Category: Art
(_c_) Two worlds covered by the romantic principle, viz., the soul-kingdom of Spirit reconciled therein, and the realm of external Nature from which even the aspect of ugliness is not excluded. Latter world only portrayed in so far as soul finds a home therein] 293
(_c_) Two worlds covered by the romantic principle, viz., the soul-kingdom of Spirit reconciled therein, and the realm of external Nature from which even the aspect of ugliness...
7. CHAPTER I8. CHAPTER II9. CHAPTER III(_γ_) General review of previously evolved process of Art's typical structure. What is possible for modern art and the conditions necessary. Illustration of the terminus of roma...
10. CHAPTER INow that we pass to the consideration of the several distinctions of symbolical art in more detail, we have to make a beginning with the identical beginning of art as it proceed...
11. CHAPTER IIThe perspicuity that has no riddles to expound, which is the object of symbolic art and veritably the mark of Spirit self-clothed to the perfect measure of its own substance, ca...
12. CHAPTER IIIThe result we have now arrived at in the above consideration of the Sublime, and in contradistinction to the strictly unpremeditated type of symbolization, consists partly in th...
13. vv. 789-807): "Thou art more white, O Galatea, than the leaf of thesnow-white meadowland; more blooming than the fields, more slender than the elm; more brilliant than glass, more arch than the tender little roebuck; smoother than the shell eve...
14. CHAPTER IIn the notion of free Spirit is contained immediately that aspect of the process of intelligence we may describe as self-introspection, return upon the self, of being explicit a...
15. did. For that which Ceres taught was agriculture, with which at the(_γγ_) A third class of the ancient gods contains, it is true, neither personified potencies of Nature, as such, nor the might which next follows as lord over the particular ele...
16. CHAPTER IIWe have already seen what the essence of the Ideal is in our general consideration of the beauty of art. Here we are to take it merely in the special sense appropriate to the _c...
17. CHAPTER IIIThe gods of classical art contain in themselves the germ of their overthrow; consequently, when this fatal defect which they include is brought to consciousness through the elab...
18. CHAPTER IInasmuch as romantic art, in the representation of the consciousness of absolute subjectivity, understanding this as the comprehension of all truth, the coalescence of mind with...
19. CHAPTER IIThe principle of the essentially infinite subjective consciousness possesses for the content of faith and art in the first instance, as we have already discovered, the Absolute...
20. CHAPTER IIIIf we take a glance back on the territory we have passed through, we see in the first instance that the object of our investigation was the life of the soul[256] in its most abs...