The Princess Casamassima: A Novel
Part 33
What he did not mention to the Princess was the manner in which he had been received by Paul Muniment and by Millicent Henning on his return from Medley. Millicent’s reception had been the queerest; it had been quite unexpectedly mild. She made him no scene of violence, and appeared to have given up the line of throwing a blur of recrimination over her own nefarious doings. She treated him as if she liked him for having got in with the swells; she had an appreciation of success which would lead her to handle him more tenderly now that he was really successful. She tried to make him describe the style of life that was led in a house where people were invited to stay like that without having to pay, and she surprised him almost as much as she gratified him by not indulging in any of her former digs at the Princess. She was lavish of ejaculations when he answered certain of her questions—ejaculations that savoured of Pimlico, “Oh, I say!” and “Oh, my stars!”—and he was more than ever struck with her detestable habit of saying, “Aye, that’s where it is,” when he had made some remark to which she wished to give an intelligent and sympathetic assent. But she didn’t jeer at the Princess’s private character; she stayed her satire, in a case where there was such an opening for it. Hyacinth reflected that this was lucky for her: he couldn’t have stood it (nervous and anxious as he was about Pinnie) if she had had the bad taste, at such a time as that, to be profane and insulting. In that case he would have broken with her completely—he would have been too disgusted. She displeased him enough, as it was, by her vulgar tricks of speech. There were two or three little recurrent irregularities that aggravated him to a degree quite out of proportion to their importance, as when she said ‘full up’ for full, ‘sold out’ for sold, or remarked to him that she supposed he was now going to chuck up his work at old Crookenden’s. These phrases had fallen upon his ear many a time before, but now they seemed almost unpardonable enough to quarrel about. Not that he had any wish to quarrel, for if the question had been pushed he would have admitted that to-day his intimacy with the Princess had caused any rights he might have had upon Millicent to lapse. Millicent did not push it, however; she only, it was evident, wished to convey to him that it was better for both parties they should respect each other’s liberty. A genial understanding on this subject was what Miss Henning desired, and Hyacinth forbade himself to inquire what use she proposed to make of her freedom. During the month that elapsed between Pinnie’s death and his visit to Paris he had seen her several times, for the respect for each other’s freedom had somehow not implied cessation of intercourse, and it was only natural she should have been soft to him in his bereaved condition. Hyacinth’s sentiment about Pinnie was deep, and Millicent was clever enough to guess it; the consequence of which was that on these occasions she was very soft indeed. She talked to him almost as if she had been his mother and he a convalescent child; called him her dear, and a young rascal, and her old boy; moralised a good deal, abstained from beer (till she learned he had inherited a fortune), and when he remarked once (moralising a little, too) that after the death of a person we have loved we are haunted by the memory of our failures of kindness, of generosity, rejoined, with a dignity that made the words almost a contribution to philosophy, “Yes, that’s where it is!”
Something in her behaviour at this period had even made Hyacinth wonder whether there were not some mystical sign in his appearance, some subtle betrayal in the very expression of his face, of the predicament in which he had been placed by Diedrich Hoffendahl; he began to suspect afresh the operation of that ‘beastly _attendrissement_’ he had detected of old in people who had the benefit of Miss Pynsent’s innuendoes. The compassion Millicent felt for him had never been one of the reasons why he liked her; it had fortunately been corrected, moreover, by his power to make her furious. This evening, on the boulevard, as he watched the interminable successions, one of the ideas that came to him was that it was odd he should like her even yet; for heaven knew he liked the Princess better, and he had hitherto supposed that when a sentiment of this kind had the energy of a possession it made a clean sweep of all minor predilections. But it was clear to him that Millicent still existed for him; that he couldn’t feel he had quite done with her, or she with him; and that in spite of his having now so many other things to admire there was still a comfort in the recollection of her robust beauty and her primitive passions. Hyacinth thought of her as some clever young barbarian who in ancient days should have made a pilgrimage to Rome might have thought of a Dacian or Iberian mistress awaiting his return on the rough provincial shore. If Millicent considered his visit at a ‘hall’ a proof of the sort of success that was to attend him (how he reconciled this with the supposition that she perceived, as a ghostly irradiation, intermingled with his curly hair, the aureola of martyrdom, he would have had some difficulty in explaining), if Miss Henning considered, on his return