The Open Boat and Other Stories
Part II
Midnight Sketches
AN EXPERIMENT IN MISERY
(From the Press, New York.)
It was late at night, and a fine rain was swirling softly down, causing the pavements to glisten with hue of steel and blue and yellow in the rays of the innumerable lights. A youth was trudging slowly, without enthusiasm, with his hands buried deep in his trouser's pockets, towards the down-town places where beds can be hired for coppers. He was clothed in an aged and tattered suit, and his derby was a marvel of dust-covered crown and torn rim. He was going forth to eat as the wanderer may eat, and sleep as the homeless sleep. By the time he had reached City Hall Park he was so completely plastered with yells of "bum" and "hobo," and with various unholy epithets that small boys had applied to him at intervals, that he was in a state of the most profound dejection. The sifting rain saturated the old velvet collar of his overcoat, and as the wet cloth pressed against his neck, he felt that there no longer could be pleasure in life. He looked about him searching for an outcast of highest degree that they too might share miseries, but the lights threw a quivering glare over rows and circles of deserted benches that glistened damply, showing patches of wet sod behind them. It seemed that their usual freights had fled on this night to better things. There were only squads of well-dressed Brooklyn people who swarmed towards the bridge.
The young man loitered about for a time and then went shuffling off down Park Row. In the sudden descent in style of the dress of the crowd he felt relief, and as if he were at last in his own country. He began to see tatters that matched his tatters. In Chatham Square there were aimless men strewn in front of saloons and lodging-houses, standing sadly, patiently, reminding one vaguely of the attitudes of chickens in a storm. He aligned himself with these men, and turned slowly to occupy himself with the flowing life of the great street.
Through the mists of the cold and storming night, the cable cars went in silent procession, great affairs shining with red and brass, moving with formidable power, calm and irresistible, dangerful and gloomy, breaking silence only by the loud fierce cry of the gong. Two rivers of people swarmed along the side walks, spattered with black mud, which made each shoe leave a scar-like impression. Overhead elevated trains with a shrill grinding of the wheels stopped at the station, which upon its leg-like pillars seemed to resemble some monstrous kind of crab squatting over the street. The quick fat puffings of the engines could be heard. Down an alley there were sombre curtains of purple and black, on which street lamps dully glittered like embroidered flowers.
A saloon stood with a voracious air on a corner. A sign leaning against the front of the door-post announced "Free hot soup to-night!" The swing doors, snapping to and fro like ravenous lips, made gratified smacks as the saloon gorged itself with plump men, eating with astounding and endless appetite, smiling in some indescribable manner as the men came from all directions like sacrifices to a heathenish superstition.
Caught by the delectable sign the young man allowed himself to be swallowed. A bar-tender placed a schooner of dark and portentous beer on the bar. Its monumental form up-reared until the froth a-top was above the crown of the young man's brown derby.
"Soup over there, gents," said the bar-tender affably. A little yellow man in rags and the youth grasped their schooners and went with speed toward a lunch counter, where a man with oily but imposing whiskers ladled genially from a kettle until he had furnished his two mendicants with a soup that was steaming hot, and in which there were little floating suggestions of chicken. The young man, sipping his broth, felt the cordiality expressed by the warmth of the mixture, and he beamed at the man with oily but imposing whiskers, who was presiding like a priest behind an altar. "Have some more, gents?" he inquired of the two sorry figures before him. The little yellow man accepted with a swift gesture, but the youth shook his head and went out, following a man whose wondrous seediness promised that he would have a knowledge of cheap lodging-houses.
On the side-walk he accosted the seedy man. "Say, do you know a cheap place to sleep?"
The other hesitated for a time gazing sideways. Finally he nodded in the direction of the street, "I sleep up there," he said, "when I've got the price."
"How much?"
"Ten cents."
The young man shook his head dolefully. "That's too rich for me."
At that moment there approached the two a reeling man in strange garments. His head was a fuddle of bushy hair and whiskers, from which his eyes peered with a guilty slant. In a close scrutiny it was possible to distinguish the cruel lines of a mouth which looked as if its lips had just closed with satisfaction over some tender and piteous morsel. He appeared like an assassin steeped in crimes performed awkwardly.
But at this time his voice was tuned to the coaxing key of an affectionate puppy. He looked at the men with wheedling eyes, and began to sing a little melody for charity.
"Say, gents, can't yeh give a poor feller a couple of cents t' git a bed. I got five, and I gits anudder two I gits me a bed. Now, on th' square, gents, can't yeh jest gimme two cents t' git a bed? Now, yeh know how a respecter'ble gentlem'n feels when he's down on his luck, an' I----"
The seedy man, staring with imperturbable countenance at a train which clattered overhead, interrupted in an expressionless voice--"Ah, go t' h--!"
But the youth spoke to the prayerful assassin in tones of astonishment and inquiry. "Say, you must be crazy! Why don't yeh strike somebody that looks as if they had money?"
The assassin, tottering about on his uncertain legs, and at intervals brushing imaginary obstacles from before his nose, entered into a long explanation of the psychology of the situation. It was so profound that it was unintelligible.
When he had exhausted the subject, the young man said to him--
"Let's see th' five cents."
The assassin wore an expression of drunken woe at this sentence, filled with suspicion of him. With a deeply pained air he began to fumble in his clothing, his red hands trembling. Presently he announced in a voice of bitter grief, as if he had been betrayed--"There's on'y four."
"Four," said the young man thoughtfully. "Well, look-a-here, I'm a stranger here, an' if ye'll steer me to your cheap joint I'll find the other three."
The assassin's countenance became instantly radiant with joy. His whiskers quivered with the wealth of his alleged emotions. He seized the young man's hand in a transport of delight and friendliness.
