Part 11
In and out of a dozen haberdashers they went. All the young women behind the counters were very polite and amazingly hopeful, but when they came to pull out the long drawers filled with ribbands of every size and colour, they could only produce the gayest pinks, the most brilliant shades of rose, and though they continued to be very cheerful and persuaded themselves and their rather petulant customer that the match was as near as could be expected, they were quite unsuccessful, and the ribbands were put back in the drawers to await a less exacting purchaser.
Finally Phyllida, turning out of the tenth shop, heard St. Simon's clock strike eleven. It was a moderately fine morning, and she knew her beau was at that moment turning into Curtain Garden. She stamped her foot with vexation and disappointment.
"Oh Thomas, Thomas! was ever such a mad errand before?" complained his mistress.
"Velvet! Vanity! and a-whoring after strange silks," groaned Thomas.
"Thomas," said Miss Courteen in her most engaging voice, "you would do anything for me?"
"With God's help," agreed the footman.
"And you'd do a great deal for a shilling-piece?"
"To spite Beelzebub," said Thomas.
"Then, Thomas, step down to the Western Colonnade, make my compliments to Miss Sukey Morton, say I hope she is better of her cold, and will she give Miss Phyllida Courteen the pleasure of her company to Mrs. Pinkle's Conversazione. But perhaps you'll forget that long message?"
Thomas replied in accents of unctuous solemnity:
"Better of her cold and quite recovered."
"Yes, but there's more."
"Waste not, want not," he answered severely.
"Oh Lud! I suppose I were wise to write it down," with which Miss Courteen tried the eleventh haberdasher. The pinks were just as light, the carmines as crude and fresh as ever.
But at the opposite counter it was possible to buy the most agreeable paper; so Miss Courteen bought a quire, and also a box of wafers marked with a laurel-wreathed C. Then she borrowed old Mrs. Rambone's crow-quill pen with which the accounts were made up every evening in the little back parlour, and Miss Lettice Rambone politely cleared a corner of the counter and brought out a standish, while Phyllida put her swansdown muff on the chair because, though it was high enough to pull about haberdashery, it wasn't high enough for writing letters. After much arrangement, she wrote:
"MY DEAREST MISS MORTON,--_I hope you are better of your cold. I am truly anxious that you should come and see me this afternoon at four o'clock on a matter of great importance. I am truly distressed by a most unlucky Event. I doubt my dearest Sukey can guess what disturbs her.
Ever affect. and truly devoted_
PHYLLIDA.
P.S. _Pray come_.
P.P.S. _I saw a Red Coat not unknown to a certain young lady now resident at Curtain Wells. The said Red Coat made a most polite bow_."
Ph. C.
Then Phyllida sealed the note with one of her new wafers, and Thomas unscrewed the knob of his tall stick and put the note inside and the shilling-piece in his waistcoat pocket and marched away down the High Street, while Phyllida rushed off with her muff held up to the East wind which was quite cold when one was walking so fast. For the Western Colonnade, you turned to the right, but if you were going to Curtain Garden, you turned to the left, and Phyllida turned to the left.
She had to pass the end of the Crescent on her way, and hurried past, afraid for her life to see Mrs. Courteen sailing round the corner. She was now outside the Great House, and could not help looking up to the big bow-windows to see if Mr. Ripple was there. There he was, very calm and very dignified, but a little out of focus because his windows all had such very thick glass. She caught his eye, and the Great little Man smiled at her. She smiled back and blushed, thinking of the meeting of yesterday. Suddenly the window shot up, and Phyllida turned her head to see the Beau beckoning. She stopped in dismay, while Mr. Ripple, having first spread his handkerchief on the sill, leaned out to speak to her.
"Pray pardon this ungenteel summons, my dear Miss Courteen, but if you would not consider yourself compromised by such an adventure, I should be vastly honoured by your inspection of some proper new prints which have fallen into my hands."
Miss Courteen was overwhelmed by this invitation. What could she do but murmur assent?
The Beau, with a delightfully suave gesture, hurried to open the front door for Miss Courteen who tripped up the dazzling white steps, all swansdown and blushes.
Mr. Ripple begged her to follow him upstairs to the drawing-room and be seated before the fire.
