Part 23

This great Swiss mountain--higher than Blanc, and vastly more impressive from the fact that its fourteen thousand foot summit rises almost directly from the sea--is the central feature of the newest of all the government parks. It is in the stages of early development and already the tourists are coming to it in increasing numbers. Given a few years and Rainier will vie in popularity with the Yellowstone, the Yosemite and the Grand Canyon of the Colorado. In scenic beauty of its own inimitable sort it already ranks with these.

The man who makes the ascent of Rainier--if poetry and imagination rest within his soul--may truly feel that he has come near to God. He can feel the ardor and the inspiration of the red men who gave the mountain its mystic symbolism. He can look up into the clouds and feel that he is at the dome of the world. He can look down, down past the timber line off across miles of timber land and catch the silver of Puget Sound and the distant horizon flash of the Pacific. He can see smoke to the south--Portland--smoke to the north and west--Seattle--and nearer than these--the brisk Tacoma that hugs this mountain to herself.

If imagination rest within him he can now know that these cities, at the northwest corner of America, are barely adult, just beginning to come into their own. A great measure of growth and strength is yet to be given to them.

19

SAN FRANCISCO--THE NEWEST PHOENIX

We came upon it in the still of an early Sunday evening--the wonderful city of Saint Francis. Throughout that cloudless Sabbath we had journeyed southward through California. At dawn the porter of the sleeping car had informed us that we were in the Golden State, not to be distinguished in its northern reaches from Oregon. Men were talking of the wonders of the Klamath country into which the civilizing rails of steel are being steadily pushed, the breath of tomorrow was upon the lips of every one who boarded the train, but the land itself was wild, half-timbered, rugged to the last degree. Through the morning grays the volcanic cone of Shasta was showing ever and ever so faintly, and if an acquaintance of two hours with the peak that Joaquin Miller has made so famous did not enthuse the man behind the car-window, it must have been that he was still a bit dazed, not surfeited, with the wonders of Rainier.

At the foot of Shasta our train stood for a bare ten minutes while travelers descended and partook of the vilest tasting waters that nature might boast in all California. Shasta spring water is supposed to be mightily beneficial and that is probably true, for our experience with spring waters has been that their benefits have existed in an inverse ratio to their pleasantness of taste. But if Nature had given her benefactions to Shasta a sort of Spartan touch, she has more than compensated for the severity of her gifts by the beauty of their setting. You literally descend directly upon the springs. The railroad performs earthly miracles to land a passenger in front of them. It descends a vast number of feet in an incredibly short length of track--the conductor will reduce these to cold statistics--and your idea is a quick drop on a gigantic hair-pin. At the base of the lowest leg of this hair-pin is the spring, set in a deep glen, the mossy banks of which are constantly adrip and seemingly one great slow-moving waterfall, even throughout the fearfully dry seasons of California. The whole thing is distinctly European, distinctly different--a bit of Swiss scenery root-dug and brought to the West Coast of the United States.

After Shasta and the springs, another of the desolate, fascinating canyons to be threaded for many miles besides the twistings of a melancholy river, then--of a sudden--open country, farmers growing green things, ranch-houses, dusty county-roads, with automobiles plowing them dustier still, little towns, more ranches--everything in California from two to two million acres is a ranch--then a grinding of air-brakes and your neighbor across the aisle is fumbling with his red-covered time-table to locate the station upon it. As for you, you don't care about what station it really may be. It is a station. You are sure of that. There is the familiar light yellow depot, but in the well-kept lawn that abuts it grows a giant tree. That tree is a palm, and the palm-tree typifies California to every tingling sense of your mentality.

This is the real California. The mountains have already become accustomed things to you, the broad ranches were coming into their own before you ever reached Denver, but the palm is exotic in your homeland, a glass-protected thing. That it grows freely beside this little unidentified railroad station proclaims to you that you are at last in a land that bids defiance to that trinity of scourging giants--December, January and February--and calls itself summer the whole year round.

This palm has brought you to a sense of your location--to California. The romance that has been spelled into you of a distant land, and of the men who toiled that it become a great state peopled with great cities, of Nature's lavish gifts and terrific blows laid alike upon it, came into your heart and soul and body at the first glimpse of that tree. Before the train is under way again your camera has been called into action--mental processes are supplemented by a permanent record chemically etched upon a film of celluloid.

