Part 2

I saw a tutor take his tube The Comet's course to spy; I heard a scream,--the gathered rays Had stewed the tutor's eye; I saw a fort,--the soldiers all Were armed with goggles green; Pop cracked the guns! whiz flew the balls! Bang went the magazine!

I saw a poet dip a scroll Each moment in a tub, I read upon the warping back, "The Dream of Beelzebub;" He could not see his verses burn, Although his brain was fried, And ever and anon he bent To wet them as they dried.

I saw the scalding pitch roll down The crackling, sweating pines, And streams of smoke, like water-spouts, Burst through the rumbling mines; I asked the firemen why they made Such noise about the town; They answered not,--but all the while The brakes went up and down.

I saw a roasting pullet sit Upon a baking egg; I saw a cripple scorch his hand Extinguishing his leg; I saw nine geese upon the wing Towards the frozen pole, And every mother's gosling fell Crisped to a crackling coal.

I saw the ox that browsed the grass Writhe in the blistering rays, The herbage in his shrinking jaws Was all a fiery blaze; I saw huge fishes, boiled to rags, Bob through the bubbling brine; And thoughts of supper crossed my soul; I had been rash at mine.

Strange sights! strange sounds! Oh fearful dream! Its memory haunts me still, The steaming sea, the crimson glare, That wreathed each wooded hill; Stranger! if through thy reeling brain Such midnight visions sweep, Spare, spare, oh, spare thine evening meal, And sweet shall be thy sleep!

THE MUSIC-GRINDERS

THERE are three ways in which men take One's money from his purse, And very hard it is to tell Which of the three is worse; But all of them are bad enough To make a body curse.

You're riding out some pleasant day, And counting up your gains; A fellow jumps from out a bush, And takes your horse's reins, Another hints some words about A bullet in your brains.

It's hard to meet such pressing friends In such a lonely spot; It's very hard to lose your cash, But harder to be shot; And so you take your wallet out, Though you would rather not.

Perhaps you're going out to dine,-- Some odious creature begs You'll hear about the cannon-ball That carried off his pegs, And says it is a dreadful thing For men to lose their legs.

He tells you of his starving wife, His children to be fed, Poor little, lovely innocents, All clamorous for bread,-- And so you kindly help to put A bachelor to bed.

You're sitting on your window-seat, Beneath a cloudless moon; You hear a sound, that seems to wear The semblance of a tune, As if a broken fife should strive To drown a cracked bassoon.

And nearer, nearer still, the tide Of music seems to come, There's something like a human voice, And something like a drum; You sit in speechless agony, Until your ear is numb.

Poor "home, sweet home" should seem to be A very dismal place; Your "auld acquaintance" all at once Is altered in the face; Their discords sting through Burns and Moore, Like hedgehogs dressed in lace.

You think they are crusaders, sent From some infernal clime, To pluck the eyes of Sentiment, And dock the tail of Rhyme, To crack the voice of Melody, And break the legs of Time.

But hark! the air again is still, The music all is ground, And silence, like a poultice, comes To heal the blows of sound; It cannot be,--it is,--it is,-- A hat is going round!

No! Pay the dentist when he leaves A fracture in your jaw, And pay the owner of the bear That stunned you with his paw, And buy the lobster that has had Your knuckles in his claw;

But if you are a portly man, Put on your fiercest frown, And talk about a constable To turn them out of town; Then close your sentence with an oath, And shut the window down!

And if you are a slender man, Not big enough for that, Or, if you cannot make a speech, Because you are a flat, Go very quietly and drop A button in the hat!

THE TREADMILL SONG

THE stars are rolling in the sky, The earth rolls on below, And we can feel the rattling wheel Revolving as we go. Then tread away, my gallant boys, And make the axle fly; Why should not wheels go round about, Like planets in the sky?

Wake up, wake up, my duck-legged man, And stir your solid pegs Arouse, arouse, my gawky friend, And shake your spider legs; What though you're awkward at the trade, There's time enough to learn,-- So lean upon the rail, my lad, And take another turn.

They've built us up a noble wall, To keep the vulgar out; We've nothing in the world to do But just to walk about; So faster, now, you middle men, And try to beat the ends,-- It's pleasant work to ramble round Among one's honest friends.

