Chapter XV. we related that each of the peoples avoid certain animals;

in some cases they avoid not only killing or touching these animals, but also even very remote relations with them: as, for example, taking food from a vessel in which their flesh has been cooked on some previous occasion; coming within the range of the odour of the object; coming into a house in which there is any part of such an animal.

The evil resulting from breach of any such prohibitions generally takes the form of wasting sickness with pains in the head, chronic cough, dysentery, or spitting of blood. When a Kenyah has knowingly for any reason, or unintentionally, come in contact with any one of the forbidden objects, or if he finds himself suffering from any of these things, and therefore suspects that he has unwittingly come under their influence, he subjects himself to a process of purification. At break of day he descends, with other members of his family, to the brink of the river provided with a chicken, a sword-blade, two frayed sticks, and a length of spiky vine known as ATAT. This latter is bent into the form of a ring, within which he takes his stand and awaits the appearance of Isit (the spider hunter -- one of the omen-birds). He calls it by name, Bali Isit; and as soon as Isit calls in reply, he pours out a long-winded address, charging him to convey to Bali Penyalong his prayer for recovery or protection. Then he snips off the head of the chicken, and wipes some of its blood on the frayed sticks and on the ring. The ring, with the chicken and the frayed sticks, are then lifted above his head by his attendants, and water is poured upon them from a bamboo, so that it drips from them on to his head. Eight times the ring is lifted up, and each time the pouring out of the water is repeated. Then, standing on the blade of the sword, he again addresses the omen-bird as before. This completes the rite, which is known as LEMAWA.

A similar rite of purification is practised by most of the other peoples. In some cases the principal feature of the rite of purification is being spat upon by the chief.

It may be broadly said that all these peoples are constantly on the alert to provide against unknown dangers; that, having no definite theories of causation, they are apt to accept every hint of danger or hurtful influence suggested by the attributes and relations of things, and to seek to avoid these influences or to ward them off or counteract them by every means that in any way suggests itself to their minds as possibly efficacious.

Although the Kayans regard a madman as possessed by an evil spirit, they seem to have no traditional methods of casting out the spirit; but some of the Klemantans practise a rite of exorcism; this varies in detail from tribe to tribe, and attains the greatest elaboration among the Malanaus. The rite is known as BAYOH, and bears a general resemblance to the corresponding Malay rite known as BERHANTU. The Malanaus are Klemantans of the coast regions of Sarawak, most of whom have recently become converted to Islam, while all of them have been much influenced by contact with Malays. The following account is reproduced from a paper published by one of us (C. H.) in the REVIEW OF THE FAR EAST (Feb. 1907), to the editor of which we are indebted for permission to make use of the paper: --

The ceremony of casting out evil spirits is of frequent occurrence among Malanaus, and the noise of gongs and drums throughout the night, lasting every night for sometimes a whole week, cannot fail to impress even a casual observer.

The natives of Niah, who are Malanaus, believe in a multitude of spirits, good and bad, great and small, important and of little account. At the head of these is Ula Gemilang, the sea divinity, a power who works for the good of man.[158] Adum Girang is another spirit of the sea, as also is Raja Duan, who has power over the sun, a spirit who is distinguished, when he appears in human form, by his white head-cloth. Majau is said to be pre-eminently rich. Aiar Urai Arang is said to be a small child whose mother is Aiar. Besides these there are other powerful spirits of the sea, the land, the up-river country, and so forth, and each is attended by innumerable slaves and attendants of ghostly kind; they have influence of many kinds over the dwellers in this world, some for good, others very much for evil. Madness is caused by various evil spirits throwing themselves into mortals, ghosts with red eyes which flash like lightning. The "amok" devil which comes from the swamp, differs from those which drive people to commit suicide -- these again being quite distinct from those which cause merely harmless lunacy.

It not infrequently happens that when a woman (or more rarely a man) is insane or is very ill, she is urged to admit that a devil has possessed her, and to become a medicine woman. By this means she becomes well of her complaint, and at the same time acquires the power of helping others to cast out devils. But she is not able of her own accord to determine whether she shall become a medicine woman or not. For three nights she is taken through the ceremony of BAYOH, afterwards to be described, without a rattan swing, and then for three nights with the swing. If the indications are favourable, some three weeks are allowed to elapse before she undergoes the final test of five nights with the swing. The first BAYOH is to satisfy the people, the second to appease the demon; and if her malady is cured by the eleven nights of artificial hysteria, she is considered to have been accepted both by men and spirits in her new role of exorciser.

