Part 10

Mary Gosselin was silent at first; she only paused gradually in their walk at a point where four long alleys met. In the centre of the circle, on a massive pedestal, rose in Italian bronze a florid, complicated image, so that the place made a charming old-world picture. The grounds of Bosco were stately without stiffness and full of marble terraces and misty avenues. The fountains in particular were royal. The girl had told her mother in London that she disliked this fine residence, but she now looked round her with a vague pleased sigh, holding up her glass (she had been condemned to wear one, with a long handle, since she was fifteen), to consider the weather-stained garden group. "What a perfect place of its kind!" she musingly exclaimed.

"Wouldn't it really be just the thing?" Lord Beaupré went on, with the eagerness of his idea.

"Wouldn't what be just the thing?"

"Why, the defensive alliance we've already talked of. You wanted to know the good it would do _you_. Now you see the good it would do you!"

"I don't like practical jokes," said Mary. "The remedy's worse than the disease," she added; and she began to follow one of the paths that took the direction of the house.

Poor Lord Beaupré was absurdly in love with his invention; he had all an inventor's importunity. He kept up his attempt to place his "dodge" in a favourable light, in spite of a further objection from his companion, who assured him that it was one of those contrivances which break down in practice in just the proportion in which they make a figure in theory. At last she said: "I was not sincere just now when I told you I'm worried. I'm not worried!"

"They _don't_ buzz about you?" Guy Firminger asked.

She hesitated an instant. "They buzz about me; but at bottom it's flattering and I don't mind it. Now please drop the subject."

He dropped the subject, though not without congratulating her on the fact that, unlike his infirm self, she could keep her head and her temper. His infirmity found a trap laid for it before they had proceeded twenty yards, as was proved by his sudden exclamation of horror. "Good Heavens--if there isn't Lottie!"

Mary perceived, in effect, in the distance a female figure coming towards them over a stretch of lawn, and she simultaneously saw, as a gentleman passed from behind a clump of shrubbery, that it was not unattended. She recognized Charlotte Firminger, and she also distinguished the gentleman. She was moved to larger mirth at the dismay expressed by poor Firminger, but she was able to articulate: "Walking with Mr. Brown."

Lord Beaupré stopped again before they were joined by the pair. "Does _he_ buzz about you?"

"Mercy, what questions you ask!" his companion exclaimed.

"Does he--_please_?" the young man repeated with odd intensity.

Mary looked at him an instant; she was puzzled by the deep annoyance that had flushed through the essential good-humour of his face. Then she saw that this annoyance had exclusive reference to poor Charlotte; so that it left her free to reply, with another laugh: "Well, yes--he does. But you know I like it!"

"I don't, then!" Before she could have asked him, even had she wished to, in what manner such a circumstance concerned him, he added with his droll agitation: "I never invited _her_, either! Don't let her get at me!"

"What can I do?" Mary demanded as the others advanced.

"Please take her away; keep her yourself! I'll take the American, I'll keep _him_," he murmured, inconsequently, as a bribe.

"But I don't object to him."

"Do you like him so much?"

"Very much indeed," the girl replied.

The reply was perhaps lost upon her interlocutor, whose eye now fixed itself gloomily on the dauntless Charlotte. As Miss Firminger came nearer he exclaimed almost loud enough for her to hear: "I think I shall _murder_ her some day!"

