Part 10
"I'll leave my card for her," said Reid.
"I don't think she'll be back," the girl answered.
"Not be back?" Reid repeated. "Why?"
"Haven't you seen the afternoon papers?" asked the girl. "They will explain. Mrs. Dow, her mother, told me not to talk to anyone."
Reid left the house with a wrinkle in his brow and walked on toward the Common. There he halted a newsboy and bought an afternoon paper--many afternoon papers. The first pages were loaded with details of the murder of Miss Melrose, theories, conjectures, a thousand little things, with long dispatches of her history and her stage career from San Francisco.
Reid passed these over impatiently with a slight shiver and looked inside the paper. There he found the thing to which the maid had referred.
"By George!" he exclaimed.
It was a story of the elopement of Elizabeth Dow with Morgan Mason, Reid's rival. It seemed that Miss Dow and Mason met by appointment at the Monarch Inn and went from there in an automobile. The bride had written to her parents before she started, saying she preferred Mason despite his poverty. The family refused to talk of the matter. But there in facsimile was the marriage license.
Reid's face was a study as he walked back to the hotel. In a private room off the café he found Curtis, who had been drinking heavily, yet who, with the strange mood of some men, was not visibly intoxicated. Reid threw the paper down, open at the elopement announcement.
"See that," he said shortly.
Curtis read it--or glanced at it--but did not make a remark until he came to the name, the Monarch Inn. Then he looked up.
"That's where the other thing happened, isn't it?" he asked, rather thickly.
"Yes."
Curtis rambled off into something else; studiously he avoided any reference to the tragedy, yet that was the one thing which was in his mind. It was in a futile effort to forget it that he was drinking now. He talked on as a drunken man will for a time, then turned suddenly to Reid.
"I loved her," he declared suddenly, passionately. "My God!"
"Try not to think of it," Reid advised.
"You'll never say anything about that other thing--the knife--will you?" pleaded Curtis.
"Of course not," said Reid, impatiently. "They couldn't drag it out of me. But you're drinking too much--you want to quit it. First thing you know you'll be saying more than--get up and go out and take a walk."
Curtis stared at Reid vacantly for a moment, as if not understanding, then arose. He had regained possession of himself to a certain extent. but his face was pale.
"I think I will go out," he said.
After a time he passed through the café door into a side street and, refreshed a little by the cool air, started to walk along Tremont Street toward the shopping district. It was two o'clock in the afternoon and the streets were thronged.
Half a dozen reporters were idling in the lobby of the hotel, waiting vainly for either Reid or Curtis. The newspapers were shouting for another story from the only two men who could know a great deal of the circumstances attending the tragedy. Reid, on his return, had marched boldly through the crowd of reporters, paying no attention to their questions. They had not seen Curtis.
As Curtis, now free of the reporters, crossed a side street off Tremont on his way toward the shopping district he met Hutchinson Hatch, who was bound for the hotel to see his man there. Hatch instantly recognized him and fell in behind, curious to see where he would go. At a favorable opportunity, safe beyond reach of the other men, he intended to ask a few questions.
Curtis turned into Winter Street and strolled along through the crowd of women. Half way down Winter Street Hatch followed, and then for a moment he lost sight of him. He had gone into a store, he imagined. As he stood at a door waiting, Curtis came out, rushed through the crowd of women, slinging his arms like a madman, with frenzy in his face. He ran twenty steps, then stumbled and fell.
Hatch immediately ran to his assistance, lifted him up and gazed into the staring, terror-stricken eyes and an ashen face.
"What is it?" asked Hatch, quickly.
"I--I'm very ill. I--I think I need a doctor," gasped Curtis. "Take me somewhere, please."
He fell back limply, half fainting, into Hatch's arms. A cab came worming through the crowd; Hatch climbed into it, assisting Curtis, and gave some directions to the cabby.
"And hurry," he added. "This gentleman is ill."
The cabby applied the whip and drove out into Tremont, then over toward Park Street. Curtis aroused a little.
"Where're we going?" he demanded.
"To a doctor," replied Hatch.