Here, tread upon the long man's toes, He sha'n't be lazy here,-- And punch the little fellow's ribs, And tweak that lubber's ear,-- He's lost them both,--don't pull his hair, Because he wears a scratch, But poke him in the further eye, That is n't in the patch.

Hark! fellows, there 's the supper-bell, And so our work is done; It's pretty sport,--suppose we take A round or two for fun! If ever they should turn me out, When I have better grown, Now hang me, but I mean to have A treadmill of my own!

THE SEPTEMBER GALE

This tremendous hurricane occurred on the 23d of September, 1815. I remember it well, being then seven years old. A full account of it was published, I think, in the records of the American Academy of Arts and Sciences. Some of my recollections are given in The Seasons, an article to be found in a book of mine entitled Pages from an Old Volume of Life.

I'M not a chicken; I have seen Full many a chill September, And though I was a youngster then, That gale I well remember; The day before, my kite-string snapped, And I, my kite pursuing, The wind whisked off my palm-leaf hat; For me two storms were brewing!

It came as quarrels sometimes do, When married folks get clashing; There was a heavy sigh or two, Before the fire was flashing,-- A little stir among the clouds, Before they rent asunder,-- A little rocking of the trees, And then came on the thunder.

Lord! how the ponds and rivers boiled! They seemed like bursting craters! And oaks lay scattered on the ground As if they were p'taters; And all above was in a howl, And all below a clatter,-- The earth was like a frying-pan, Or some such hissing matter.

It chanced to be our washing-day, And all our things were drying; The storm came roaring through the lines, And set them all a flying; I saw the shirts and petticoats Go riding off like witches; I lost, ah! bitterly I wept,-- I lost my Sunday breeches!

I saw them straddling through the air, Alas! too late to win them; I saw them chase the clouds, as if The devil had been in them; They were my darlings and my pride, My boyhood's only riches,-- "Farewell, farewell," I faintly cried,-- "My breeches! Oh my breeches!"

That night I saw them in my dreams, How changed from what I knew them! The dews had steeped their faded threads, The winds had whistled through them I saw the wide and ghastly rents Where demon claws had torn them; A hole was in their amplest part, As if an imp had worn them.

I have had many happy years, And tailors kind and clever, But those young pantaloons have gone Forever and forever! And not till fate has cut the last Of all my earthly stitches, This aching heart shall cease to mourn My loved, my long-lost breeches!

THE HEIGHT OF THE RIDICULOUS

I WROTE some lines once on a time In wondrous merry mood, And thought, as usual, men would say They were exceeding good.

They were so queer, so very queer, I laughed as I would die; Albeit, in the general way, A sober man am I.

I called my servant, and he came; How kind it was of him To mind a slender man like me, He of the mighty limb.

"These to the printer," I exclaimed, And, in my humorous way, I added, (as a trifling jest,) "There'll be the devil to pay."

He took the paper, and I watched, And saw him peep within; At the first line he read, his face Was all upon the grin.

He read the next; the grin grew broad, And shot from ear to ear; He read the third; a chuckling noise I now began to hear.

The fourth; he broke into a roar; The fifth; his waistband split; The sixth; he burst five buttons off, And tumbled in a fit.

Ten days and nights, with sleepless eye, I watched that wretched man, And since, I never dare to write As funny as I can.

THE LAST READER

I SOMETIMES sit beneath a tree And read my own sweet songs; Though naught they may to others be, Each humble line prolongs A tone that might have passed away But for that scarce remembered lay.

I keep them like a lock or leaf That some dear girl has given; Frail record of an hour, as brief As sunset clouds in heaven, But spreading purple twilight still High over memory's shadowed hill.

They lie upon my pathway bleak, Those flowers that once ran wild, As on a father's careworn cheek The ringlets of his child; The golden mingling with the gray, And stealing half its snows away.

What care I though the dust is spread Around these yellow leaves, Or o'er them his sarcastic thread Oblivion's insect weaves Though weeds are tangled on the stream, It still reflects my morning's beam.

And therefore love I such as smile On these neglected songs, Nor deem that flattery's needless wile My opening bosom wrongs; For who would trample, at my side, A few pale buds, my garden's pride?

It may be that my scanty ore Long years have washed away, And where were golden sands before Is naught but common clay; Still something sparkles in the sun For memory to look back upon.

