The Pot of Gold, and Other Stories
Chapter 6
But in a short time what consternation there was throughout the city! When the proud and fond parents attempted to unbutton their children's dresses, in order to prepare them for bed, not a single costume would come off. The buttons buttoned again as fast as they were unbuttoned; even if they pulled out a pin, in it would slip again in a twinkling; and when a string was untied it tied itself up again into a bow-knot. The parents were dreadfully frightened. But the children were so tired out they finally let them go to bed in their fancy costumes, and thought perhaps they would come off better in the morning. So Red Riding-hood went to bed in her little red cloak, holding fast to her basket full of dainties for her grandmother, and Bo Peep slept with her crook in her hand.
The children all went to bed readily enough, they were so very tired, even though they had to go in this strange array. All but the fairies--they danced and pirouetted and would not be still.
"We want to swing on the blades of grass," they kept saying, "and play hide-and-seek in the lily-cups, and take a nap between the leaves of the roses."
The poor charwomen and coal-heavers, whose children the fairies were for the most part, stared at them in great distress. They did not know what to do with these radiant, frisky little creatures into which their Johnnys and their Pollys and Betseys were so suddenly transformed. But the fairies went to bed quietly enough when daylight came, and were soon fast asleep.
There was no further trouble till twelve o'clock, when all the children woke up. Then a great wave of alarm spread over the city. Not one of the costumes would come off then. The buttons buttoned as fast as they were unbuttoned; the pins quilted themselves in as fast as they were pulled out; and the strings, flew round like lightning and twisted themselves into bow-knots as fast as they were untied.
And that was not the worst of it; every one of the children seemed to have become, in reality, the character which he or she had assumed.
The Mayor's daughter declared she was going to tend her geese out in the pasture, and the shepherdesses sprang out of their little beds of down, throwing aside their silken quilts, and cried that they must go out and watch their sheep. The princesses jumped up from their straw pallets, and wanted to go to court; and all the rest of them likewise. Poor little Red Riding-hood sobbed and sobbed because she couldn't go and carry her basket to her grandmother, and as she didn't have any grandmother she couldn't go, of course, and her parents were very much troubled. It was all so mysterious and dreadful. The news spread very rapidly over the city, and soon a great crowd gathered around the new Costumer's shop, for every one thought he must be responsible for all this mischief.
The shop door was locked; but they soon battered it down with stones. When they rushed in the Costumer was not there; he had disappeared with all his wares. Then they did not know what to do. But it was evident that they must do something before long, for the state of affairs was growing worse and worse.
The Mayor's little daughter braced her back up against the tapestried wall and planted her two feet in their thick shoes firmly. "I will go and tend my geese!" she kept crying. "I won't eat my breakfast! I won't go out in the park! I won't go to school. I'm going to tend my geese--I will, I will, I will!"
And the princesses trailed their rich trains over the rough, unpainted floors in their parents' poor little huts, and held their crowned heads very high and demanded to be taken to court. The princesses were, mostly, geese-girls when they were their proper selves, and their geese were suffering, and their poor parents did not know what they were going to do, and they wrung their hands and wept as they gazed on their gorgeously-appareled children.
Finally, the Mayor called a meeting of the Aldermen, and they all assembled in the City Hall. Nearly every one of them had a son or a daughter who was a chimney-sweep, or a little watch-girl, or a shepherdess. They appointed a chairman and they took a great many votes, and contrary votes; but they did not agree on anything, until some one proposed that they consult the Wise Woman. Then they all held up their hands, and voted to, unanimously.
So the whole board of Aldermen set out, walking by twos, with the Mayor at their head, to consult the Wise Woman. The Aldermen were all very fleshy, and carried gold-headed canes which they swung very high at every step. They held their heads well back, and their chins stiff, and whenever they met common people they sniffed gently. They were very imposing.
The Wise Woman lived in a little hut on the out-skirts of the city. She kept a Black Cat; except for her, she was all alone. She was very old, and had brought up a great many children, and she was considered remarkably wise.
