Chapter 11

He backed away from her toward the door, and still he could not take his eyes from the white throat with its beating heart. "I shall not fail," he repeated. "And when the telephone rings, you will be here--to answer?"

"Yes, here," she replied huskily.

He went out. Under his feet the gravelly path ran through a flood of moonlight. Over him the sky was agleam with stars. It was a white night, one of those wonderful gold-white nights in the land of the Saskatchewan. Under that sky the world was alive. The little city lay in a golden glimmer of lights. Out of it rose a murmur, a rippling stream of sound, the voice of its life, softened by the little valley between. Into it Keith descended. He passed men and women, laughing, talking, gay. He heard music. The main street was a moving throng. On a corner the Salvation Army, a young woman, a young man, a crippled boy, two young girls, and an old man, were singing "Nearer, My God, to Thee." Opposite the Board of Trade building on the edge of the river a street medicine-fakir had drawn a crowd to his wagon. To the beat of the Salvation Army's tambourine rose the thrum of a made-up negro's banjo.

Through these things Keith passed, his eyes open, his ears listening, but he passed swiftly. What he saw and what he heard pressed upon him with the chilling thrill of that last swan-song, the swan-song of Ecla, of Kobat, of Ty, who had heard their doom chanted from the mountain-tops. It was the city rising up about his cars in rejoicing and triumph. And it put in his heart a cold, impassive anger. He sensed an impending doom, and yet he was not afraid. He was no longer chained by dreams, no more restrained by self. Before his eyes, beating, beating, beating, he saw that tremulous heart in Miriam Kirkstone's soft, white throat.

He came to Shan Tung's. Beyond the softly curtained windows it was a yellow glare of light. He entered and met the flow of life, the murmur of voices and laughter, the tinkle of glasses, the scent of cigarette smoke, and the fainter perfume of incense. And where he had seen him last, as though he had not moved since that hour nine days ago, still with his cigarette, still sphinx-like, narrow-eyed, watchful, stood Li King.

Keith walked straight to him. And this time, as he approached, Li King greeted him with a quick and subtle smile. He nipped his cigarette to the tiled floor. He was bowing, gracious. Tonight he was not stupid.

"I have come to see Shan Tung," said Keith.

He had half expected to be refused, in which event he was prepared to use his prerogative as an officer of the law to gain his point. But Li King did not hesitate. He was almost eager. And Keith knew that Shan Tung was expecting him.

They passed behind one of the screens and then behind another, until it seemed to Keith their way was a sinuous twisting among screens. They paused before a panel in the wall, and Li King pressed the black throat of a long-legged, swan-necked bird with huge wings and the panel opened and swung toward them. It was dark inside, but Li King turned on a light. Through a narrow hallway ten feet in length he led the way, unlocked a second door, and held it open, smiling at Keith.

"Up there," he said.

A flight of steps led upward and as Keith began to mount them the door closed softly behind him. Li King accompanied him no further.

He mounted the steps, treading softly. At the top was another door, and this he opened as quietly as Li King had closed the one below him. Again the omnipresent screens, and then his eyes looked out upon a scene which made him pause in astonishment. It was a great room, a room fifty feet long by thirty in width, and never before had he beheld such luxury as it contained. His feet sank into velvet carpets, the walls were hung richly with the golds and browns and crimsons of priceless tapestries, and carven tables and divans of deep plush and oriental chairs filled the space before him. At the far end was a raised dais, and before this, illumined in candleglow, was a kneeling figure. He noticed then that there were many candles burning, that the room was lighted by candles, and that in their illumination the figure did not move. He caught the glint of armors standing up, warrior like, against the tapestries, and he wondered for a moment if the kneeling figure was a heathen god made of wood. It was then that he smelled the odor of frankincense; it crept subtly into his nostrils and his mouth, sweetened his breath, and made him cough.

At the far end, before the dais, the kneeling figure began to move. Its arms extended slowly, they swept backward, then out again, and three times the figure bowed itself and straightened, and with the movement came a low, human monotone. It was over quickly. Probably two full minutes had not passed since Keith had entered when the kneeling figure sprang to its feet with the quickness of a cat, faced about, and stood there, smiling and bowing and extending its hand.

