Chapter 6

"Now look here, old lady," he said, "here's a chance to show your mettle. If you'll manage Greenfield, I'll run the rest of the hayseed crowd, and I'll make it something handsomer than you ever had in your life."

The woman smiled a smile of greed and cunning.

"I'll take care of him," she said. "And he shall never know he has been taken care of either."

Irons laughed with coarse jocoseness.

"A man has very little chance that falls into your clutches," he observed, "but in this particular case you've got a heavy contract on hand. Greenfield's got his price, of course, like everybody else, but I'm hanged if I know what it is. If you offered him tin he'd simply fly out on the whole thing and nobody could hold him. There isn't any particular pull in politics on him. This new-fashioned independence has knocked all that to pieces; and Greenfield is an Independent from the word go. I don't know what you're to bait your hook with, unless it's your lovely self."

Mrs. Sampson began a laugh, and then recovering herself, she frowned.

"Don't be personal," she said. "I won't stand it."

She began to feel that the circumstances were such as to make her important to her caller's schemes, and her air by insensible degrees became more assured and less subservient. She knew her man, and she was prepared for his becoming proportionately more respectful. He dusted a little heap of ashes from the small table beside him and scattered them with his foot, in a well-meant attempt to cover the traces of his previous untidiness. She watched him with a covert sneer.

"Even so difficult a problem as that," she said, with a slight toss of the head, a bit of antique coquetry which impressed him with a new sense of her thorough self-possession, and imposed itself upon his untrained mind as the air of a true woman of the world; "I fancy I can solve. Leave him to me. I'll find out what can be done with him."

"If he can be got hold of," Irons remarked, reflectively, "he will carry the whole thing through. They'd believe him up at Feltonville if he told them it was right to walk backward and vote to give their incomes to the temperance cranks."

He rose to go as he spoke, unconsciously assuming with the overcoat he put on that air of stiffness and immaculate propriety which he wore always in public. He seldom allowed himself the undignified freedom which marked his intercourse with Mrs. Sampson, and he liked the rest he found in being for a time his vulgar, ill-bred self with no restraints of artificial manner.

"Well, good afternoon," he said, extending his large hand, into which she laid hers with a certain faint air of condescension. "I've got to go to a meeting of the committee on the new statue. They've got a new fellow they are trying to push in, a young unlicked cub that Peter Calvin's running. I'll let you know anything that's for our advantage."

When he was gone, Mrs. Sampson produced a brush and a dustpan from behind the books on a whatnot and carefully collected the scattered ashes of his cigar.

"Vulgar old brute!" she muttered. "To think of my having to clean up after him; his mother was my grandmother's laundress."

Then she smiled contemptuously, and added by way of self-consolation,--

"But it will all count in the bill, Al Irons."

X

THE BITTER PAST. All's Well That Ends Well; v.--3.

"Do you see much of Mrs. Herman?" Helen Greyson asked of Edith Fenton, as they sat at luncheon together in the latter's pretty dining-room.

"Why, no," was the somewhat hesitating answer. "I really see very little of her. The fact is we have so little common ground to meet on. --You know Arthur says I am dreadfully narrow, and I am sometimes afraid he is right. I have tried to know her, but of course I couldn't take her into society. She wouldn't enjoy it, and she wouldn't feel at home, even if she'd go with me."

Helen smiled with mingled amusement and wistfulness.

"No," she responded. "I can't exactly fancy Ninitta in society. She'd be quite out of her element. My master in Rome, Flammenti, had a way of saying a thing was like the pope at a dancing-party, and I fancy Ninitta at an afternoon tea would be hardly less out of place."

"But she must be very lonely," Edith said, stirring her coffee meditatively. "She used to have a few Italians come to see her; people she met that time she ran away, you remember, and we brought her home, but they don't come now."

"Why not?"

Edith smiled and raised her eyebrows.

"A question of caste, I believe."

"Of caste?" echoed Helen. "What do you mean?"

"When her son was born," Edith responded, "she told them that the _bambino_ was born a gentleman, and couldn't associate with them."

Helen laughed lightly; then her face clouded, and she sighed.

"Poor Ninitta!" she said. "There is something infinitely pitiful in her devotion and faithfulness to her youthful love."

Edith's face assumed an expression of mingled perplexity and disquiet. With eyes downcast she seemed for a moment to be seeking a phrase in which properly to express some thought which troubled her. Then she looked up quickly.

"I don't know that I ought to say it," she remarked, "but I can't help feeling that Ninitta is not so fond of her husband as she used to be. Of course I may be mistaken, but either I overestimated her devotion before they were married, or she cares less for him now."

An expression of pain contracted Helen's brow.

"Isn't it possible," she suggested, "that her being more demonstrative in her love for the boy makes her seem cold toward her husband?"

