Philosophy

The Principles of Aesthetics

Although some feeling for beauty is perhaps universal among men, the same cannot be said of the understanding of beauty. The average man, who may exercise considerable taste in personal adornment, in the decoration of the home, or in the choice of poetry and painting, is at a...

Chapters

9. Chapter 9

Our study of music in the preceding chapter has prepared us for the study of poetry, for the two arts are akin. Both are arts of sound and both employ rhythm as a principle of o...

8. Chapter 8

In this and the following chapters which treat of the arts, I plan to make a concrete application of the aesthetic theory thus far developed. I want to show how the general prin...

13. Chapter 13

In the arts which we have studied so far, beauty has been the sole or chief end; in the industrial arts, beauty can be only a part of their total meaning. No matter how much of...

11. Chapter 11

In literature, as we observed in our last two chapters, nature does not find aesthetic expression on its own account. In the lyric, nature appears only as the reflection of pers...

7. Chapter 7

Our interest in art is seldom a matter of mere feeling or appreciation; usually it is a matter of judgment as well. Beginning in feeling, the sthetic experience passes over into...

4. Chapter 4

Thus far we have sought to define art, to form a concrete idea of the experience of art, and to place it in its relations to other facts. We shall now pass from synthetic defini...

6. Chapter 6

When, in our third chapter, we defined the purpose of art, we indicated that it was broad enough to include the expression of evil, but we did not show in detail how this was po...

10. Chapter 10

There is an almost universal feeling, expressed in many common phrases, that prose literature is not one of the fine arts. The reason is this: in prose literature there is a con...

3. Chapter 3

Our definition of art can be complete only if it enables us to understand the value of art. The reader may well ask what possible value expression can have when it becomes an en...

5. Chapter 5

In our discussion of first principles, we set down a high degree of unity as one of the distinguishing characteristics of works of art. In this we followed close upon ancient tr...

15. Chapter 15

The distinctive purpose of art, so we have argued throughout this study, is culture, the enrichment of the spirit. But lovers of art have always claimed for it more active and b...

14. Chapter 14

That an interest is innocent and pleasure giving is no longer considered sufficient to justify its existence; it must also, in order to be sanctioned in our jealous and economic...

12. Chapter 12

The sculptor has this advantage over all other artists, that his chief subject is the most beautiful thing in the world--the human body. In two ways the body is supremely beauti...

2. Chapter 2

Since it is our purpose to develop an adequate idea of art, it might seem as if a definition were rather our goal than our starting point; yet we must identify the field of our...

1. Chapter 1

Although some feeling for beauty is perhaps universal among men, the same cannot be said of the understanding of beauty. The average man, who may exercise considerable taste in...

16. Chapter 16

PUFFER, ETHEL. The Psychology of Beauty, 1905. BROWN, BALDWIN. The Fine Arts, 1892. ROWLAND, E. The Significance of Art, 1913. MARSHALL, R. Pain, Pleasure, and Aesthetics, 1894;...