The Prisoners of Hartling

Part 14

Chapter 144,360 wordsPublic domain

Ever since Mr Kenyon had gone Arthur had been fretting intermittently over the problem of whether he should take the initiative or leave it to Eleanor, and this indirect talk of her was increasing his impatience. It was nearly a quarter to twelve now, and the morning was slipping away. He had hoped that she might either come to look for him or send him a message but every minute that possibility grew less probable. Yet he did not care to leave the library at this point in the conversation. It would look as if he were trying to shirk the issue.

"I certainly shan't be here a month," he said, addressing little Turner; "almost certainly not another week."

"Does the old man know that?" Turner asked.

"Not yet," Arthur said. "But I'm going to tell him at once. To-morrow morning at latest."

Turner was reflectively twisting the ends of his neat moustache.

"Oh, well! my boy," he remarked, "we'll wait to settle that point of _when_ you'll go until after you've seen him. He may have a card or two to play that you haven't guessed at so far. Eh, Joe?"

Joe Kenyon pursed his mouth. His expression was not hopeful.

"I've quite made up my mind," Arthur said, with what he hoped was an effect of complete finality. He had settled his problem now. He would go and find Eleanor. All the day, his last day, might be lost if he waited for her. She might be angry with him, but he would risk that. He could not endure this suspense any longer. He could hear the hall clock striking twelve.

Little Turner with a knowing, half-whimsical look of doubt on his face, still stood in front of him.

"Well, it's no good arguing that, is it?" Arthur continued irritably. "You'll know for certain to-morrow."

Turner turned away with a shrug of his neat shoulders. "Wonderful house for to-morrows, this," he said. "Always has been."

Arthur, inspired to pretend that he considered himself insulted, walked out of the room. By that little piece of chicane he escaped from all his dilemmas at a stroke. He had been horribly afraid that if he attempted some excuse to get away, Hubert might offer to accompany him. The suggestion of golf had hung in the air as a way of passing the afternoon, and some sort of untruthful evasion would have been necessary to avoid it.

He went first to the drawing-room on the off-chance that Eleanor might have come as far as that in search of him, but no one was there except his aunt and Mrs Turner; the latter, sitting with her hands in her lap staring fixedly out of the window. She had obviously been crying. His aunt did not look up from her fancy-work as he passed through with an air of having accidentally intruded upon a private ceremony. Poor old Mrs Turner; it had not occurred to him that she would be so upset by her son's departure for South Africa. He was, as a matter of fact, lucky to have broken away; but to the Kenyons, no doubt, the evils of the outer world appeared altogether monstrous compared with the securities of Hartling.

He had no hesitation now as to where he should seek Eleanor. Unless she had gone out without him--a ghastly alternative that he refused to believe--she must be upstairs somewhere in old Mr Kenyon's private suite. But when he knocked at the door of the little room whose chief use appeared to be that of a lobby, no one answered. He had never before entered the suite unannounced, and he opened the door and went in with a faint sense of trepidation. The room was empty and the door to the next room closed, but this time he entered without knocking.

He was now in the apartment in which he had always been received when he paid his morning visit, and farther than this he had never penetrated. Obviously, however, there were other rooms beyond. He remembered that he had seen Eleanor go through that way sometimes when he had been engaged with the old man, and as he stood hesitating he thought he heard very remotely the clicking of a typewriter. He went over to the farther door and knocked, and was answered faintly from within. He discovered then that there were double doors, four feet apart, between him and the next room. When he had opened the second he found himself in what appeared to be a perfectly appointed office.

The walls were nearly hidden by white-lettered deed-boxes, pedestals of standard letter-files, a tremendous nest of card-index drawers, and a bookcase containing four or five hundreds works of reference: law-books, encyclopædias, directories, gazetteers, registers and official reports. Flush with the face of the wall that divided this office from the room through which he had just passed was the door of what was, no doubt, an enormous safe. The centre of the room was occupied by an extensive solid oak table, at which, seated with her back to him, Eleanor was engaged with a typewriter.

She did not turn round as he came in, and said, without stopping her work or looking up, "Shut both doors behind you, and sit down over there. I shan't be very long."

So she was expecting him, was his thought as he followed her instructions, and she was not presumably altogether displeased with him for coming. He sat down on the seat of one of those oriel windows that were the most pleasing feature of Hartling's south elevation. He did not, however, turn his attention to the panorama of the gardens that stretched out below him, nor to the glimpses of the rolling Sussex country visible as an effect of blue mysterious freedoms beyond the wardenship of that stiff, enclosing wall. He had no eyes, no thought for anything but Eleanor.

From here, he could watch her earnest, intent profile, bent a little forward over the typewriter. She looked, he thought a trifle flushed, and something in her intense concentration on her work gave her the air of being faintly embarrassed, an air that was not less marked when she whirled the letter off the roller and having glanced at it said in a formal voice, "This is our office, the heart of the house. Don't you think it looks very orderly and business-like?"

