Chapter 4

He was not armed to wrestle with the storm, To fight for homely truth with vulgar power; Grace looked from every feature, shaped his form, The rose of Academe,--the perfect flower!

Such was the stately scholar whom we knew In those ill days of soul-enslaving calm, Before the blast of Northern vengeance blew Her snow-wreathed pine against the Southern palm.

Ah, God forgive us! did we hold too cheap The heart we might have known, but would not see, And look to find the nation's friend asleep Through the dread hour of her Gethsemane?

That wrong is past; we gave him up to Death With all a hero's honors round his name; As martyrs coin their blood, he coined his breath, And dimmed the scholar's in the patriot's fame.

So shall we blazon on the shaft we raise,-- Telling our grief, our pride, to unborn years,-- "He who had lived the mark of all men's praise Died with the tribute of a Nation's tears."

SHAKESPEARE

TERCENTENNIAL CELEBRATION

APRIL 23, 1864

"Who claims our Shakespeare from that realm unknown, Beyond the storm-vexed islands of the deep, Where Genoa's roving mariner was blown? Her twofold Saint's-day let our England keep; Shall warring aliens share her holy task?" The Old World echoes ask.

O land of Shakespeare! ours with all thy past, Till these last years that make the sea so wide; Think not the jar of battle's trumpet-blast Has dulled our aching sense to joyous pride In every noble word thy sons bequeathed The air our fathers breathed!

War-wasted, haggard, panting from the strife, We turn to other days and far-off lands,

Live o'er in dreams the Poet's faded life, Come with fresh lilies in our fevered hands To wreathe his bust, and scatter purple flowers,-- Not his the need, but ours!

We call those poets who are first to mark Through earth's dull mist the coming of the dawn,-- Who see in twilight's gloom the first pale spark, While others only note that day is gone; For him the Lord of light the curtain rent That veils the firmament.

The greatest for its greatness is half known, Stretching beyond our narrow quadrant-lines,-- As in that world of Nature all outgrown Where Calaveras lifts his awful pines, And cast from Mariposa's mountain-wall Nevada's cataracts fall.

Yet heaven's remotest orb is partly ours, Throbbing its radiance like a beating heart; In the wide compass of angelic powers The instinct of the blindworm has its part; So in God's kingliest creature we behold The flower our buds infold.

With no vain praise we mock the stone-carved name Stamped once on dust that moved with pulse and breath, As thinking to enlarge that amplest fame Whose undimmed glories gild the night of death: We praise not star or sun; in these we see Thee, Father, only thee!

Thy gifts are beauty, wisdom, power, and love: We read, we reverence on this human soul,-- Earth's clearest mirror of the light above,-- Plain as the record on thy prophet's scroll, When o'er his page the effluent splendors poured, Thine own "Thus saith the Lord!"

This player was a prophet from on high, Thine own elected. Statesman, poet, sage, For him thy sovereign pleasure passed them by; Sidney's fair youth, and Raleigh's ripened age, Spenser's chaste soul, and his imperial mind Who taught and shamed mankind.

Therefore we bid our hearts' Te Deum rise, Nor fear to make thy worship less divine, And hear the shouted choral shake the skies, Counting all glory, power, and wisdom thine; For thy great gift thy greater name adore, And praise thee evermore!

In this dread hour of Nature's utmost need, Thanks for these unstained drops of freshening dew! Oh, while our martyrs fall, our heroes bleed, Keep us to every sweet remembrance true, Till from this blood-red sunset springs new-born Our Nation's second morn!

IN MEMORY OF JOHN AND ROBERT WARE

Read at the annual meeting of the Massachusetts Medical Society, May 25, 1864.

No mystic charm, no mortal art, Can bid our loved companions stay; The bands that clasp them to our heart Snap in death's frost and fall apart; Like shadows fading with the day, They pass away.

The young are stricken in their pride, The old, long tottering, faint and fall; Master and scholar, side by side, Through the dark portals silent glide, That open in life's mouldering wall And close on all.

Our friend's, our teacher's task was done, When Mercy called him from on high; A little cloud had dimmed the sun, The saddening hours had just begun, And darker days were drawing nigh: 'T was time to die.

A whiter soul, a fairer mind, A life with purer course and aim, A gentler eye, a voice more kind, We may not look on earth to find. The love that lingers o'er his name Is more than fame.

These blood-red summers ripen fast; The sons are older than the sires; Ere yet the tree to earth is cast, The sapling falls before the blast; Life's ashes keep their covered fires,-- Its flame expires.