Mary Gosselin's first impression had been that, in his panic, under the empire of that fixed idea to which he confessed himself subject, he attributed to his kinswoman machinations and aggressions of which she was incapable; an impression that might have been confirmed by this young lady's decorous placidity, her passionless eyes, her expressionless cheeks and colourless tones. She was ugly, yet she was orthodox; she was not what writers of books called intense. But after Mary, to oblige their host, had tried, successfully enough, to be crafty, had drawn her on to stroll a little in advance of the two gentlemen, she became promptly aware, by the mystical influence of propinquity, that Miss Firminger was indeed full of views, of a purpose single, simple and strong, which gave her the effect of a person carrying with a stiff, steady hand, with eyes fixed and lips compressed, a cup charged to the brim. She had driven over to lunch, driven from somewhere in the neighbourhood; she had picked up some weak woman as an escort. Mary, though she knew the neighbourhood, failed to recognize her base of operations, and, as Charlotte was not specific, ended by suspecting that, far from being entertained by friends, she had put up at an inn and hired a fly. This suspicion startled her; it gave her for the first time something of the measure of the passions engaged, and she wondered to what the insecurity complained of by Guy might lead. Charlotte, on arriving, had gone through a part of the house in quest of its master (the servants being unable to tell her where he was), and she had finally come upon Mr. Bolton-Brown, who was looking at old books in the library. He had placed himself at her service, as if he had been trained immediately to recognize in such a case his duty, and informing her that he believed Lord Beaupré to be in the grounds, had come out with her to help to find him. Lottie Firminger questioned her companion about this accommodating person; she intimated that he was rather odd but rather nice. Mary mentioned to her that Lord Beaupré thought highly of him; she believed they were going somewhere together. At this Miss Firminger turned round to look for them, but they had already disappeared, and the girl became ominously dumb.

Mary wondered afterwards what profit she could hope to derive from such proceedings; they struck her own sense, naturally, as disreputable and desperate. She was equally unable to discover the compensation they offered, in another variety, to poor Maud Ashbury, whom Lord Beaupré, the greater part of the day, neglected as conscientiously as he neglected his cousin. She asked herself if he should be blamed, and replied that the others should be blamed first. He got rid of Charlotte somehow after tea; she had to fall back to her mysterious lines. Mary knew this method would have been detestable to him--he hated to force his friendly nature; she was sorry for him and wished to lose sight of him. She wished not to be mixed up even indirectly with his tribulations, and the fevered faces of the Ashburys were particularly dreadful to her. She spent as much of the long summer afternoon as possible out of the house, which indeed on such an occasion emptied itself of most of its inmates. Mary Gosselin asked her brother to join her in a devious ramble; she might have had other society, but she was in a mood to prefer his. These two were "great chums," and they had been separated so long that they had arrears of talk to make up. They had been at Bosco more than once, and though Hugh Gosselin said that the land of the free (which he had assured his sister was even more enslaved than dear old England) made one forget there were such spots on earth, they both remembered, a couple of miles away, a little ancient church to which the walk across the fields would be the right thing. They talked of other things as they went, and among them they talked of Mr. Bolton-Brown, in regard to whom Hugh, as scantily addicted to enthusiasm as to bursts of song (he was determined not to be taken in), became, in commendation, almost lyrical. Mary asked what he had done with his paragon, and he replied that he believed him to have gone out stealthily to sketch: they might come across him. He was extraordinarily clever at water-colours, but haunted with the fear that the public practice of such an art on Sunday was viewed with disfavour in England. Mary exclaimed that this was the respectable fact, and when her brother ridiculed the idea she told him she had already noticed he had lost all sense of things at home, so that Mr. Bolton-Brown was apparently a better Englishman than he. "He is indeed--he's awfully artificial!" Hugh returned; but it must be added that in spite of this rigour their American friend, when they reached the goal of their walk, was to be perceived in an irregular attitude in the very churchyard. He was perched on an old flat tomb, with a box of colours beside him and a sketch half completed. Hugh asserted that this exercise was the only thing that Mr. Bolton-Brown really cared for, but the young man protested against the imputation in the face of an achievement so modest. He showed his sketch to Mary however, and it consoled her for not having kept up her own experiments; she never could make her trees so leafy. He had found a lovely bit on the other side of the hill, a bit he should like to come back to, and he offered to show it to his friends. They were on the point of starting with him to look at it when Hugh Gosselin, taking out his watch, remembered the hour at which he had promised to be at the house again to give his mother, who wanted a little mild exercise, his arm. His sister, at this, said she would go back with him; but Bolton-Brown interposed an earnest inquiry. Mightn't she let Hugh keep his appointment and let _him_ take her over the hill and bring her home?

