SCENE 31. SAME AS 2. OFFICE.

_Donnelly now exhausted and still more terribly changed; hair matted on brow; all arrogance burnt out of him; brutality gone. Dalton now walking about room in a ferment; suddenly pauses before a photograph of Florence on bookcase; pleasure comes in his eyes; he kisses it. Suddenly he springs back; pain in his eyes; a shudder passing over him. Horror in his eyes as he extends portrait toward Donnelly._

INSERT (VII). CLOSE-VIEW PHOTOGRAPH of Florence; Dalton’s twitching thumb grasping it.