And when my name no more is heard, My lyre no more is known, Still let me, like a winter's bird, In silence and alone, Fold over them the weary wing Once flashing through the dews of spring.

Yes, let my fancy fondly wrap My youth in its decline, And riot in the rosy lap Of thoughts that once were mine, And give the worm my little store When the last reader reads no more!

POETRY:

A METRICAL ESSAY, READ BEFORE THE PHI BETA KAPPA SOCIETY, HARVARD UNIVERSITY, AUGUST, 1836

TO CHARLES WENTWORTH UPHAM, THE FOLLOWING METRICAL ESSAY IS AFFECTIONATELY INSCRIBED.

This Academic Poem presents the simple and partial views of a young person trained after the schools of classical English verse as represented by Pope, Goldsmith, and Campbell, with whose lines his memory was early stocked. It will be observed that it deals chiefly with the constructive side of the poet's function. That which makes him a poet is not the power of writing melodious rhymes, it is not the possession of ordinary human sensibilities nor even of both these qualities in connection with each other. I should rather say, if I were now called upon to define it, it is the power of transfiguring the experiences and shows of life into an aspect which comes from his imagination and kindles that of others. Emotion is its stimulus and language furnishes its expression; but these are not all, as some might infer was the doctrine of the poem before the reader.

A common mistake made by young persons who suppose themselves to have the poetical gift is that their own spiritual exaltation finds a true expression in the conventional phrases which are borrowed from the voices of the singers whose inspiration they think they share.

Looking at this poem as an expression of some aspects of the _ars poetica_, with some passages which I can read even at this mature period of life without blushing for them, it may stand as the most serious representation of my early efforts. Intended as it was for public delivery, many of its paragraphs may betray the fact by their somewhat rhetorical and sonorous character.

SCENES of my youth! awake its slumbering fire! Ye winds of Memory, sweep the silent lyre! Ray of the past, if yet thou canst appear, Break through the clouds of Fancy's waning year; Chase from her breast the thin autumnal snow, If leaf or blossom still is fresh below!

Long have I wandered; the returning tide Brought back an exile to his cradle's side; And as my bark her time-worn flag unrolled, To greet the land-breeze with its faded fold, So, in remembrance of my boyhood's time, I lift these ensigns of neglected rhyme; Oh, more than blest, that, all my wanderings through, My anchor falls where first my pennons flew!

. . . . . . . . .

The morning light, which rains its quivering beams Wide o'er the plains, the summits, and the streams, In one broad blaze expands its golden glow On all that answers to its glance below; Yet, changed on earth, each far reflected ray Braids with fresh hues the shining brow of day; Now, clothed in blushes by the painted flowers, Tracks on their cheeks the rosy-fingered hours; Now, lost in shades, whose dark entangled leaves Drip at the noontide from their pendent eaves, Fades into gloom, or gleams in light again From every dew-drop on the jewelled plain.

We, like the leaf, the summit, or the wave, Reflect the light our common nature gave, But every sunbeam, falling from her throne, Wears on our hearts some coloring of our own Chilled in the slave, and burning in the free, Like the sealed cavern by the sparkling sea; Lost, like the lightning in the sullen clod, Or shedding radiance, like the smiles of God; Pure, pale in Virtue, as the star above, Or quivering roseate on the leaves of Love; Glaring like noontide, where it glows upon Ambition's sands,--the desert in the sun,-- Or soft suffusing o'er the varied scene Life's common coloring,--intellectual green.

Thus Heaven, repeating its material plan, Arched over all the rainbow mind of man; But he who, blind to universal laws, Sees but effects, unconscious of their cause,-- Believes each image in itself is bright, Not robed in drapery of reflected light,-- Is like the rustic who, amidst his toil, Has found some crystal in his meagre soil, And, lost in rapture, thinks for him alone Earth worked her wonders on the sparkling stone, Nor dreams that Nature, with as nice a line, Carved countless angles through the boundless mine.

Thus err the many, who, entranced to find Unwonted lustre in some clearer mind, Believe that Genius sets the laws at naught Which chain the pinions of our wildest thought; Untaught to measure, with the eye of art, The wandering fancy or the wayward heart; Who match the little only with the less, And gaze in rapture at its slight excess, Proud of a pebble, as the brightest gem Whose light might crown an emperor's diadem.

