least approach it bounds away in the exuberant playfulness of its little heart, then stops, and turns, and gazes, and stretches out its neck again! See when it trots or walks, how high it lifts its little slender feet, bending its agile limbs as if motion itself were a pleasure! See, as it stands, with one fore-foot bent up, the hoof nearly touching the belly; the long graceful ears moving this way and that, now thrown forwards, now backwards, now erected, to catch the slightest sound,--what a picture of fairy grace it is! There is beauty, too, in the soft, full liquid eye of these animals,--the "bright, black eye" of the "dear gazelle," which in the East is the very ideal of female loveliness. Its melting gaze seems full of tenderness, so that we cannot look without loving it.

Nor is beauty of colour wholly wanting. How rich is the tawny fur of the tiger, dashed with its black streaks! And the brighter yellow of the leopard and the jaguar, studded all over with rosettes of black spots! We forget the ferocity of the savage in its beautifully-painted coat. The zebra, too,--with the fine contrast of those bands of richest sable on the cream-coloured ground, now bold and broad, as on the rounded body, now running in fine parallel but irregularly-waved lines, as on the face,--is a beautiful quadruped; and a herd of them galloping wantonly over a South African plain, must be a sight worth seeing indeed.

When we come to Birds, however, beauty is not the exception, but the rule. The form of a bird is almost always graceful; the rounded swellings and undulations of outline, and the smoothness of the plumage give pleasure to the eye, even when there is no attractiveness of hue. One has almost a difficulty in naming an inelegant bird. But when, as in a thousand instances, brilliancy of colouring is combined with elegance of shape and smoothness of plumage, we must be charmed. Is not our own little goldfinch, is not the pert chaffinch that comes up to our very feet for a grain or a crumb, a pretty object? But the tropical birds,--we must look at them if we wish to know what nature can do in the way of adornment. We should go to the flats on the embouchure of the Amazon, and see the rosy spoonbills, in their delicate carnation dress, set off by the lustrous crimson of their shoulders and breast-tufts, feeding by hundreds on the green mud, or watch the gorgeous ibises, all clad in glowing scarlet with black-tipped wings, when, in serried ranks, a mile in length, like the vermillion cloud of morning, they come to their breeding-place,--a truly magnificent sight.[204]

The first of the Parrot tribe that I ever had an opportunity of seeing in its native freedom was the beautiful Parrakeet of the Southern States. Eighty or a hundred birds in one compact flock passed me flying low, and all nearly on the same plane; and, as they swept by, screaming as they went, I fancied that they looked like an immense shawl of green satin, on which an irregular pattern was worked in scarlet and gold and azure. The sun's rays were brilliantly reflected from the gorgeous surface, which rapidly sped past like a splendid vision.

The Cock of the Rock is a fine South American bird of the richest orange colour, crowned with a double crest of feathers edged with purple. Mr Wallace describes his search for it on the Rio Negro, and his admiration of its beauty. Some time he sought in vain, for it is a rare bird, till the old Indian who was his guide suddenly caught him by the arm, and, pointing to a dense thicket, whispered in a low tone, "Gallo!" Peering through the foliage, the naturalist caught a glimpse of the magnificent bird, sitting amidst the gloom, and shining out like a mass of brilliant flame. As it is easily alarmed and very wary, it required some following and perseverance before he shot it. One of his Indians descended into the deep rocky glen into which it fell, and brought it to him. "I was lost," he says, "in admiration of the dazzling beauty of its soft downy feathers; not a spot of blood was visible, not a feather was ruffled, and the soft, warm, flexible body set off the fresh swelling plumage in a manner which no stuffed specimen can approach."[205]

There is something exquisitely pleasing to the eye in the delicate painting of the soft plumage in most of the Goatsuckers and their allies. Entirely destitute of brilliant hues as they are, the combinations of warm browns, and cool greys, interchanged with black and white, and the manner in which these are softened, and blended, and minutely pencilled, produce an effect that is peculiarly charming.