Part 3
Richard came to him, wringing his hands. "These bombs seemed to be designed to be dropped from bombers. There are supposed to be rockets here too. I hope the H-bombs will fit. They seem so bulky...."
"Perhaps the rockets have self-contained bomb units," Danniels suggested.
"Perhaps. We're all going off and try to find the rockets. You'd be amazed at all the cutoffs down here. I'll leave Joel here to look after you."
Danniels sat on the instruments. Joel stayed several hundred feet away, an uncertain shadow in the light, smoking a red dot of a cigarette. Somehow Danniels associated fire and munitions instead of atomics and felt uneasy.
He discovered Julie Amprey at his side. She didn't say anything. She seemed to be sulking. Like a spoiled brat, he thought.
He fingered one of the portable instruments from an open crate beside him. "Wonder what these are?" he said to break up the heavy silence.
"Pseudo-H Bombs," the girl snapped.
Of course. Just as money had to be backed by gold or silver reserves, every pseudo bomb or mock-gas had to be backed by the real thing which, after its representative had been used, was dismantled, neutralized or retired. International inspection saw to that.
"There's enough here to blow up the whole world ... if they were real," Danniels said.
The girl pointed out into the chamber. "Those _are_ real."
Each nation had many times over the nuclear armament necessary to destroy human life. There was enough for that right in this vault--both in reality and in the Games.
Danniels stopped drifting and took a course. He stopped observing and began to act. There was a mob in action.
Even if they did somehow manage not to kill off the population with the fallout they were engineering, they would ruin farmland, create new recessive mutations.
Famine would cease to be a psychological affliction for half the world and become a physiological reality instead ... for all the world.
He had failed in his plans to end the psychological Famine because of his own attunement to the Broadcasters. He wouldn't fail in stopping the new physiological Famine.
V
"Put that thing down," Joel said. "I don't trust you any further than I can spit, and that looks like a radio. You trying to warn the city council?"
Danniels put down the instrument. One wouldn't do it, and he could tell from Joel's eyes that he would get a very bad experience out of disobeying him.
"You were going to do something," Julie said. "What were you trying to do with that pseudie?"
"How do you know so much about this stuff?" Danniels demanded.
"My father told me all he found out from the records. He's Councilman Aldrich."
He rested his eyes for a second. "But your name--?" he heard himself say.
"My stepfather, I should have said. Mother married him when I was two. _What were you going to do?_"
"I," he said, "intended to end it all. All of this. All of it Outside. End everything."
The girl turned from him.
"Then why don't you do it?"
"You mean you don't want our friends to succeed in torturing a sick world?"
"I don't like pain," she said. "There's something clean, positive and challenging about killing. I'd like to kill. But pain seems so pointless. If you can stop them, go ahead. I'll help you."
He was exhausted and in fever. "Joel won't let me."
"Then--kill him," she said.
* * * * *
He knew it was all useless, tired, stale, unrewarding. It was done. He was nothing, and the girl was less. The Pack would succeed and a tortured world would die of a greater famine because he had failed all down the line. And he blamed himself for making a mistake that actually was unimportant. For a moment, he had trusted the girl.
"You _can_ kill him." Julie turned back and faced him. "How much do you think those Broadcasters can really control human beings? We aren't fighting wars because we don't want to. We've finally seen what war can do and we're scared. We've retreated. The human race is hiding just like you are now."
Danniels laughed.
She lunged forward, tense. For a moment he thought she had actually stamped her foot. "It's true, you fool! Doesn't the actions of these men prove it to you? They are going to risk destroying the planet. If pacifism really controlled them do you think they could do that?"
He mumbled something about Wolf Pack members.
"There's never been any law or moral credo that human beings couldn't break and justify within themselves some way," Julie intoned carefully. "People can do the same with the induced precepts of the Broadcasters. If you really want to stop them, you can--by killing Joel and going ahead."
"Maybe later," Danniels mumbled. "I'll think about it."
Julie slapped his face. He wondered why he didn't feel it.
"You don't have much time left," Julie whispered. "Don't you know what's wrong with your foot? _Gangrene._ You have to get those toes amputated soon or you'll die."
"Yes," he said numbly. "Must get amputation." But it didn't seem urgent. He felt he should get some rest first.