from Medley, that he had taken his place on the winning side, it was only consistent of her to borrow a grandeur from his further travels; and, indeed, by the time he was ready to start she spoke of the plan as if she had invented it herself and even contributed materially to the funds required. It had been her theory, from the first, that she only liked people of spirit; and Hyacinth certainly had never had so much spirit as when he launched himself into Continental adventures. He could say to himself, quite without bitterness, that of course she would profit by his absence to put her relations with Sholto on a comfortable footing; yet, somehow, at this moment, as her face came back to him amid the crowd of faces about him, it had not that gentleman’s romantic shadow across it. It was the brilliancy of Paris, perhaps, that made him see things rosy; at any rate, he remembered with kindness something that she had said to him the last time he saw her and that had touched him exceedingly at the moment. He had happened to observe to her, in a friendly way, that now Miss Pynsent had gone she was, with the exception of Mr Vetch, the person in his whole circle who had known him longest. To this Millicent had replied that Mr Vetch wouldn’t live for ever, and then she should have the satisfaction of being his very oldest friend. “Oh, well, I shan’t live for ever, either,” said Hyacinth; which led her to inquire whether by chance he had a weakness of the chest. “Not that I know of, but I might get killed in a row;” and when she broke out into scorn of his silly notion of turning everything up (as if any one wanted to know what a costermonger would like, or any of that low sort at the East End!) he amused himself with asking her if she were satisfied with the condition of society and thought nothing ought to be done for people who, at the end of a lifetime of starvation-wages, had only the reward of the hideous workhouse and a pauper’s grave.
“I shouldn’t be satisfied with anything, if ever you was to slip up,” Millicent answered, simply, looking at him with her beautiful boldness. Then she added, “There’s one thing I can tell _you_, Mr Robinson: that if ever any one was to do you a turn—” And she paused again, tossing back the head she carried as if it were surmounted by a tiara, while Hyacinth inquired what would occur in that contingency. “Well, there’d be _one_ left behind who would take it up!” she announced; and in the tone of the declaration there was something brave and genuine. It struck Hyacinth as a strange fate—though not stranger, after all, than his native circumstances—that one’s memory should come to be represented by a shop-girl overladen with bracelets of imitation silver; but he was reminded that Millicent was a fine specimen of a woman of a type opposed to the whining, and that in her free temperament many disparities were reconciled.
XXX
On the other hand the brilliancy of Paris had not much power to transfigure the impression made upon him by such intercourse with Paul Muniment as he had enjoyed during the weeks that followed Pinnie’s death—an impression considerably more severe than any idea of renunciation or oblivion that could connect itself with Millicent. Why it should have had the taste of sadness was not altogether clear, for Muniment’s voice was as distinct as any in the chorus of approbation excited by the news that Hyacinth was about to cultivate the most characteristic of the pleasures of gentility—a sympathetic unanimity, of which the effect was to place his journey to Paris in a light almost ridiculous. What had got into them all, and did they think he was good for nothing but to amuse himself? Mr Vetch had been the most zealous, but the others clapped him on the back in almost exactly the same manner as he had seen his mates in Soho bring their palms down on one of their number when it was disclosed to them that his ‘missus’ had made him yet once again a father. That had been Poupin’s tone, and his wife’s as well; and even poor Schinkel, with his everlasting bandage, whom he had met in Lisson Grove, appeared to think it necessary to remark that a little run across the Rhine, while he was about it, would open his eyes to a great many wonders. The Poupins shed tears of joy, and the letters which have already been mentioned, and which lay day after day on the mantel-shelf of the little room our hero occupied in a _hôtel garni_, tremendously tall and somewhat lopsided, in the Rue Jacob (that recommendation proceeded also from Lisson Grove, the _garni_ being kept by a second cousin of Madame Eustache), these valuable documents had been prepared by the obliging exile many days before his young friend was ready to start. It was almost refreshing to Hyacinth when old Crookenden, the sole outspoken dissentient, told him he was a blockhead to waste his money on the bloody French. This worthy employer of labour was evidently disgusted at such an innovation; if he wanted a little recreation why couldn’t he take it as it had been taken in Soho from the beginning of time, in the shape of a trip to Hampton Court or two or three days of alcoholic torpor? Old Crookenden was right. Hyacinth conceded freely that he was a blockhead, and was only a little uncomfortable that he couldn’t explain why he didn’t pretend not to be and had a kind of right to that compensatory luxury.
