Chapter 7

The selection of the theme for preaching is to be determined chiefly by the power of the Word to lay hold of the conviction of the preacher. Or, if the subject is prescribed, as when one is lecturing through a book of the Bible, the points to be treated are to be determined in this way. Sometimes, as a preacher reads the Word, a text will leap from the page, so to speak, and, fastening on the mind, insist on being preached upon. A sermon on such a text is nearly always successful; and a wise man will, therefore, take care to garner such texts when they occur to him. He will underline them in his Bible, or, better still, enter them in a note-book kept for the purpose, adding a few words perhaps to indicate the first lines of thought which have occurred to him. These notes may be multiplied from time to time; and, when the minister turns to a page which has been thus filled, he will often find his sermon nearly made to his hand.[30] Dr. Wendell Holmes tells of Emerson that he kept such a note-book for subjects on which he might lecture, and for suggestions of lines of thought which he might follow out. He called it his Savings Bank, because, though the payments into it were minute, they gradually swelled to riches; and passages which his hearers and readers supposed to be outbursts of sudden literary creation were really the results of slow accumulation. If this was necessary for even a genius like Emerson it will be far more necessary for the ordinary man. The gold of thought has generally to be collected as gold dust.

2. But this already brings me to the second stage of this natural history, which is, that the preacher must be a master of Human Words. The message from God which we carry is to become a message to men, and therefore we must know how to introduce it successfully to their notice. Strong as our own conviction may be, yet it may be crude and formless; and, before it can become the conviction of others, it must take a shape which will arouse their attention. It may belong to a region of thought with which they are unfamiliar, and it has to be brought near, until it enters the circle of their own ideas.

This is the problem of the composition of the sermon, whether this means the writing of it out or the arrangement of the materials in the memory in preparation for delivery. And many rules might be given to help at this point.

One often recommended is to keep the audience in view to which the composition is to be addressed. If by this is meant that the writer, as he sits at his desk, should try to conjure up in his imagination the benches of the church and their occupants, I do not know whether it is a practicable rule or not. But if it means that the preacher, as he composes his sermon, should keep in view the circumstances of his hearers--their stage of culture, the subjects in which they are interested, the Scriptural attainments which they have already made, and the like--it is one of the prime secrets of the preacher's art, and I will return to speak of it more fully in a subsequent lecture. I once heard Mr. Spurgeon preach a characteristic sermon on an unusual text. It was on these words in Hosea: "I was unto them as they that take off the yoke on their jaws, and I laid meat unto them." To illustrate the first clause he drew a graphic picture of a London carter in Cornhill loosening the harness, when his horse had surmounted the incline, taking the bit out of its mouth, and fastening on the corn-bag; and he applied the second clause with humorous wisdom to the behaviour of preachers. As the carter in the stable "lays" the hay to his horse, so the preacher has to "lay" the food to the congregation. The carter must not put the food too high, where the horse cannot reach up to it, nor too low, where it cannot get down to it, but just where it can seize and devour it with comfort. So the preacher must neither pitch his message too high, where it will be above the comprehension of the congregation, nor too low, where it will not command their respect, but just where they can reach it easily and comfortably. This quaint illustration has often recurred to me in the study, and made me anxiously consider whether I was putting the truth in such a way that the congregation could grasp it.

Many rules have been proposed for winning the attention of the congregation. Some have laid stress on commencing the sermon with something striking. Mr. Moody, the evangelist, whose opinion on such a subject ought to be valuable, recommends the preacher to crowd in his best things at the beginning, when the attention is still fresh. Others have favoured the opposite procedure. During the first half of the discourse nearly every audience will give the speaker a chance. At this point, therefore, the heavier and drier things which need to be said ought to occur. But about the middle of the discourse the attention begins to waver. Here, therefore, the more picturesque and interesting things should begin to come; and the very best should be reserved for the close, so that the impression maybe strongest at the last.[31] St. Augustine says that a discourse should instruct, delight and convince;[32] and perhaps these three impressions should, upon the whole, follow this order. The more instructive elements--the facts and explanations--should come first, appealing to the intellect; then should follow the illustrative and pathetic elements, which touch the feelings; and then, at the close, should come those moving and over-awing considerations which stir the conscience and determine the will. Thus the impression would grow from the commencement to the close.[33]

To obtain command of language it is good to hear the best speakers and to read the best books. It has been my fortune to be acquainted with a good many celebrated preachers; and I have observed that, almost without exception, they have had a thorough acquaintance with the whole range of the higher English literature. To have the music of Shakespeare or Milton echoing in your memory, or to have lingering in your ear the cadence and sweep of the sentences of Thackeray and De Quincey, will almost unawares give you a good style.[34] In reading over an old sermon of my own, I can almost tell whether or not, in the week of its composition, I was reading good literature. In the former case the language is apt to be full and harmonious, and sprinkled over with gay flowers of maxim and illustration, whereas in the latter the style of the performance is apt to be bald and jerky.[35]