Struck by the noiseless, viewless foe, Whose deadlier breath than shot or shell Has laid the best and bravest low, His boy, all bright in morning's glow, That high-souled youth he loved so well, Untimely fell.

Yet still he wore his placid smile, And, trustful in the cheering creed That strives all sorrow to beguile, Walked calmly on his way awhile Ah, breast that leans on breaking reed Must ever bleed!

So they both left us, sire and son, With opening leaf, with laden bough The youth whose race was just begun, The wearied man whose course was run, Its record written on his brow, Are brothers now.

Brothers!--The music of the sound Breathes softly through my closing strain; The floor we tread is holy ground, Those gentle spirits hovering round, While our fair circle joins again Its broken chain.

1864.

HUMBOLDT'S BIRTHDAY

CENTENNIAL CELEBRATION, SEPTEMBER 14, 1869

BONAPARTE, AUGUST 15, 1769.-HUMBOLDT, SEPTEMBER 14, 1769

ERE yet the warning chimes of midnight sound, Set back the flaming index of the year, Track the swift-shifting seasons in their round Through fivescore circles of the swinging sphere!

Lo, in yon islet of the midland sea That cleaves the storm-cloud with its snowy crest, The embryo-heir of Empires yet to be, A month-old babe upon his mother's breast.

Those little hands that soon shall grow so strong In their rude grasp great thrones shall rock and fall, Press her soft bosom, while a nursery song Holds the world's master in its slender thrall.

Look! a new crescent bends its silver bow; A new-lit star has fired the eastern sky; Hark! by the river where the lindens blow A waiting household hears an infant's cry.

This, too, a conqueror! His the vast domain, Wider than widest sceptre-shadowed lands; Earth and the weltering kingdom of the main Laid their broad charters in his royal hands.

His was no taper lit in cloistered cage, Its glimmer borrowed from the grove or porch; He read the record of the planet's page By Etna's glare and Cotopaxi's torch.

He heard the voices of the pathless woods; On the salt steppes he saw the starlight shine; He scaled the mountain's windy solitudes, And trod the galleries of the breathless mine.

For him no fingering of the love-strung lyre, No problem vague, by torturing schoolmen vexed; He fed no broken altar's dying fire, Nor skulked and scowled behind a Rabbi's text.

For God's new truth he claimed the kingly robe That priestly shoulders counted all their own, Unrolled the gospel of the storied globe And led young Science to her empty throne.

While the round planet on its axle spins One fruitful year shall boast its double birth, And show the cradles of its mighty twins, Master and Servant of the sons of earth.

Which wears the garland that shall never fade, Sweet with fair memories that can never die? Ask not the marbles where their bones are laid, But bow thine ear to hear thy brothers' cry:--

"Tear up the despot's laurels by the root, Like mandrakes, shrieking as they quit the soil! Feed us no more upon the blood-red fruit That sucks its crimson from the heart of Toil!

"We claim the food that fixed our mortal fate,-- Bend to our reach the long-forbidden tree! The angel frowned at Eden's eastern gate,-- Its western portal is forever free!

"Bring the white blossoms of the waning year, Heap with full hands the peaceful conqueror's shrine Whose bloodless triumphs cost no sufferer's tear! Hero of knowledge, be our tribute thine!"

POEM

AT THE DEDICATION OF THE HALLECK MONUMENT, JULY 8, 1869

SAY not the Poet dies! Though in the dust he lies, He cannot forfeit his melodious breath, Unsphered by envious death! Life drops the voiceless myriads from its roll; Their fate he cannot share, Who, in the enchanted air Sweet with the lingering strains that Echo stole, Has left his dearer self, the music of his soul!

We o'er his turf may raise Our notes of feeble praise, And carve with pious care for after eyes The stone with "Here he lies;" He for himself has built a nobler shrine, Whose walls of stately rhyme Roll back the tides of time, While o'er their gates the gleaming tablets shine That wear his name inwrought with many a golden line!

Call not our Poet dead, Though on his turf we tread! Green is the wreath their brows so long have worn,-- The minstrels of the morn, Who, while the Orient burned with new-born flame, Caught that celestial fire And struck a Nation's lyre These taught the western winds the poet's name; Theirs the first opening buds, the maiden flowers of fame!

Count not our Poet dead! The stars shall watch his bed, The rose of June its fragrant life renew His blushing mound to strew, And all the tuneful throats of summer swell With trills as crystal-clear As when he wooed the ear Of the young muse that haunts each wooded dell, With songs of that "rough land" he loved so long and well!