As one woman expressed it, she is now "in with the demons." Even then, however, it does not follow that she is able to see when an evil spirit has ceased to possess a person. One old female, who had worked at BAYOH for fifteen years, admitted that if a devil went into herself she could turn it out, but only a more powerful woman than herself could turn devils out of others.

Two forms of BAYOH are known to the people of Niah, but it is only with the BAYOH SADONG that there is any need to deal here. The other form is used by the Punans, or mixed Punans and Malanaus. If it is supposed that some illness is due to possession by an evil spirit, it is decided to call the medicine women and get the unwelcome visitant to depart, though it is not considered possible in all cases to turn a demon out of his mortal abode. Offerings of eggs and fowls to the good spirits having proved fruitless, a day is fixed for the BAYOH, preferably shortly after a good harvest, and the household begins its preparations for the occasion. As powerful spirits are to be invited to the house, the room where they are to appear is decked with a profusion of ornaments suited to such exalted guests. Great tassels of white shavings are hung upon the walls, a white cloth adorned with the blossoms of the areca palm hides the rafters, and these graceful inflorescences are spread out fanwise over the doors and among the shavings. In one corner a hollow cone of areca blossoms and shavings spread over a framework of rattan is suspended from a rafter; and a model of a ship or raft is placed just outside an open window. As the function takes place at night, candles of beeswax are set about to give light. At the appointed time brass dishes are put on the floor with rice of many colours -- yellow, red, and blue -- spread in patterns of crocodiles; popcorns of rice and maize, water, and washing utensils, boxes of betel ready for chewing, tobacco, and cigarettes, to appease the varied appetites of the spirits invoked. just after sundown the neighbours troop in and settle themselves round the room, the ill-mannered pushing themselves in front. Certain of the villagers agree to form the band. Soon the house is full of people, boys and old men contentedly chewing and smoking, women retiring to darker parts of the room to gossip. A person of importance will be received with some show of civility, but without any definite ceremony. Arabian incense, KAMANYAN, which is used nowadays because the native GARU has too high a value for export to be consumed at home, disperses a not unpleasant smell through the gathering. Then the fun begins, gongs and drums are struck, and the strains of music sound through the village. With intervals of a quarter of an hour every two hours, the monotonous melody proceeds until seven the next morning, to be resumed, in all probability, the next night for another twelve hours, and perhaps maintained night after night for a whole week.

The medicine women -- one, two, or three, rarely four in number -- have collected in the middle of the room. Generally experienced by years of performing, they are often too old to be attractive, despite the gorgeous raiment with which they conceal their aged frames and the hawkbells which jingle as they move. At first they collect round the earthenware censers to warm their hands. They then begin to step with the music and wave their arms, hissing loudly through their teeth the while, and occasionally breaking into a whistle. After a time they sit down and nod this way and that to the music, as though engaged in training the muscles of the neck. But the drums and gongs go faster, till the long hair of the woman flies round with her head. The whistling is varied by a chant, SADONG, in an ancient language now barely understood.

"Why do you speak? Why do you SADONG? Why are you such a long time? As long as it takes a pinang (areca) to become old? The fruit of the cocoanut has had time to reach maturity and drop. Come to this country below the heavens. What do you wish? What is your desire? I have come to heal the sick one who lies on the floor, feeble and unable to rise, thin and shrivelled like a floating log. Have pity from your heart and prevent my soul from parting from my skin and my bones from failing away. This sickness is very severe and I am unable to contend against it."

One of the women goes to the patient, who, clad in black, sits alone on a mat, and brings her a pinang blossom to hold, covering her head with a cloth. The unfortunate being is then brought to the hollow cone of shavings and seated within it; it is then whirled round till the white shreds rise like a ballet dancer's skirt. Gradually the sick person is worked up to a frenzy, and, keeping time with the music, the medicine women sway about and wag their heads. So the proceedings go on, with weird fantastic dancing, nodding, howling, whistling, chanting, for all the hours of the tropical night. Then the medicine women are whirled round in the cone, and one by one they fall into a faint, to be recovered by fanning with the pinang blossom. They dance about and brush against the onlookers as though unable to control their movements, and are only kept at a distance by finding handfuls of rice flung in their faces. The point of giddiness and hysteria eventually reached can only be compared with certain stages of drunkenness.