It was a fine high room of good proportions, with three large sash-windows and a wrought-iron balcony running along the breadth of the house. The walls were panelled and painted white, and the floor was stained and varnished to a glaze of immense brilliancy. The rugs scattered about it were Aubusson, of rare hues in fawn and puce and faded lavender and old rose interwoven with queer dead greens. There were several prints on the walls, mostly after Watteau and Fragonard. The whole room wore the indescribable air that is only to be found in the house of a bachelor of comfortable means, good taste and a certain age. There was no trace of a woman's hand in its arrangement, and yet one felt that the owner, through long seclusion from the other sex, had softened towards it with the years until, secure at last, he was able to admit a feminine cirrhus into the limpid and rarefied air of his remote celibacy.
Phyllida, as she watched the firelight ripple in orange wavelets across the surface of the blue and white Dutch tiles set on either side of the hob, wondered what the Beau meant by this sudden invitation.
Just then he begged to be excused for a moment while he fetched the portfolio containing his new purchase.
She heard the door gently closed and looked round the room.
How tall and white it was, just like Mr. Ripple's hand, smooth and white and exquisitely shaped. Outside, the grey weather mellowed the ivory of the room. There was a curious stillness as of frost, and she watched the reflection of the fire leaping in opalescent miniature about the high windows. There was a new spinet, set at an angle to the rest of the furniture, in a case of light-coloured wood, painted with cupids, zephyrs and roses, all waxen-pale. The tall, quiet chamber began to depress her spirits, so that she felt compelled to strike the extreme treble note of the spinet which through the stillness rang out like the unwonted pipe of a bird in a hot August woodland.
At last, Phyllida, whose whole body was beginning to tingle with the effort of waiting in such breathless quiet, heard some one coming upstairs. Gog, the Beau's diminutive negro, entered with a silver tray; on which small and shining lake swam coffee cups like swans or fairy shells. The Great little Man followed close upon the dusky heels of his squire and soon Phyllida found herself sipping her coffee in easy conversation with the King of Curtain Wells.
"Do you know the, Maze? he was asking.
"Oh yes," said Phyllida.
"A pleasant spot, cool and green."
"It is indeed."
"I often sit there," said the Beau.
"'Tis a pleasant spot."
"Less fortunate than my poetick namesake, I have no plane-tree there, no long-buried Falernian; but I am unjust to my time, for, after all, I have Curtain Garden and Chalybeate that springs from the depths of earth," continued the Beau, half to himself.
Phyllida was not quite sure what he was talking about, but agreed politely.
"My dear Miss Courteen," said the Beau suddenly, "may I say something very abrupt and perhaps intolerably free, but nevertheless something which I feel ought to be said?"
"Oh yes, sir," Phyllida replied, wishing devoutly that she was well out of this tall, white room.
"My dear Miss Courteen," he went on, "I am a man who knows something of life on its merely social side. I have been an observer, if I may say so, a naturalist of humanity. My self-chosen attitude has forbidden me all passion, save that which is the recognized privilege of an audience. Of love I am supposed to know nothing, save in that third person whose company is unwelcome and superfluous. Perhaps my devotion to the _Odes_ has led me to see too many Lalages, too many Lyces. Perhaps I regard women too much as roses that bloom, scatter their sweets and die. In a word, perhaps I am unsympathetick."
"I don't think you are at all, sir," cried Phyllida, surprized by her own boldness.
"Thank you," said the Beau, with the merest hint of a tremour in his equable voice.
"But," he went on, "if I regard women as roses, I never seek to pluck them: most men do. Miss Phyllida, pray pardon a man of some age who cares more for Youth than he is willing to admit, who is not quite the phantastick, the fop, the cynick that his subjects make him out. You know what Shakespeare says: 'Each man in his time plays many parts.' I, my dear, have remained for more than thirty years faithful to one. That is why I am considered so eccentrick--well, well, I grow loquacious. My dear Miss Courteen, it is very unwise to make assignations in the pride of youth. Assignations belong to the middle-aged, the disillusioned. If you love a young gentleman, make no secret of it, and let the whole world join in your happiness; but if it be necessary to love this young gentleman in Mazes and such clandestine spots, this young gentleman is not worth so much devotion. Who is he?"