He sleeps; he cannot die! As evening's long-drawn sigh, Lifting the rose-leaves on his peaceful mound, Spreads all their sweets around, So, laden with his song, the breezes blow From where the rustling sedge Frets our rude ocean's edge To the smooth sea beyond the peaks of snow. His soul the air enshrines and leaves but dust below!

HYMN

FOR THE CELEBRATION AT THE LAYING OF THE CORNERSTONE OF HARVARD MEMORIAL HALL, CAMBRIDGE, OCTOBER 6, 1870

NOT with the anguish of hearts that are breaking Come we as mourners to weep for our dead; Grief in our breasts has grown weary of aching, Green is the turf where our tears we have shed.

While o'er their marbles the mosses are creeping, Stealing each name and its legend away, Give their proud story to Memory's keeping, Shrined in the temple we hallow to-day.

Hushed are their battle-fields, ended their marches, Deaf are their ears to the drum-beat of morn,--

Rise from the sod, ye fair columns and arches Tell their bright deeds to the ages unborn!

Emblem and legend may fade from the portal, Keystone may crumble and pillar may fall; They were the builders whose work is immortal, Crowned with the dome that is over us all!

HYMN

FOR THE DEDICATION OF MEMORIAL HALL AT CAMBRIDGE, JUNE 23, 1874

WHERE, girt around by savage foes, Our nurturing Mother's shelter rose, Behold, the lofty temple stands, Reared by her children's grateful hands!

Firm are the pillars that defy The volleyed thunders of the sky; Sweet are the summer wreaths that twine With bud and flower our martyrs' shrine.

The hues their tattered colors bore Fall mingling on the sunlit floor Till evening spreads her spangled pall, And wraps in shade the storied hall.

Firm were their hearts in danger's hour, Sweet was their manhood's morning flower, Their hopes with rainbow hues were bright,-- How swiftly winged the sudden night!

O Mother! on thy marble page Thy children read, from age to age, The mighty word that upward leads Through noble thought to nobler deeds.

TRUTH, heaven-born TRUTH, their fearless guide, Thy saints have lived, thy heroes died; Our love has reared their earthly shrine, Their glory be forever thine!

HYMN

AT THE FUNERAL SERVICES OF CHARLES SUMNER, APRIL 29, 1874

SUNG BY MALE VOICES TO A NATIONAL AIR OF HOLLAND

ONCE more, ye sacred towers, Your solemn dirges sound; Strew, loving hands, the April flowers, Once more to deck his mound. A nation mourns its dead, Its sorrowing voices one, As Israel's monarch bowed his head And cried, "My son! My son!"

Why mourn for him?--For him The welcome angel came Ere yet his eye with age was dim Or bent his stately frame; His weapon still was bright, His shield was lifted high To slay the wrong, to save the right,-- What happier hour to die?

Thou orderest all things well; Thy servant's work was done; He lived to hear Oppression's knell, The shouts for Freedom won. Hark!! from the opening skies The anthem's echoing swell,-- "O mourning Land, lift up thine eyes! God reigneth. All is well!"

RHYMES OF AN HOUR

ADDRESS

FOR THE OPENING OF THE FIFTH AVENUE THEATRE, NEW YORK, DECEMBER 3, 1873

HANG out our banners on the stately tower It dawns at last--the long-expected hour I The steep is climbed, the star-lit summit won, The builder's task, the artist's labor done; Before the finished work the herald stands, And asks the verdict of your lips and hands!

Shall rosy daybreak make us all forget The golden sun that yester-evening set? Fair was the fabric doomed to pass away Ere the last headaches born of New Year's Day; With blasting breath the fierce destroyer came And wrapped the victim in his robes of flame; The pictured sky with redder morning blushed, With scorching streams the naiad's fountain gushed, With kindling mountains glowed the funeral pyre, Forests ablaze and rivers all on fire,-- The scenes dissolved, the shrivelling curtain fell,-- Art spread her wings and sighed a long farewell!

Mourn o'er the Player's melancholy plight,-- Falstaff in tears, Othello deadly white,-- Poor Romeo reckoning what his doublet cost, And Juliet whimpering for her dresses lost,-- Their wardrobes burned, their salaries all undrawn, Their cues cut short, their occupation gone!

"Lie there in dust," the red-winged demon cried, "Wreck of the lordly city's hope and pride!" Silent they stand, and stare with vacant gaze, While o'er the embers leaps the fitful blaze; When, to! a hand, before the startled train, Writes in the ashes, "It shall rise again,-- Rise and confront its elemental foes!" The word was spoken, and the walls arose, And ere the seasons round their brief career The new-born temple waits the unborn year.