Paul guessed why, of course, and smiled approval with a candour which gave Hyacinth a strange, inexpressible heartache. He already knew that his friend’s view of him was that he was ornamental and adapted to the lighter kinds of socialistic utility—constituted to show that the revolution was not necessarily brutal and illiterate; but in the light of the cheerful stoicism with which Muniment regarded the sacrifice our hero was committed to, the latter had found it necessary to remodel a good deal his original conception of the young chemist’s nature. The result of this process was not that he admired it less but that he felt almost awe-stricken in the presence of it. There had been an element of that sort in his appreciation of Muniment from the first, but it had been infinitely deepened by the spectacle of his sublime consistency. Hyacinth felt that he himself could never have risen to that point. He was competent to make the promise to Hoffendahl, and he was equally competent to keep it; but he could not have had the same fortitude for another, could not have detached himself from personal prejudice so effectually as to put forward, in that way, for the terrible ‘job’, a little chap he liked. That Muniment liked him it never occurred to Hyacinth to doubt, and certainly he had all the manner of it to-day: he had never been more good-humoured, more placidly talkative; he was like an elder brother who knew that the ‘youngster’ was clever, and was rather proud of it even when there was no one there to see. That air of suspending their partnership for the moment, which had usually marked him at the ‘Sun and Moon’, was never visible in other places; in Audley Court he only chaffed Hyacinth occasionally for taking him too seriously. To-day his young friend hardly knew just how to take him; the episode of which Hoffendahl was the central figure had, as far as one could see, made so little change in his life. As a conspirator he was so extraordinarily candid, and bitterness and denunciation so rarely sat on his lips. It was as if he had been ashamed to complain; and indeed, for himself, as the months went on, he had nothing particular to complain of. He had had a rise, at the chemical works, and a plan of getting a larger room for Rosy was under serious consideration. On behalf of others he never sounded the pathetic note—he thought that sort of thing unbusiness-like; and the most that he did in the way of expatiation on the wrongs of humanity was occasionally to mention certain statistics, certain ‘returns’, in regard to the remuneration of industries, applications for employment and the discharge of hands. In such matters as these he was deeply versed, and he moved in a dry statistical and scientific air in which it cost Hyacinth an effort of respiration to accompany him. Simple and kindly as he was, and thoughtful of the woes of beasts, attentive and merciful to small insects, and addicted even to kissing dirty babies in Audley Court, he sometimes emitted a short satiric gleam which showed that his esteem for the poor was small and that if he had no illusions about the people who had got everything into their hands he had as few about those who had egregiously failed to do so. He was tremendously reasonable, which was largely why Hyacinth admired him, having a desire to be so himself but finding it terribly difficult.
