Music

The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern

critical analysis is offered of certain theories of the vocal action which receive much attention in practical instruction. Several of the accepted doctrines of Vocal Science, notably those of breath-control, chest and nasal resonance, and forward placing of the tone, are foun...

Chapters

10. CHAPTER V

A series of topics included in modern methods is now to be considered, different in scope from the strictly mechanical features of tone-production so far described. It must be a...

22. CHAPTER VI

So far as any definite record can be made, the knowledge of the voice obtained by attentive listening to voices has now been set down. The next step in the scientific study of t...

29. CHAPTER VII

One of the most mysterious facts in the history of Voice Culture is the utter disappearance of the old Italian method. This has occurred in spite of the earnest efforts of vocal...

30. CHAPTER VIII

Practical methods of instruction in singing may be judged by their results fully as well as by a scientific analysis of their basic principles. If the progress of the art of sin...

8. CHAPTER III

Probably no other topic of Vocal Science has been studied so earnestly as the registers of the voice. Yet on no other topic is there such wide diversity of opinion among theoris...

6. CHAPTER I

In no other form of expression do art and nature seem so closely identified as in the art of singing. A perfect voice speaks so directly to the soul of the hearer that all appea...

28. CHAPTER VI

To the believer in the necessity of direct mechanical management of the voice, the old Italian method is a complete mystery. Modern vocal theorists are at a loss to account for...

26. CHAPTER IV

In all scientific treatises on the voice it is assumed that the voice has some specifically correct mode of operation. Training the voice is supposed to involve the leading of t...

24. CHAPTER II

Involuntary contractions of the voluntary muscles can occur only as reflex actions. If the muscles of the vocal organs are subject to involuntary contractions, the causes of the...

7. CHAPTER II

It is generally considered that, as the breath is the foundation of singing, the manner of breathing is of vital importance to the singer. This subject has therefore received a...

11. CHAPTER VI

All the materials of modern methods have now been described. The subject next to be considered is the manner in which these materials are utilized in practical instruction. In o...

16. CHAPTER V

A fundamental difference was pointed out, at the close of the preceding chapter, between the old Italian method and modern systems of vocal instruction. This is worthy of repeti...

9. CHAPTER IV

In order to understand fully the position in Vocal Science assigned to the doctrine of resonance, it is necessary to trace the origin and the development of this doctrine. The o...

25. CHAPTER III

It is a lamentable fact that most of the singing heard nowadays gives evidence of throat stiffness. Perfect singing becomes more rare with each succeeding year. The younger gene...

31. CHAPTER IX

According to the accepted idea of Voice Culture, the word "method" is taken to mean only the plan supposedly followed for imparting a correct manner of tone-production. Owing to...

18. CHAPTER II

A peculiar relation of sympathy exists between the human voice and the human ear. So intimate is this relation that the two might almost be considered as forming one complete or...

27. CHAPTER V

It is generally assumed by vocal theorists that the voice cannot be trained by imitation. Browne and Behnke state this belief definitely: "Singing cannot be learned exclusively...

21. CHAPTER V

It was pointed out in Chapter I of Part III that there is no possibility of conflict between empirical and scientific knowledge. Modern Voice Culture seems to present a direct c...

20. CHAPTER IV

There should be nothing mysterious, nothing hard to understand, about the empirical precepts. It was pointed out in Chapter V of Part I that these precepts contain a perfect des...

17. CHAPTER I

To all knowledge obtained through the observation of facts and phenomena, the term empirical is properly applied. Empirical knowledge must be the basis of every science. To be a...

19. CHAPTER III

Through attention paid to the sympathetic sensations of tone, the listener may carry on mentally a running commentary on the throat actions of all those whose voices are heard....

23. CHAPTER I

Two distinct lines of approach were laid down for studying the operations of the voice. First, the manner of investigation usually accepted as scientific. This is, to study the...

13. CHAPTER II

When Dr. Mandl advanced the statement that the laryngeal muscles are too weak to withstand the pressure of a powerful expiratory blast, the theory of the vocal action therein em...

12. CHAPTER I

Notwithstanding the wide diversity of opinion on most topics connected with vocal training, there is one point on which all authorities agree. This is, that the voice must be co...

15. CHAPTER IV

Of the strictly scientific or mechanical materials of modern methods, four have been seen to be utterly erroneous. The remaining topics of instruction, mechanical and empirical,...

14. CHAPTER III

Sir Morell Mackenzie's analysis of the acoustic principle supposedly involved in "forward emission" has already been quoted. That this analysis involves a complete misunderstand...

2. Part III contains a summary of all present knowledge of the voice.

First, the insight into the singer's vocal operations is considered, which the hearer obtains by attentive listening to the tones produced. This empirical knowledge, as it is ge...

1. Part I of this work contains a review of modern methods. In Part II a

critical analysis is offered of certain theories of the vocal action which receive much attention in practical instruction. Several of the accepted doctrines of Vocal Science, n...

5. CHAPTER VII

3. CHAPTER III

4. CHAPTER II