"B' Gawd," he cried, "if ye'll do that, b' Gawd, I'd say yeh was a damned good fellow, I would, an' I'd remember yeh all m' life, I would, b' Gawd, an' if I ever got a chance I'd return the compliment"--he spoke with drunken dignity,--"b' Gawd, I'd treat yeh white, I would, an' I'd allus remember yeh."
The young man drew back, looking at the assassin coldly. "Oh, that's all right," he said. "You show me th' joint--that's all you've got t' do."
The assassin, gesticulating gratitude, led the young man along a dark street. Finally he stopped before a little dusty door. He raised his hand impressively. "Look-a-here," he said, and there was a thrill of deep and ancient wisdom upon his face, "I've brought yeh here, an' that's my part, ain't it? If th' place don't suit yeh, yeh needn't git mad at me, need yeh? There won't be no bad feelin', will there?"
"No," said the young man.
The assassin waved his arm tragically, and led the march up the steep stairway. On the way the young man furnished the assassin with three pennies. At the top a man with benevolent spectacles looked at them through a hole in a board. He collected their money, wrote some names on a register, and speedily was leading the two men along a gloom-shrouded corridor.
Shortly after the beginning of this journey the young man felt his liver turn white, for from the dark and secret places of the building there suddenly came to his nostrils strange and unspeakable odours, that assailed him like malignant diseases with wings. They seemed to be from human bodies closely packed in dens; the exhalations from a hundred pairs of reeking lips; the fumes from a thousand bygone debauches; the expression of a thousand present miseries.
A man, naked save for a little snuff-coloured undershirt, was parading sleepily along the corridor. He rubbed his eyes, and, giving vent to a prodigious yawn, demanded to be told the time.
"Half-past one."
The man yawned again. He opened a door, and for a moment his form was outlined against a black, opaque interior. To this door came the three men, and as it was again opened the unholy odours rushed out like fiends, so that the young man was obliged to struggle as against an overpowering wind.
It was some time before the youth's eyes were good in the intense gloom within, but the man with benevolent spectacles led him skilfully, pausing but a moment to deposit the limp assassin upon a cot. He took the youth to a cot that lay tranquilly by the window, and showing him a tall locker for clothes that stood near the head with the ominous air of a tombstone, left him.
The youth sat on his cot and peered about him. There was a gas-jet in a distant part of the room, that burned a small flickering orange-hued flame. It caused vast masses of tumbled shadows in all parts of the place, save where, immediately about it, there was a little grey haze. As the young man's eyes became used to the darkness, he could see upon the cots that thickly littered the floor the forms of men sprawled out, lying in death-like silence, or heaving and snoring with tremendous effort, like stabbed fish.
The youth locked his derby and his shoes in the mummy case near him, and then lay down with an old and familiar coat around his shoulders. A blanket he handed gingerly, drawing it over part of the coat. The cot was covered with leather, and as cold as melting snow. The youth was obliged to shiver for some time on this affair, which was like a slab. Presently, however, his chill gave him peace, and during this period of leisure from it he turned his head to stare at his friend the assassin, whom he could dimly discern where he lay sprawled on a cot in the abandon of a man filled with drink. He was snoring with incredible vigour. His wet hair and beard dimly glistened, and his inflamed nose shone with subdued lustre like a red light in a fog.
Within reach of the youth's hand was one who lay with yellow breast and shoulders bare to the cold drafts. One arm hung over the side of the cot, and the fingers lay full length upon the wet cement floor of the room. Beneath the inky brows could be seen the eyes of the man exposed by the partly opened lids. To the youth it seemed that he and this corpse-like being were exchanging a prolonged stare, and that the other threatened with his eyes. He drew back watching his neighbour from the shadows of his blanket edge. The man did not move once through the night, but lay in this stillness as of death like a body stretched out expectant of the surgeon's knife.
And all through the room could be seen the tawny hues of naked flesh, limbs thrust into the darkness, projecting beyond the cots; upreared knees, arms hanging long and thin over the cot edges. For the most part they were statuesque, carven, dead. With the curious lockers standing all about like tombstones, there was a strange effect of a graveyard where bodies were merely flung.
Yet occasionally could be seen limbs wildly tossing in fantastic nightmare gestures, accompanied by guttural cries, grunts, oaths. And there was one fellow off in a gloomy corner, who in his dreams was oppressed by some frightful calamity, for of a sudden he began to utter long wails that went almost like yells from a hound, echoing wailfully and weird through this chill place of tombstones where men lay like the dead.
The sound in its high piercing beginnings, that dwindled to final melancholy moans, expressed a red and grim tragedy of the unfathomable possibilities of the man's dreams. But to the youth these were not merely the shrieks of a vision-pierced man: they were an utterance of the meaning of the room and its occupants. It was to him the protest of the wretch who feels the touch of the imperturbable granite wheels, and who then cries with an impersonal eloquence, with a strength not from him, giving voice to the wail of a whole section, a class, a people. This, weaving into the young man's brain, and mingling with his views of the vast and sombre shadows that, like mighty black fingers, curled around the naked bodies, made the young man so that he did not sleep, but lay carving the biographies for these men from his meagre experience. At times the fellow in the corner howled in a writhing agony of his imaginations.
Finally a long lance-point of grey light shot through the dusty panes of the window. Without, the young man could see roofs drearily white in the dawning. The point of light yellowed and grew brighter, until the golden rays of the morning sun came in bravely and strong. They touched with radiant colour the form of a small fat man, who snored in stuttering fashion. His round and shiny bald head glowed suddenly with the valour of a decoration. He sat up, blinked at the sun, swore fretfully, and pulled his blanket over the ornamental splendours of his head.