After that pioneer among palm-trees, more of these little yellow depots and more of these rarely beautiful palms standing beside them. The ranches multiply, this valley of Sacramento is a rarely fertile thing. Growth stretches for miles, without ever a hint of undulation. California is the flattest thing you have ever seen. And again and again you will be declaring it the most mountainous of all our states. The flat-lands carry you beyond daylight into dusk. The towns multiply, a glow of arc reflection against the shadows of evening is Sacramento a dozen miles distant. Then there is a rattle of switches, a halt at a junction station, and mail is being gathered from the impromptu literature makers on our train to go east. The main line is reached. And a little later the Straits of Costa are crossed. Here is a broad arm of the sea and if it were still lingering daylight you might declare that Holland, not Switzerland, had been transplanted into California. The sea laughs at bridges, and so from Benecia to Port Costa we go on a great ferryboat, eleven Pullmans, a great ten-drivered passenger locomotive--all of us together. For twenty minutes we slip across the water, breathing fresh air once again and standing in the ferry's bow looking toward the shadowy outline of a high, black hill carelessly punctuated here and there by yellow points of light. A new land is always mysterious and fascinating; by night doubly mysterious, doubly fascinating.

The ferry boat fast to its bridge, the locomotive is no longer an impotent thing. We are making the last stage of a long trip across the continent by rail. The little towns are multiplying. The subtle prescience of a great city is upon us. We turn west, then south and the suburban villages are shouldering one another all the more closely the entire way. We skirt and barely miss Berkeley, hesitate at Oakland and then come to a grinding final stop at the end of a pier that juts itself far out beyond the shallow reaches of San Francisco bay. Again there is a ferry boat--a capacious craft not unlike those craft upon which we have ridden time and time again between Staten island and the tip of Manhattan--and when its screws have ceased to turn we will finally be in the real San Francisco, reached as a really great metropolis may be reached, after an infinitude of time and trouble. It is still October--the warmest month of the year in the city by the Golden Gate--and the girls and their young men fill the long benches on the open decks of the ferry. The wind blows soft from the Pacific, and straight ahead is San Francisco--a mystery of yellow illumination rising from the water's edge.

As the ferry makes her course, the goal is less and less of a mystery. Street lights begin to give some sort of half-coherent form to the high hills that make the amphitheater site of San Francisco, they dip in even lines to show the course of straight avenues. A great beer sign changes and rechanges in spelling its lively message, there is a moon-faced clock held aloft, you pinch your memory sharply, and then know that it must be the tower of the great ferry-house, the conspicuous waterfront land-mark of San Francisco.

In another five minutes you are passing under that tower--a veritable gate-keeper of the city--and facing up Market street; from the beginning its undisputed chief thoroughfare. A taxicab is standing there. You throw your hand-baggage into it, come tumbling after, yourself. There is a confusion of street-lights, a momentary intimacy of a trolley car running alongside--a little later the glare and confusion of a hotel lobby, the fascinating fuss of getting yourself settled in a strange town. There is a double witchery in approaching a great new city at night.

In the morning to tumble out of your hotel into that same strange town in the clarity of early sunshine, to have this great street or that or that--Market or Geary or Powell--stretching forth as if longing to invite your explorations--here again is the fascination of travel. The big trolley cars come rolling up Market street in quick succession, and for an instant their appeal is strong. But over there is a car of another sort, running on narrow-gauge tracks and with the roar of an endless cable ever at work beneath the pavement. The little cars upon those narrow tracks interest you. They are as gaily colored and as bravely striped as any circus wagon of boyhood days, and when you pay your fare you can take your choice--between the interior of a stuffy little cabin amidships or open seats at either end arranged after the time-honored fashion of Irish jaunting cars. San Franciscans do not hesitate. They range themselves along the open seats of the dinky cars and look proud as toads as the cars go clanking up the awful hills.

The San Francisco cable car is in a transportation class by itself. It clings tenaciously to early traditions. For in San Francisco the cable railroad was born--and in San Francisco the cable railroad still remains. One Andrew S. Halladie was its inventor--somewhere early in the "seventies." Up Clay street hill, and to know and appreciate the slope of Clay street hill one must have seen it once at least, Halladie's first car struggled, while its passengers held their breaths just as first-comers to San Francisco still hold their breaths as they ride up and down the fearful hills. The telegraph told to the whole land how a street railroad was running on a rope out in that little-known land of marvels--California. But the telegraph could not tell what the railroad on a rope meant to San Francisco--San Francisco encompassed and held in by her high sand hills. The Clay street cable road had conquered one of the meanest of these hills and they began to plan other roads of a similar sort. Like a blossoming and growing vine the city spread, almost overnight. Sand-dunes became building-lots of high value and a new bonanza era was come to San Francisco. And, with the traditional generosity of the coast, she gave her transportation idea to other cities. In a little while St. Louis, Chicago, Washington and New York were banishing the horse cars from their busiest streets. A new era in city transit was begun.

A few years later the broomstick trolley--cheaper and in many respects far more efficient--displaced the cable-cars in many of these cities. But San Francisco up to the present time has stuck loyally to her old-time hill conquerors. And the nervous lever-clutch of the gripman as he "gets the rope" is as distinctive of her as are the fantasies of her marvelous wooden architecture.