Ours was the toil of many a weary day Your smiles, your plaudits, only can repay; We are the monarchs of the painted scenes, You, you alone the real Kings and Queens! Lords of the little kingdom where we meet, We lay our gilded sceptres at your feet, Place in your grasp our portal's silvered keys With one brief utterance: We have tried to please. Tell us, ye sovereigns of the new domain, Are you content-or have we toiled in vain?

With no irreverent glances look around The realm you rule, for this is haunted ground! Here stalks the Sorcerer, here the Fairy trips, Here limps the Witch with malice-working lips, The Graces here their snowy arms entwine, Here dwell the fairest sisters of the Nine,-- She who, with jocund voice and twinkling eye, Laughs at the brood of follies as they fly; She of the dagger and the deadly bowl, Whose charming horrors thrill the trembling soul; She who, a truant from celestial spheres, In mortal semblance now and then appears, Stealing the fairest earthly shape she can-- Sontag or Nilsson, Lind or Malibran; With these the spangled houri of the dance,-- What shaft so dangerous as her melting glance, As poised in air she spurns the earth below, And points aloft her heavenly-minded toe!

What were our life, with all its rents and seams, Stripped of its purple robes, our waking dreams? The poet's song, the bright romancer's page, The tinselled shows that cheat us on the stage Lead all our fancies captive at their will; Three years or threescore, we are children still. The little listener on his father's knee, With wandering Sindbad ploughs the stormy sea, With Gotham's sages hears the billows roll (Illustrious trio of the venturous bowl, Too early shipwrecked, for they died too soon To see their offspring launch the great balloon); Tracks the dark brigand to his mountain lair, Slays the grim giant, saves the lady fair, Fights all his country's battles o'er again From Bunker's blazing height to Lundy's Lane; Floats with the mighty captains as they sailed, Before whose flag the flaming red-cross paled, And claims the oft-told story of the scars Scarce yet grown white, that saved the stripes and stars!

Children of later growth, we love the PLAY, We love its heroes, be they grave or gay, From squeaking, peppery, devil-defying Punch To roaring Richard with his camel-hunch; Adore its heroines, those immortal dames, Time's only rivals, whom he never tames, Whose youth, unchanging, lives while thrones decay (Age spares the Pyramids-and Dejazet); The saucy-aproned, razor-tongued soubrette, The blond-haired beauty with the eyes of jet, The gorgeous Beings whom the viewless wires Lift to the skies in strontian-crimsoned fires, And all the wealth of splendor that awaits The throng that enters those Elysian gates.

See where the hurrying crowd impatient pours, With noise of trampling feet and flapping doors, Streams to the numbered seat each pasteboard fits And smooths its caudal plumage as it sits; Waits while the slow musicians saunter in, Till the bald leader taps his violin; Till the old overture we know so well, Zampa or Magic Flute or William Tell, Has done its worst-then hark! the tinkling bell! The crash is o'er--the crinkling curtain furled, And to! the glories of that brighter world!

Behold the offspring of the Thespian cart, This full-grown temple of the magic art, Where all the conjurers of illusion meet, And please us all the more, the more they cheat. These are the wizards and the witches too Who win their honest bread by cheating you With cheeks that drown in artificial tears And lying skull-caps white with seventy years, Sweet-tempered matrons changed to scolding Kates, Maids mild as moonbeams crazed with murderous hates, Kind, simple souls that stab and slash and slay And stick at nothing, if it 's in the play!

Would all the world told half as harmless lies! Would all its real fools were half as wise As he who blinks through dull Dundreary's eyes I Would all the unhanged bandits of the age Were like the peaceful ruffians of the stage! Would all the cankers wasting town and state, The mob of rascals, little thieves and great, Dealers in watered milk and watered stocks, Who lead us lambs to pasture on the rocks,-- Shepherds--Jack Sheppards--of their city flocks,-- The rings of rogues that rob the luckless town, Those evil angels creeping up and down The Jacob's ladder of the treasury stairs,-- Not stage, but real Turpins and Macaires,-- Could doff, like us, their knavery with their clothes, And find it easy as forgetting oaths!

Welcome, thrice welcome to our virgin dome, The Muses' shrine, the Drama's new-found home Here shall the Statesman rest his weary brain, The worn-out Artist find his wits again; Here Trade forget his ledger and his cares, And sweet communion mingle Bulls and Bears; Here shall the youthful Lover, nestling near The shrinking maiden, her he holds most dear, Gaze on the mimic moonlight as it falls On painted groves, on sliding canvas walls, And sigh, "My angel! What a life of bliss We two could live in such a world as this!" Here shall the timid pedants of the schools, The gilded boors, the labor-scorning fools, The grass-green rustic and the smoke-dried cit, Feel each in turn the stinging lash of wit, And as it tingles on some tender part Each find a balsam in his neighbor's smart; So every folly prove a fresh delight As in the picture of our play to-night.

