The Principles of the Art of Conversation

Part 4

Chapter 43,983 wordsPublic domain

Another evidence of tact is the perception that a topic has been sufficiently discussed, and that it is on the point of becoming tedious. There is nothing which elderly people should watch more carefully in themselves, for even those once gay and brilliant are almost certain to become prosy with age, and to dwell upon their favourite topics as if this preference were shared by all society. But even the young must be here perpetually upon the watch, and show their tact by refraining from too many questions or too much argument upon any single subject, which becomes a bore to others.[6] Every host and hostess should make it their first duty to watch this human weakness, and should lead away the conversation when it threatens to stay in the same groove. It is better to do this bluntly and confessedly than to refrain from doing it. But the quality of tact, as it quickly perceives the growing mischief, is also quick of resource in devising such interruptions as may seem natural or unavoidable, so as to beguile the company into new paths, and even make the too persistent members lay aside their threadbare discussion without regret.

Footnote 6:

Even too careful an attention to grammar, and the careful rounding of periods in easy intercourse, is apt to be tedious, and should be avoided. The instant the company has grasped your idea, you should pass to something else without regard to the form of your sentence.

CONDITIONS TOO GENERAL—MORAL WORTH AND TRUTHFULNESS

§ 26. In all the faculties hitherto enumerated, it has been my principle to select and specify those which are capable of improvement by conscious training. I have over and over again admitted that nature—probably meaning by nature _heredity_—has endowed some people with gifts which others must strive to attain by exercise. But I have hitherto excluded such conditions as are either too wide to be called conditions of conversation, or too special ever to be attained without great and peculiar natural gifts.

Of the first kind are general moral worth and truthfulness, which afford the proper ground for respect, and which therefore give weight and importance to anything the speaker says. In cases of moral doubt, in cases of disputed fact, the authority of such a person is a welcome haven of rest for those that distrust other evidence, and like a great authority in a science expounding the principles of that science, so a man or woman of high character may be of much service in conversation. But of course it would be ridiculous to recommend the cultivation of this lofty character for the sake of conversation. It is perhaps more practical to observe that an over-seriousness in morals may be detrimental to the ease and grace, above all to the playfulness, of talk. Let me not be misunderstood in this matter. There is no more valuable and useful check on the degenerating of talk into ribaldry, profanity, or indecency, than the presence of a mind of solid moral worth, which will not tolerate such licence. There are companies, especially of young men, where such things are taken for wit, and which thus show a degradation of the conception of talk that would very soon render conversation intolerable to any intelligent man, not only from its coarseness, but from its dulness. No man, no society, can be called witty, which has not far better credentials than that. Every company of men ought to import two or three grave and reverend people into their circle for the purpose of checking such ruinous excesses, if there be any probability that the conversation may stray into this slough of mire.

§ 27. But on the other hand, there is such a thing in society—Aristotle saw it long ago—as being over-scrupulous in truthfulness. Even a consummate liar, though generally vulgar, and therefore offensive, is a better ingredient in a company than the scrupulously truthful man, who weighs every statement, questions every fact, and corrects every inaccuracy. In the presence of such a social scourge I have heard a witty talker pronounce it the golden rule of conversation to _know nothing accurately_. Far more important is it, in my mind, to _demand_ no accuracy. There is no greater or more common blunder in society than to express disbelief or scepticism in a story told _for the amusement of the company_. The object of the speaker is not to instruct, but to divert, and to ask him: Is that really true? or to exclaim: Really that is too much to expect us to believe! shows that the objector is a blockhead unfit for any amusing conversation. The only social criticism on such a story, if it be really beyond the bounds of reasonable belief, is to out-do it with another still more extravagant, and so to bring back the company with laughter, and by excess of exaggeration to a soberer vein. The seriousness of the blunder just noted is not felt till we have learned that there is a vast number of real facts in nature so strange at first hearing, that they excite active scepticism, and that you may lay a wager with any one to pass them off as lies. In fact, any society only familiar with one class of natural facts, can be furnished with facts from another sphere in nature which the majority will disbelieve.[7]

Footnote 7:

For example, to men of town life, or of mere books, it will seem incredible that a fish should shoot flies with a drop of water, or a diver carry about its egg hugged against its breast, or that an otter should take a single bite out of a salmon and leave the rest, or that a woodcock should carry its young in its bill, all of which facts in natural history I have myself heard told to intelligent pedants, and set down by them as impudent inventions.