"Mr. Amor, Sir," said Phyllida, feeling half inclined to cry.
"Amor? Amor? I don't know the family. Is it by his wish these meetings are kept secret? Yes! yes! I know 'tis very romantick and very rapturous, but, believe me, my dear Miss Courteen, it is not worth the cost. You must think of your reputation."
"I do, Mr. Ripple, indeed I do--all the time!"
"Come, come then, present me to your Amor at the Chinese Masquerade. I'll talk to the rogue, and egad! we'll have the wedding in June. What do you say?"
"I don't think Mr. Amor would be very willing, and I'm sure my mamma would be monstrous vexed."
"Nonsense," said the Beau, "nonsense! You won't be happy, till you've packed yourself into a post-chaise smelling vilely of stale tobacco and horse-cloths. And when you've found some Fleet Street parson to marry you, you'll wish for a fine wedding and a bride-cake, and your tenants cheering and holloaing at the lodge-gates."
Here the Beau showed himself too unfamiliar with the mind of a young woman. The idea of eloping had never yet entered that dainty head of glistening chestnut curls; but from that moment Phyllida began to play with the notion.
"Come, come," he went on, "let's have no more of clandestine courtship. Heiresses and dace both attract by reason of their silver: libertines and pike have much in common. Moreover, you must think of your mother."
"I doubt you don't know my mamma very well. She swears I'm but a child, but I'm not a child, am I, sir?"
Mr. Ripple put up his monocle and solemnly stared at his fair impenitent.
"You are not a very old woman."
"Besides, my mamma doesn't understand the meaning of love."
"My dear young lady," protested the Beau, "that is a very common error with the young. Don't you think that shaded lane once lisped to her footsteps? Don't you think April once broke as sweet for her?"
"Well, if it did," argued Phyllida, "she's forgotten all she ever knew."
"Come, come, I dare swear she has a secret drawer fragrant with cedar. Find it, my dear Miss Phyllida, and you'll find many old letters, many withered nosegays."
"Indeed, I've searched."
"Perhaps her escritoire is the heart."
"'Tis very well for you, Sir, to talk thus, but my parents were never happy."
The Beau mentally cursed the pertinacious memories of servants.
"Then, if that was the case," he went on, "there is the greater reason for your friends to secure you against such an irreparable misadventure. Now come, you'll present me to this Mr. Amor? I may not understand all women, but trust me, I have a tolerable knowledge of men."
The pale February sun cast a watery beam through the high windows and Mr. Ripple's face caught an added lustre, was in fact so bright and kindly that Phyllida promised, subject to Mr. Amor's consent.
And soon they were both bending over the portfolio of prints--very diverting prints they were too, caricatures of the foibles of fashion.
It was certainly very delightful to see tranquil monarch and fervent maid laughing very heartily together at the most prodigious head-dress the world ever saw.
_Chapter the Fifteenth_
PHOEBUS ADEST
The Coffee-room of the _Blue Boar_ wore a remarkably cheerful aspect on the evening of the day on which we have seen something of Beau Ripple's methods. There had been a splendid run from Oaktree Common across the downs to Deadman's Coppice, where a short check only lent a spice to that glorious final run across Baverstock Ridge until they killed just outside Farmer Hogbin's famous barn. And after the death what delicious musick acclaimed the deed--the baying of hounds, the chatter of maids, the clatter of horses' hoofs, the guffaws of Lieutenant Blewforth, the still louder guffaws of Farmer Hogbin mounted on his raw-boned hunter of sixteen hands, the blasts of the horns, the chink of glasses and the wind getting up in the South-west, all combined in harmonious delight. What a splendid ride home it was and how the riders went over each renowned minute of that for-ever-to-be-famous day. Lieutenant Blewforth swore he would forsake the sea for the life of a country gentleman, and everybody laughed when H.M.S. _Centaur_ (so they had named Blewforth and his steed) shied at a belated calf.
"Egad! B-b-Blewforth," stammered little Peter Wingfield, "'tis lucky your stomach was trained on the roaring d-d-deep, for you pitch and roll like a sloop making Ushant."
"Ah! my boy," shouted Blewforth, "my pretty sloop don't shy like this d----d bum-boat I'm pulling."