But when the Aldermen reached her hut and found her seated by the fire, holding her Black Cat, a new difficulty presented itself. She had always been quite deaf, and people had been obliged to scream as loud as they could in order to make her hear; but, lately, she had grown much deafer, and when the Aldermen attempted to lay the case before her she could not hear a word. In fact, she was so very deaf that she could not distinguish a tone below G-sharp. The Aldermen screamed till they were quite red in their faces, but all to no purpose; none of them could get up to G-sharp, of course.
So the Aldermen all went back, swinging their gold-headed canes, and they had another meeting in the City Hall. Then they decided to send the highest Soprano Singer in the church choir to the Wise Woman; she could sing up to G-sharp just as easy as not. So the high-Soprano Singer set out for the Wise Woman's in the Mayor's coach, and the Aldermen marched behind, swinging their gold-headed canes.
The high-Soprano Singer put her head down close to the Wise Woman's ear, and sang all about the Christmas Masquerade, and the dreadful dilemma everybody was in, in G-sharp--she even went higher, sometimes--and the Wise Woman heard every word. She nodded three times, and every time she nodded she looked wiser.
"Go home, and give 'em a spoonful of castor-oil, all 'round," she piped up; then she took a pinch of snuff, and wouldn't say any more.
So the Aldermen went home, and each one took a district and marched through it, with a servant carrying an immense bowl and spoon, and every child had to take a dose of castor-oil.
But it didn't do a bit of good. The children cried and struggled when they were forced to take the castor-oil; but, two minutes afterward, the chimney-sweeps were crying for their brooms, and the princesses screaming because they couldn't go to court, and the Mayor's daughter, who had been given a double dose, cried louder and more sturdily: "I want to go and tend my geese! I will go and tend my geese!"
So the Aldermen took the high-Soprano Singer, and they consulted the Wise Woman again. She was taking a nap this time, and the Singer had to sing up to B-flat before she could wake her. Then she was very cross, and the Black Cat put up his back and spit at the Aldermen.
"Give 'em a spanking all 'round," she snapped out, "and if that don't work put 'em to bed without their supper!"
Then the Aldermen marched back to try that; and all the children in the city were spanked, and when that didn't do any good they were put to bed without any supper. But the next morning when they woke up they were worse than ever.
The Mayor and the Aldermen were very indignant, and considered that they had been imposed upon and insulted. So they set out for the Wise Woman's again, with the high-Soprano Singer.
She sang in G-sharp how the Aldermen and the Mayor considered her an imposter, and did not think she was wise at all, and they wished her to take her Black Cat and move beyond the limits of the city. She sang it beautifully; it sounded like the very finest Italian opera-music.
"Deary me," piped the Wise Woman, when she had finished, "how very grand these gentlemen are." Her Black Cat put up his back and spit.
"Five times one Black Cat are five Black Cats," said the Wise Woman. And, directly, there were five Black Cats, spitting and miauling.
"Five times five Black Cats are twenty-five Black Cats." And then there were twenty-five of the angry little beasts.
"Five times twenty-five Black Cats are one hundred and twenty-five Black Cats," added the Wise Woman, with a chuckle.
Then the Mayor and the Aldermen and the high-Soprano Singer fled precipitately out the door and back to the city. One hundred and twenty-five Black Cats had seemed to fill the Wise Woman's hut full, and when they all spit and miauled together it was dreadful. The visitors could not wait for her to multiply Black Cats any longer.
As winter wore on, and spring came, the condition of things grew more intolerable. Physicians had been consulted, who advised that the children should be allowed to follow their own bents, for fear of injury to their constitutions. So the rich Aldermen's daughters were actually out in the fields herding sheep, and their sons sweeping chimneys or carrying newspapers; while the poor charwomen's and coal-heavers' children spent their time like princesses and fairies. Such a topsy-turvy state of society was shocking. Why, the Mayor's little daughter was tending geese out in the meadow like any common goose-girl! Her pretty elder sister, Violetta, felt very sad about it, and used often to cast about in her mind for some way of relief.