"Good evening, John Keith!" It was Shan Tung. An oriental gown fell about him, draping him like a woman. It was a crimson gown, grotesquely ornamented with embroidered peacocks, and it flowed and swept about him in graceful undulations as he advanced, his footfalls making not the sound of a mouse on the velvet floors.

"Good evening, John Keith!" He was close, smiling, his eyes glowing, his hand still outstretched, friendliness in his voice and manner. And yet in that voice there was a purr, the purr of a cat watching its prey, and in his eyes a glow that was the soft rejoicing of a triumph.

Keith did not take the hand. He made as if he did not see it. He was looking into those glowing, confident eyes of the Chinaman. A Chinaman! Was it possible? Could a Chinaman possess that voice, whose very perfection shamed him?

Shan Tung seemed to read his thoughts. And what he found amused him, and he bowed again, still smiling. "I am Shan Tung," he said with the slightest inflection of irony. "Here--in my home--I am different. Do you not recognize me?"

He waved gracefully a hand toward a table on either side of which was a chair. He seated himself, not waiting for Keith. Keith sat down opposite him. Again he must have read what was in Keith's heart, the desire and the intent to kill, for suddenly he clapped his hands, not loudly, once--twice--

"You will join me in tea?" he asked.

Scarcely had he spoken when about them, on all sides of them it seemed to Keith, there was a rustle of life. He saw tapestries move. Before his eyes a panel became a door. There was a clicking, a stir as of gowns, soft footsteps, a movement in the air. Out of the panel doorway came a Chinaman with a cloth, napkins, and chinaware. Behind him followed a second with tea-urn and a bowl, and with the suddenness of an apparition, without sound or movement, a third was standing at Keith's side. And still there was rustling behind, still there was the whispering beat of life, and Keith knew that there were others. He did not flinch, but smiled back at Shan Tung. A minute, no more, and the soft-footed yellow men had performed their errands and were gone.

"Quick service," he acknowledged. "VERY quick service. Shan Tung! But I have my hand on something that is quicker!"

Suddenly Shan Tung leaned over the table. "John Keith, you are a fool if you came here with murder in your heart," he said. "Let us be friends. It is best. Let us be friends."

XXI

It was as if with a swiftness invisible to the eye a mask had dropped from Shan Tung's face. Keith, preparing to fight, urging himself on to the step which he believed he must take, was amazed. Shan Tung was earnest. There was more than earnestness in his eyes, an anxiety, a frankly revealed hope that Keith would meet him halfway. But he did not offer his hand again. He seemed to sense, in that instant, the vast gulf between yellow and white. He felt Keith's contempt, the spurning contumely that was in the other's mind. Under the pallid texture of his skin there began to burn a slow and growing flush.

"Wait!" he said softly. In his flowing gown he seemed to glide to a carven desk near at hand. He was back in a moment with a roll of parchment in his hand. He sat down again and met Keith's eyes squarely and in silence for a moment.

"We are both MEN, John Keith." His voice was soft and calm. His tapering fingers with their carefully manicured nails fondled the roll of parchment, and then unrolled it, and held it so the other could read.

It was a university diploma. Keith stared. A strange name was scrolled upon it, Kao Lung, Prince of Shantung. His mind leaped to the truth. He looked at the other.

The man he had known as Shan Tung met his eyes with a quiet, strange smile, a smile in which there was pride, a flash of sovereignty, of a thing greater than skins that were white. "I am Prince Kao," he said. "That is my diploma. I am a graduate of Yale."

Keith's effort to speak was merely a grunt. He could find no words. And Kao, rolling up the parchment and forgetting the urn of tea that was growing cold, leaned a little over the table again. And then it was, deep in his narrowed, smoldering eyes, that Keith saw a devil, a living, burning thing of passion, Kao's soul itself. And Kao's voice was quiet, deadly.

"I recognized you in McDowell's office," he said. "I saw, first, that you were not Derwent Conniston. And then it was easy, so easy. Perhaps you killed Conniston. I am not asking, for I hated Conniston. Some day I should have killed him, if he had come back. John Keith, from that first time we met, you were a dead man. Why didn't I turn you over to the hangman? Why did I warn you in such a way that I knew you would come to see me? Why did I save your life which was in the hollow of my hand? Can you guess?"