"No," returned Edith, shaking her head, "it is more than that. I fancy sometimes that she unconsciously expected to be somehow transformed into his equal by marrying him; and that the disappointment of being no more on a level with him when she became his wife than before, has made her somehow give him up, as if she concluded that she could never really belong to his life. Of course I don't mean," she added, "that Ninitta would reason this out, and very likely I am all wrong, anyway, but certainly something of this kind has happened."

"Poor Ninitta," repeated Helen, "fate hasn't been kind to her."

"But Mr. Herman?" Edith returned. "What do you say of him? I think his case is far harder. What a mistake his marriage was. I cannot conceive how he was ever betrayed into such a _mesalliance_. She cannot be a companion to him; she does not understand him: she is only a child who has to be borne with, and who tries his patience and his endurance."

Edith had forgotten her husband's suggestion that her companion was responsible for Grant Herman's marriage; but Helen, who for six years had been questioning with herself whether she had done well in urging the sculptor to marry his model, heard this outburst with beating heart and flushing cheek. Had Helen allowed Herman to break his early pledge to Ninitta, and marry his later love, it is probable that all her life would have been shadowed by a consciousness of guilt. The conscience bequeathed to her, as Fenton rightly said, by Puritan ancestors, would ever have reproached her with having come to happiness over the ruins of another woman's heart and hopes. Having in the supreme hour of temptation, however, overcome herself and given him up, it was not perhaps strange that Helen unconsciously fell somewhat into the attitude of assuming that this sacrifice gave her not only the right to sit in judgment upon Ninitta, but also that of having done somewhat more than might justly have been demanded of her. She had often found herself wondering whether she had been wise; whether her devotion to an ideal had not been overstrained; and if she ought not to have considered rather the happiness of the man she loved than devotion to an abstract principle.

It was also undoubtedly true, although Helen had not herself reflected upon this phase of the matter, that her half a dozen years' residence in Europe had softened and broadened her views. In the present age of the world there is no method possible by which one can resist the whole tendency of modern thought and prevent himself from moving forward with it, unless it be active and violent controversy. No man can be a fanatic without opposition, either real or vividly fancied, upon which to stay his resolution, and it is equally difficult to maintain a stand at any given point of faith unless one has steadily to fight with vigor for the right to possess it.

It is probable that to-day Helen might have found it more difficult than six years before to urge Herman to marry Ninitta, since besides the self-sacrifice then involved would now be a doubtfulness of purpose. She sat silent some moments, reflecting deeply, while her hostess watched her with a loving admiration which was growing very strongly upon her.

"But what is to be done now," Helen asked slowly. "You would not have him cast her off?"

"Oh, no," returned Edith, in genuine consternation. "Now, it is six years too late."

"I am afraid I do not wholly agree with your point of view," answered Mrs. Greyson, roused by the doubt in her own mind to a need to combat the assumption that the marriage was a mistake. "I certainly do not feel that the mere ceremony is the great point. See!" she continued, becoming more animated, and half involuntarily saying aloud what she had so often said in her own mind; "a man makes a woman love him. As time goes on, he outgrows her. It is no fault of hers. Why should the fact that he has or has not come into the marriage relations affect her claims on him? Isn't he in honor bound to marry her?"

"But suppose," Edith returned, "that he has not only outgrown her but made some other woman love him too?"

It was merely a chance shot of argument, but it smote Helen so that she trembled as she sat.

"Is not that woman to be considered?" Edith continued. "Is the good of the man to count for nothing? Mr. Herman is sacrificed to an old mistake. Perhaps it is right that he should pay the price of his error; and that in the end it will be overruled for his good, we may hope. But it is hard to have patience now with the state of things."

Helen tapped her teaspoon nervously against her cup.

"But what can be done?"

"Nothing," Mrs. Fenton said, without the slightest hesitation. "You and I may think these things, but it would be a crime for Mr. Herman to think them."

"It might be cowardice to yield to them," responded Helen; "but how crime? And how can one help the thoughts from turning whithersoever they will?"

Edith pushed back her plate, leaned forward with folded arms resting upon the edge of the table. She flushed a little, as she did sometimes when she felt it her duty to say something to her husband which it was hard to utter.

"I do not think you and I agree in this," she said, in a voice which her earnestness made somewhat lower than before. "Marriage is to me a sacrament, and this very fact gives it a nature different from ordinary promises. We promise to love until death do us part. To me that is as imperative as any vow I can make to God and man."

"But love," Helen urged, with a somewhat perplexed air, "is not a thing to be coerced."

"It must be," Edith returned, inflexibly. "Even if my husband ceased to love me, that does not absolve me. I must fulfil my promise and my duty."

"But," Helen responded, doubtfully and slowly, "it seems to me a sacrilege to live with a man after one has ceased to love him."