Let me mention one more rule for the composition of the sermon which appears to me to be the most important of all. It is, to take time. Begin in time and get done in time--this, I often say to myself, is the whole duty of a minister. The reason why so many of our sermons are crude in thought, unbalanced in the arrangement of the materials, destitute of literary beauty, and unimpressive in delivery, is because they are begun too late and written too hurriedly. The process of thinking especially should be prolonged; it is not so important that the process of writing should be slow. It is when the subject has been long tossed about in thought that the mind begins to glow about it; the subject itself gets hot and begins to melt and flash, until at last it can be poured forth in a facile but glowing stream. Style is not something added to the thought from the outside. It is simply the beauty of the truth itself, when you have gone deep enough to find it; and the worst condemnation of a careless and unattractive style is that it does the truth injustice.

3. The preacher ought to be master of the Oral Word. There is a stage which the truth has to pass through after it has been prepared in the study for the consumption of the hearers. This is the oral delivery; and it is a part of the natural history of the sermon which must not be overlooked. A sermon may be well composed in the study and yet be a failure in the pulpit. Indeed, this is one of the most critical stages of the entire process. There are few things more disappointing than to have received a message to deliver and spent a laborious and happy week in composition, and yet on Sunday, as you descend the pulpit stair, to know that you have missed the mark. This, however, is far from an infrequent occurrence. The same sermon may even be a success on one occasion, and on another a partial or a total failure.

Wherein a good delivery consists it is difficult to say. It is the rekindling of the fire of composition in the presence of the congregation; it is the power of thinking out the subject again on your feet. This must not be a mere repetition of a byegone process, but a new and original action of the mind on the spot. Tholuck, to whom I have already alluded in this lecture, says that a sermon needs to be born twice: it must be born once in the study in the process of composition, and it must be born again in the pulpit in the process of delivery. Many a sermon is a genuine birth of the mind in the study which in the pulpit is still-born.[36]

Some preachers have an extraordinary facility of putting themselves at once, and every time, _en rapport_ with the audience, so that there is from first to last, whilst they speak, a commerce between the mind in the pulpit and the minds in the pews. To others this is the most difficult part of preaching. The difficulty is to get down amongst the people and to be actually dealing with them. Many a preacher has a thought, and is putting it into good enough words, but somehow the people are not listening, and they cannot listen.

If the Senate of this University were ever to try the experiment of asking a layman to deliver this course of Lectures on Preaching, I am certain he would lay more stress on this than we do, and put a clear and effective--if possible, a graceful and eloquent--delivery among the chief desiderata of the pulpit. I do not know how it may be among you; but, when I was at college, we used rather to despise delivery. We were so confident in the power of ideas that we thought nothing of the manner of setting them forth. Only have good stuff, we thought, and it will preach itself. We like to repeat, with _Faust_,

"True sense and reason reach their aim With little help from art and rule; Be earnest! then what need to seek The words that best your meaning speak?"

So we thought; and many of us have since suffered for it. We know how many sermons are preached in the churches of the country every Sunday; but does anyone know how many are listened to? The newspapers supply us now and then with statistics of how many hearers are present in our congregations; but who will tell us what proportion of these are listeners? If we knew the exact percentage, I suspect, it would appal us. Yet it is not because there is not good matter in the sermons, but because it is not properly spoken. In the manufacture of steam-engines the problem is, I believe, to get as much work as possible out of the coal consumed. In every engine which has ever yet been constructed there has been a greater or less waste of heat, which is dispersed into the surrounding air or carried away by the adjacent portions of the machinery, without doing work. Engineering skill has been gradually reducing the amount of this waste and getting a larger and larger proportion of work out of the fuel; and a perfect engine would be one in which the whole of the coal consumed had its full equivalent in work done. One of our problems, it seems to me, is a similar one. There is an enormous disproportion between the amount of energy expended during the week in preparation and the amount of impression made on the hearers on Sunday. Ministers do not get enough of result in the attention, satisfaction and delight of their hearers for the work they do; and the failure is in the vehicle of communication between the study and the congregation--that is to say, in the delivery of the sermon. What I am pleading for is, that there should be more work to show for the coal consumed.[37]

4. Allow me, gentlemen, in closing this lecture, to emphasize another sense in which the prophets were men of the Word, and in which they are worthy of imitation. They were masters of the Written Word. They not only spoke the word of God, but wrote it for publication, in a form sometimes more diffuse and sometimes more compressed than their oral utterances; and by this means they not only extended their influence in their own day, but have enormously prolonged it since.