Curtis sank back with eyes closed and his face white--so white that Hatch felt of the pulse to assure himself that the heart was still beating. After a few minutes the cab stopped and, still assisting Curtis, Hatch went to the door. An aged woman answered the bell.
"Professor Van Dusen here?" asked the reporter. "Yes."
"Please tell him that Mr. Hatch is here with a gentleman who needs immediate attention," Hatch directed, hurriedly.
He knew his way here and, still supporting Curtis, walked in. The woman disappeared. Curtis sank down on a couch in the little reception room, looked at Hatch glassily for a moment, then without a sound dropped back on the couch unconscious.
After a moment the door opened and there came in Professor Augustus S. F. X. Van Dusen, The Thinking Machine. He squinted inquiringly at Hatch, and Hatch waved his head toward Curtis.
"Dear me, dear me," exclaimed The Thinking Machine.
He leaned over the prostrate figure a moment, then disappeared into another room, returning with a hypodermic. After a few anxious minutes Curtis sat up straight. He stared at the two men with unseeing eyes, and in them was unutterable terror.
"_I saw her! I saw her!_" he screamed. "_There was a dagger in her heart. Marguerite!_"
Again he fell back unconscious. The Thinking Machine squinted at Hatch.
"The man's got delirium tremens," he snapped impatiently.
III.
For fifteen minutes Hatch silently looked on as The Thinking Machine worked over the unconscious man. Once or twice Curtis moved uneasily and moaned slightly. Hatch had started to explain the situation to The Thinking Machine, but the irascible scientist glared at him and the reporter became silent. After ten or fifteen minutes The Thinking Machine turned to Hatch more genially.
"He'll be all right in a little while now," he said. "What is it?"
"Well, it's a murder," Hatch began. "Marguerite Melrose, an actress, was stabbed through the heart last night, and----"
"Murder?" interrupted The Thinking Machine. "Might it not have been suicide?"
"Might have been; yes," said the reporter, after a moment's pause. "But it appears to be murder."
"When you say it is murder," said The Thinking Machine, "you immediately give the impression that you were there and saw it. Go on."
From the beginning, then, Hatch told the story as he knew it; of the stopping of The Green Dragon at the Monarch Inn, of the events there, of the whereabouts of Curtis and Reid at the time the girl received the knife thrust and of the confirmation of Reid's story. Then he detailed those incidents of the arrival of the men with the girl at Dr. Leonard's house, of what had transpired there, of the effort Curtis had made to get possession of the knife.
With finger tips pressed together and squinting steadily upward, The Thinking Machine listened. At its end, which bore on the actions of Curtis just preceding his appearance in the room with them, The Thinking Machine arose and walked over to the couch where Curtis lay. He ran his slender fingers idly through the unconscious man's thick hair several times.
"Doesn't it strike you as perfectly possible, Mr. Hatch," he asked finally, "that Miss Melrose _did_ kill herself?"
"It may be perfectly possible, but it doesn't appear so," said Hatch. "There was no motive."
"And certainly you've shown no motive for anything else," said the other, crustily. "Still," he mused, "I really can't say anything until I talk to him."
He again turned to his patient, and as he looked saw the red blood surge back into the face.
"Ah, now we're all right," he announced.
Thus it happened, for after another ten minutes the patient sat up suddenly on the couch and looked at the two men before him, bewildered.
"What's the matter?" he asked. The thickness was gone from his speech; he was himself again, although a little shaky.
Briefly, Hatch explained to him what had happened, and he listened silently. Finally he turned to The Thinking Machine.
"And this gentleman?" he asked. He noted the queer appearance of the scientist, and stared into the squint eyes frankly.
"Professor Van Dusen, a distinguished scientist and physician," Hatch introduced. "I brought you here. He has been working with you for an hour."
"And now, Mr. Curtis," said The Thinking Machine, "if you will tell us _all_ you know about the murder of Miss Melrose----"
Curtis paled suddenly.
"Why do you ask me?" he demanded.
"You said a great deal while you were unconscious," remarked The Thinking Machine, as he dreamily stared at the ceiling. "I know that worry over that and too much alcohol have put you in a condition bordering on nervous collapse. I think it would be better if you told it _all_."