"Happy thought--_do_ that!" said Hugh, with a crudity that showed the girl how completely he had lost his English sense. He perceived however in an instant that she was embarrassed, whereupon he went on: "My dear child, I've walked with girls so often in America that we really ought to let poor Brown walk with one in England." I know not if it was the effect of this plea or that of some further eloquence of their friend; at any rate Mary Gosselin in the course of another minute had accepted the accident of Hugh's secession, had seen him depart with an injunction to her to render it clear to poor Brown that he had made quite a monstrous request. As she went over the hill with her companion she reflected that since she had granted the request it was not in her interest to pretend she had gone out of her way. She wondered moreover whether her brother had wished to throw them together: it suddenly occurred to her that the whole incident might have been prearranged. The idea made her a little angry with Hugh; it led her however to entertain no resentment against the other party (if party Mr. Brown had been) to the transaction. He told her all the delight that certain sweet old corners of rural England excited in his mind, and she liked him for hovering near some of her own secrets.

Hugh Gosselin meanwhile, at Bosco, strolling on the terrace with his mother, who preferred walks that were as slow as conspiracies and had had much to say to him about his extraordinary indiscretion, repeated over and over (it ended by irritating her), that as he himself had been out for hours with American girls it was only fair to let their friend have a turn with an English one.

"Pay as much as you like, but don't pay with your sister!" Mrs. Gosselin replied; while Hugh submitted that it was just his sister who was required to make the payment _his_. She turned his logic to easy scorn and she waited on the terrace till she had seen the two explorers reappear. When the ladies went to dress for dinner she expressed to her daughter her extreme disapproval of such conduct, and Mary did nothing more to justify herself than to exclaim at first "Poor dear man!" and then to say "I was afraid you wouldn't like it." There were reservations in her silence that made Mrs. Gosselin uneasy, and she was glad that at dinner Mr. Bolton-Brown had to take in Mrs. Ashbury: it served him so right. This arrangement had in Mrs. Gosselin's eyes the added merit of serving Mrs. Ashbury right. She was more uneasy than ever when after dinner, in the drawing-room, she saw Mary sit for a period on the same small sofa with the culpable American. This young couple leaned back together familiarly, and their conversation had the air of being desultory without being in the least difficult. At last she quitted her place and went over to them, remarking to Mr. Bolton-Brown that she wanted him to come and talk a bit to _her_. She conducted him to another part of the room, which was vast and animated by scattered groups, and held him there very persuasively, quite maternally, till the approach of the hour at which the ladies would exchange looks and murmur good-nights. She made him talk about America, though he wanted to talk about England, and she judged that she gave him an impression of the kindest attention, though she was really thinking, in alternation, of three important things. One of these was a circumstance of which she had become conscious only just after sitting down with him--the prolonged absence of Lord Beaupré from the drawing-room; the second was the absence, equally marked (to her imagination) of Maud Ashbury; the third was a matter different altogether. "England gives one such a sense of immemorial continuity, something that drops like a plummet-line into the past," said the young American, ingeniously exerting himself while Mrs. Gosselin, rigidly contemporaneous, strayed into deserts of conjecture. Had the fact that their host was out of the room any connection with the fact that the most beautiful, even though the most suicidal, of his satellites had quitted it? Yet if poor Guy was taking a turn by starlight on the terrace with the misguided girl, what had he done with his resentment at her invasion and by what inspiration of despair had Maud achieved such a triumph? The good lady studied Mrs. Ashbury's face across the room; she decided that triumph, accompanied perhaps with a shade of nervousness, looked out of her insincere eyes. An intelligent consciousness of ridicule was at any rate less present in them than ever. While Mrs. Gosselin had her infallible finger on the pulse of the occasion one of the doors opened to readmit Lord Beaupré, who struck her as pale and who immediately approached Mrs. Ashbury with a remark evidently intended for herself alone. It led this lady to rise with a movement of dismay and, after a question or two, leave the room. Lord Beaupré left it again in her company. Mr. Bolton-Brown had also noticed the incident; his conversation languished and he asked Mrs. Gosselin if she supposed anything had happened. She turned it over a moment and then she said: "Yes, something will have happened to Miss Ashbury."