The youth contentedly watched this rout of the shadows before the bright spears of the sun, and presently he slumbered. When he awoke he heard the voice of the assassin raised in valiant curses. Putting up his head, he perceived his comrade seated on the side of the cot engaged in scratching his neck with long finger-nails that rasped like files.
"Hully Jee, dis is a new breed. They've got can-openers on their feet." He continued in a violent tirade.
The young man hastily unlocked his closet and took out his shoes and hat. As he sat on the side of the cot lacing his shoes, he glanced about and saw that daylight had made the room comparatively common-place and uninteresting. The men, whose faces seemed stolid, serene or absent, were engaged in dressing, while a great crackle of bantering conversation arose.
A few were parading in unconcerned nakedness. Here and there were men of brawn, whose skins shone clear and ruddy. They took splendid poses, standing massively like chiefs. When they had dressed in their ungainly garments there was an extraordinary change. They then showed bumps and deficiencies of all kinds.
There were others who exhibited many deformities. Shoulders were slanting, humped, pulled this way and pulled that way. And notable among these latter men was the little fat man, who had refused to allow his head to be glorified. His pudgy form, builded like a pear, bustled to and fro, while he swore in fish-wife fashion. It appeared that some article of his apparel had vanished.
The young man attired speedily, and went to his friend the assassin. At first the latter looked dazed at the sight of the youth. This face seemed to be appealing to him through the cloud wastes of his memory. He scratched his neck and reflected. At last he grinned, a broad smile gradually spreading until his countenance was a round illumination. "Hello, Willie," he cried cheerily.
"Hello," said the young man. "Are yeh ready t' fly?"
"Sure." The assassin tied his shoe carefully with some twine and came ambling.
When he reached the street the young man experienced no sudden relief from unholy atmospheres. He had forgotten all about them, and had been breathing naturally, and with no sensation of discomfort or distress.
He was thinking of these things as he walked along the street, when he was suddenly startled by feeling the assassin's hand, trembling with excitement, clutching his arm, and when the assassin spoke, his voice went into quavers from a supreme agitation.
"I'll be hully, bloomin' blowed if there wasn't a feller with a nightshirt on up there in that joint."
The youth was bewildered for a moment, but presently he turned to smile indulgently at the assassin's humour.
"Oh, you're a d----d liar," he merely said.
Whereupon the assassin began to gesture extravagantly, and take oath by strange gods. He frantically placed himself at the mercy of remarkable fates if his tale were not true.
"Yes, he did! I cross m'heart thousan' times!" he protested, and at the moment his eyes were large with amazement, his mouth wrinkled in unnatural glee.
"Yessir! A nightshirt! A hully white nightshirt!"
"You lie!"
"No, sir! I hope ter die b'fore I kin git anudder ball if there wasn't a jay wid a hully, bloomin' white nightshirt!"
His face was filled with the infinite wonder of it. "A hully white nightshirt," he continually repeated.
The young man saw the dark entrance to a basement restaurant. There was a sign which read "No mystery about our hash!" and there were other age-stained and world-battered legends which told him that the place was within his means. He stopped before it and spoke to the assassin. "I guess I'll git somethin' t' eat."
At this the assassin, for some reason, appeared to be quite embarrassed. He gazed at the seductive front of the eating place for a moment. Then he started slowly up the street. "Well, good-bye, Willie," he said bravely.
For an instant the youth studied the departing figure. Then he called out, "Hol' on a minnet." As they came together he spoke in a certain fierce way, as if he feared that the other would think him to be charitable. "Look-a-here, if yeh wanta git some breakfas' I'll lend yeh three cents t' do it with. But say, look-a-here, you've gota git out an' hustle. I ain't goin' t' support yeh, or I'll go broke b'fore night. I ain't no millionaire."
"I take me oath, Willie," said the assassin earnestly, "th' on'y thing I really needs is a ball. Me t'roat feels like a fryin'-pan. But as I can't get a ball, why, th' next bes' thing is breakfast, an' if yeh do that for me, b' Gawd, I say yeh was th' whitest lad I ever see."
They spent a few moments in dexterous exchanges of phrases, in which they each protested that the other was, as the assassin had originally said, "a respecter'ble gentlem'n." And they concluded with mutual assurances that they were the souls of intelligence and virtue. Then they went into the restaurant.
There was a long counter, dimly lighted from hidden sources. Two or three men in soiled white aprons rushed here and there.
The youth bought a bowl of coffee for two cents and a roll for one cent. The assassin purchased the same. The bowls were webbed with brown seams, and the tin spoons wore an air of having emerged from the first pyramid. Upon them were black moss-like encrustations of age, and they were bent and scarred from the attacks of long-forgotten teeth. But over their repast the wanderers waxed warm and mellow. The assassin grew affable as the hot mixture went soothingly down his parched throat, and the young man felt courage flow in his veins.
Memories began to throng in on the assassin, and he brought forth long tales, intricate, incoherent, delivered with a chattering swiftness as from an old woman. "---- great job out'n Orange. Boss keep yeh hustlin' though all time. I was there three days, and then I went an' ask 'im t' lend me a dollar. 'G-g-go ter the devil,' he ses, an' I lose me job."
"South no good. Damn niggers work for twenty-five an' thirty cents a day. Run white man out. Good grub though. Easy livin'."
"Yas; useter work little in Toledo, raftin' logs. Make two or three dollars er day in the spring. Lived high. Cold as ice though in the winter."