And, most of all, the pure ethereal fire Which seems to radiate from the poet's lyre Is to the world a mystery and a charm, An AEgis wielded on a mortal's arm, While Reason turns her dazzled eye away, And bows her sceptre to her subject's sway; And thus the poet, clothed with godlike state, Usurped his Maker's title--to create; He, whose thoughts differing not in shape, but dress, What others feel more fitly can express, Sits like the maniac on his fancied throne, Peeps through the bars, and calls the world his own.

There breathes no being but has some pretence To that fine instinct called poetic sense The rudest savage, roaming through the wild; The simplest rustic, bending o'er his child; The infant, listening to the warbling bird; The mother, smiling at its half-formed word; The boy uncaged, who tracks the fields at large; The girl, turned matron to her babe-like charge; The freeman, casting with unpurchased hand The vote that shakes the turret of the land; The slave, who, slumbering on his rusted chain, Dreams of the palm-trees on his burning plain; The hot-cheeked reveller, tossing down the wine, To join the chorus pealing "Auld lang syne"; The gentle maid, whose azure eye grows dim, While Heaven is listening to her evening hymn; The jewelled beauty, when her steps draw near The circling dance and dazzling chandelier; E'en trembling age, when Spring's renewing air Waves the thin ringlets of his silvered hair;-- All, all are glowing with the inward flame, Whose wider halo wreathes the poet's name, While, unenbalmed, the silent dreamer dies, His memory passing with his smiles and sighs!

If glorious visions, born for all mankind, The bright auroras of our twilight mind; If fancies, varying as the shapes that lie Stained on the windows of the sunset sky; If hopes, that beckon with delusive gleams, Till the eye dances in the void of dreams; If passions, following with the winds that urge Earth's wildest wanderer to her farthest verge;-- If these on all some transient hours bestow Of rapture tingling with its hectic glow, Then all are poets; and if earth had rolled Her myriad centuries, and her doom were told, Each moaning billow of her shoreless wave Would wail its requiem o'er a poet's grave!

If to embody in a breathing word Tones that the spirit trembled when it heard; To fix the image all unveiled and warm, And carve in language its ethereal form, So pure, so perfect, that the lines express No meagre shrinking, no unlaced excess; To feel that art, in living truth, has taught Ourselves, reflected in the sculptured thought;-- If this alone bestow the right to claim The deathless garland and the sacred name, Then none are poets save the saints on high, Whose harps can murmur all that words deny!

But though to none is granted to reveal In perfect semblance all that each may feel, As withered flowers recall forgotten love, So, warmed to life, our faded passions move In every line, where kindling fancy throws The gleam of pleasures or the shade of woes.

When, schooled by time, the stately queen of art Had smoothed the pathways leading to the heart, Assumed her measured tread, her solemn tone, And round her courts the clouds of fable thrown, The wreaths of heaven descended on her shrine, And wondering earth proclaimed the Muse divine. Yet if her votaries had but dared profane The mystic symbols of her sacred reign, How had they smiled beneath the veil to find What slender threads can chain the mighty mind!

Poets, like painters, their machinery claim, And verse bestows the varnish and the frame; Our grating English, whose Teutonic jar Shakes the racked axle of Art's rattling car, Fits like mosaic in the lines that gird Fast in its place each many-angled word; From Saxon lips Anacreon's numbers glide, As once they melted on the Teian tide, And, fresh transfused, the Iliad thrills again From Albion's cliffs as o'er Achaia's plain The proud heroic, with, its pulse-like beat, Rings like the cymbals clashing as they meet; The sweet Spenserian, gathering as it flows, Sweeps gently onward to its dying close, Where waves on waves in long succession pour, Till the ninth billow melts along the shore; The lonely spirit of the mournful lay, Which lives immortal as the verse of Gray, In sable plumage slowly drifts along, On eagle pinion, through the air of song; The glittering lyric bounds elastic by, With flashing ringlets and exulting eye, While every image, in her airy whirl, Gleams like a diamond on a dancing girl!

Born with mankind, with man's expanded range And varying fates the poet's numbers change; Thus in his history may we hope to find Some clearer epochs of the poet's mind, As from the cradle of its birth we trace, Slow wandering forth, the patriarchal race.