"What do you suppose? Is she ill?"

"I don't know; we shall see. They're capable of anything."

"Capable of anything?"

"I've guessed it,--she wants to have a grievance."

"A grievance?" Mr. Bolton-Brown was mystified.

"Of course you don't understand; how should you? Moreover it doesn't signify. But I'm so vexed with them (he's a very old friend of ours) that really, though I dare say I'm indiscreet, I can't speak civilly of them."

"Miss Ashbury's a wonderful type," said the young American.

This remark appeared to irritate his companion. "I see perfectly what has happened; she has made a scene."

"A scene?" Mr. Bolton-Brown was terribly out of it.

"She has tried to be injured--to provoke him, I mean, to some act of impatience, to some failure of temper, of courtesy. She has asked him if he wishes her to leave the house at midnight, and he may have answered----But no, he wouldn't!" Mrs. Gosselin suppressed the wild supposition.

"How you read it! She looks so quiet."

"Her mother has coached her, and (I won't pretend to say _exactly_ what has happened) they've done, somehow, what they wanted; they've got him to do something to them that he'll have to make up for."

"What an evolution of ingenuity!" the young man laughed.

"It often answers."

"Will it in this case?"

Mrs. Gosselin was silent a moment. "It _may_."

"Really, you think?"

"I mean it might if it weren't for something else."

"I'm too judicious to ask what that is."

"I'll tell you when we're back in town," said Mrs. Gosselin, getting up.

Lord Beaupré was restored to them, and the ladies prepared to withdraw. Before she went to bed Mrs. Gosselin asked him if there had been anything the matter with Maud; to which he replied with abysmal blankness (she had never seen him wear just that face) that he was afraid Miss Ashbury was ill. She proved in fact in the morning too unwell to return to London: a piece of news communicated to Mrs. Gosselin at breakfast.

"She'll have to stay; I can't turn her out of the house," said Guy Firminger.

"Very well; let her stay her fill!"

"I wish you would stay too," the young man went on.

"Do you mean to nurse her?"

"No, her mother must do that. I mean to keep me company."

"_You_? You're not going up?"

"I think I had better wait over to-day, or long enough to see what's the matter."

"Don't you _know_ what's the matter?"

He was silent a moment. "I may have been nasty last night."

"You have compunctions? You're too good-natured."

"I dare say I hit rather wild. It will look better for me to stop over twenty-four hours."

Mrs. Gosselin fixed her eyes on a distant object. "Let no one ever say you're selfish!"

"_Does_ anyone ever say it?"

"You're too generous, you're too soft, you're too foolish. But if it will give you any pleasure Mary and I will wait till to-morrow."

"And Hugh, too, won't he, and Bolton-Brown?"

"Hugh will do as he pleases. But don't keep the American."

"Why not? He's all right."

"That's why I want him to go," said Mrs. Gosselin, who could treat a matter with candour, just as she could treat it with humour, at the right moment.

The party at Bosco broke up and there was a general retreat to town. Hugh Gosselin pleaded pressing business, he accompanied the young American to London. His mother and sister came back on the morrow, and Bolton-Brown went in to see them, as he often did, at tea-time. He found Mrs. Gosselin alone in the drawing-room, and she took such a convenient occasion to mention to him, what she had withheld on the eve of their departure from Bosco, the reason why poor Maud Ashbury's frantic assault on the master of that property would be vain. He was greatly surprised, the more so that Hugh hadn't told him. Mrs. Gosselin replied that Hugh didn't know: she had not seen him all day and it had only just come out. Hugh's friend at any rate was deeply interested, and his interest took for several minutes the form of throbbing silence. At last Mrs. Gosselin heard a sound below, on which she said quickly: "That's Hugh--I'll tell him now!" She left the room with the request that their visitor would wait for Mary, who would be down in a moment. During the instants that he spent alone the visitor lurched, as if he had been on a deck in a blow, to the window, and stood there with his hands in his pockets, staring vacantly into Chester Street; then, turning away, he gave himself, with an odd ejaculation, an impatient shake which had the effect of enabling him to meet Mary Gosselin composedly enough when she came in. It took her mother apparently some time to communicate the news to Hugh, so that Bolton-Brown had a considerable margin for nervousness and hesitation before he could say to the girl, abruptly, but with an attempt at a voice properly gay: "You must let me very heartily congratulate you!"