"Partly," replied Keith. "But go on. I am waiting." Not for an instant had it enter his mind to deny that he was John Keith. Denial was folly, a waste of time, and just now he felt that nothing in the world was more precious to him than time.

Kao's quick mind, scheming and treacherous though it was, caught his view-point, and he nodded appreciatively. "Good, John Keith. It is easily guessed. Your life is mine. I can save it. I can destroy it. And you, in turn, can be of service to me. You help me, and I save you. It is a profitable arrangement. And we both are happy, for you keep Derwent Conniston's sister--and I--I get my golden-headed goddess, Miriam Kirkstone!"

"That much I have guessed," said Keith. "Go on!" For a moment Kao seemed to hesitate, to study the cold, gray passiveness of the other's face. "You love Derwent Conniston's sister," he continued in a voice still lower and softer. "And I--I love my golden-headed goddess. See! Up there on the dais I have her picture and a tress of her golden hair, and I worship them."

Colder and grayer was Keith's face as he saw the slumbering passion burn fiercer in Kao's eyes. It turned him sick. It was a terrible thing which could not be called love. It was a madness. But Kao, the man himself, was not mad. He was a monster. And while the eyes burned like two devils, his voice was still soft and low.

"I know what you are thinking; I see what you are seeing," he said. "You are thinking yellow, and you are seeing yellow. My skin! My birthright! My--" He smiled, and his voice was almost caressing.

"John Keith, in Pe-Chi-Li is the great city of Pekin, and Pe-Chi-Li is the greatest province in all China. And second only to that is the province of Shantung, which borders Pe-Chi-Li, the home of our Emperors for more centuries than you have years. And for so many generations that we cannot remember my forefathers have been rulers of Shantung. My grandfather was a Mandarin with the insignia of the Eighth Order, and my father was Ninth and highest of all Orders, with his palace at Tsi-Nan, on the Yellow Sea. And I, Prince Kao, eldest of his sons, came to America to learn American law and American ways. And I learned them, John Keith. I returned, and with my knowledge I undermined a government. For a time I was in power, and then this thing you call the god of luck turned against me, and I fled for my life. But the blood is still here--" he put his hand softly to his breast, "--the blood of a hundred generations of rulers. I tell you this because you dare not betray me, you dare not tell them who I am, though even that truth could not harm me. I prefer to be known as Shan Tung. Only you--and Miriam Kirkstone--have heard as much."

Keith's blood was like fire, but his voice was cold as ice. "GO ON!"

This time there could be no mistake. That cold gray of his passionless face, the steely glitter in his eyes, were read correctly by Kao. His eyes narrowed. For the first time a dull flame leaped into his colorless cheeks.

"Ah, I told you this because I thought we would work together, friends," he cried. "But it is not so. You, like my golden-headed goddess, hate me! You hate me because of my yellow skin. You say to yourself that I have a yellow heart. And she hates me, and she says that--but she is mine, MINE!" He sprang suddenly to his feet and swept about him with his flowing arms. "See what I have prepared for her! It is here she will come, here she will live until I take her away. There, on that dais, she will give up her soul and her beautiful body to me--and you cannot help it, she cannot help it, all the world cannot help it--AND SHE IS COMING TO ME TONIGHT!"

"TONIGHT!" gasped John Keith.

He, too, leaped to his feet. His face was ghastly. And Kao, in his silken gown, was sweeping his arms about him.

"See! The candles are lighted for her. They are waiting. And tonight, when the town is asleep, she will come. AND IT IS YOU WHO WILL MAKE HER COME, JOHN KEITH!"

Facing the devils in Kao's eyes, within striking distance of a creature who was no longer a man but a monster, Keith marveled at the coolness that held him back.

"Yes, it is you who will at last give her soul and her beautiful body to me," he repeated. "Come. I will show you how--and why!"

He glided toward the dais. His hand touched a panel. It opened and in the opening he turned about and waited for Keith.

"Come!" he said.