When cherries were ripe in spring, Violetta thought she would ask the Cherry-man about it. She thought the Cherry-man quite wise. He was a very pretty young fellow, and he brought cherries to sell in graceful little straw baskets lined with moss. So she stood in the kitchen-door, one morning, and told him all about the great trouble that had come upon the city. He listened in great astonishment; he had never heard of it before. He lived several miles out in the country.
"How did the Costumer look?" he asked respectfully; he thought Violetta the most beautiful lady on earth.
Then Violetta described the Costumer, and told him of the unavailing attempts that had been made to find him. There were a great many detectives out, constantly at work.
"I know where he is!" said the Cherry-man. "He's up in one of my cherry-trees. He's been living there ever since cherries were ripe, and he won't come down."
Then Violetta ran and told her father in great excitement, and he at once called a meeting of the Aldermen, and in a few hours half the city was on the road to the Cherry-man's.
He had a beautiful orchard of cherry-trees, all laden with fruit. And, sure enough, in one of the largest, way up amongst the topmost branches, sat the Costumer in his red velvet short-clothes and his diamond knee-buckles. He looked down between the green boughs. "Good-morning, friends," he shouted.
The Aldermen shook their gold-headed canes at him, and the people danced round the tree in a rage. Then they began to climb. But they soon found that to be impossible. As fast as they touched a hand or foot to the tree, back it flew with a jerk exactly as if the tree pushed it. They tried a ladder, but the ladder fell back the moment it touched the tree, and lay sprawling upon the ground. Finally, they brought axes and thought they could chop the tree down, Costumer and all; but the wood resisted the axes as if it were iron, and only dented them, receiving no impression itself.
Meanwhile, the Costumer sat up in the tree, eating cherries, and throwing the stones down. Finally, he stood up on a stout branch and, looking down, addressed the people.
"It's of no use, your trying to accomplish anything in this way," said he; "you'd better parley. I'm willing to come to terms with you, and make everything right, on two conditions."
The people grew quiet then, and the Mayor stepped forward as spokesman. "Name your two conditions," said he, rather testily. "You own, tacitly, that you are the cause of all this trouble."
"Well," said the Costumer, reaching out for a handful of cherries, "this Christmas Masquerade of yours was a beautiful idea; but you wouldn't do it every year, and your successors might not do it at all. I want those poor children to have a Christmas every year. My first condition is, that every poor child in the city hangs its stocking for gifts in the City Hall on every Christmas Eve, and gets it filled, too. I want the resolution filed and put away in the city archives."
"We agree to the first condition!" cried the people with one voice, without waiting for the Mayor and Aldermen.
"The second condition," said the Costumer, "is that this good young Cherry-man here, has the Mayor's daughter, Violetta, for his wife. He has been kind to me, letting me live in his cherry-tree, and eat his cherries, and I want to reward him."
"We consent!" cried all the people; but the Mayor, though he was so generous, was a proud man. "I will not consent to the second condition," he cried angrily.
"Very well," replied the Costumer, picking some more cherries, "then your youngest daughter tends geese the rest of her life, that's all!"
The Mayor was in great distress; but the thought of his youngest daughter being a goose-girl all her life was too much for him. He gave in at last.
"Now go home, and take the costumes off your children," said the Costumer, "and leave me in peace to eat cherries!"
Then the people hastened back to the city and found, to their great delight, that the costumes would come off. The pins staid out, the buttons staid unbuttoned, and the strings staid untied. The children were dressed in their own proper clothes and were their own proper selves once more. The shepherdesses and the chimney-sweeps came home, and were washed and dressed in silks and velvets, and went to embroidering and playing lawn-tennis. And the princesses and the fairies put on their own suitable dresses, and went about their useful employments. There was great rejoicing in every home. Violetta thought she had never been so happy, now that her dear little sister was no longer a goose-girl, but her own dainty little lady-self.