"But I would love him," Edith broke in almost fiercely. "That is just the point. One must refuse to cease to love him."

"But if he ceased to love her?"

A flush came into Edith's clear cheek, and her eyes shone. Half unconsciously to herself, she was fighting with the doubts which would now and then rise in her own mind of her husband's affection.

"Then," she said, in a low voice, "one must still be worthy of his love; one must do one's duty. Besides," she added, looking up with a gleam of hope, "when one has made a solemn vow, as a wife vows to love her husband until death part them, I firmly believe that strength to keep that vow will not be withheld."

Helen was silent a moment. She by no means agreed to the position Edith took. She had no belief in those promises in virtue of which the sacraments of the church took on a peculiar sanctity; she did not at all trust to any special help bestowed by higher powers. She did not, however, care to argue upon these points, and she said more lightly,--

"You task womanhood pretty heavily."

"A little woman who is a _protegee_ of mine," Edith returned, in the same manner, "said rather quaintly the other day, that women were made so there should be somebody to be patient with men. She's having trouble with her lover, I suspect, and takes it hardly."

"But," Helen persisted more gravely, "it seems to me that you set before the unloved wife a task to which humanity is absolutely unequal."

"You remember St. Theresa and her two sous," Edith replied, her eyes shining with deep inner feeling; "how she said, 'St. Theresa and two sous are nothing, but St. Theresa and two sous and God are everything.' I can't argue, but for myself, I could not live if I should give up my ideal of duty."

As often it had happened before, Helen found herself so deeply moved by the fervor and the genuineness of Edith's faith, that she felt it impossible to go on with an argument which could convince only at the expense of weakening this rare trust. She brought the conversation back to its starting point.

"But about Ninitta," she said. "I saw her yesterday, and she acted as if she had something on her mind. She somehow seemed to be trying to tell me something. I told her that the _bambino_, as she calls Nino, must keep her occupied most of the time, and she said the nurse stole him away half of the day; she has the peasant instinct to take entire charge of her own child."

"If that is a peasant instinct," Edith rejoined laughing, "I am afraid I am a peasant."

"Oh, but you are reasonable about it, and know that it is better for the boy to have change and so on. She acts as if she felt it to be a conspiracy between the nurse and her husband to steal the child's affections from her. Really, I felt as if she was coming to love Nino so fiercely that she had fits of almost hating her husband."

The ringing of the door bell and the entrance of the servant with a card interrupted the conversation, and Helen had only time to say,--

"Of course on general principles you know I do not agree with you. Indeed, I should find it hard to justify what I consider the most meritorious acts of my life if I did. But I do want to say that, given your creed, your view of marriage seems to me the noble--indeed, the only one."

As Helen walked home in the gray afternoon, sombre with a winter mist, she thought over the conversation and measured her life by its principles.

"If one accepts Edith's standard," she reflected, "it is impossible not to accept her conclusions. She is a St. Theresa, with her strict adherence to forms and her loyalty to her convictions. But surely one's own self has some claims. My first duty to whatever the highest power is,--the All, perhaps,--must be to do the best I can with myself. It could not be my duty to go on living with Will"--

She stopped, with a faint shudder, raising her eyes and looking about upon the wet and dreary landscape with an almost furtive glance, as if she were oppressed by the fear that the eyes of the husband with whom she had found it impossible to live, and who for six years had been under the sod, dead by his own hand, might be watching her unawares. It was one of those moments when a bygone emotion is so vividly revived, as if some long hidden landscape were revealed by a sudden lightning flash. The years had brought her immunity from the poignancy of the pain of old sorrows, but for one brief and bitter instant she cowed with the old fear, she trembled with the old-time agony.

Then she smiled at the unreasonableness of her feeling, and dropping her eyes, walked on with slightly quickened steps.

"It cannot be a woman's duty to go on living with a man who is dragging her down, or even who prevents her from realizing her best; and yet, there is the influence. That is a trick of my old Puritan training, of course, but after all it is right to consider. One must count influence as a factor if one believes in civilization, and I do believe in civilization; certainly, I would not go back to barbarism. But is a woman to be tied down--oh! how a woman is always tied down! Limitation --limitation--limitation; that is the whole story of a woman's life; and the harder she struggles to get away from her bonds the more she proves to herself by the pain of the wrist cut by the fetters how impossible it is to break them. Women contrive to deceive men sometimes into believing that they have overcome the limitations of their sex; and they even deceive themselves; but they never deceive each other. A woman may believe that she herself has accomplished the impossible, but she knows no one of her sisters has."