Mary stared. "On what?"

"On your engagement."

"My engagement?"

"To Lord Beaupré."

Mary Gosselin looked strange; she coloured. "Who told you I'm engaged?"

"Your mother--just now."

"Oh!" the girl exclaimed, turning away. She went and rang the bell for fresh tea, rang it with noticeable force. But she said "Thank you very much!" before the servant came.

IV

Bolton-Brown did something that evening toward disseminating the news: he told it to the first people he met socially after leaving Chester Street; and this although he had to do himself a certain violence in speaking. He would have preferred to hold his peace; therefore if he resisted his inclination it was for an urgent purpose. This purpose was to prove to himself that he didn't mind. A perfect indifference could be for him the only result of any understanding Mary Gosselin might arrive at with anyone, and he wanted to be more and more conscious of his indifference. He was aware indeed that it required demonstration, and this was why he was almost feverishly active. He could mentally concede at least that he had been surprised, for he had suspected nothing at Bosco. When a fellow was attentive in America everyone knew it, and judged by this standard Lord Beaupré made no show: how otherwise should _he_ have achieved that sweet accompanied ramble? Everything at any rate was lucid now, except perhaps a certain ambiguity in Hugh Gosselin, who on coming into the drawing-room with his mother had looked flushed and grave and had stayed only long enough to kiss Mary and go out again. There had been nothing effusive in the scene; but then there was nothing effusive in any English scene. This helped to explain why Miss Gosselin had been so blank during the minutes she spent with him before her mother came back.

He himself wanted to cultivate tranquillity, and he felt that he did so the next day in not going again to Chester Street. He went instead to the British Museum, where he sat quite like an elderly gentleman, with his hands crossed on the top of his stick and his eyes fixed on an Assyrian bull. When he came away, however, it was with the resolution to move briskly; so that he walked westward the whole length of Oxford Street and arrived at the Marble Arch. He stared for some minutes at this monument, as in the national collection he had stared at even less intelligible ones; then brushing away the apprehension that he should meet two persons riding together, he passed into the park. He didn't care a straw whom he met. He got upon the grass and made his way to the southern expanse, and when he reached the Row he dropped into a chair, rather tired, to watch the capering procession of riders. He watched it with a lustreless eye, for what he seemed mainly to extract from it was a vivification of his disappointment. He had had a hope that he should not be forced to leave London without inducing Mary Gosselin to ride with him; but that prospect failed, for what he had accomplished in the British Museum was the determination to go to Paris. He tried to think of the attractions supposed to be evoked by that name, and while he was so engaged he recognised that a gentleman on horseback, close to the barrier of the Row, was making a sign to him. The gentleman was Lord Beaupré, who had pulled up his horse and whose sign the young American lost no time in obeying. He went forward to speak to his late host, but during the instant of the transit he was able both to observe that Mary Gosselin was not in sight and to ask himself why she was not. She rode with her brother; why then didn't she ride with her future husband? It was singular at such a moment to see her future husband disporting himself alone. This personage conversed a few moments with Bolton-Brown, said it was too hot to ride, but that he ought to be mounted (_he_ would give him a mount if he liked) and was on the point of turning away when his interlocutor succumbed to the temptation to put his modesty to the test.

"Good-bye, but let me congratulate you first," said Bolton-Brown.

"Congratulate me? On what?" His look, his tone were very much what Mary Gosselin's had been.

"Why, on your engagement. Haven't you heard of it?"