"I was raised in northern N'York. O-o-oh, yeh jest oughto live there. No beer ner whisky though, way off in the woods. But all th' good hot grub yeh can eat. B' Gawd, I hung around there long as I could till th' ol' man fired me. 'Git t' hell outa here, yeh wuthless skunk, git t' hell outa here, an' go die,' he ses. 'You're a hell of a father,' I ses, 'you are,' an' I quit 'im."
As they were passing from the dim eating place, they encountered an old man who was trying to steal forth with a tiny package of food, but a tall man with an indomitable moustache stood dragon fashion, barring the way of escape. They heard the old man raise a plaintive protest. "Ah, you always want to know what I take out, and you never see that I usually bring a package in here from my place of business."
As the wanderers trudged slowly along Park Row, the assassin began to expand and grow blithe. "B' Gawd, we've been livin' like kings," he said, smacking appreciative lips.
"Look out, or we'll have t' pay fer it t'night," said the youth with gloomy warning.
But the assassin refused to turn his gaze toward the future. He went with a limping step, into which he injected a suggestion of lamblike gambols. His mouth was wreathed in a red grin.
In the City Hall Park the two wanderers sat down in the little circle of benches sanctified by traditions of their class. They huddled in their old garments, slumbrously conscious of the march of the hours which for them had no meaning.
The people of the street hurrying hither and thither made a blend of black figures changing yet frieze-like. They walked in their good clothes as upon important missions, giving no gaze to the two wanderers seated upon the benches. They expressed to the young man his infinite distance from all that he valued. Social position, comfort, the pleasures of living, were unconquerable kingdoms. He felt a sudden awe.
And in the background a multitude of buildings, of pitiless hues and sternly high, were to him emblematic of a nation forcing its regal head into the clouds, throwing no downward glances; in the sublimity of its aspirations ignoring the wretches who may flounder at its feet. The roar of the city in his ear was to him the confusion of strange tongues, babbling heedlessly; it was the clink of coin, the voice of the city's hopes which were to him no hopes.
He confessed himself an outcast, and his eyes from under the lowered rim of his hat began to glance guiltily, wearing the criminal expression that comes with certain convictions.
THE MEN IN THE STORM
The blizzard began to swirl great clouds of snow along the streets, sweeping it down from the roofs, and up from the pavements, until the faces of pedestrians tingled and burned as from a thousand needle-prickings. Those on the walks huddled their necks closely in the collars of their coats, and went along stooping like a race of aged people. The drivers of vehicles hurried their horses furiously on their way. They were made more cruel by the exposure of their position, aloft on high seats. The street cars, bound up town, went slowly, the horses slipping and straining in the spongy brown mass that lay between the rails. The drivers, muffled to the eyes, stood erect, facing the wind, models of grim philosophy. Overhead trains rumbled and roared, and the dark structure of the elevated railroad, stretching over the avenue, dripped little streams and drops of water upon the mud and snow beneath.
All the clatter of the street was softened by the masses that lay upon the cobbles, until, even to one who looked from a window, it became important music, a melody of life made necessary to the ear by the dreariness of the pitiless beat and sweep of the storm. Occasionally one could see black figures of men busily shovelling the white drifts from the walks. The sounds from their labour created new recollections of rural experiences which every man manages to have in a measure. Later, the immense windows of the shops became aglow with light, throwing great beams of orange and yellow upon the pavement. They were infinitely cheerful, yet in a way they accentuated the force and discomfort of the storm, and gave a meaning to the pace of the people and the vehicles, scores of pedestrians and drivers, wretched with cold faces, necks and feet, speeding for scores of unknown doors and entrances, scattering to an infinite variety of shelters, to places which the imagination made warm with the familiar colours of home.
There was an absolute expression of hot dinners in the pace of the people. If one dared to speculate upon the destination of those who came trooping, he lost himself in a maze of social calculation; he might fling a handful of sand and attempt to follow the flight of each particular grain. But as to the suggestion of hot dinners, he was in firm lines of thought, for it was upon every hurrying face. It is a matter of tradition; it is from the tales of childhood. It comes forth with every storm.
However, in a certain part of a dark west-side street, there was a collection of men to whom these things were as if they were not. In this street was located a charitable house, where for five cents the homeless of the city could get a bed at night, and in the morning coffee and bread.
During the afternoon of the storm, the whirling snows acted as drivers, as men with whips, and at half-past three the walk before the closed doors of the house was covered with wanderers of the street, waiting. For some distance on either side of the place they could be seen lurking in the doorways and behind projecting parts of buildings, gathering in close bunches in an effort to get warm. A covered wagon drawn up near the curb sheltered a dozen of them. Under the stairs that led to the elevated railway station, there were six or eight, their hands stuffed deep in their pockets, their shoulders stooped, jiggling their feet. Others always could be seen coming, a strange procession, some slouching along with the characteristic hopeless gait of professional strays, some coming with hesitating steps, wearing the air of men to whom this sort of thing was new.
It was an afternoon of incredible length. The snow, blowing in twisting clouds, sought out the men in their meagre hiding-places, and skilfully beat in among them, drenching their persons with showers of fine stinging flakes. They crowded together, muttering, and fumbling in their pockets to get their red inflamed wrists covered by the cloth.
New-comers usually halted at one end of the groups and addressed a question, perhaps much as a matter of form, "Is it open yet?"
Those who had been waiting inclined to take the questioner seriously and became contemptuous. "No; do yeh think we'd be standin' here?"
The gathering swelled in numbers steadily and persistently. One could always see them coming, trudging slowly through the storm.
Finally, the little snow plains in the street began to assume a leaden hue from the shadows of evening. The buildings upreared gloomily save where various windows became brilliant figures of light, that made shimmers and splashes of yellow on the snow. A street lamp on the curb struggled to illuminate, but it was reduced to impotent blindness by the swift gusts of sleet crusting its panes.