Hatch instantly saw the trend of the scientist's remarks, and remained discreetly silent. Curtis stared at both for a moment, then paced nervously across the room. He did not know what he might have said, what chance word might have been dropped. Then, apparently, he made up his mind, for he stopped suddenly in front of The Thinking Machine.
"Do I look like a man who would commit murder?" he asked.
"No, you do not," was the prompt response. His recital of the story was similar to that of Hatch, but the scientist listened carefully.
"Details! details!" he interrupted once.
The story was complete from the moment Curtis jumped out of the car until the return to the hotel of Curtis and Reid. There the narrator stopped.
"Mr. Curtis, why did you try to induce Dr. Leonard to give up the knife to you?" asked The Thinking Machine, finally.
"Because--well, because----" He faltered, flushed and stopped.
"Because you were afraid it would bring the crime home to you?" asked the scientist.
"I didn't know _what_ might happen," was the response.
"Is it your knife?"
Again the tell-tale flush overspread Curtis's face.
"No," he said, flatly.
"Is it Reid's knife?"
"Oh, no," he said, quickly.
"You were in love with Miss Melrose?"
"Yes," was the steady reply.
"Had she ever refused to marry you?"
"I had never asked her."
"Why?"
"Is this a third degree?" demanded Curtis, angrily, and he arose. "Am I a prisoner?"
"Not at all," said The Thinking Machine, quietly. "You may be made a prisoner, though, on what you said while unconscious. I am merely trying to help you."
Curtis sank down in a chair with his head in his hands and remained motionless for several minutes. At last he looked up.
"I'll answer your questions," he said.
"Why did you never ask Miss Melrose to marry you?"
"Because--well, because I understood another man, Donald MacLean, was in love with her, and she might have loved him. I understood she would have married him had it not been that by doing so she would have caused his disinheritance. MacLean is now in Boston."
"Ah!" exclaimed The Thinking Machine. "Your friend Reid didn't happen to be in love with her, too, did he?"
"Oh, no," was the reply. "Reid came here hoping to win the love of Miss Dow, a society girl. I came with him."
"Miss Dow?" asked Hatch, quickly. "The girl who eloped last night with Morgan Mason?"
"Yes," replied Curtis. "That elopement and this--crime have put Reid almost in as bad a condition as I am."
"What elopement?" asked The Thinking Machine.
Hatch explained how Mason had procured a marriage license, how Miss Dow and Mason had met at the Monarch Inn--where Miss Melrose must have been killed according to all stories--how Miss Dow had written to her parents from there of the elopement and then of their disappearance. The Thinking Machine listened, but without apparent interest.
"Have you such a knife as was used to kill Miss Melrose?" he asked at the end.
"No."
"Did you ever have such a knife?"
"Well, once."
"Where did you carry it when it was not in your auto kit?"
"In my lower coat pocket."
"By the way, what kind of looking woman was Miss Melrose?"
"One of the most beautiful women I ever met," said Curtis, with a certain enthusiasm. "Of ordinary height, superb figure--a woman who would attract attention anywhere."
"I believe she wore a veil and an automobile mask at the time she was killed?"
"Yes. They covered all her face except her chin."
"Could she, wearing an automobile mask, see either side of herself without turning?" asked The Thinking Machine, pointedly. "Had you intended to stab her, say while the car was in motion and had the knife in your hand, even in daylight, could she have seen it without turning her head? Or, if she had had the knife, could you have seen it?"
Curtis shuddered a little.
"No, I don't believe so."
"Was she blonde or brunette?"
"Blonde, with great clouds of golden hair," said Curtis, and again there was admiration in his tone.
"Golden hair?" Hatch repeated. "I understood Medical Examiner Francis to say she had dark hair?"
"No, golden hair," was the positive reply.
"Did you see the body, Mr. Hatch?" asked the scientist.
"No. None of us saw it. Dr. Francis makes that a rule."
The Thinking Machine arose, excused himself and passed into another room. They heard the telephone bell ring and then some one closed the door connecting the two rooms. When the scientist returned he went straight to a point which Hatch had impatiently awaited.
"What happened to you this afternoon in Winter Street?"
Curtis had retained his composure well up to this point; now he became uneasy again. Quick pallor on his face was succeeded by a flush which crept up to the roots of his hair.