He agreed without enthusiasm. His mind was still obsessed with the idea that they were again going out together to the hill that had the view of the South Downs. He felt no inclination just then to discuss the business affairs of old Kenyon.

"This is the mainspring of the whole machine," Eleanor went on, looking at the range of deed boxes in front of her; "and I don't think there is the least fear of the machine breaking down. We are very methodical and very safe. We never gamble. We don't pretend to be far-sighted or ingenious, we're just plodders, adding a few thousands to our capital every year. Do you know that there are securities in this room worth well over half a million? I can't give you exact figures because there are one or two secrets into which the private secretary is not admitted. But I do know that even after we've paid the enormous sums demanded from us in taxes, our income considerably exceeds our disbursements." She looked round at him as she added, "Aren't you dazzled? Don't you feel exalted by being in the presence of all this wealth?"

He was puzzled, uncertain of her mood. Her speech had had a strong flavour of irony, but there was no trace of it in her manner. "Oh! confound the beastly money," he said, "I came up to see if we were going for another walk."

"Not to-day," she said. "I have far too much to do. Perhaps this letter I've just written will explain why."

She held it out towards him, and he jumped up and took it from her and then read it, leaning against the edge of the table.

It was addressed to Mrs Payne, and after a few opening phrases, continued: "I want to come and stay with you for a week or two if you could possibly manage to have me. I can't tell you why till I see you, but I should like to come on Friday, the day after to-morrow. I know it is dreadfully short notice...."

He broke off there and looked at her in bewilderment. His mind had leapt back to their talk on the hill. Was she doing this, he wondered, in order that he might stay on?

"But I don't in the least understand why you have written this," he said frowning. "Why are you going? Do you mean that you're leaving here for good?"

She nodded gravely.

"But why?" he persisted. "I thought that we agreed...."

"Don't you want me to go?" she asked.

"No. I don't," he said emphatically.

"Would you stay on if I went?" she returned.

"No, I wouldn't. Nothing on earth should induce me to," he declared vehemently, still regarding her departure as an alternative to his own.

"Then what's your objection?" she said.

His eyes were suddenly opened then to a new prospect. He would not lose sight of her if they both left Hartling. He hated the thought of her working in a London office, but she would be within his reach there. He could, in a sense, look after her. They could meet quite often--if she were willing.

"You mean," he said, "that we might both go?"

"I know of no reason why your going should affect me one way or the other." Her tone was cold, even a trifle disdainful.

He was slightly taken aback. "No, no, of course not. It has nothing to do with me," he agreed. "But what has made you change your mind? Or don't you want to tell me that?"

She got up from her chair and walked over to the window. "There's one thing I want you to tell me first," she said. "Will my going have the least effect on your own plans?"

He considered that for a moment before he replied with perfect sincerity. "Absolutely none. Whatever happens, I'm going back to Somers to-morrow afternoon."

She had turned her back on him and was looking out over the prospect that had so recently failed to interest him.

"It isn't altogether that," she said over her shoulder, making a gesture with her hand that may have indicated the distant weald of Sussex. "I shouldn't go if it were only that I wanted to be free and independent."

She paused so long after this statement that he was emboldened to prompt her by saying, "You seem to have made up your mind so suddenly."

"The truth is that I can't stand it any longer," she said in a low voice. "I simply can't stand it."

He waited patiently this time for her to continue. He saw that she had something to say which she found difficult to put into words. The pose of her upright figure suggested a certain tensity of motion and when after another silent interval she turned and faced him, her hands were clenched.

"And I'm haunted by the fear that I may be wrong after all," she said, looking at him as if for help. "And you are the last person in the world, I suppose, who can tell me whether I am wrong or not."

"I don't quite understand yet. Is it about him--Mr Kenyon?" he asked.

She did not deign to answer his question directly. "You're supposed to know something about psychology, aren't you?" she went on. "Well, is it possible for a man to lose all decent, human feeling even for his own family?"

"Lord, yes," Arthur replied. "Speaking generally, of course, misers, for instance. Some of them seem to lose all human feeling."

"He isn't the least a miser," she put in. "He's often extraordinarily generous outside his own family."

"I only instanced that as a well-known type," he said. "But drink or drugs will do the same thing."

"Yes, but in all those cases there is always a definite _vice_ of some sort," she complained. "Something that you can take hold of, understand more or less, as a cause for it all. But he hasn't any vices, unless you can call it a vice to be deliberately cruel to your own children and grandchildren without any apparent reason."

"But is he actually cruel?" Arthur remonstrated. "Doesn't he perhaps really mean it all for their own good. He may be deluded--he almost said as much to me--into thinking that they are weaker and less capable than they actually are; but that would be a natural delusion enough in a man of his age."