In this half-darkness, the men began to come from their shelter places and mass in front of the doors of charity. They were of all types, but the nationalities were mostly American, German, and Irish. Many were strong, healthy, clear-skinned fellows, with that stamp of countenance which is not frequently seen upon seekers after charity. There were men of undoubted patience, industry, and temperance, who, in time of ill-fortune, do not habitually turn to rail at the state of society, snarling at the arrogance of the rich, and bemoaning the cowardice of the poor, but who at these times are apt to wear a sudden and singular meekness, as if they saw the world's progress marching from them, and were trying to perceive where they had failed, what they had lacked, to be thus vanquished in the race. Then there were others of the shifting, Bowery element, who were used to paying ten cents for a place to sleep, but who now came here because it was cheaper.
But they were all mixed in one mass so thoroughly that one could not have discerned the different elements, but for the fact that the labouring men, for the most part, remained silent and impassive in the blizzard, their eyes fixed on the windows of the house, statues of patience.
The sidewalk soon became completely blocked by the bodies of the men. They pressed close to one another like sheep in a winter's gale, keeping one another warm by the heat of their bodies. The snow came down upon this compressed group of men until, directly from above, it might have appeared like a heap of snow-covered merchandise, if it were not for the fact that the crowd swayed gently with a unanimous, rhythmical motion. It was wonderful to see how the snow lay upon the heads and shoulders of these men, in little ridges an inch thick perhaps in places, the flakes steadily adding drop and drop, precisely as they fall upon the unresisting grass of the fields. The feet of the men were all wet and cold, and the wish to warm them accounted for the slow, gentle, rhythmical motion. Occasionally some man whose ear or nose tingled acutely from the cold winds would wriggle down until his head was protected by the shoulders of his companions.
There was a continuous murmuring discussion as to the probability of the doors being speedily opened. They persistently lifted their eyes towards the windows. One could hear little combats of opinion.
"There's a light in th' winder!"
"Naw; it's a reflection f'm across th' way."
"Well, didn't I see 'em light it?"
"You did?"
"I did!"
"Well, then, that settles it!"
As the time approached when they expected to be allowed to enter, the men crowded to the doors in an unspeakable crush, jamming and wedging in a way that it seemed would crack bones. They surged heavily against the building in a powerful wave of pushing shoulders. Once a rumour flitted among all the tossing heads.
"They can't open th' door! Th' fellers er smack up agin 'em."
Then a dull roar of rage came from the men on the outskirts; but all the time they strained and pushed until it appeared to be impossible for those that they cried out against to do anything but be crushed into pulp.
"Ah, git away f'm th' door!"
"Git outa that!"
"Throw 'em out!"
"Kill 'em!"
"Say, fellers, now, what th' 'ell? G've 'em a chance t' open th' door!"
"Yeh dam pigs, give 'em a chance t' open th' door!"
Men in the outskirts of the crowd occasionally yelled when a boot-heel of one of trampling feet crushed on their freezing extremities.
"Git off me feet, yeh clumsy tarrier!"
"Say, don't stand on me feet! Walk on th' ground!"
A man near the doors suddenly shouted--"O-o-oh! Le' me out--le' me out!" And another, a man of infinite valour, once twisted his head so as to half face those who were pushing behind him. "Quit yer shovin', yeh"--and he delivered a volley of the most powerful and singular invective, straight into the faces of the men behind him. It was as if he was hammering the noses of them with curses of triple brass. His face, red with rage, could be seen upon it, an expression of sublime disregard of consequences. But nobody cared to reply to his imprecations; it was too cold. Many of them snickered, and all continued to push.
In occasional pauses of the crowd's movement the men had opportunities to make jokes; usually grim things, and no doubt very uncouth. Nevertheless, they were notable--one does not expect to find the quality of humour in a heap of old clothes under a snow-drift.
The winds seemed to grow fiercer as time wore on. Some of the gusts of snow that came down on the close collection of heads, cut like knives and needles, and the men huddled, and swore, not like dark assassins, but in a sort of American fashion, grimly and desperately, it is true, but yet with a wondrous under-effect, indefinable and mystic, as if there was some kind of humour in this catastrophe, in this situation in a night of snow-laden winds.
Once the window of the huge dry-goods shop across the street furnished material for a few moments of forgetfulness. In the brilliantly-lighted space appeared the figure of a man. He was rather stout and very well clothed. His beard was fashioned charmingly after that of the Prince of Wales. He stood in an attitude of magnificent reflection. He slowly stroked his moustache with a certain grandeur of manner, and looked down at the snow-encrusted mob. From below, there was denoted a supreme complacence in him. It seemed that the sight operated inversely, and enabled him to more clearly regard his own delightful environment.
One of the mob chanced to turn his head, and perceived the figure in the window. "Hello, lookit 'is whiskers," he said genially.
Many of the men turned then, and a shout went up. They called to him in all strange keys. They addressed him in every manner, from familiar and cordial greetings, to carefully-worded advice concerning changes in his personal appearance. The man presently fled, and the mob chuckled ferociously, like ogres who had just devoured something.
They turned then to serious business. Often they addressed the stolid front of the house.
"Oh, let us in fer Gawd's sake!"
"Let us in, or we'll all drop dead!"
"Say, what's th' use o' keepin' us poor Indians out in th' cold?"
And always some one was saying, "Keep off my feet."
The crushing of the crowd grew terrific toward the last. The men, in keen pain from the blasts, began almost to fight. With the pitiless whirl of snow upon them, the battle for shelter was going to the strong. It became known that the basement door at the foot of a little steep flight of stairs was the one to be opened, and they jostled and heaved in this direction like labouring fiends. One could hear them panting and groaning in their fierce exertion.