She smiled sadly and yet humorously, pausing a moment on the curbstone before crossing the wet and icy street. Then as she went on and a coachman pulled up his horses almost upon their haunches to let her pass, she took up the thread of her reflections once more,--

"Yet surely women must not rebel against civilization. Civilization is after all quite as largely as anything else a determined ignoring and combatting on the part of mankind of the cruel disadvantages under which nature has put women. No; we must look at it in the large; we must hold to the conventional even, rather than fight against civilization, however wrong and illogical and heartless civilization may be. It is the best we have and we go to the wall without it."

She had reached her boarding-house and fitted her latch-key into the lock. As she opened the door she looked back into the gathering dusk of the misty afternoon, and her thought was almost as if it were a last word flung to some presence to be left behind and shut out, a personality with whom she had argued, and who had logically defeated but not convinced her.

"And yet," she said inwardly, with a sudden swelling of defiance and conviction, "not for all the universe could I have done it. I could not go on living with Will,--though," she added, a sudden compunction seizing her, "I was fond of him in a way, poor fellow."

And the door closed.

XI

THE GREAT ASSAY OF ART. Macbeth; iv.--3.

The inner history of the effigies which in Boston do duty as statues would be most interesting reading, amusing or depressing as one felt obliged to take it. To know what causes led to the production and then to the erection of these monstrosities could hardly fail to be instructive, although the knowledge might be rather dreary.

The subject has been too much discussed to make it easy to touch it, but all this examination has by no means resulted in general enlightenment, as was sufficiently evident at the meeting of the committee in charge of the new statue of _America_ about to be erected in a properly select Back Bay location. The committee consisted of Stewart Hubbard, Alfred Irons, and Peter Calvin, three names which were seldom long absent from the columns of the leading Boston daily newspapers. Mr. Irons had been strongly objected to by both his associates, neither of whom felt quite disposed to assume even such equality as might seem to follow from joint membership of the committee. That gentleman had, however, sufficient influence at City Hall to secure appointment, a whim which had seized him to pose as a patron of art being his obvious motive; and neither Mr. Hubbard nor Mr. Calvin was prepared to go quite to the length of declining to serve with the obnoxious parvenu.

Stewart Hubbard was a most admirable example of the best type of an American gentleman. Arthur Fenton once described him as "a genuine old Beacon street, purple window-glass swell;" a description expressive, if not especially elegant. Tall and well-built, with the patrician written in every line of his handsome face, his finely shaped head covered with short hair, snowy white although he had hardly passed middle age, his clear dark eyes straightforward and frank in their glances, he was a striking and pleasing figure in any company. He had graduated, like his ancestors for three or four generations, at Harvard; and if he knew less about art than his place on the committee made desirable, he at least had a pretty fair idea of what authorities could be trusted.

Peter Calvin's place in Boston art matters has already been spoken of. He took himself very seriously, moving through life with a sunny-faced self-complacency so inoffensive and sincere as to be positively delightful. He was too good-natured and in all respects of character too little virile to meet Irons with anything but kindness, but as he was a trifle less sure of his social standing than Hubbard, he was naturally more annoyed at the choice of the third member of the committee. He made not a few protests to his friends, and gently represented himself as a martyr to his devotion to the cause of art from having accepted the place he held.

When one considered, however, the way in which committees upon art matters are made up at City Hall, it becomes evident that the wonder was not that the present body was no better, but that it should be so good. The truth was that the choice of Hubbard and Calvin had been considered a great concession to the unreasonable prejudices of the self-appointed arbitrators of art affairs in town. A short time before, a committee consisting of a butcher, a furniture dealer and a North End ward politician, had been sent to New York on a matter connected with a public monument, and their action had been so egregiously absurd as to bring down upon their heads and upon the heads of those who appointed them such a torrent of ridicule that even the tough hide of City Hall could not withstand it. It was felt that the public was more alive on art matters than had been suspected; and when a South Boston liquor-dealer manifested a singular but unmistakable desire to be appointed on the _America_ committee, he had been promptly suppressed with the information that this was to be "a regular bang-up, silver-top committee," and was forced to soothe his disappointed ambition with such consolation as lay in the promise that next time he should be counted in.

When the committee had been named, a hint was dropped in one or two newspaper offices that the powers which work darkly at City Hall expected due credit for the self-sacrifice involved in putting on two men at least from whom no reward was to be expected. The journals improved the opportunity, and praised highly the choice of all three of the members. When this called out a protest from the artists, because no artist had been appointed, City Hall had no words adequate to the expression of its disgust.

"That's what comes of trying to satisfy them fellows," one City Father observed, in an indignant and unstilted speech to his colleagues. "They want the earth, and nothing else will satisfy them. What if they ain't got no artist on the committee; everybody knows that Peter Calvin's a man who's published a lot of books about art, and it stands to reason he's a bigger gun than a feller that just paints."

The committee paid no attention to the discussion concerning their fitness, of which indeed they did not know a great deal, but came together in a matter-of-fact way, precisely as they would have assembled to transact any other business.