Keith, drawing a deep breath, his soul ready for the shock, his body ready for action, followed him.

XXII

Into a narrow corridor, through a second door that seemed made of padded wool, and then into a dimly lighted room John Keith followed Kao, the Chinaman. Out of this room there was no other exit; it was almost square, its ceiling was low, its walls darkly somber, and that life was there Keith knew by the heaviness of cigarette smoke in the air. For a moment his eyes did not discern the physical evidence of that life. And then, staring at him out of the yellow glow, he saw a face. It was a haunting, terrible face, a face heavy and deeply lined by sagging flesh and with eyes sunken and staring. They were more than staring. They greeted Keith like living coals. Under the face was a human form, a big, fat, sagging form that leaned outward from its seat in a chair.

Kao, bowing, sweeping his flowing raiment with his arms, said, "John Keith, allow me to introduce you to Peter Kirkstone."

For the first time amazement, shock, came to Keith's lips in an audible cry. He advanced a step. Yes, in that pitiable wreck of a man he recognized Peter Kirkstone, the fat creature who had stood under the picture of the Madonna that fateful night, Miriam Kirkstone's brother!

And as he stood, speechless, Kao said: "Peter Kirkstone, you know why I have brought this man to you tonight. You know that he is not Derwent Conniston. You know that he is John Keith, the murderer of your father. Is it not so?"

The thick lips moved. The voice was husky--"Yes."

"He does not believe. So I have brought him that he may listen to you. Peter Kirkstone, is it your desire that your sister, Miriam, give herself to me, Prince Kao, tonight?"

Again the thick lips moved. This time Keith saw the effort. He shuddered. He knew these questions and answers had been prepared. A doomed man was speaking.

And the voice came, choking, "Yes."

"WHY?"

The terrible face of Peter Kirkstone seemed to contort. He looked at Kao. And Kao's eyes were shining in that dull room like the eyes of a snake.

"Because--it will save my life."

"And why will it save your life?"

Again that pause, again the sickly, choking effort. "Because--I HAVE KILLED A MAN."

Bowing, smiling, rustling, Kao turned to the door. "That is all, Peter Kirkstone. Good night. John Keith, will you follow me?"

Dumbly Keith followed through the dark corridor, into the big room mellow with candle-glow, back to the table with its mocking tea-urn and chinaware. He felt a thing like clammy sweat on his back. He sat down. And Kao sat opposite him again.

"That is the reason, John Keith. Peter Kirkstone, her brother, is a murderer, a cold-blooded murderer. And only Miriam Kirkstone and your humble servant, Prince Kao, know his secret. And to buy my secret, to save his life, the golden-headed goddess is almost ready to give herself to me--almost, John Keith. She will decide tonight, when you go to her. She will come. Yes, she will come tonight. I do not fear. I have prepared for her the candles, the bridal dais, the nuptial supper. Oh, she will come. For if she does not, if she fails, with tomorrow's dawn Peter Kirkstone and John Keith both go to the hangman!"

Keith, in spite of the horror that had come over him, felt no excitement. The whole situation was clear to him now, and there was nothing to be gained by argument, no possibility of evasion. Kao held the winning hand, the hand that put him back to the wall in the face of impossible alternatives. These alternatives flashed upon him swiftly. There were two and only two--flight, and alone, without Mary Josephine; and betrayal of Miriam Kirkstone. Just how Kao schemed that he should accomplish that betrayal, he could not guess.

His voice, like his face, was cold and strange when it answered the Chinaman; it lacked passion; there was no emphasis, no inflection that gave to one word more than to another. And Keith, listening to his own voice, knew what it meant. He was cold inside, cold as ice, and his eyes were on the dais, the sacrificial altar that Kao had prepared, waiting in the candleglow. On the floor of that dais was a great splash of dull-gold altar cloth, and it made him think of Miriam Kirkstone's unbound and disheveled hair strewn in its outraged glory over the thing Kao had prepared for her.

"I see. It is a trade, Kao. You are offering me my life in return for Miriam Kirkstone."