Some of the cable cars have disappeared--they began to go in those wonderful years of reconstruction right after the fire, and they are already obsolete in the city's chief thoroughfare, Market street. The others remain. Over on Pacific avenue is a little line that the San Franciscans dearly love, for it is particularly reminiscent of the trams that used to clatter through Market street before the fire--a diminutive summer-house in front and pulling an immaculate little horseless horse car behind. Eventually all will go. One road's franchise has already expired and upon it San Francisco is today maintaining the first municipally operated street car line in any metropolitan city of America. If the experiment in Geary street succeeds, and it is being carefully operated with such a hope clearly in view, it will probably be extended to the cable lines when their franchises expire and they revert automatically to the city.

* * * * *

The distinctive mannerisms of San Francisco are changing--slowly but very surely indeed. Some of them still remain, however, in greater or less force. At the restaurants, in the shops and in the hotels you receive your change in "hard money"--gold and silver coin. Your real San Franciscan will have nothing else. There is something about the substantial feeling of a coin, something about the tinkling of a handful of it that runs straight to the bottom of his heart. Since the fire--which worked ever more fearful havoc with San Francisco comforts than with the physical structure of the city--the use of paper money has increased. But your true Californian will have none of it. When he goes east and they give him paper money he fusses and fumes about it--inwardly at least. He thinks that it may slip out of that pesky inner pocket or vest or coat. He wants gold--a handful of it in his trousers-pocket to jingle and to stay put. And as for pennies. You who count yourself of the East will have to come east once again before you pocket such copper trash--they will have none of them upon the West Coast. Small change may be anything else but it is not Western.

"Western," did we say?

Hold on. San Francisco is not western. California is not western. To call either western is to commit an abomination approaching the use of the word "Frisco."

"California is to all purposes, practical and social--a great island," your San Franciscan will explain to you. "To the east of us lies another dividing sea--the broad miles of desert and of mountains, and so broad is it that Hong Kong or Manila or Yokohama seem nearer to us than Chicago or St. Louis. We recognize nothing west of New York and Washington. Between is that vast space--the real West--which fast trains and good, bridge in a little more than four days. In there is your West--Illinois, Mississippi, Iowa, Nebraska, Colorado--all the rest of that fine family of American states.

"In Los Angeles, now, it is different. The lady that you take out upon your arm there is probably from Davenport or Kokomo or Indianapolis, whether she will admit it or not. Los Angeles is western. We are not. We are 'the Coast' and be exceeding careful, young man, how you say it."

He has spoken the truth. Your typical San Franciscan is quite as well versed in the streets and shops and hotels of London, Paris and Vienna, as your typical New Yorker or Bostonian. The four days bridging across the North American continent is no more to him than the Hudson river ferries to the commuter from New Jersey. His city is cosmopolitan--and he is proud of it. Her streets are cosmopolitan and so are her shops and her great hotels. To the stately Palace reared from the site of the old, and with a new glass-covered court rivaling the glories of its predecessor, still come princes and diplomats, globe-trotters of every sort and bearing in their train wondrous luggage of every sort, prosperous miners from the North, bankers from the East, Californians from every corner of their great state, and look with curious interest at the elect of San Francisco sipping their high tea there in the court yard.

And the cosmopolitanism of the streets is still more marked. Portuguese, Italian, sour-doughs from Alaska, hundreds of the little brown Japs who are giving California such a tremendous worry these days, Indians, French Kanakas, Mexicans, Chinese--the list might be run almost interminably. Of these none are more interesting than the Chinese. You see them in all the downtown quarters of San Francisco--the men with that inscrutable gravity and sagacity that long centuries of civilization seem to have given them, the women and the little girls, of high caste or low, invariably hatless and wearing loose coat and trousers--in many cases of brilliant colors and rare Oriental silks. And when you come to their own city within a city--San Francisco's famous Chinatown--they are the dominant folk upon the street. Of course the new Chinatown is not the old--with its subterranean labyrinths of unspeakable vileness and dirt, with danger and crime lurking in each of its dark corners. That passed completely in the fire. But it had begun to pass even before that great calamity. It was being exploited. Paid guides, with a keen sense of the theatrical, were beginning to work the damage. The "rubberneck wagons" were multiplying.

Today Chinatown is frankly commercial. It is clean and new and clever. Architects have brought more of the Chinese spirit into its buildings than the old ever had. It does not lack color--by day, the treasures of its shops, the queer folk who walk its streets, even the bright red placards upon the door-lintels; by night the close slow-moving throngs through Grant avenue--its chief thoroughfare--the swinging lanterns above their heads, the radiance that comes out from brilliantly lighted and mysterious rooms along the way--the new Chinatown of San Francisco. But it is now frankly commercial. The paid guides and the "rubberneck wagons" have completed the ruin. If you are taken into an opium den, you may be fairly sure that the entire performance has been staged for the delectation of you and yours. For the real secrets even of the new Chinatown are not shown to the unappreciative eyes of white folk.