How Mr. Golightly of Campbell's Grey Dragoons swore such a run was better than a frontal charge at the enemy's guns and how young Tom Chalkley of the Foot stiffened all over and muttered something about the Cavalry. Indeed the only person to look glum was Mr. Anthony Clare who, though he rode better than any of them and had shown them his horse's heels all the way, missed Charles Lovely.
As they walked along the road, fading into early dusk, and heard the wind sighing in the trim hedges and saw the lights of Curtain Wells seven miles away, Clare cursed that passion for cards which made a man forsake the bleak Spring fallows for pastures of green baize.
But later when the huge cold sirloin that sailed in so sleek, sailed out like a battered wreck, and when pints of generous Burgundy had coloured life to its own rich hue, and when Mr. Daish himself had coaxed the fire to roar and blaze up the chimney, and set out the walnuts and put half a dozen ample chairs round the fire, Mr. Clare could not resist the universal content, but must laugh and make merry and relate the events of the day for the seventh time, with as much zest as any of the returned heroes.
Charles had surely been winning: he was so flushed and talked so loudly. Actually he did not possess a penny, and what was worse, owed Mr. Vernon a couple of hundred guineas. Not much, but enough when you have only cloaths to sell, and not a prospect in the world.
Presently one by one the hunters dropped off to sleep with legs outstretched and doffed wigs and long church-wardens' pipes, that one by one dropped from slowly opening mouths, slid along unbuttoned waistcoats and snapped their slender stems upon the floor, until everybody except Mr. Vernon and our hero was snoring the eighth repetition of the events of that famous day.
The room was hot; the drawing of many breaths thick with fatigue, beef and Burgundy induced a meditative atmosphere; the fire no longer blazed, but sank to an intense crimson glow. Mr. Vernon counted up his gains, while Mr. Lovely pondered his losses in silence.
At last the latter got up suddenly.
"The cards?" inquired Mr. Vernon.
"Not to-night. I think I'll take the air," Charles replied.
"As you will," said the other and betook himself once more to his tablets.
Charles paused for a moment outside the Coffee-Room to take down his full black cloak and three-cornered hat. The night wind had brought in its track a melancholy drizzle of rain that suited his own melancholy mood. He wandered rather vaguely across the wide inn-yard, passed under the arch and sauntered along the deserted High Street.
To tell the truth, Mr. Lovely was very unpleasantly situated at this period. His father had been the ne'er-do-weel survivor of a long line of country squires away down in Devonshire. When he had eloped with Miss Joan Repington, to the eternal chagrin of the young lady's brother, a rich banker knighted for his loyal support of the Protestant Succession, Valentine Lovely ran through his own and his wife's fortune in the first six years of matrimony. Thence onwards they lived a hand-to-mouth existence, dependent on Valentine's luck at the tables and the inviolableness of an aunt's legacy of five thousand guineas.
Mrs. Lovely died, prematurely aged, in the birth of a still-born child, and Mr. Valentine Lovely and his young son continued to live the same haphazard existence for another ten years. Charles spent all his time with his father who in the intervals of drink and play taught his heir to step a minuet, sing a merry song, and indite a witty epigram; also he gave him a case of pistols, heavily chased with the Lovely arms, and lent him the family tree for target. Finally he made him proficient in the polite use of the smallsword and the dice-box.
Once, when an early summer made the Bath intolerably hot, Mr. Lovely and his heir posted down to Devonshire in a crimson chariot putting up at the _Prior's Head_, in Danver Monachorum. He spent a week paying unwelcome visits to the neighbouring gentry who looked askance at the crimson chariot and still more askance at the degenerate heir of the Lovelys. Valentine soon tired of so much pastoral exercise and departed to St. Germain's, leaving young Charles in the care of an old stillroom maid, now a prosperous farmer's wife. The boy spent placid hours in rich meadows, ate a quantity of scalded cream, and grew out of knowledge in the six months of his stay. He used to wander down to the park gates--gloriously wrought-iron gates between massive stone pillars that bore on each summit a quintett of cannon balls, the reputed trophy of some seafaring Elizabethan Lovely. There was a picture in the great hall, of curiously inferior execution, portraying numbers of Devon sailormen led by a huge-ruffed gentleman with a long peaked beard, swarming up the towering sides of the galleon _Jesu Maria_. Charles was taken to see it when the new family was gone up to London town. He also saw the great stone swan over the vast fireplace, with the motto of his house, _Sum decorus_.