"More than that, John Keith. Mine is the small price. And yet it is great to me, for it gives me the golden goddess. But is she more to me than Derwent Conniston's sister may be to you? Yes, I am giving you her, and I am giving you your life, and I am giving Peter Kirkstone his life--all for ONE."

"For one," repeated Keith.

"Yes, for one."

"And I, John Keith, in some mysterious way unknown to me at present, am to deliver Miriam Kirkstone to you?"

"Yes."

"And yet, if I should kill you, now--where you sit--"

Kao shrugged his slim shoulders, and Keith heard that soft, gurgling laugh that McDowell had said was like the splutter of oil.

"I have arranged. It is all in writing. If anything should happen to me, there are messengers who would carry it swiftly. To harm me would be to seal your own doom. Besides, you would not leave here alive. I am not afraid."

"How am I to deliver Miriam Kirkstone to you?"

Kao leaned forward, his fingers interlacing eagerly. "Ah, NOW you have asked the question, John Keith! And we shall be friends, great friends, for you see with the eyes of wisdom. It will be easy, so easy that you will wonder at the cheapness of the task. Ten days ago Miriam Kirkstone was about to pay my price. And then you came. From that moment she saw you in McDowell's office, there was a sudden change. Why? I don't know. Perhaps because of that thing you call intuition but to which we give a greater name. Perhaps only because you were the man who had run down her father's murderer. I saw her that afternoon, before you went up at night. Ah, yes, I could see, I could understand the spark that had begun to grow in her, hope, a wild, impossible hope, and I prepared for it by leaving you my message. I went away. I knew that in a few days all that hope would be centered in you, that it would live and die in you, that in the end it would be your word that would bring her to me. And that word you must speak tonight. You must go to her, hope-broken. You must tell her that no power on earth can save her, and that Kao waits to make her a princess, that tomorrow will be too late, that TONIGHT must the bargain be closed. She will come. She will save her brother from the hangman, and you, in bringing her, will save John Keith and keep Derwent Conniston's sister. Is it not a great reward for the little I am asking?"

It was Keith who now smiled into the eyes of the Chinaman, but it was a smile that did not soften that gray and rock-like hardness that had settled in his face. "Kao, you are a devil. I suppose that is a compliment to your dirty ears. You're rotten to the core of the thing that beats in you like a heart; you're a yellow snake from the skin in. I came to see you because I thought there might be a way out of this mess. I had almost made up my mind to kill you. But I won't do that. There's a better way. In half an hour I'll be with McDowell, and I'll beat you out by telling him that I'm John Keith. And I'll tell him this story of Miriam Kirkstone from beginning to end. I'll tell him of that dais you've built for her--your sacrificial altar!--and tomorrow Prince Albert will rise to a man to drag you out of this hole and kill you as they would kill a rat. That is my answer, you slit-eyed, Yale-veneered yellow devil! I may die, and Peter Kirkstone may die, but you'll not get Miriam Kirkstone!"

He was on his feet when he finished, amazed at the calmness of his own voice, amazed that his hands were steady and his brain was cool in this hour of his sacrifice. And Kao was stunned. Before his eyes he saw a white man throwing away his life. Here, in the final play, was a master-stroke he had not foreseen. A moment before the victor, he was now the vanquished. About him he saw his world falling, his power gone, his own life suddenly hanging by a thread. In Keith's face he read the truth. This white man was not bluffing. He would go to McDowell. He would tell the truth. This man who had ventured so much for his own life and freedom would now sacrifice that life to save a girl, one girl! He could not understand, and yet he believed. For it was there before his eyes in that gray, passionless face that was as inexorable as the face of one of his own stone gods.

As he uttered the words that smashed all that Kao had planned for, Keith sensed rather than saw the swift change of emotion sweeping through the yellow-visaged Moloch staring up at him. For a space the oriental's evil eyes had widened, exposing wider rims of saffron white, betraying his amazement, the shock of Keith's unexpected revolt, and then the lids closed slowly, until only dark and menacing gleams of fire shot between them, and Keith thought of the eyes of a snake. Swift as the strike of a rattler Kao was on his feet, his gown thrown back, one clawing hand jerking a derringer from his silken belt. In the same breath he raised his voice in a sharp call.