The outsider will find it difficult to detect much method in the madness, but on more sober occasions the performers can offer intelligible explanations of their behaviour. The account given by an old medicine woman at Niah, and confirmed by the man who conducts the ceremonies at the same village, shows that the part taken by the spirits is quite as definite as the performance of the exorcisers. Attracted by the music, the followers of the chief evil spirits gather round the house when the BAYOH has begun, and hunt about. These little demons ask the chief medicine woman, "Why have you called us?" She replies, "Tell your master that I have called you because there is a person here sick." They then go back and fetch the more powerful spirit whom they serve. This demon comes up from the sea to the JONG, a small ship or raft that stands behind the house (Fig. 84), and finds his way up the rope ladder. He asks the BAYOH woman, "Why have you called me, mother?" She answers, "I have called you because there is a sick person here. You can help him! See whether you can help him or not." If the demon finds the sickness beyond his power to cure, he says, "I cannot help you; get some one else"; and the next night another one is invoked, until the evil spirit is cast out of the patient. If for seven nights the attempt is made in vain, the BAYOH is stopped and medicines are tried again, but with little hope that they will do much good. One of the BAYOHS I saw at Niah was on behalf of a slightly mad woman, who became very violent during the performance. She was said to be mad because she had become a Mohammedan, and it was explained that the Malanau demons had no power over the evil spirits of Islam. The poor woman was consequently put into stocks in her own room, and not long afterwards recovered.

When a big spirit comes into one of the medicine women, as they say, like a flash she feels its presence, but does not see its form. If it agrees to help, the woman goes on with the regular BAYOH, and soon feels confident that she is able to make the patient well. She asks for rice and other food, and spirit made from fruit, which she eats and drinks to gratify the demon within her. She calls upon the people to see that the viands are good, but not from any selfish motive, for it is said that she is not aware that she is eating at all. The coloured rice, which has been prepared, is the spirit's share, and eggs are also given. The demon invoked to help calls out to the evil spirit in possession of the sick person, "You stay in this craft whilst I sit here." "If you don't wish to stay here you can go to the woods, or your former abode." The evil spirit then goes from the patient into the basket prepared for his reception, and is then induced or ordered to depart by the demon in the medicine woman. What remains of the food set apart for the spirit is scattered along the river. The BAYOH is stopped, and thanksgiving offerings are floated out to sea that the exertions of the supernatural powers may not have been in vain, or these gifts may be taken into the jungle, where the hollow cone and raft are also placed or hung from a tree.

The medicine women work for a fee, and it is likely enough that the length of the BAYOH is influenced to some extent by their pay. Sometimes the ceremony is most gorgeous. A rattan swing, covered with a beautiful cloth, is provided for the women and the patient to swing in, with a platform near at hand to receive the evil, spirit. Sometimes Ula Gemilang himself is invoked. On these occasions the expenditure is profuse. A box is placed in the middle of the room with a handsome covering. The walk up the floor is covered with cloth of gold thread. There are seven candles in seven brass sticks, seven betel stands, and seven men carrying spears. When the god arrives, seven people carry the umbrella over his head. If every thing is not perfectly satisfactory in his judgment, he demands through the medicine woman whose body he has occupied some expensive gift, and if this is refused she may fall in a dead faint. Rice is thrown on her and she is fanned with the pinang blossoms, but the women who attend to her only share her fate and also become senseless. Eventually they recover, but there is now but little hope for the patient, for Gemilang is angry. In a despairing mood the BAYOH women then seek help from lesser powers.

Needless to say, the women bear out their part of the pantomime with great skill, becoming "possessed" at the proper time, snatching at the sick person's head as though to catch the evil spirit, and so forth. It is probable that in some cases the ceremony works a cure by suggestion. In any case the villagers have not too many occasions for social gatherings and feasts, and since those who hold BAYOHS must offer a good deal of hospitality to their neighbours, such meetings in a village are exceedingly popular with all except those who wish to go to sleep.