Usually some one in the front ranks was protesting to those in the rear--"O-o-ow! Oh, say now, fellers, let up, will yeh? Do yeh wanta kill somebody!"
A policeman arrived and went into the midst of them, scolding and be-rating, occasionally threatening, but using no force but that of his hands and shoulders against these men who were only struggling to get in out of the storm. His decisive tones rang out sharply--"Stop that pushin' back there! Come, boys, don't push! Stop that! Here you, quit yer shovin'! Cheese that!"
When the door below was opened, a thick stream of men forced a way down the stairs, which were of an extraordinary narrowness, and seemed only wide enough for one at a time. Yet they somehow went down almost three abreast. It was a difficult and painful operation. The crowd was like a turbulent water forcing itself through one tiny outlet. The men in the rear, excited by the success of the others, made frantic exertions, for it seemed that this large band would more than fill the quarters, and that many would be left upon the pavements. It would be disastrous to be of the last, and accordingly men with the snow biting their faces, writhed and twisted with their might. One expected that from the tremendous pressure, the narrow passage to the basement door would be so choked and clogged with human limbs and bodies that movement would be impossible. Once indeed the crowd was forced to stop, and a cry went along that a man had been injured at the foot of the stairs. But presently the slow movement began again, and the policeman fought at the top of the flight to ease the pressure of those that were going down.
A reddish light from a window fell upon the faces of the men, when they, in turn, arrived at the last three steps, and were about to enter. One could then note a change of expression that had come over their features. As they stood thus upon the threshold of their hopes, they looked suddenly contented and complacent. The fire had passed from their eyes and the snarl had vanished from their lips. The very force of the crowd in the rear, which had previously vexed them, was regarded from another point of view, for it now made it inevitable that they should go through the little doors into the place that was cheery and warm with light.
The tossing crowd on the sidewalk grew smaller and smaller. The snow beat with merciless persistence upon the bowed heads of those who waited. The wind drove it up from the pavements in frantic forms of winding white, and it seethed in circles about the huddled forms passing in one by one, three by three, out of the storm.
THE DUEL THAT WAS NOT FOUGHT
Patsy Tulligan was not as wise as seven owls, but his courage could throw a shadow as long as the steeple of a cathedral. There were men on Cherry Street who had whipped him five times, but they all knew that Patsy would be as ready for the sixth time as if nothing had happened.
Once he and two friends had been away up on Eighth Avenue, far out of their country, and upon their return journey that evening they stopped frequently in saloons until they were as independent of their surroundings as eagles, and cared much less about thirty days on Blackwell's.
On Lower Sixth Avenue they paused in a saloon where there was a good deal of lamp-glare and polished wood to be seen from the outside, and within, the mellow light shone on much furbished brass and more polished wood. It was a better saloon than they were in the habit of seeing, but they did not mind it. They sat down at one of the little tables that were in a row parallel to the bar and ordered beer. They blinked stolidly at the decorations, the bar-tender, and the other customers. When anything transpired they discussed it with dazzling frankness, and what they said of it was as free as air to the other people in the place.
At midnight there were few people in the saloon. Patsy and his friends still sat drinking. Two well-dressed men were at another table, smoking cigars slowly and swinging back in their chairs. They occupied themselves with themselves in the usual manner, never betraying by a wink of an eyelid that they knew that other folk existed. At another table directly behind Patsy and his companions was a slim little Cuban, with miraculously small feet and hands, and with a youthful touch of down upon his lip. As he lifted his cigarette from time to time his little finger was bended in dainty fashion, and there was a green flash when a huge emerald ring caught the light. The bar-tender came often with his little brass tray. Occasionally Patsy and his two friends quarrelled.
Once this little Cuban happened to make some slight noise and Patsy turned his head to observe him. Then Patsy made a careless and rather loud comment to his two friends. He used a word which is no more than passing the time of day down in Cherry Street, but to the Cuban it was a dagger-point. There was a harsh scraping sound as a chair was pushed swiftly back.
The little Cuban was upon his feet. His eyes were shining with a rage that flashed there like sparks as he glared at Patsy. His olive face had turned a shade of grey from his anger. Withal his chest was thrust out in portentous dignity, and his hand, still grasping his wine-glass, was cool and steady, the little finger still bended, the great emerald gleaming upon it. The others, motionless, stared at him.
"Sir," he began ceremoniously. He spoke gravely and in a slow way, his tone coming in a marvel of self-possessed cadences from between those lips which quivered with wrath. "You have insult me. You are a dog, a hound, a cur. I spit upon you. I must have some of your blood."
Patsy looked at him over his shoulder.
"What's th' matter wi' che?" he demanded. He did not quite understand the words of this little man who glared at him steadily, but he knew that it was something about fighting. He snarled with the readiness of his class and heaved his shoulders contemptuously. "Ah, what's eatin' yeh? Take a walk! You h'ain't got nothin' t' do with me, have yeh? Well, den, go sit on yerself."
And his companions leaned back valorously in their chairs, and scrutinized this slim young fellow who was addressing Patsy.
"What's de little Dago chewin' about?"
"He wants t' scrap!"
"What!"
The Cuban listened with apparent composure. It was only when they laughed that his body cringed as if he was receiving lashes. Presently he put down his glass and walked over to their table. He proceeded always with the most impressive deliberation.
"Sir," he began again. "You have insult me. I must have s-s-satisfac-shone. I must have your body upon the point of my sword. In my country you would already be dead. I must have s-s-satisfac-shone."
Patsy had looked at the Cuban with a trifle of bewilderment. But at last his face began to grow dark with belligerency, his mouth curve in that wide sneer with which he would confront an angel of darkness. He arose suddenly in his seat and came towards the little Cuban. He was going to be impressive too.