"I've been drinking too much," he said at last. "That and this thing have completely unnerved me. I am afraid I was not myself."
"What did you _think_ you saw?" insisted The Thinking Machine.
"I went into a store for something. I've forgotten what now. I know there was a great crowd of women--they were all about me. There I saw--" He stopped and was silent for a moment. "There I saw," he went on with an effort, "a woman--just a glimpse of her, over the heads of the others in the store--and----"
"And what?" insisted The Thinking Machine. "At the moment I would have sworn it was Marguerite Melrose," was the reply.
"Of course you know you were mistaken?"
"I know it now," said Curtis. "It was a chance resemblance, but the effect on me was awful. I ran out of there shrieking--it seemed to me. Then I found myself here."
"And you don't know what you said or did from that time until the present?" asked the scientist, curiously.
"No, except in a hazy sort of way."
After awhile Martha, the scientist's aged servant, appeared in the doorway.
"Mr. Mallory and a gentleman, sir."
"Let them come in," said The Thinking Machine. "Mr. Curtis," and he turned to him gravely, "Mr. Reid is here. I sent for him as if at your request to ask him two questions. If he answers those questions, as I believe he will, I can demonstrate that you are not guilty of and have no connection with the murder of Miss Melrose. Let me ask these questions, without any hint or remark from you as to what the answer must be. Are you willing?"
"I am," replied Curtis. His face was white, but his voice was firm.
Detective Mallory, whom Curtis didn't know, and Charles Reid entered the room. Both looked about curiously. Mallory nodded brusquely at Hatch. Reid looked at Curtis and Curtis looked away.
"Mr. Reid," said The Thinking Machine, without any preliminary, "Mr. Curtis tells me that the knife used to kill Miss Melrose was your property. Is that so?" he demanded quickly, as Curtis faced about wonderingly.
"No," thundered Reid, fiercely. "Is it Mr. Curtis's knife?" asked The Thinking Machine.
"Yes," flashed Reid. "It's a part of his auto kit."
Curtis started to speak; The Thinking Machine waved his hand toward him. Detective Mallory caught the gesture and understood that Jack Curtis was his prisoner for murder.
IV.
Curtis was led away and locked up. He raved and bitterly denounced Reid for the information he had given, but he did not deny it. Indeed, after the first burst of fury he said nothing.
Once he was under lock and key the police, led by Detective Mallory, searched his rooms at the Hotel Teutonic and there they found a handkerchief stained with blood. It was slight, still it was a stain. This was immediately placed in the hands of an expert, who pronounced it human blood. Then the case against Curtis seemed complete; it was his knife, he had been in love with Miss Melrose, therefore probably jealous of her, and here was the tell-tale bloodstain.
Meanwhile Reid was permitted to go his way. He seemed crushed by the rapid sequence of events, and read eagerly every line he could find in the public prints concerning both the murder and the elopement of Miss Dow. This latter affair, indeed, seemed to have greater sway over his mind than the murder, or that a lifetime friend was now held as the murderer.
Meanwhile The Thinking Machine had signified to Hatch his desire to visit the scene of the crime and see what might be done there. Late in the afternoon, therefore, they started, taking a train for a village nearest the Monarch Inn.
"It's a most extraordinary case," The Thinking Machine said, "much more extraordinary than you can imagine."
"In what respect?" asked the reporter.
"In motive, in the actual manner of the girl meeting her death and in a dozen other details which I can't state now because I haven't all the facts."
"You don't doubt but what it was murder?"
"It doesn't necessarily follow," said The Thinking Machine, evasively. "Suppose we were seeking a motive for Miss Melrose's suicide, what would we have? We would have her love affair with this man MacLean whom she refused to marry because she knew he would be disinherited. Suppose she had not seen him for a couple of years--suppose she had made up her mind to give him up--that he had suddenly appeared when she sat alone in the automobile in front of the Monarch Inn--suppose, then, finding all her love reawakened, she had decided to end it all?"
"But Curtis's knife and the blood on his handkerchief?"