It is surprising how few of those who have spoken the word of God have cultivated this mode of delivering it; and it is perhaps equally astonishing how few of those who have cultivated it have done so in earnest. In the last century, promotion in the Church of England was won by literary achievement; but the would-be bishop did not generally think of religious literature: he published a political pamphlet or edited a Greek play. Among the Scottish Moderates there was a keen ambition for literary distinction; but it was the more prized the more remote the fields in which it was won lay from a minister's peculiar work. This led the Evangelicals to discountenance literary productivity, which they regarded as springing from unholy motives and as likely to distract the mind from the true ends of the ministry. But surely there is a juster point of view than either the Moderate or the Evangelical. This work ought to be cultivated with precisely the same aims as preaching and with the same earnestness. When a man is truly called to it, it brings a vast audience within his range, and there may rest on it a remarkable blessing. Here is a significant extract from the history of British Christianity: Richard Baxter wrote _A Call to the Unconverted_, and Philip Doddridge was converted by reading it; Philip Doddridge wrote _The Rise and Progress of Religion in the Soul_, and William Wilberforce was converted by reading it; Wilberforce wrote the _Practical View_, and Thomas Chalmers was converted by reading it. What a far-extending influence does each of these names represent! The writing of books is perhaps the likeliest of all avenues by which to carry religious influence to the most select minds.

FOOTNOTES:

[23] The Servant of the Lord is a prophet; and in the descriptions of him in this character we can perhaps best see what was Isaiah's conception of a prophet. See especially ch. lxi. 1-3.

[24] See Ewald's Introduction to _The Prophets_.

[25] "Bonorum ingeniorum insignis est indoles, in verbis verum amare, non verba. Quid enim prodest clavis aurea, si aperire quod volumus non potest? Aut quid obest lignea, si hoc potest, quando nihil quærimus, nisi parere quod clausum est? Sed quoniam inter se habent nonnullam similitudinem vescentes atque discentes, propter fastidia plurimorum etiam ipsa sine quibus vivi non potest alimenta condienda sunt."--ST. AUGUSTINE.

[26] See the excellent chapter on Isaiah's style in Driver's _Isaiah_.

[27] The same idea has long been helpful to me in a third form--in the following lines of Platen--

"Was stets und aller Orten Sich ewig jung erweist Ist, in gebundenen Worten Ein ungebundener Geist."

[28] "Into Ezekiel's hand there was put a roll written within and without with lamentation and mourning and woe, an objective revelation which he himself had not written; but, before he could deliver it to others, he had to eat it: all that was written on it had to become a part of himself, had to be taken into his inmost experience and be digested by him, and become his own very life's blood."--MARCUS DODS, D.D.

[29] This is what our Lord chiefly meant by a teacher's "treasure"--"Every scribe which is instructed unto the kingdom of God bringeth forth out of his treasure things new and old." How much the treasures of different preachers differ in magnitude! It is worthy of note that the Saviour calls the preachers of the New Testament "scribes." In spite of the evil associations of the name He retained it, because it emphasizes the fact that the Christian preacher is to be a student and an expounder of Scripture.

[30] Some preachers keep an interleaved Bible, in which references to passages in their reading are entered opposite the texts which they illustrate--an excellent device.

[31] "The strongest part of all great sermons is the close. More depends on the last two minutes than on the first ten."--From a choice little tract on Preaching, by "Prediger."

[32] He is quoting Cicero. Dixit ergo quidam eloquens, et verum dixit, ita dicere debere eloquentem, ut doceat, ut delectet, ut flectat. Deinde addidit: Docere necessitatis est, delectare suavitatis, flectere victoriae.... Oportet igitur eloquentem ecclesiasticum, quando suadet aliquid quod agendum est, non solum docere ut instruat, et delectare ut teneat, verum etiam flectere ut vincat.--_De Doctrina Christiana_, IV. 13.

[33] An esteemed friend, the Rev. John McMillan of Ullapool, some years ago repeated to me the following rhyme on the method of constructing a sermon, and, although I have never succeeded in coming up to its standard, yet it has often floated before me with advantage in the hours of composition--

"Begin low; Proceed slow; Rise higher; Take fire; When most impressed Be self-possessed; To spirit wed form; Sit down in a storm."

[34] It will be remembered that John Bright used regularly, during the session of Parliament, to read aloud from one of the poets the last thing at night.

[35] Tholuck gives another weighty reason why ministers should know the best literature: In einer Zeit wo Shakespeare eine stärkere Autorität für Viele ist als Paulus, und ein Distichon Goethes eine kräftigere Belegstelle als der ganze Römer-und Galaterbrief, darf der Geistliche, welcher auf seine Gemeinde würken will, mit ihren Gewährsmänern nicht unbekannt seyn. Wenn irgendwo, so gilt auch hier des Apostels Wort: _Alles ist Euer_.