Eleanor threw out her hands with a gesture of confutation. "And you!" she exclaimed. "Does he believe that you aren't capable of looking after your own interests too?"

"Why me?" Arthur objected.

"Because he has been trying to _get_ you. Oh! manifestly trying to--to add you to his collection," she exclaimed passionately. "It was that that opened my eyes. Until you came, I had hardly a doubt of _him_. I didn't like the life we lead here. It bored me. I believe I've always hated money--it must have been born in me, if that's possible. But I believed more or less what you do now, that he--looked after them, that his only fault, if anything, was that he looked after them too much.

"And then there was the suggestion of your coming here for a week-end visit. That was something rather exceptional. We'd had old Mr Beddington not long before--it was he who told my grandfather about you--and I remember wondering whether he was beginning to pine for more company or something. And I--I was rather interested in what I heard of you; we talked a little about you once or twice, and one day, after you had accepted the invitation, he threw out a kind of hint that he'd like to keep you here. That bothered me somehow. I'd made some sort of picture of you in my mind, and I--it's difficult to explain exactly--but I didn't like the idea of your--getting like the others. Some silly, romantic school-girl notion or other. I don't know quite why."

She paused and turned back to the window. Her colour had risen again, and Arthur believed that she was embarrassed by her thought of him as the hero of her old dream. How bitterly disappointed she must have been when she had found that her imagined hero had been a mere idler, like the others, willing to slack about and play games, in the hope of a place in the old man's will! Good God, what a poor thing she must have thought him! He looked down and began aimlessly to smooth the carpet with his foot. He felt utterly humiliated and miserable. Without a word of reproach she had exposed the weakness and unworthiness of him; and he could only acknowledge that she was right.

He did not look up at once when she turned back to him and went on. "It was the first time that I had seen the thing happening, if you know what I mean. I could follow all the stages of it. I saw how he let you enjoy the easiness of the life here before he made any sort of offer, and then just dangled it in front of you and tried to make it look as if you would be doing him a favour. Well, that was true enough in a way--you were. But the horrible thing, to me, was that he never paid you any salary. That really opened my eyes more than anything. He believed that you had given up your work at Peckham; that what would mostly likely tempt you away from here was the idea of going to Canada, and he wanted to make that impossible. I know that was it. I'm perfectly certain of it. And on the top of it there came that affair about Hubert's engagement and this fuss over Ken. That finished it for me. Ken isn't really bad. Most young men in his place would have got into debt, and I don't believe that he was the least angry about that. Of course the money to put the debts straight was nothing at all to him. He wouldn't have thought twice about that, but he has just turned Ken out without the least thought for poor Aunt Catherine, who is simply heartbroken about it. I believe Uncle Charles is really more upset, too, than he cares to admit."

"I know. I was talking to him this morning," Arthur put in.

"Well, will you tell me why he does these things if he is not an inhuman, heartless brute?" Eleanor concluded.

Arthur could find no answer to that.

"But you still believe in him?" she asked.

"It's so--so incredible," he said.

"Oh! and this morning!" Eleanor broke out, with a passion of resentment in her voice. "All this petty, silly, detestable business of his going up to town to alter his will. Why? I don't believe for a moment that he ever left Ken anything. He never liked him. Ken was too independent to please him. No; I believe that he has gone to see Mr Fleet to-day, just to make them feel his power over them. He was glad of the opportunity...."

"That's exactly what they were saying downstairs just now," Arthur admitted. "That he was glad of the opportunity to shake them up a bit. But I suppose I'm prejudiced; I'm so new to it all; only it doesn't seem to me, somehow, as if he were that kind of a man."

"He has been nice to you, of course," Eleanor commented. "He would be, just yet. And you've only seen one side of him. But doesn't it strike you that this is a queer household? I don't remember any other; but I've read novels, and if they're anything like life, it must be very unusual for a man to live with his family and never receive any sign of affection from them. Doesn't it seem to you as if he were their master rather than their father?"

"Yes. I was thinking something of the kind this morning," Arthur agreed. "But I wondered if there weren't faults on both sides in a way."

Eleanor looked at him doubtfully. "I don't know; it's beyond me," she said. "But now you know why I'm going, don't you? It isn't as if I could help any of them by staying. No one has the least influence with him, not the very least. It may have looked as if you had helped Hubert about that engagement. You did in one way, but it was all because he was trying to get a tighter hold of you. Oh, well!" she sighed, and half turned away from him, before adding unexpectedly, "I'm glad you're going."

"You despised me for wanting to stay, didn't you?" he said.

"I was sorry," she admitted.