The point of importance in the present connection is that, if a man is reporting what he knows to be true, and finds himself disbelieved, he will certainly either feel hurt, or will conceive such contempt for the ignorance and bad manners of his hearers that he will make no further effort to help the conversation.

The outcome, therefore, of what has here been said about high moral worth and extreme truthfulness, is that these virtues, though lending the speaker dignity, must not be allowed to tyrannise. The great and good man must unbend; he must acquiesce in being amused; he must even connive at inaccuracies, and smile at what he considers inventions; he must for the nonce regard recreation as his direct object.

CONDITIONS TOO SPECIAL—WIT AND HUMOUR

§ 28. There may have been times and nations where conversation was regarded as so serious and important an engine of education, that sound argument, brilliant illustration, and ample information, took the highest place as qualities of talk. Perhaps they do in some cases now, as, for example, everybody who knows him will concede to Mr. Gladstone the palm as a very charming man in society by reason of these qualities. But among hard-working and somewhat fatigued people, who have been pursuing information of various kinds in all their working hours, conversation must be of the nature of relaxation; it must be amusing first, instructive afterwards, and so it is that nowadays no qualities, however valuable, rank so high in popular estimation for social purposes, as wit and humour.

I will not ascend to a philosophical analysis of these terms, or attempt to answer the obscure and difficult question: What is it that makes us laugh, and why we seem to have in this somewhat trivial point a special feature distinguishing us from all the lower animals? They may have the faculty of reason; they seem entirely devoid of the faculty of ridicule. Nay, even in the scale of civilisation, it is remarkable that the savage and the ignorant laugh less and understand less of this great fund of enjoyment than civilised people. There are also, of course, national differences. The English boor seldom laughs, and then at very coarse fun; the Italian or the Irishman often, and very innocently; the modern Greek, though highly intelligent and keen, very seldom, apparently from want of taste for the ridiculous.

As regards the distinction between wit and humour, all I need here insist upon is that the former consists in quick flashes, in prompt repartee, in quaint comparison; while the latter is sustained; it is a comic way of looking at serious things, a flavouring of narrative, a perception of a ludicrous vein in human life and character. Both these are now esteemed very highly, perhaps beyond their value, in society, but they are so specially natural gifts, and are so impossible to attain by practice, that they cannot be enjoined as conditions to which every talker must conform; they can only be described, and their force or weakness illustrated.

§ 29. There is nothing that requires to _appear_ spontaneous more stringently than either of these qualities, and yet we read of great wits, like Sheridan, who carefully prepared their sallies, and even suborned some one to lead up to them. The effect of knowing this is to detract greatly from the enjoyment of the company, and still more from the reputation of the speaker. Most of us would say, that however brilliant in writing comedies, Sheridan must have been distinctly wanting in that gift of spontaneous and ready wit which flashes out at the least provocation, and is mere intellectual playfulness, like the playfulness of a young and happy animal.

So strongly do we feel this in Irish society, where wit is less uncommon than elsewhere, and where it is no less highly prized, that a kind of social religion warns us not to study it beforehand, and any one suspected of coming out with prepared smart things is received by the company with ridicule. Yet for all that, it cannot possibly be denied that as most of the brilliant things which a man uses in any conversation must be at second hand—to invent such things one after another at the moment being beyond the power of human genius—they must depend upon a good memory, and this may best be aided by having things written down, which would else escape and be lost.

We should therefore conclude that every man who goes into society, and has an inclination for that kind of conversation, ought to keep some record of the happy trifles he hears upon various occasions. But it seems, at least in Ireland, as if the repugnance to doing this amounted to a conclusive argument against it. It is assumed that as surely as a man has such a store, which he looks up beforehand, so surely will he force the conversation towards his points, or bring them in when irrelevant; and an irrelevant joke is hardly a real joke. I have known, indeed, of a college Don having a note-book of wit in his pocket, and peeping at it under the table to refresh his memory. This was regarded as far the best joke about him, and the laughter before he spoke was always greater than when he had sped his shaft. In actual society it has never occurred to me to meet any one who has sustained a reputation for wit in this way. We think that if the suggestion of the current conversation is not strong enough to bring up a smart point naturally, and without effort, it is better that it should be forgotten or unsaid. Let me add the significant fact, that in spite of endless attempts, no printed collection of jokes has ever attained even a decent position in literature.[8]

Footnote 8:

I believe I should mention Dean Ramsay’s well-known book as an exception.