At the edge of Chinatown slopes Portsmouth square and here the cosmopolitanism of San Francisco reaches its high apex. Around it chatters the babel of all tongues, beyond it stretches the "Barbary Coast,"[G] that collection of vile, if picturesque resorts that possesses a tremendous fascination for some San Franciscans and some tourists but which has no place within the covers of this book. To Portsmouth square come the representatives of all these little colonies of babbling foreigners, the men who sail the seven seas--the flotsam and the jetsam not alone of the Orient but of the whole wide world as well. There is a little man who sits on one side of the square and who for a very small sum will execute cubist art upon your cuticle. Among tattooers he acknowledges but two superiors--a one-legged veteran who plies his trade near the wharves of the Mersey, and a Hindu artist at Calcutta. The little shops that line Portsmouth square are the little shops of many peoples. Over their counters you can buy many things practical, and many, many more of the most impractical things in all the world. And the new Hall of Justice rises above the square in the precise site of the old.

[G] As this goes to press a "vice crusade" has swept San Francisco and the "Barbary Coast" has been forced to close its doors. It is not unlikely that they may be opened once again. E. H.

Portsmouth square has played its part in the history of San Francisco. From it the modern city dates. It was the plaza of the old Spanish town, and within this plaza Commodore Montgomery of the American sloop-of-war _Portsmouth_ first raised the Stars and Stripes--in the strenuous days of the Mexican war. After that the stirring days of gold-times with the vigilantes conducting hangings on the flat roofs of the neighboring houses of adobe. Portsmouth square indeed has played its part in the history of San Francisco.

"Portsmouth square," you begin to say, "Portsmouth square--was it not Portsmouth square that Stevenson--"

Precisely so. There are still some of the shop-keepers about that ancient plaza who can recall the thin figure of the poet and dreamer who loafed lazy days in that open space--hobnobbing with sailors and the strange dark-skinned vagabond folk from overseas. There is a single monument in the square today--a smooth monolith upon whose top there rests a ship, its sails full-bellied to the wind but which never reaches a port. Upon the smooth surface of that stone you may read:

TO REMEMBER ROBERT LOUIS STEVENSON

To be honest To be kind--To earn a lit- tle To spend a lit- tle less--to make upon the whole a family happier for his presence--To re- nounce when that shall be necessary and not be embittered--To keep a few friends but these without capitula- tion--Above all on the same grim condition to keep friends with himself--Here is a task for all that a man has of fortitude and delicacy

That is the lesson that Portsmouth square gives to the wanderers who drag themselves today to its benches--the words that come as a sermon from one who knew and who pitied wrecked humanity.

There are other great squares of San Francisco--and filled with interest--perhaps none other more so than Union square, in the heart of the fine retail section with its theaters and hotels and clubs. Of these last there is none more famous than the Bohemian. More showy clubs has San Francisco. The Pacific Union in its great brown-stone house upon the very crest of Nob Hill, where in other days the bonanza millionaires were wont to build their high houses so that they might look across the housetops and see the highways in from the sea, has a home unsurpassed by any other in the whole land. But the Bohemian does not get its fame from its fine town club-house. Its "jinks" held in August in a great cluster of giant redwood trees off in the wonderful California hills are world-renowned. In the old days all that was necessary for a man to be a Bohemian, beyond the prime requisite of being a good fellow, was that he be able to sing a song, to tell a story or to write a verse. In these days the Bohemian Club, like many other institutions that were simple in the beginning, has waxed prosperous. Some of its members have rather elaborate cottages in among the redwoods and go back and forth in automobiles. But much of the old spirit remains. It is the spirit which the San Franciscan tells you gave first American recognition to such an artist as Luisa Tetrazzini, which many years ago gave such a welcome to the then famous Lotta that the generous actress in a burst of generous enthusiasm returned with the gift to the city of the Lotta fountain--at one of the most famous of the Market street corners. It is the spirit which makes San Francisco give to art or literature the quickest appreciation of any city in America. It is, in fact, the same spirit that gives to San Francisco the reputation of having the gayest night life of any city in the world--with the possible exception of Paris.

Night life in a city means the intoxication of many lights, the creature comfort of good restaurants. San Francisco does not lack either. When the last glimmer of day has disappeared out over the Golden Gate, Market street, Powell street, all the highways and the byways that lead into them are ablaze with the incandescent glories of electricity. Commerce and the city's lighting boards vie with one another in the splendor of their offerings.