The resolution to provide every poor child in the city with a stocking full of gifts on Christmas was solemnly filed, and deposited in the city archives, and was never broken.
Violetta was married to the Cherry-man, and all the children came to the wedding, and strewed flowers in her path till her feet were quite hidden in them. The Costumer had mysteriously disappeared from the cherry-tree the night before, but he left, at the foot, some beautiful wedding presents for the bride--a silver service with a pattern of cherries engraved on it, and a set of china with cherries on it, in hand-painting, and a white satin robe, embroidered with cherries down the front.
DILL.
Dame Clementina was in her dairy, churning, and her little daughter Nan was out in the flower-garden. The flower-garden was a little plot back of the cottage, full of all the sweet, old-fashioned herbs. There were sweet marjoram, sage, summersavory, lavender, and ever so many others. Up in one corner, there was a little green bed of dill.
Nan was a dainty, slim little maiden, with yellow, flossy hair in short curls all over her head. Her eyes were very sweet and round and blue, and she wore a quaint little snuff-colored gown. It had a short full waist, with low neck and puffed sleeves, and the skirt was straight and narrow and down to her little heels.
She danced around the garden, picking a flower here and there. She was making a nosegay for her mother. She picked lavender and sweet-william and pinks, and bunched them up together. Finally she pulled a little sprig of dill, and ran, with that and the nosegay, to her mother in the dairy.
"Mother dear," said she, "here is a little nosegay for you; and what was it I overheard you telling Dame Elizabeth about dill last night?"
Dame Clementina stopped churning and took the nosegay. "Thank you, Sweetheart, it is lovely," said she, "and, as for the dill--it is a charmed plant, you know, like four-leaved clover."
"Do you put it over the door?" asked Nan.
"Yes. Nobody who is envious or ill-disposed can enter into the house if there is a sprig of dill over the door. Then I know another charm which makes it stronger. If one just writes this verse:
"'Alva, aden, winira mir, Villawissen lingen; Sanchta, wanchta, attazir, Hor de mussen wingen,'
under the sprig of dill, every one envious, or evil-disposed, who attempts to enter the house, will have to stop short, just where they are, and stand there; they cannot move."
"What does the verse mean?" asked Nan.
"That, I do not know. It is written in a foreign language. But it is a powerful charm."
"O, mother! will you write it off for me, if I will bring you a bit of paper and a pen?"
"Certainly," replied her mother, and wrote it off when Nan brought pen and paper.
"Now," said she, "you must run off and play again, and not hinder me any longer, or I shall not get my butter made to-day."
So Nan danced away with the verse, and the sprig of dill, and her mother went on churning.
She had a beautiful tall stone churn, with the sides all carved with figures in relief. There were milkmaids and cows as natural as life all around the churn. The dairy was charming, too. The shelves were carved stone; and the floor had a little silvery rill running right through the middle of it, with green ferns at the sides. All along the stone shelves were set pans full of yellow cream, and the pans were all of solid silver, with a chasing of buttercups and daisies around the brims.
It was not a common dairy, and Dame Clementina was not a common dairy-woman. She was very tall and stately, and wore her silver-white hair braided around her head like a crown, with a high silver comb at the top. She walked like a queen; indeed she was a noble count's daughter. In her early youth, she had married a pretty young dairyman, against her father's wishes; so she had been disinherited. The dairyman had been so very poor and low down in the world, that the count felt it his duty to cast off his daughter, lest she should do discredit to his noble line. There was a much pleasanter, easier way out of the difficulty, which the count did not see. Indeed, it was a peculiarity of all his family, that they never could see a way out of a difficulty, high and noble as they were. The count only needed to have given the poor young dairyman a few acres of his own land, and a few bags of his own gold, and begged the king, with whom he had great influence, to knight him, and all the obstacles would have been removed; the dairyman would have been quite rich and noble enough for his son-in-law. But he never thought of that, and his daughter was disinherited. However, he made all the amends to her that he could, and fitted her out royally for her humble station in life. He caused this beautiful dairy to be built for her, and gave her the silver milk-pans, and the carved stone churn.