"Say, young feller, if yeh go shootin' off fer face at me, I'll wipe d' joint wid yeh. What'cher gaffin' about, hey? Are yeh givin' me er jolly? Say, if yeh pick me up fer a cinch, I'll fool yeh. Dat's what! Don't take me fer no dead easy mug." And as he glowered at the little Cuban, he ended his oration with one eloquent word, "Nit!"
The bar-tender nervously polished his bar with a towel, and kept his eyes fastened upon the men. Occasionally he became transfixed with interest, leaning forward with one hand upon the edge of the bar and the other holding the towel grabbed in a lump, as if he had been turned into bronze when in the very act of polishing.
The Cuban did not move when Patsy came toward him and delivered his oration. At its conclusion he turned his livid face toward where, above him, Patsy was swaggering and heaving his shoulders in a consummate display of bravery and readiness. The Cuban, in his clear, tense tones, spoke one word. It was the bitter insult. It seemed to fairly spin from his lips and crackle in the air like breaking glass.
Every man save the little Cuban made an electric movement. Patsy roared a black oath and thrust himself forward until he towered almost directly above the other man. His fists were doubled into knots of bone and hard flesh. The Cuban had raised a steady finger.
"If you touch me wis your hand, I will keel you."
The two well-dressed men had come swiftly, uttering protesting cries. They suddenly intervened in this second of time in which Patsy had sprung forward and the Cuban had uttered his threat. The four men were now a tossing, arguing, violent group, one well-dressed man lecturing the Cuban, and the other holding off Patsy, who was now wild with rage, loudly repeating the Cuban's threat, and manoeuvring and struggling to get at him for revenge's sake.
The bar-tender, feverishly scouring away with his towel, and at times pacing to and fro with nervous and excited tread, shouted out--
"Say, for heaven's sake, don't fight in here. If yeh wanta fight, go out in the street and fight all yeh please. But don't fight in here."
Patsy knew only one thing, and this he kept repeating--
"Well, he wants t' scrap! I didn't begin dis! He wants t' scrap."
The well-dressed man confronting him continually replied--
"Oh, well, now, look here, he's only a lad. He don't know what he's doing. He's crazy mad. You wouldn't slug a kid like that."
Patsy and his aroused companions, who cursed and growled, were persistent with their argument. "Well, he wants t' scrap!" The whole affair was as plain as daylight when one saw this great fact. The interference and intolerable discussion brought the three of them forward, battleful and fierce.
"What's eatin' you, anyhow?" they demanded. "Dis ain't your business, is it? What business you got shootin' off your face?"
The other peacemaker was trying to restrain the little Cuban, who had grown shrill and violent.
"If he touch me wis his hand I will keel him. We must fight like gentlemen or else I keel him when he touch me wis his hand."
The man who was fending off Patsy comprehended these sentences that were screamed behind his back, and he explained to Patsy--
"But he wants to fight you with swords. With swords, you know."
The Cuban, dodging around the peacemakers, yelled in Patsy's face--
"Ah, if I could get you before me wis my sword! Ah! Ah! A-a-ah!" Patsy made a furious blow with a swift fist, but the peacemakers bucked against his body suddenly like football players.
Patsy was greatly puzzled. He continued doggedly to try to get near enough to the Cuban to punch him. To these attempts the Cuban replied savagely--
"If you touch me wis your hand, I will cut your heart in two piece."
At last Patsy said--"Well, if he's so dead stuck on fightin' wid swords, I'll fight 'im. Soitenly! I'll fight 'im." All this palaver had evidently tired him, and he now puffed out his lips with the air of a man who is willing to submit to any conditions if he can only bring on the row soon enough. He swaggered, "I'll fight 'im wid swords. Let 'im bring on his swords, an' I'll fight 'im 'til he's ready t' quit."
The two well-dressed men grinned. "Why, look here," they said to Patsy, "he'd punch you full of holes. Why, he's a fencer. You can't fight him with swords. He'd kill you in 'bout a minute."
"Well, I'll giv' 'im a go at it, anyhow," said Patsy, stout-hearted and resolute. "I'll giv' 'im a go at it, anyhow, an' I'll stay wid 'im long as I kin."
As for the Cuban, his lithe little body was quivering in an ecstasy of the muscles. His face radiant with a savage joy, he fastened his glance upon Patsy, his eyes gleaming with a gloating, murderous light. A most unspeakable, animal-like rage was in his expression.
"Ah! ah! He will fight me! Ah!" He bended unconsciously in the posture of a fencer. He had all the quick, springy movements of a skilful swordsman. "Ah, the b-r-r-rute! The b-r-r-rute! I will stick him like a pig!"
The two peacemakers, still grinning broadly, were having a great time with Patsy.
"Why, you infernal idiot, this man would slice you all up. You better jump off the bridge if you want to commit suicide. You wouldn't stand a ghost of a chance to live ten seconds."
Patsy was as unshaken as granite. "Well, if he wants t' fight wid swords, he'll get it. I'll giv' 'im a go at it, anyhow."
One man said--"Well, have you got a sword? Do you know what a sword is? Have you got a sword?"
"No, I ain't got none," said Patsy honestly, "but I kin git one." Then he added valiantly--"An' quick too."
The two men laughed. "Why, can't you understand it would be sure death to fight a sword duel with this fellow?"
"Dat's all right! See? I know me own business. If he wants t' fight one of dees d--n duels, I'm in it, understan'?"
"Have you ever fought one, you fool?"
"No, I ain't. But I will fight one, dough! I ain't no muff. If he want t' fight a duel, by Gawd, I'm wid 'im! D'yeh understan' dat!" Patsy cocked his hat and swaggered. He was getting very serious.