[36] "Aber nicht bloss die Erzeugung der Predigt geschehe im heiligen Geist, sondern auch ihr Vortrag. Es lässt sich nicht aussprechen, welch' ein Unterschied zwischen der Würkung einer Predigt, welche bloss aus der Erinnerung von der Kanzel herabgesprochen wird--wie trefflich sie auch übrigens seyn mag--und welche dort zum zweitenmal geboren wird in lebendigem Glauben.... Die Predigt muss eine That des Predigers auf seinem Studirzimmer, sie muss abermals eine That seyn auf der Kanzel; er muss, wenn er herunter kommt, Mutterfreuden fühlen, Freuden der Mutter, die unter Gottes Segen ein Kind geboren hat."

[37] Adolphe Monod, himself a distinguished master of the art of delivery, gives some good hints on it in a paper on _The Eloquence of the Pulpit_, translated and published as an article in _The British and Foreign Evangelical Review_, January, 1881:--

"In general, people recite too quickly, far too quickly. When a man speaks, the thoughts and feelings do not come to him all at once; they take birth little by little in his mind. It is necessary that this labour and this slowness appear in the reciting, or it will always come short of nature. Take time to reflect, to feel, and to allow ideas to come, and hurry your recitation only when constrained by some particular consideration."...

"Talk not in the pulpit. An exaggerated familiarity would be a mistake nearly as great as declamation: it happens more seldom; it is, nevertheless, found in certain preachers, those especially who have not studied. The tone of good conversation, but that tone heightened and ennobled, such appears to me the ideal of pulpit delivery."...

"In order to rise above the tone of conversation, the majority of preachers withdraw too far from it. They swell their delivery, and declaim instead of speaking. Now, when bombast comes in, nature goes out."

In regard to the first of these extracts I should say that many Scotch speakers fail through lack of _pace_ in the delivery. The interest is lost in the pauses between the sentences. A slow delivery is only effective when a thought is obviously being born, for which the audience is kept intently waiting.

But the most remarkable thing in the article is the following quotation from Talma, the actor:--

"We were rhetoricians and not characters. What scores of academical discourses on the theatre, how few simple words! But by chance I found myself one evening in a drawing-room with the leaders of the party of the Gironde. Their sombre countenance, their anxious look, attracted my attention. There were there, written in visible letters, strong and powerful interests. They were men of too much heart for those interests to be tarnished by selfishness; I saw in them the manifest proof of the danger of my country. All come to enjoy pleasure; not one thinking of it! They began to discuss; they touched on the most thrilling questions of the day. It was grand! Methought I was attending one of the secret councils of the Romans. 'The Romans must have spoken like these,' said I. 'Let the country be called France or Rome, it makes use of the same intonations, speaks the same language: therefore, if there is no declamation here before me, there was no declamation down there, in olden times; that is evident!' These reflections rendered me more attentive. My impressions, though produced by a conversation thoroughly free from bombast, deepened. 'An apparent calm in men agitated stirs the soul,' said I; 'eloquence may then have strength, without the body yielding to disordered movements.' I even perceived that the discourse, when delivered without efforts or cries, renders the gesture more powerful and gives the countenance more expression. All these deputies assembled before me by chance appear to me much more eloquent in their simplicity than at the tribune, where, being in spectacle, they think they must deliver their harangue in the way of actors--and actors as we were then--that is, declaimers, full of bombast. From that day a new light flashed on me; I foresaw my art regenerated."

LECTURE V.

THE PREACHER AS A FALSE PROPHET.

Upon anyone who is studying the physiognomy of the age of the prophets there is one disagreeable feature which obtrudes itself so constantly that even in the briefest sketch it is impossible to pass it by. This is the activity of the false prophets.[38] It culminated in the lifetime of Jeremiah, whose whole career might almost be described as a conflict with them. Again and again he and they came to open war; and on at least one occasion the whole body combined to take away his life. Ezekiel was scarcely less afflicted by them. They were perhaps not so prominent an element in the life of Isaiah, but he also refers to them frequently; and, indeed, their sinister figures haunt the pages of all the prophets.

It is a kind of humiliation to speak of them at all, and I would gladly pass them by; but the figure of the true prophet will rise before our eyes more clearly by the contrast of the false: and it is perhaps a duty to look also at the degradations to which our office is liable. The higher the honour attaching to the ministerial profession, when it is worthily filled, the deeper is the abuse of which it is capable in comparison with other callings; and its functions are so sacred that the man who discharges them must either be a man of God or a hypocrite. Yet there are plenty of motives of an inferior kind which may take the place of right ministerial aims. Though it is painful to speak of such things, yet here again the method which we have adopted in these lectures, of following the guidance of Scripture, may be leading us better than we could have chosen ourselves; and it may be wholesome to have to look at an aspect of our subject which of our own accord we would avoid.

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