The real Argentine: Notes and Impressions of a Year in the Argentine and Uruguay
CHAPTER VIII
SOME “PASEOS” IN AND ABOUT BUENOS AYRES
A paseo signifies no more than a stroll, a walk, a promenade. But the modern Argentine usually goes a-strolling in a coche or a motor-car. He has an ingrain horror of exercising his legs. The British resident soon falls into this modern manner, either out of a frank desire to ruffle it with the best of them or merely because one must eventually follow the line of least resistance. It demands a certain amount of will-power to walk when all the world’s on wheels. Thus, as there is but a single paseo where one can display one’s gorgeous motor-car, or hired carriage, all the world makes for that and stares at everybody else. Palermo! Oh, potent word to local minds! Palermo is the one paseo known to all. In that one word is summed up most of what the citizens of Buenos Ayres know of outdoor enjoyment. There are other paseos that do not call for a coche; where you don’t go merely to look at the crowd and be looked at; consequently these are left to the stray visitor or the Gringo, who knows no better.
But first let us talk of Palermo. It is as Hyde Park to London, as the Bois to Paris. And it is an infinitely greater source of pride to the Buenos-Ayrian than Hyde Park to the Londoner or the Bois to the Parisian. I met a young English lady who had been brought to the River Plate as a child and after growing to womanhood had returned to England for a year or two, but had now come back to Buenos Ayres again. “I just love Palermo,” she said ecstatically. “It is unique; there is nothing like it in all London.” I received the information with due humility.
Palermo consists of a mile or so of carriage driveway which is level and tarred (differing in these respects from every other bit of road in the Argentine), a pond or two, and some trees. Materially, that is all. But it is in the spirit of Palermo that lies its fascination, and it may truly be said of it that “for those who like this sort of thing it is just the sort of thing they will like,” as will presently appear when I endeavour to describe that spirit. No, outwardly there is nothing quite like it in London, nor in New York: the driveways in Hyde Park or in Central Park are immensely smoother, the lawns are incomparably more velvety, the trees more umbrageous, while a dozen or more Palermos could be cut out of a corner of the Fairmount Park, Philadelphia, without noticing the loss! But all that is by the way. Palermo is not to be sneered at as the lung of a stifling city. There are instances of people going along quite well with but one lung. The man with one lung, however, has scant reason for crowing over his normal fellow-creatures.
Palermo, taken at what it is and eschewing comparisons, is very fine and reflects the highest credit on the municipal authorities of Buenos Ayres. They have done wonders with the most unpromising material. Yet as it stands to-day it is nothing, I believe, to what it is likely to become.
To reach this haunt of River Plate fashion you will hire a coche (taking care to select one of the minority that are cleanly upholstered and well-horsed) or you may engage a motor-car, for there is an abundance of splendid automobiles to be hired by the hour, with nothing but the tell-tale taximeter to show that it is not a luxurious private car. Or you may take either train or trolley car. Nor is it any great distance to walk thither from the centre of the town. I have gone every way, for after a time it becomes “the only thing to do,” and when you have reached that stage you almost invariably take a coche. The favourite route is by way of the Plaza San Martín and the Avenida Alvear, the Fifth Avenue of Buenos Ayres. The district lying between the Plaza and Recoleta is the most fashionable residential quarter, and along the fine Avenida Alvear stand many of the most beautiful private mansions in Buenos Ayres. Here for the first time in wandering about the town one notes hardly any intermingling of the ostentatious and the mean. Everywhere else that strikes the observer most forcibly—the extraordinary way in which the palace is placed alongside the hovel, so that, separated only by a matter of two or three feet of distance and the thickness of a wall, may be a group of thieves discussing their affairs over drinks in an evil-smelling “dive” and a perfumed gathering of _distinguidos_. Time, of course, will cure this in the older quarters of the town, but the indifference to the nature of one’s neighbours is evidently deep-rooted, as in the Avenida Alvear itself there is at least one very common drinking saloon in the lower part of a handsome new building, and further out toward Palermo a fine new block of flats is disfigured by a noisy bar on the street level. On the whole, however, this district is so free from the lower class of trades people and the meaner sort of building that in this respect it reminds one of the aristocratic quarter of any great European town.