So much for wit; the case of humour is slightly different.

HUMOUR

§ 30. If wit be the quick flash, the electric spark, the play of summer lightning which warms the colour of conversation, humour is the sustained side of the ridiculous, the comic way of looking at things and people, which may be manifested either in comment upon the statements made by others or in narrating one’s own experiences. Of course in receiving and commenting upon what is being said, no preparation is possible. It depends altogether upon a mental attitude, which looks out with a smile upon the world, and exposes the ridiculous side of human life not more by irony of comment than by mock approval of social vices, mock indignation at social virtues, seriousness when false comedy is being produced, raillery when false tragedy is being paraded with insincerity or empty bombast. In these and a hundred other ways humour receives and criticises what other people say in a company; and if it be coupled _with kindliness of heart and with tact_, may be regarded as the very highest of conversational virtues.

Analogous to this is the display of humour, not in receiving but in producing ideas in company. The humourist is the only good and effective story-teller; for if he is to monopolise a conversation, and require others to listen to him, it must be by presenting human life under a fresh and piquant aspect—in fact, as a little comedy. Thus the lifelike portrayal of any kind of foible—pomposity, obsequiousness, conceit, hypocrisy, nay even of provincial accent or ungrammatical language—ensures a pleased and therefore agreeable audience, and opens the way for easy and sympathetic intercourse. It is perhaps not too much to say that in any society where conventionality becomes a threatening power, humour is our great safeguard from this kind of vulgarity. Let me point as an illustration of this to the social sketches in _Punch_, which for years back have been the truest mirror of the vulgarities of English society. The humorous exhibition of these foibles is the most effective way we know of bringing them before the public mind, and of warning people that here is a judge whose censure is really to be feared. We may also learn from the success of this extraordinary paper how much more valuable and more respected prepared humour is than prepared wit. The jokes in the text pass by unheeded, while the sketches of character are thought deserving of a permanent place in our literature.

§ 31. I need hardly add that the abuse of these great natural gifts is not only possible, but frequent, and in both it arises from the same mental defects—conceit and selfishness. A man who can say a good thing or make a person appear ridiculous may be so proud of his power that he exercises it at the cost of good taste and even of real humanity. The great wit is often cruel, and even glories in wounding to the quick the sensibilities of others. If he can carry some of the company with him he has a wicked enjoyment in making one of the rest a butt or target for his shafts, and so destroying all wholesome conversation. He may leave in the minds of his society an admiration of his talent, but often a serious dislike of his character. With such feelings abroad he will injure conversation far more than he promotes it. People may consent to go into his company to hear him talk, but will avoid talking in his presence.

The excesses of the humourist are perhaps rather those of a complacent selfishness, which does not hesitate to monopolise the company with long stories in which all do not feel an interest. But humour is its own antidote; and if a man have the true vein in him he will also have the tact to feel when he is tedious, and when his fun is out of harmony with his hearers. For these reasons it is not only a higher but a safer gift than wit for the purposes of conversation; the pity of it is that so few possess it, and that there is hardly any use in trying to attain it by education. No doubt the constant society of an elder or superior who looks at things in this way may stimulate it in the young, but with the danger of making them sarcastic and satirical, which are grave faults, and which are the distortion of humour to ill-natured and unsocial purposes, so that even in this view of the matter education in humour may turn out a very mischievous failure.

On the whole we must set ourselves to carry on society and to make good conversation without any large help from these brilliant but dangerous gifts. Occasional flashes will occur to ordinary people, and sometimes the very circumstances themselves will create a situation so humorous that it requires no genius to bring it home to the company. But beyond the necessary cautions above indicated, we cannot bring it into any systematic doctrine of social intercourse.

OBJECTIVE CONDITIONS. THE COMPANY—ITS NUMBER

§ 32. We have now exhausted all the conditions which lie in the speaker, which must be brought by him into a society as the subjective conditions of good conversation. Let us turn to the company, regarded as the object with which he is to deal, and see what an analysis of its varieties may teach us in the way of practical direction.