"My daughter shall not churn in a common wooden churn, or skim the cream from wooden pans," he had said.
The dairyman had been dead a good many years now, and Dame Clementina managed the dairy alone. She never saw anything of her father, although he lived in his castle not far off, on a neighboring height. When the sky was clear, she could see its stone towers against it. She had four beautiful white cows, and Nan drove them to pasture; they were very gentle.
When Dame Clementina had finished churning, she went into the cottage. As she stepped through the little door with clumps of sweet peas on each side, she looked up. There was the sprig of dill, and the magic verse she had written under it.
Nan was sitting at the window inside, knitting her stent on a blue stocking. "Ah, Sweetheart," said her mother, laughing, "you have little cause to pin the dill and the verse over our door. None is likely to envy us, or to be ill-disposed toward us."
"O, mother!" said Nan, "I know it, but I thought it would be so nice to feel sure. Oh, there is Dame Golding coming after some milk. Do you suppose she will have to stop?"
"What nonsense!" said her mother. They both of them watched Dame Golding coming. All of a sudden, she stopped short, just outside. She could go no further. She tried to lift her feet, but could not.
"O, mother!" cried Nan, "she has stopped!"
The poor woman began to scream. She was frightened almost to death. Nan and her mother were not much less frightened, but they did not know what to do. They ran out, and tried to comfort her, and gave her some cream to drink; but it did not amount to much. Dame Golding had secretly envied Dame Clementina for her silver milk-pans. Nan and her mother knew why their visitor was so suddenly rooted to the spot, of course, but she did not. She thought her feet were paralyzed, and she kept begging them to send for her husband.
"Perhaps he can pull her away," said Nan, crying. How she wished she had never pinned the dill and the verse over the door! So she set off for Dame Golding's husband. He came running in a great hurry; but when he had nearly reached his wife, and had his arms reached out to grasp her, he, too, stopped short. He had envied Dame Clementina for her beautiful white cows, and there he was fast, also.
He began to groan and scream too. Nan and her mother ran into the house and shut the door. They could not bear it. "What shall we do, if any one else comes?" sobbed Nan. "O, mother! there is Dame Dorothy coming. And--yes--Oh! she has stopped too." Poor Dame Dorothy had envied Dame Clementina a little for her flower-garden, which was finer than hers, so she had to join Dame Golding and her husband.
Pretty soon another woman came, who had looked with envious eyes at Dame Clementina, because she was a count's daughter; and another, who had grudged her a fine damask petticoat, which she had had before she was disinherited, and still wore on holidays; and they both had to stop.
Then came three rough-looking men in velvet jackets and slouched hats, who brought up short at the gate with a great jerk that nearly took their breath away. They were robbers who were prowling about with a view to stealing Dame Clementina's silver milk-pans some dark night.
All through the day the people kept coming and stopping. It was wonderful how many things poor Dame Clementina had to be envied by men and women, and even children. They envied Nan for her yellow curls or her blue eyes, or her pretty snuff-colored gown. When the sun set, the yard in front of Dame Clementina's cottage was full of people. Lastly, just before dark, the count himself came ambling up on a coal-black horse. The count was a majestic old man dressed in velvet, with stars on his breast. His white hair fell in long curls on his shoulders, and he had a pointed beard. As he came to the gate, he caught a glimpse of Nan in the door.
"How I wish that little maiden was my child," said he. And, straightway, he stopped. His horse pawed and trembled when he lashed him with a jeweled whip to make him go on; but he could not stir forward one step. Neither could the count dismount from his saddle; he sat there fuming with rage.
Meanwhile, poor Dame Clementina and little Nan were overcome with distress. The sight of their yard full of all these weeping people was dreadful. Neither of them had any idea how to do away with the trouble, because of their family inability to see their way out of a difficulty.