The Plaza San Martín is a noble square, plentifully studded with trees, flowering shrubs and flower beds. The grass is coarse and scraggy, the close-cropped, velvety lawn being here impossible of attainment owing to natural difficulties of soil and weather. In the centre of the plaza stands a splendid monument to the national hero. It is of the familiar equestrian type, showing San Martín, astride the usual prancing steed, pointing with his right hand to the path that leads to glory or the grave. The statue, a very spirited work, stands on a high pedestal of granite, in front of which a fine figure of a Roman warrior is seated holding aloft an oak branch, while four other bronze groups typifying military prowess and victory, each in itself a considerable monument, occupy granite pedestals at the extreme corners of the wide-spreading sculptured base. Inset in the main pedestal are battle groups in high relief and the lower parts of the stone-work are also enriched with many similar panels of smaller size, in which the stirring events of South America’s struggle for independence, so little known in North America or in Europe, are vigorously depicted. Withal, a very handsome and worthy memorial, of enduring stone and bronze. In art and craft it is French, having been transported from France with much ceremony and at no small cost. It is a noteworthy ornament of the city; a legitimate source of pride to the patriotic.
The sculpture mania has Buenos Ayres in its grip. The Latin peoples have ever been more partial to that art than the Anglo-Saxon, but the Argentines are in danger of touching an extreme that borders on the foolish. Here in the Plaza San Martín there are two more groups—in marble these—one being a very striking work indeed, entitled _La Doute_. It stands near the southeast corner of the plaza and is so shadowed by trees that it baffled all my efforts to secure a really good photograph of it. A little reminiscent of the Rodin manner—Rodin is one of the gods of the Buenos Ayrians—this work represents a great muscular young man, semi-nude, with perplexed brow, pondering a book, to which an old wizened figure points with skinny finger while he peers into the face of the young man. “Doubt” is writ large thereon; but whether the old man seeks to dispel the doubt or is the cause thereof I am myself in doubt. His old face always reminded me of the bust of Voltaire in the Louvre. Perhaps there’s a clue in that. The other group is called _Los primeros fríos_ (The first cold winds) and represents a naked old man seated with a naked child at his knee. It always impressed me as a peculiarly stupid work, though technically good, and beyond reminding perspiring humanity in the suffocating summer time that there are occasions when the cold winds blow, I can imagine no good purpose that it serves.
Another feature of the plaza is an artificial rockery which, with another of the same, though somewhat higher, in the Plaza Constitucion, is the only thing in the shape of a mountain for scores of miles round about Buenos Ayres!
Such is the Plaza San Martín—as handsome a public square as you will find in any great city. The pity is that it is frequented chiefly by riff-raff, and the footways being laid with tiny pebbles, one would fain don his golf-shoes to walk thereon. It is surrounded by a series of private palaces, notably those of Mihanovich, a millionaire whose life-story is a romance, and that of the Paz family, already mentioned.
We continue towards Palermo by the Avenida Alvear, noting the many mansions on the way in which good taste and vulgar ostentation often stand side by side, though, on the whole, good taste prevails. These gorgeous homes are frequently left to the care of a few servants for twelve months on end, as the wealthy Argentine says to his native town, “I could not love thee, dear, so much, loved I not Paris more!” And while he does homage to his homeland by adorning the Avenida Alvear with a palatial residence, he spends most of his time in Paris—and I don’t blame him. The late Dr. Paz lived for twenty years on the Riviera and there he died. Good Americans, ’tis said, go to Paris when they die. Wealthy South Americans go to Paris when they live and are brought back to Buenos Ayres when they die!
The Avenida Alvear is wide and well paved with wooden sets. In the afternoons there is a continuous stream of vehicles, and on Sundays a more animated thoroughfare could not be imagined. Motor-cars innumerable go scudding along without a thought of speed limit, tinkling coches, splendid carriages and pairs, and the scrubbiest Victorias and the mangiest teams you ever set eyes on. Mounted police are stationed at different points, not so much to “direct” the traffic as to act as living landmarks for the drivers, all of whom seem bent on getting somewhere first, though there is not the least occasion for hurry, unless they are bound for the race-course, as in half an hour they will have gone the whole distance that can be covered in comfort. We two Gringos used to spend many pleasant hours sitting in the little green garden by the Palais de Glace, near Recoleta station, watching the varied throng go by, but that was not “the thing to do,” bless you, as our only companions were nursemaids and rough labouring men. On the south side of the Avenida, however, are other and much larger gardens, where those who are not ambitious to _lucirse_ (or “show off”) at Palermo, are wont to sit or promenade. And very attractive are these gardens, with their winding walks, their lakelets, and shrubberies. Those at the Plaza Francia are particularly favoured by the toilers on Sunday afternoon, though the view across the Avenida to the waterworks is somewhat of an eyesore. In the Plaza Francia the French “colony” have erected a fine monument to the Argentine Republic, as a _recuerdo_ of the centenary in 1910. At the back of the plaza is a long and substantial-looking balustrade. We thought this must lead to “somewhere beyond”—full of groves and tinkling fountains! We ascended one hot day, to find that it led nowhere, and was made of bricks and stucco, and although still unfinished it had already fallen into decay.