I.

When the green earth, beneath the zephyr's wing, Wears on her breast the varnished buds of Spring; When the loosed current, as its folds uncoil, Slides in the channels of the mellowed soil; When the young hyacinth returns to seek The air and sunshine with her emerald beak; When the light snowdrops, starting from their cells, Hang each pagoda with its silver bells; When the frail willow twines her trailing bow With pallid leaves that sweep the soil below; When the broad elm, sole empress of the plain, Whose circling shadow speaks a century's reign, Wreathes in the clouds her regal diadem,-- A forest waving on a single stem;-- Then mark the poet; though to him unknown The quaint-mouthed titles, such as scholars own, See how his eye in ecstasy pursues The steps of Nature tracked in radiant hues; Nay, in thyself, whate'er may be thy fate, Pallid with toil or surfeited with state, Mark how thy fancies, with the vernal rose, Awake, all sweetness, from their long repose; Then turn to ponder o'er the classic page, Traced with the idyls of a greener age, And learn the instinct which arose to warm Art's earliest essay and her simplest form.

To themes like these her narrow path confined The first-born impulse moving in the mind; In vales unshaken by the trumpet's sound, Where peaceful Labor tills his fertile ground, The silent changes of the rolling years, Marked on the soil or dialled on the spheres, The crested forests and the colored flowers, The dewy grottos and the blushing bowers,-- These, and their guardians, who, with liquid names, Strephons and Chloes, melt in mutual flames, Woo the young Muses from their mountain shade, To make Arcadias in the lonely glade.

Nor think they visit only with their smiles The fabled valleys and Elysian isles; He who is wearied of his village plain May roam the Edens of the world in vain. 'T is not the star-crowned cliff, the cataract's flow, The softer foliage or the greener glow, The lake of sapphire or the spar-hung cave, The brighter sunset or the broader wave, Can warm his heart whom every wind has blown To every shore, forgetful of his own.

Home of our childhood! how affection clings And hovers round thee with her seraph wings! Dearer thy hills, though clad in autumn brown, Than fairest summits which the cedars crown! Sweeter the fragrance of thy summer breeze Than all Arabia breathes along the seas! The stranger's gale wafts home the exile's sigh, For the heart's temple is its own blue sky!

Oh happiest they, whose early love unchanged, Hopes undissolved, and friendship unestranged, Tired of their wanderings, still can deign to see Love, hopes, and friendship, centring all in thee!

And thou, my village! as again I tread Amidst thy living and above thy dead; Though some fair playmates guard with charter fears Their cheeks, grown holy with the lapse of years; Though with the dust some reverend locks may blend, Where life's last mile-stone marks the journey's end; On every bud the changing year recalls, The brightening glance of morning memory falls, Still following onward as the months unclose The balmy lilac or the bridal rose; And still shall follow, till they sink once more Beneath the snow-drifts of the frozen shore, As when my bark, long tossing in the gale, Furled in her port her tempest-rended sail!

What shall I give thee? Can a simple lay, Flung on thy bosom like a girl's bouquet, Do more than deck thee for an idle hour, Then fall unheeded, fading like the flower? Yet, when I trod, with footsteps wild and free, The crackling leaves beneath yon linden-tree, Panting from play or dripping from the stream, How bright the visions of my boyish dream Or, modest Charles, along thy broken edge, Black with soft ooze and fringed with arrowy sedge, As once I wandered in the morning sun, With reeking sandal and superfluous gun, How oft, as Fancy whispered in the gale, Thou wast the Avon of her flattering tale! Ye hills, whose foliage, fretted on the skies, Prints shadowy arches on their evening dyes, How should my song with holiest charm invest Each dark ravine and forest-lifting crest! How clothe in beauty each familiar scene, Till all was classic on my native green!

As the drained fountain, filled with autumn leaves, The field swept naked of its garnered sheaves, So wastes at noon the promise of our dawn, The springs all choking, and the harvest gone.

Yet hear the lay of one whose natal star Still seemed the brightest when it shone afar; Whose cheek, grown pallid with ungracious toil, Glows in the welcome of his parent soil; And ask no garlands sought beyond the tide, But take the leaflets gathered at your side.

II.