"More than that, you despised me," he insisted. "You were right, too, absolutely right. I really only saw it properly when you said just now that you were interested in me, in a way, before I came. And then, of course, you were bitterly disappointed. I can see all that now."

She was looking out of the window again, and the fact that he could not see her face gave him courage. He came a little nearer to her, as he went on, "I haven't any excuse to offer. None at all. I was a silly, weak fool, and I should have gone on being a fool if it hadn't been for you. But now I _have_ come to my senses, and I'm going back to work, and it would help me frightfully if--when I'm in Peckham--if you're ever up in town--if I could see you now and again. You've only seen me here and I've been a different person since I've been here. Would it be possible for me to see you ever, after you go to stay with those people?"

She was kneeling up on the window seat now, leaning her forehead against the glass, and she did not move her position as she said, in the tone of one who quietly weighs a proposition, "Oh, yes. Why not?"

"It would help me tremendously," he submitted.

She was silent for a few seconds before she suddenly said in a light conversational tone, "It was all bosh, of course, what you said just now."

"What was?" he asked in surprise.

"All that about your being a weak fool and my despising you for it," she said, still with her forehead pressed against the glass of the window.

"Do you mean that you didn't despise me?" he asked eagerly, and then as an afterthought, "But in that case why were you so fearfully down on me?"

"I didn't want you to waste your life here," she murmured, "I know it wasn't any business of mine, but I simply couldn't stand the thought of your becoming one of--them."

He could not mistake the implication of those last two sentences. She had confessed to an interest in his welfare that deeply stirred and aroused him. Something of his humility began to fall from him, his recent passion of self-condemnation assuaged by her belief in the promise of his life. And with that reaction all those phases of his admiration which had for so long been secretly merging into love, were suddenly tinged by an ecstasy of gratitude. She appeared infinitely more to him at the moment than either friend or possible lover. She was the supreme miracle of creation embodied in that graceful form, outlined against the window. The benefactor, the giver, the maker of himself. By her simple expression of belief in him, she had given him a soul. He wanted to kneel before her in adoration....

Intrigued and a little embarrassed by his prolonged silence, she slipped off the window seat and turned to him with the beginning of a conversational commonplace that was checked by the adoring intensity of his gaze.

"It must be nearly ..." she had begun, and then stopped and put her hands to her face to hide the flood of colour that leapt to her cheeks.

And still he could not speak. All the love and poetry that surged within him could find no expression in his modern phrase. At the mere thought of any gesture, movement, or word, he was frozen by his self-consciousness; all too aware of himself as a product of his own time, of the little conventional self that he had always presented as a representative of the authentic Arthur Woodroffe.

And yet he knew that this was his moment, that if he let it slip he might never again find an opportunity to say what he knew, now, was within him, and so he grasped at an opening, however conventional, in order to anticipate some slipping back into the everyday manner, on her part or his own, that might release the fatuities of the manikin.

"There is something I must say to you," he broke out. "Please don't interrupt me. It's--oh! necessary. I...." He found that he could not lose himself, standing there in stark inaction with her before him, and began to pace up and down the room, keeping his eyes on the ground.

"To begin with, I must thank you," he went on, trying not to think of himself in any future relation to her. "I want to go on thanking you. I can't possibly tell you what you've done for me. Everything, all life, is different now that I've got just the hope that you believe in me. It has given me a hope of--myself. If you can believe in me, nothing can ever be the same again. Oh! I wish I could tell you all that it has done for me, just knowing you. But I can't. I can't say it, but I can live it, and you know that I will. I'm sure you know that. I can feel it. If...."

He paused and looked up. She was sitting in the window-seat, her head bent and her hands in her lap. And with that he forgot his self-consciousness, plunged across the room, and went down on his knees before her.

"Eleanor," he said. "Do you know how I worship you?"

She did not answer him in words, but it seemed as if by a series of infinitely delicate movements they came slowly together, until her hands, with his own clasping them, were on his breast and they were looking into each other's eyes. There was no need then for them to say that they had loved from their first meeting, but now that the pressure of that first overpowering urgency had weakened, words came more easily.

It was not, however, until some time later that he found one essential explanation.

"But the first time that I really _knew_ how much I loved you," he said, "was when I saw you in imagination, as a solemn little chit of seven standing by the elephant's pad in the hall. You seemed so precious then."

XII

They had their afternoon together--free from embarrassment, for they constrained themselves to conceal their happiness during the ordeal of lunch in order that they might enjoy for an hour or two the sacred reserves of their precious secret. After that, as they well understood, the family would have to know, and more than the fact of their engagement. They would have to be told, also, that Hartling was to lose two of its members.

They debated that last decision before they were agreed. Arthur, still suspicious of the good faith of Miss Kenyon and Charles Turner, was for postponing what he regarded as the lesser announcement until after his interview with the old man. Eleanor saw more clearly.