Muniment’s absence of passion, his fresh-coloured coolness, his easy, exact knowledge, the way he kept himself clean (except for the chemical stains on his hands) in circumstances of foul contact, constituted a group of qualities that had always appeared to Hyacinth singularly enviable. Most enviable of all was the force that enabled him to sink personal sentiment where a great public good was to be attempted and yet keep up the form of caring for that minor interest. It seemed to Hyacinth that if _he_ had introduced a young fellow to Hoffendahl for his purposes, and Hoffendahl had accepted him on such a recommendation, and everything had been settled, he would have preferred never to look at the young fellow again. That was his weakness, and Muniment carried it off far otherwise. It must be added that he had never made an allusion to their visit to Hoffendahl; so that Hyacinth also, out of pride, held his tongue on the subject. If his friend didn’t wish to express any sympathy for him he was not going to beg for it (especially as he didn’t want it) by restless references. It had originally been a surprise to him that Muniment should be willing to countenance a possible assassination; but after all none of his ideas were narrow (Hyacinth had a sense that they ripened all the while), and if a pistol-shot would do any good he was not the man to raise pedantic objections. It is true that, as regards his quiet acceptance of the predicament in which Hyacinth might be placed by it, our young man had given him the benefit of a certain amount of doubt; it had occurred to him that perhaps Muniment had his own reasons for believing that the summons from Hoffendahl would never really arrive, so that he might only be treating himself to the entertainment of judging of a little bookbinder’s nerve. But in this case, why did he take an interest in the little bookbinder’s going to Paris? That was a thing he would not have cared for if he had held that in fact there was nothing to fear. He despised the sight of idleness, and in spite of the indulgence he had more than once been good enough to express on the subject of Hyacinth’s epicurean tendencies what he would have been most likely to say at present was, ‘Go to Paris? Go to the dickens! Haven’t you been out at grass long enough for one while, didn’t you lark enough in the country there with the noble lady, and hadn’t you better take up your tools again before you forget how to handle them?’ Rosy had said something of that sort, in her free, familiar way (whatever her intention, she had been, in effect, only a little less sarcastic than old Crookenden): that Mr Robinson was going in for a life of leisure, a life of luxury, like herself; she must congratulate him on having the means and the time. Oh, the time—that was the great thing! She could speak with knowledge, having always enjoyed these advantages herself. And she intimated—or was she mistaken?—that his good fortune emulated hers also in the matter of his having a high-born and beneficent friend (such a blessing, now he had lost dear Miss Pynsent), who covered him with little attentions. Rose Muniment, in short, had been more exasperating than ever.
The boulevard became even more brilliant as the evening went on, and Hyacinth wondered whether he had a right to occupy the same table for so many hours. The theatre on the other side discharged its multitude; the crowd thickened on the wide asphalt, on the terrace of the café; gentlemen, accompanied by ladies of whom he knew already how to characterise the type—_des femmes très-chic_—passed into the portals of Tortoni. The nightly emanation of Paris seemed to rise more richly, to float and hang in the air, to mingle with the universal light and the many-voiced sound, to resolve itself into a thousand solicitations and opportunities, addressed however mainly to those in whose pockets the chink of a little loose gold might respond. Hyacinth’s retrospections had not made him drowsy, but quite the reverse; he grew restless and excited, and a kind of pleasant terror of the place and hour entered into his blood. But it was nearly midnight, and he got up to walk home, taking the line of the boulevard toward the Madeleine. He passed down the Rue Royale, where comparative stillness reigned; and when he reached the Place de la Concorde, to cross the bridge which faces the Corps Législatif, he found himself almost isolated. He had left the human swarm and the obstructed pavements behind, and the wide spaces of the splendid square lay quiet under the summer stars. The plash of the great fountains was audible, and he could almost hear the wind-stirred murmur of the little wood of the Tuileries on one side, and of the vague expanse of the Champs Elysées on the other. The place itself—the Place Louis Quinze, the Place de la Révolution—had given him a sensible emotion, from the day of his arrival; he had recognised so quickly its tremendously historic character. He had seen, in a rapid vision, the guillotine in the middle, on the site of the inscrutable obelisk, and the tumbrils, with waiting victims, were stationed round the circle now made majestic by the monuments of the cities of France. The great legend of the French Revolution, sanguinary and heroic, was more real to him here than anywhere else; and, strangely, what was most present was not its turpitude and horror, but its magnificent energy, the spirit of life that had been in it, not the spirit of death. That shadow was effaced by the modern fairness of fountain and statue, the stately perspective and composition; and as he lingered, before crossing the Seine, a sudden sense overtook him, making his heart sink with a kind of desolation—a sense of everything that might hold one to the world, of the sweetness of not dying, the fascination of great cities, the charm of travel and discovery, the generosity of admiration. The tears rose to his eyes, as they had done more than once in the past six months, and a question, low but poignant, broke from his lips, ending in nothing: “How could he—how _could_ he—?” It may be explained that ‘he’ was a reference to Paul Muniment; for Hyacinth had dreamed of the religion of friendship.
Three weeks after this he found himself in Venice, whence he addressed to the Princess Casamassima a letter of which I reproduce the principal passages.