Later in the autumn his father returned and the old life of lodgings, inland Spas and long posting journeys was resumed. He had never again visited that remote Devon village, with its cows and pastures and dairymaids and famous chronicles.
Then, just after Charles reached his majority, Mr. Lovely Senior died quite suddenly, and our hero found himself in undisputed possession of the interest on five thousand guineas and as much more in cash, owing to a lucky run by his father in the week before his death.
Charles now indulged the family vice of throwing money to the dogs and, having lost the earnings of his father, set about realizing a trifle of ready money on the five thousand guineas left him by his mother's aunt. This step brought him into pen-and-ink contact with old Sir George Repington who wrote him a stern letter of advice, with a postscript offering him a stool in the Repington bank. Charles was furious and did not reply.
About that time he renewed the friendship with Mr. Anthony Clare begun in that far-off summer away down in Devonshire. The latter persuaded him to leave London and come to Curtain Wells where for a time he lived happily enough on his small annuity. However, just before our story opened, he had been hard hit at loo and had raised a thousand guineas by making over the interest on his inheritance to the friendly moneylender who advanced the needed sum. On the top of this came his losses to Vernon, and now he was stranded indeed.
Therefore the melancholy drizzle of rain suited his melancholy mood. Of course he could borrow, play again and perhaps win, but if he should lose he would be in debt to a friend, a position which he disliked. His father, less scrupulous in this respect, was always content to lay himself under fresh obligations. To Charles, however, something of the pride which sustains a great financial house had descended through his mother and, prodigal though he was, he would never borrow money from a friend. Of course a moneylender was different, but what security could he offer? It looked as if he would have to appeal to his uncle after all. This alternative was thoroughly odious, and Charles racked his brains to discover a way out of the difficulties into which he was plunged.
In such despondent meditation he wandered on until the dancing glare of two large flambeaux, stuck in iron sockets, caught his attention. He found himself outside the Great House.
The project of consulting with the Beau entered his mind, but St. Simon's struck the hour of ten, and he knew Mr. Ripple would be retiring to rest, since he was accustomed to preserve his energy on those nights when he was not called out to preside over an assembly, rout, or masquerade. At that moment the two flambeaux, as if to proclaim their owner's withdrawal from the claims of society, simultaneously collapsed and strewed Mr. Ripple's fair white steps with ashes.
The sudden darkness betrayed the opalescent windows of the Beau's bed-chamber. He had neglected to draw the curtains, and on the blind his suave shadow disported itself in preparation for the night and the next morning.
Charles watched the shadow dip giant fingers into monstrous pomade pots. Now those fast deepening crowsfeet were being vigorously rubbed. Now that swift creasing neck was being smoothed with slow caressing movements. The wig-block displayed itself in generous shadowy curves. Now, surely, the shadow's sudden inaction betokened a contemplation of creeping age.
"And this," thought Charles, "is the destiny marked out for me by Ripple."
He knew if he waited upon him on the morrow, explained his reverses, and promised amendment, the Beau would one day procure for him the monarchy of the Wells, but Charles was not inclined to manipulate the strings of marionettes, himself suspended from a longer cord and dancing for the amusement of a higher power.
The incongruity of the situation, disclosed by the Beau's window, tickled his sense of humour. There was the monarch of an artificial kingdom caulking his wrinkles like a beldame in search of her youth; there he was, that despotick king who prescribed Chalybeate as the Panacea for all earthly ills, in ludicrous terror at the swift flight of his complexion.
There he was, no better than the chief eunuch of a Persian harem with authority over women and the power of lock and key against intrusive fops.
Yet he was a kindly man and a gentleman. He was feared and loved, a man whom the world called successful. Charles himself liked fine cloaths, found talking pleasant, enjoyed the organization of splendid entertainments, yet he could not condemn himself to eternal celibacy and the preservation of his figure. The restriction of such an existence would be unendurable.