The very first and most obvious division is that of quantity. You may be required to converse either with one person, with a few, or with many. And though no agreeable person may take the trouble to think about it, he nevertheless makes considerable modifications in his talk according to these circumstances. Thus a colloquy with a single person, which is the easiest form, for it is usually with some one who is not a stranger, and it allows far more personality, should consist in a direct interchange of serious opinion, in which each seeks to make the other speak out in confidence his inmost character. You should turn the conversation upon the other person’s life, inquire into his or her history, so far as that can be done with good taste and without impertinence, and so induce him (or her) to give personal recollections or confessions, which are to the teller of them generally of the deepest interest. But you will not elicit these without some frankness on your own part, sometimes without volunteering some slight confession which may induce the other to open the flood-gates of his inner life. When this is once attained there must ensue good conversation; for to have a volume of human character laid open before you, and to turn over its pages at leisure, is one of the highest and most intense recreations known to an intelligent mind. Such confessions will hardly ever be made to more than one person at a time, and a sympathetic freedom in encouraging the timid by giving parallel experiences in your own life will often make a silent and reserved person agreeable who could never be induced to speak out in a larger company.

As our manners and customs determine these things, it is not usual to have a long _tête-à-tête_ with another person of the same sex without choosing your companion and seeking out the opportunity; but, on the contrary, two people of different sexes are often brought together and ordered (so to speak) to converse, for no other reason than the command of society. Thus a young man is introduced to a partner at a ball, or a man of soberer age is directed to take a lady down to dinner. Here, though the company is large, the conversation is really of the kind before us—a dialogue between two persons only, of different sexes, and often comparative strangers. There is no case more frequent where conversation is imperative, and where failures are common and conspicuous. It is bad enough to begin with truisms about the weather—an excusable exordium; it is far worse and more disgraceful to end with them, and positively many people get no further. And yet this failure is not from mere emptiness of mind. These very same people, young and old, could be brought into circumstances where almost any of them would be interesting—not a few of them eloquent.

I have spent an evening shut up with a very unpromising commercial traveller in a remote country inn, and yet by trying honestly to find out what he knew and liked, succeeded in drawing from him a most interesting account of his experiences, first in tea-tasting, then in tea-selling to the Irish peasants in the remote glens of Donegal. What he told me was quite worthy to make an article in a good magazine. Yet a more unpromising subject for a long dialogue could hardly be found. He and I had apparently not a single interest in common. But when the right vein was touched one had to supply nothing but assent, or an occasional question; the man flowed on with an almost natural eloquence. People said that others had found him morose and unapproachable. It was certainly their fault. This case is cited as an instance that almost anybody can be made to talk, unless he has determined positively that he will not do so, and is moreover a very obstinate person.

§ 33. In the cases with which we started no such obstinacy exists; the people are really ready to talk, but don’t know how. The beginning is evidently the difficulty, and surely here, if anywhere, people who have no natural facility should think out some way of opening the conversation, just as chessplayers have agreed on several formal openings in their game. Nothing is easier than to do this, and to do it in such a general manner as will not be ridiculous. It must always be remembered that the most domestic men and women are often the most difficult to rouse into conversation. Their very virtues in home life have dulled their interests in outer things, and the best of mothers have sometimes forgotten to talk about anything except the education of their children. But it is always better worth probing a sound nature than hearing the ready chatter of idleness. For this reason, some serious topic ought to be the best, even for talking with a stranger, since our conversation errs more frequently through frivolity than through gravity.

But it is not the object of this book to give any special directions. They are only useful when framed by each man and woman for their own private use, and any stock proceeding becomes a mere commonplace, and as such contemptible. Yet no intelligent person who thinks over it can fail to make out some general lines to be followed on such occasions, and so thousands of men and women will save themselves from the punishment of a dull and tedious evening beside a person whom they might easily find lively and agreeable.

As there are some people who require to be encouraged by finding out their daily interests, and inquiring into them, so there are others who are only to be excited by the stimulus of opposition, by suggesting some opinion adverse to what they believe or advocate, and so tempting them to a friendly controversy. If you enter such a controversy with perfectly good temper, with a desire to be convinced by good arguments, and no further interest than to bring out the latent fire in the other person, it may produce a very good conversation. But the moment you find the points of difference too strongly accentuated, the moment you perceive the dissatisfaction which is so common in people who are losing ground, or who feel they are making no impression, you should turn the stream into another channel, in which you anticipate at least partial agreement.

TALKING WITH A FEW