Farewell! The Players wait the Prompter's call; Friends, lovers, listeners! Welcome one and all!

A SEA DIALOGUE

Cabin Passenger. Man at Wheel.

CABIN PASSENGER. FRIEND, you seem thoughtful. I not wonder much That he who sails the ocean should be sad. I am myself reflective. When I think Of all this wallowing beast, the Sea, has sucked Between his sharp, thin lips, the wedgy waves, What heaps of diamonds, rubies, emeralds, pearls; What piles of shekels, talents, ducats, crowns, What bales of Tyrian mantles, Indian shawls, Of laces that have blanked the weavers' eyes, Of silken tissues, wrought by worm and man, The half-starved workman, and the well-fed worm; What marbles, bronzes, pictures, parchments, books; What many-lobuled, thought-engendering brains; Lie with the gaping sea-shells in his maw,-- I, too, am silent; for all language seems A mockery, and the speech of man is vain. O mariner, we look upon the waves And they rebuke our babbling. "Peace!" they say,-- "Mortal, be still!" My noisy tongue is hushed, And with my trembling finger on my lips My soul exclaims in ecstasy--

MAN AT WHEEL. Belay!

CABIN PASSENGER. Ah yes! "Delay,"--it calls, "nor haste to break The charm of stillness with an idle word!" O mariner, I love thee, for thy thought Strides even with my own, nay, flies before. Thou art a brother to the wind and wave; Have they not music for thine ear as mine, When the wild tempest makes thy ship his lyre, Smiting a cavernous basso from the shrouds And climbing up his gamut through the stays, Through buntlines, bowlines, ratlines, till it shrills An alto keener than the locust sings, And all the great Aeolian orchestra Storms out its mad sonata in the gale? Is not the scene a wondrous and--

MAN AT WHEEL. A vast!

CABIN PASSENGER. Ah yes, a vast, a vast and wondrous scene! I see thy soul is open as the day That holds the sunshine in its azure bowl To all the solemn glories of the deep. Tell me, O mariner, dost thou never feel The grandeur of thine office,--to control The keel that cuts the ocean like a knife And leaves a wake behind it like a seam In the great shining garment of the world?

MAN AT WHEEL. Belay y'r jaw, y' swab! y' hoss-marine! (To the Captain.) Ay, ay, Sir! Stiddy, Sir! Sou'wes' b' sou'!

November 10, 1864.

CHANSON WITHOUT MUSIC

BY THE PROFESSOR EMERITUS OF DEAD AND LIVE LANGUAGES

PHI BETA KAPPA.--CAMBRIDGE, 1867

You bid me sing,--can I forget The classic ode of days gone by,-- How belle Fifine and jeune Lisette Exclaimed, "Anacreon, geron ei"? "Regardez done," those ladies said,-- "You're getting bald and wrinkled too When summer's roses all are shed, Love 's nullum ite, voyez-vous!"

In vain ce brave Anacreon's cry, "Of Love alone my banjo sings" (Erota mounon). "Etiam si,-- Eh b'en?" replied the saucy things,-- "Go find a maid whose hair is gray, And strike your lyre,--we sha'n't complain; But parce nobis, s'il vous plait,-- Voila Adolphe! Voila Eugene!"

Ah, j eune Lisette! Ah, belle Fifine! Anacreon's lesson all must learn; O kairos oxiis; Spring is green, But Acer Hyems waits his turn I hear you whispering from the dust, "Tiens, mon cher, c'est toujours so,-- The brightest blade grows dim with rust, The fairest meadow white with snow!"

You do not mean it! _Not_ encore? Another string of playday rhymes? You 've heard me--nonne est?-before, Multoties,-more than twenty times; Non possum,--vraiment,--pas du tout, I cannot! I am loath to shirk; But who will listen if I do, My memory makes such shocking work?

Ginosko. Scio. Yes, I 'm told Some ancients like my rusty lay, As Grandpa Noah loved the old Red-sandstone march of Jubal's day. I used to carol like the birds, But time my wits has quite unfixed, Et quoad verba,--for my words,-- Ciel! Eheu! Whe-ew!--how they're mixed!

Mehercle! Zeu! Diable! how My thoughts were dressed when I was young, But tempus fugit! see them now Half clad in rags of every tongue! O philoi, fratres, chers amis I dare not court the youthful Muse, For fear her sharp response should be, "Papa Anacreon, please excuse!"