"It's too bad you can't allow the operation," the girl said sweetly. "You can't allow lives to be destroyed just to save your own personality."
"What lives?" he demanded.
"All the cells and microorganisms in your toes," Julie told him. "You know they'll _die_ if you are operated on. Are they any worse than the little bacteria you refused to murder? I suppose it's just as well that you die. How can you stand it on your conscience to breathe all the time and burn up innocent germs in your foul breath?"
Danniels understood. To live was to kill.
Every instant he lived his old cells were dying and new ones being born. So Danniels, who thought he could not kill any living thing, finally accepted himself as a killer. It wasn't human life he was taking ... but it was life.
If he could be wrong about taking any life at all--and he had always believed himself unable to kill anything--he might be wrong about being able to kill men. In spite of everything he had been taught and what he believed about the influence of the Broadcasters.
He studied Joel in the gloom. The man represented everything he loathed--stupidity, brutality, the mob. If I can kill anyone, he told himself, it should be Joel.
He could try. Yes, he could. And that was a victory in itself.
He moved, and that was another triumph over the physical defeat that was already upon him.
Joel looked up, narrow eyes widened, as Danniels came down on him.
* * * * *
Danniels caught him in the stomach with the flat of his palm and shoved up.
Joel gargled in the back of his throat and rammed his thumbs for the prisoner's eyes. Danniels nodded and caught the balls of the thumbs on his forehead. He brought his fist up sharply and hit Joel on the point of the chin. His head snapped but righted itself slowly. He lashed into Danniels' body with both eager hands and Danniels, weakened, went down before he had time to think about it.
From the crazy angle of the floor he saw far above him Joel's lips curl back and closer, further down, a shoe was lifted to kick. It was aimed at Danniels' swollen foot.
Danniels smiled. He shouldn't have done that. If he had acted like a man instead of an animal he would have been fine. But now ... Danniels rolled over quickly against the one leg of Joel's firmly on the floor. Off balance, Joel fell backwards with a curse, the back of his skull ringing against the side of one of the bombs.
Exertion was painting red lines across his vision but Danniels climbed to his knees, put his hands to Joel's corded throat and squeezed.
Yes. He knew he could kill. A few more seconds and he would be dead.
Danniels stopped.
There was no need to kill the boy. He would be unconscious long enough for him to do his job. And he found that fear had left him. He was no longer afraid of killing small things, because he was no longer afraid of killing men.
He had been able to kill when he had to, but more important, he had been able to keep from killing when it wasn't needed. He didn't need to be afraid of the old blood-lust--because he knew now he could best it.
And Julie had seen. She had seen something she had never believed was possible. That a man could keep from being a savage without the restraints of the Broadcasters or of society.
He limped to the stacked pseudies and sat down. "Now we can make it clean, Julie. We can end the whole mess. Ready?"
"Yes," she told him.
He picked up a pseudie and threw the switch.
* * * * *
The radio signal went out, and all over the world receivers noted a pseudo explosion in the heart of a Disaster Area. Danniels could imagine the men in the council room in the heart of the city seeing the flash and feeling the doom of a renewed twenty years of isolation and heading for the exact spot of the flash.
More signals flashed. And flashed. And flashed.
And he thought of the people all over the world wondering about the devastating sneak attack on the United States, and the incredible readings of the instruments.
"Keep working," Danniels said. "The Wolf Pack or the officials from the city will be here soon. I hope it's a dead heat. But," he said, "I think we've done it. But we can keep working on the safety margin."
"What have we done, Abe?" Julie asked trustingly.
He was going to feel foolish saying it. "We have just blown up the world according to the official records of the War Games."
"Then they'll have to start over," she said.
"Maybe," Danniels whispered. "If they do, we'll all start even. Everybody's a Jonah. The world is a Disaster Area. Maybe they'll start the War Games over. Or maybe they'll try the real thing again, now that they've seen how easy it is with pseudies."
He felt the numb foot and knew he would have to have an emergency operation if he survived the mobs that were coming. But he had a way of surviving mobs. He looked at Julie. He would see that their children could eat.
"At least," he said, triggering another H-bomb for the world's records, "it isn't a bad day when the world has been given a fresh slate, a new start."
There were footsteps outside, coming closer.
End of Project Gutenberg's The Place Where Chicago Was, by Jim Harmon