So we continue our paseo, be it in coche or afoot, along Alvear, passing, as we near Palermo, many shanty-like structures which must soon disappear and many unsightly remains of the Centennial Exhibition. This last was opened and closed in the year 1910, but at the end of 1912 numerous ruined pavilions still cumbered the ground. One place near here used to amuse me. It was a shabby pleasure resort named “Harmenonville.” Memories of that delightful bower in the Bois de Bologne always came back to me when I looked at this, “with laughter of gods in the background.” And now, we find ourselves at a great dusty meeting of wide roads. On the left is the entrance to the Zoological Gardens, to the right the woods of Palermo, with their pines and eucalyptus trees, suggestive of unfathomed forest within, while ahead the broad road continues, now noisy with tram-cars coming and going from the race-course and by the Avenida Sarmiento that runs southwest to the Plaza Italia.
The woods on the right invite us by their coolness and apparent depth. They prove, however, a mere strip of trees, and we seldom encounter decent-looking people among them. But there is no lack of promenade ground in the direction of the lakes, whither every vehicle of every kind is heading. And there, beyond the great tea-room, the _Pabellón de los lagos_, the real paseo begins. Along the driveway by the margin of the lakes there is, on Sunday afternoons especially, an extraordinary crowd of vehicles. All have to move at a snail’s pace, directed by many mounted police, who, posted in the middle of the roadway, keep the traffic into two orderly streams, one going, the other returning, while alongside the footpath stands a row of carriages, whose owners or hirers may either be seated within, staring at every other carriage that passes, or, greatly daring, may be venturing a few paces on foot beside the lakes, where sundry low Italians are enjoying themselves rowdily in the gondolas, and dreaming themselves back in Venice—if, perchance, they are strong in dreams.
This is Palermo. For this all the monstrous noise of motor “cut-outs” and every devilish variety of “hooter” along Alvear, all the brutal lashing of perspiring horses. For this! The dresses of the ladies in the carriages are _la ultima palabra_ and their wearers sit as stiff and expressionless as the wax mannequins in the windows of the Florida modistas. They recognise their friends with a slight inclination of the neck, but show no sign of pleasure. The gilded youths in groups of threes or fours, with their boots polished to solar brilliancy, go by in hired motors or in coches (the latter have the merit of showing off the boots to advantage) and stare at the _lindas muchachas_ whom they do not know, and doff their hats with profoundest bows to those they do know. And so it goes on for an hour or two, then towards five or half-past five, the throng begins to lessen, the returning vehicles continue townward at increased speed when they have come back for the last time to the beginning of the carriage-drive, and by six o’clock the fashionable throng has melted away, leaving Palermo to the prowlers and the stragglers once again. What strikes the spectator is the appalling respectability of it all, the gravity of the _paseantes_, the lack of vulgarity and gladness. It is all a pose, for I have seen these same charmingly dressed ladies who look so frightfully formal on Sunday afternoons, all smiles and merriment on the evenings of the _Corso de flores_, or the Battle of Flowers, which takes place at Palermo in aid of public charities in the month of November. It is “the thing” to be seen taking a paseo at Palermo and as there is nothing so serious in this strange life of ours than our social obligations, we must needs discharge them with due gravity. But what a comedy it all is for the spectator who has no obligations to local Society!
The paseo by the ponds (it is gross flattery to call them _lagos_, but _estanque_, which signifies “pond,” is not so pretty a word as _lago_) is by no means the end of Palermo’s possibilities to the wanderer in Buenos Ayres, though it is so to the residents. Near by is the Zoological Garden, which extends from the Avenida Alvear to the Plaza Italia, on the great highway of Santa Fé. But one does not visit this often. It contains a large and interesting collection of wild animals and is well laid out, but badly kept. In the summer months it is disagreeably dusty and on Sundays it is so crowded by low class Italians and the unwashed of all nations, that one feels all the wild animals are not in cages. I noticed many of the lions, tigers and larger beasts had ugly sores, the result of insect trouble, I was told, and one of the most abominable sights I have ever seen was witnessed here. In a large pound was a troup of poor worn old horses and ponies, wandering aimlessly about. A more ghastly collection of living creatures could not be conceived. These were the food for the lions and the tigers. Faugh!
