Category: Essays, Letters & Speeches

The Renaissance: Studies in Art and Poetry

Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find a universal formula for it. The value of these attempts has most often been in the suggestive and penetrating things said by the way. Su...

Chapters

2. Chapter 2

Amis and Amile, then, are true to their comradeship through all trials; and in the end it comes to pass that at a moment of great need Amis takes the place of Amile in a tournam...

8. Chapter 8

And not into nature only; but he plunged also into human personality, and became above all a painter of portraits; faces of a modelling more skilful than has been seen before or...

7. Chapter 7

Of all this sentiment Michelangelo is the achievement; and first of all, of pity. Pieta--pity--the pity of the Virgin Mother over the dead body of Christ, expanded into the pity...

1. Chapter 1

Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find a universal formula for it. The valu...

6. Chapter 6

He was born in an interval of a rapid midnight journey in March, at a place in the neighbourhood of Arezzo, the thin, clear air of which, as was then thought, being favourable t...

11. Chapter 11

Du Bellay's object is to adjust the existing French culture to the rediscovered classical culture; and in discussing this problem, and developing the theories of the Pleiad, he...

3. Chapter 3

But in the House Beautiful the saints too have their place; and the student of the Renaissance has this advantage over the student of the emancipation of the human mind in the R...

4. Chapter 4

Yet he who had this fine touch for spiritual things did not--and in this is the enduring interest of his story--even after his conversion, forget the old gods. He is one of the...

14. Chapter 14

So, from a few stray antiquarianisms, a few faces cast up sharply from the waves, Winckelmann, as his manner is, divines the temperament of the antique world, and that in which...

13. Chapter 13

Certainly, of that beauty of living form which regulated Winckelmann's friendships, it could not be said that it gave no pain. One notable friendship, the fortune of which we ma...

5. Chapter 5

I have said that the peculiar character of Botticelli is the result of a blending in him of a sympathy for humanity in its uncertain condition, its attractiveness, its investitu...

10. Chapter 10

It is noticeable that the "distinction" of this Concert, its sustained evenness of perfection, alike in design, in execution, and in choice of personal type, becomes for the "ne...

9. Chapter 9

France was about to become an Italy more Italian than Italy itself. Francis the First, like Lewis the Twelfth before him, was attracted by the finesse of Leonardo's work; La Gio...

12. Chapter 12

Johann Joachim Winckelmann was born at Stendal, in Brandenburg, in the year 1717. The child of a poor tradesman, he passed through many struggles in early youth, the memory of w...

15. Chapter 15

Gradually, as the world came into the church, an artistic interest, native in the human soul, reasserted its claims. But Christian art was still dependent on pagan examples, bui...