"Suppose, having made up her mind to kill herself, she had sought a weapon?" went on The Thinking Machine, as if there had been no interruption. "What is more natural than she should have sought something--the knife, say--in the tool bag or kit, which must have been near her? Suppose she stabbed herself while the men were away from the automobile, or even after they had started on again in the darkness?"
Hatch looked a little crestfallen.
"You believe, then, that she did kill herself?" he asked.
"Certainly not," was the prompt response. "I don't believe Miss Melrose killed herself--but as yet I know nothing to the contrary. As for the blood on Curtis's handkerchief, remember he helped carry the body to Dr. Leonard; it might have come from that--it might have come from a slight spattering of blood."
"But circumstances certainly implicate Curtis."
"I wouldn't convict any man of any crime on any circumstantial evidence," was the response. "It's worthless unless a man is forced to confess."
The reporter was puzzled, bewildered, and his face showed it. There were many things he did not understand, but the principal question in his mind took form:
"Why did you turn Curtis over to the police, then?"
"Because he is the man who owned the knife," was the reply. "I knew he was lying to me from the first about the knife. Men have been executed on less evidence than that."
The train stopped and they proceeded to the office of the medical examiner, where the body of the woman lay. Professor Van Dusen was readily permitted to see the body, even to offer his expert assistance in an autopsy which was then being performed; but the reporter was stopped at the door. After an hour The Thinking Machine came out.
"She was stabbed from the right," he said in answer to Hatch's inquiring look, "either by some one sitting at her right, by some one leaning over her right shoulder, or she might have done it herself."
Then they went on to Monarch Inn, five miles away. Here, after a comprehensive squint at the landscape, The Thinking Machine entered and for half an hour questioned three waiters there.
Did these waiters see Mr. Reid? Yes. They identified his published picture as a gentleman who had come in and taken a hot Scotch at the bar. Any one with him? No. Speak to anyone in the inn? Yes, a lady.
"What did she look like?" asked The Thinking Machine.
"Couldn't say, sir," the waiter replied. "She came in an automobile and wore a mask, with a veil tied about her head and a long tan automobile coat."
"With the mask on you couldn't see her face?"
"Only her chin, sir."
"No glimpse of her hair?"
"No, sir. It was covered by the veil."
Then The Thinking Machine turned loose a flood of questions. He learned that the woman had been waiting at the inn for nearly an hour when Reid entered; that she had come there alone and at her request had been shown into a private parlor--"to wait for a gentleman," she had told the waiter.
She had opened the door when she heard Reid enter and had glanced out, but he had disappeared into the bar before she saw him. When he started away she looked out again. Then she saw him and he saw her. She seemed surprised and started to close the door, when he spoke to her. No one heard what was said, but he went in and the door was closed.
No one knew just when either Reid or the woman left the inn. Some half an hour or so after Reid entered the room a waiter rapped on the door. There was no answer. He opened the door and went in, but there was no one there. It was presumed then that the gentleman she had been waiting for had appeared and they had gone out together. It was a fact that an automobile had come up meanwhile--in addition to that in which Curtis, Miss Melrose and Reid had come--and had gone away again.
When all this questioning had come to an end and these facts were in possession of The Thinking Machine, the reporter advanced a theory.
"That woman was unquestionably Miss Dow, who knew Reid and who eloped that night with Morgan Mason."
The Thinking Machine looked at him a moment without speaking, then led the way into the private room where the lady had been waiting. Hatch followed. They remained there five or ten minutes, then The Thinking Machine came out and started toward the front door, only eight or ten feet from this room. The road was twenty feet away.
"Let's go," he said, finally.
"Where?" asked Hatch.
"Don't you see?" asked The Thinking Machine, irrelevantly, "that it would have been perfectly possible for Miss Melrose herself to have left the automobile and gone inside the inn for a few minutes?"
Following previously received directions The Thinking Machine now set out to find the man who had charge of the gasoline tank. They went away together and remained half an hour.
On the scientist's return to where Hatch had been waiting impatiently they climbed into the car which had brought them to the inn.
"Two miles down this road, then the first road to your right until I tell you to stop," was the order to the chauffeur.
"Where are you going?" asked Hatch, curiously.
"Don't know yet," was the enigmatic reply.