Separated from the Zoological Garden by a spacious avenida—General Las Heras, if I remember correctly—and occupying a small triangular plot of ground extending townwards from the Plaza Italia is the Botanical Garden. It contains many specimens of American flora and has a few hothouses full of tropical plants; but it is of no real account botanically and is more useful as a place of grateful greenness and shade, retired a little from the dust and noise of the streets, where one may idle an hour away with pipe and book.
Then, of course, there is the great race-course or _Hipódromo Argentino_, only a little way beyond the _Parque 3 de Febrero_, as the whole park, of which Palermo proper is only a part, is named. The race-course is, I opine, one of the largest in the world. It is very pleasantly situated and maintained in admirable condition; but it has the defect of being so large, or so designed, that the race as a whole cannot be followed uninterruptedly from any of the “grandstands” or _tribunas_. These are well built and extremely commodious. There is a particularly gorgeous erection for the distinguished persons associated with the Jockey Club, and this is naturally alongside of the paddock. Next to it is a larger stand for the public who pay seven pesos a head, and beyond are the _tribunas populares_ for the mob. As the _Paris mutuel_ system, or “totalisator” is used for regulating the betting, the “bookie” is unknown here. There are many ticket offices, each bearing a number, and you merely go to the one that has the number of the horse you wish to “back,” buy as many tickets “for a win and a place” as your fancy or your pocket dictates, return to the stand, and await results! These offices are in different series: one series only issues tickets of ten pesos, another of five, and a third of two. After a race, if your horse has won or been “placed,” you go to a paying-out office, present your tickets and there receive your winnings at the rate which was announced on the large notice board near the grand-stand after the money on that particular race had been apportioned, which, being done by mechanical calculation, occupies very little time. You will almost certainly have a few hot words with the man at the box-office, as he will try to swindle you out of a portion of your gains, trusting to the confusion of the moment to cover up his fraud. On the whole, the system is about as good a way for losing one’s money as our Stock Exchange, and it does possess an element of “sport” which the latter seems to me to lack.
We knew as much about the horses running at Palermo as our maiden aunt, but we stuck to our lucky number and always “got home.” A sporting gentleman who was with us on one occasion and knew the history of every horse for generations back, lost so heavily that on one race he joined my wife and me on our lucky number! The horse arrived last; but—will you believe me?—by some strange error of the judge, it was given a place and we drew so substantial a dividend on it that the sporting gentleman—who “plunged” all he had left on it—squared his losses! There was a great how-d’ye-do in the papers about the mistake, but it shows you the value of having a lucky number, rather than being versed in the “form” of the horses! Talking of the matter with a member of the Jockey Club, he told me that on one occasion he was present when the winning horse passed so much ahead of the others and so close under the judge’s box that the judge didn’t see it! The Jockey Club conducts the races and the betting, paying a certain percentage of its enormous gains to charities. As for the public, although present at the races in their thousands, they seemed to have no healthy interest in the horses, but were there with solemn, hard, joyless faces to make money. Yet we are told horse-racing is the national “sport” of the Argentine. The liveliest scene is when the last race is over and the multitude fight for seats on tram-cars, while the lucky ones swagger back to town in their hired vehicles. Very few women are to be seen; certainly not five per cent. of the crowd. A few of the _mundo elegante_ may be noted in the Jockey Club enclosure, but the _demi-mondaine_, so eminent and attractive at Longchamps, is rigorously debarred. Indeed, you will search in vain at the Palermo races for any real signs of gaiety or sport.
Beyond the Hipódromo lies the golf-course. The club has been specially favoured by the generosity of Señor Tornquist, a great local landowner, and is patronised by natives and foreigners alike, the Argentine being very emulative of the English in all their national sports and at heart he is “a good sport.” The course, though only containing nine holes, is well laid out and is most interesting. I recall with pleasure the few rounds I made there and also the ample hospitality of one of the finest club-houses I have ever visited.
Between the race-course and the golf, there is a fine riding track, and near the station named “Golf” are some spacious tennis courts, where energetic natives, as well as Britishers and Americans, practise that vigorous pastime. Football, too, and cricket are played near here and at Belgrano, and it is a common sight at Palermo to witness some of the military aviators practising; so that, on the whole, the sportively inclined need not be unoccupied in Buenos Ayres, and if there is little that invites the visitor to a paseo in the town, Palermo has always something to offer on Sundays at least.