The little Cuban burst out--"Ah, come on, sirs: come on! We can take cab. Ah, you big cow, I will stick you, I will stick you. Ah, you will look very beautiful, very beautiful. Ah, come on, sirs. We will stop at hotel--my hotel. I there have weapons."
"Yeh will, will yeh? Yeh bloomin' little black Dago," cried Patsy in hoarse and maddened reply to the personal part of the Cuban's speech. He stepped forward. "Git yer d--n swords," he commanded. "Git yer swords. Git 'em quick! I'll fight wi' che! I'll fight wid anyting, too! See? I'll fight yeh wid a knife an' fork if yeh say so! I'll fight yer standin' up er sittin' down!" Patsy delivered this intense oration with sweeping, intensely emphatic gestures, his hands stretched out eloquently, his jaw thrust forward, his eyes glaring.
"Ah," cried the little Cuban joyously. "Ah, you are in very pretty temper. Ah, how I will cut your heart in two piece, my dear, d-e-a-r friend." His eyes, too, shone like carbuncles, with a swift, changing glitter, always fastened upon Patsy's face.
The two peacemakers were perspiring and in despair. One of them blurted out--
"Well, I'll be blamed if this ain't the most ridiculous thing I ever saw."
The other said--"For ten dollars I'd be tempted to let these two infernal blockheads have their duel."
Patsy was strutting to and fro, and conferring grandly with his friends.
"He took me for a muff. He tought he was goin' t' bluff me out, talkin' 'bout swords. He'll get fooled." He addressed the Cuban--"You're a fine little dirty picter of a scrapper, ain't che? I'll chew yez up, dat's what I will."
There began then some rapid action. The patience of well-dressed men is not an eternal thing. It began to look as if it would at last be a fight with six corners to it. The faces of the men were shining red with anger. They jostled each other defiantly, and almost every one blazed out at three or four of the others. The bar-tender had given up protesting. He swore for a time, and banged his glasses. Then he jumped the bar and ran out of the saloon, cursing sullenly.
When he came back with a policeman, Patsy and the Cuban were preparing to depart together. Patsy was delivering his last oration--
"I'll fight yer wid swords! Sure I will! Come ahead, Dago! I'll fight yeh anywheres wid anyting! We'll have a large, juicy scrap, an' don't yeh forgit dat! I'm right wid yez. I ain't no muff! I scrap wid a man jest as soon as he ses scrap, an' if yeh wanta scrap, I'm yer kitten. Understan' dat?"
The policeman said sharply--"Come, now; what's all this?" He had a distinctly business air.
The little Cuban stepped forward calmly. "It is none of your business."
The policeman flushed to his ears. "What?"
One well-dressed man touched the other on the sleeve. "Here's the time to skip," he whispered. They halted a block away from the saloon and watched the policeman pull the Cuban through the door. There was a minute of scuffle on the sidewalk, and into this deserted street at midnight fifty people appeared at once as if from the sky to watch it.
At last the three Cherry Hill men came from the saloon, and swaggered with all their old valour toward the peacemakers.
"Ah," said Patsy to them, "he was so hot talkin' about this duel business, but I would a-given 'im a great scrap, an' don't yeh forgit it."
For Patsy was not as wise as seven owls, but his courage could throw a shadow as long as the steeple of a cathedral.
AN OMINOUS BABY
A baby was wandering in a strange country. He was a tattered child with a frowsled wealth of yellow hair. His dress, of a checked stuff, was soiled, and showed the marks of many conflicts, like the chain-shirt of a warrior. His sun-tanned knees shone above wrinkled stockings, which he pulled up occasionally with an impatient movement when they entangled his feet. From a gaping shoe there appeared an array of tiny toes.
He was toddling along an avenue between rows of stolid brown houses. He went slowly, with a look of absorbed interest on his small flushed face. His blue eyes stared curiously. Carriages went with a musical rumble over the smooth asphalt. A man with a chrysanthemum was going up steps. Two nursery maids chatted as they walked slowly, while their charges hobnobbed amiably between perambulators. A truck wagon roared thunderously in the distance.
The child from the poor district made his way along the brown street filled with dull grey shadows. High up, near the roofs, glancing sun-rays changed cornices to blazing gold and silvered the fronts of windows. The wandering baby stopped and stared at the two children laughing and playing in their carriages among the heaps of rugs and cushions. He braced his legs apart in an attitude of earnest attention. His lower jaw fell, and disclosed his small, even teeth. As they moved on, he followed the carriages with awe in his face as if contemplating a pageant. Once one of the babies, with twittering laughter, shook a gorgeous rattle at him. He smiled jovially in return.
Finally a nursery maid ceased conversation and, turning, made a gesture of annoyance.
"Go 'way, little boy," she said to him. "Go 'way. You're all dirty."
He gazed at her with infant tranquillity for a moment, and then went slowly off dragging behind him a bit of rope he had acquired in another street. He continued to investigate the new scenes. The people and houses struck him with interest as would flowers and trees. Passengers had to avoid the small, absorbed figure in the middle of the sidewalk. They glanced at the intent baby face covered with scratches and dust as with scars and with powder smoke.
After a time, the wanderer discovered upon the pavement a pretty child in fine clothes playing with a toy. It was a tiny fire-engine, painted brilliantly in crimson and gold. The wheels rattled as its small owner dragged it uproariously about by means of a string. The babe with his bit of rope trailing behind him paused and regarded the child and the toy. For a long while he remained motionless, save for his eyes, which followed all movements of the glittering thing. The owner paid no attention to the spectator, but continued his joyous imitations of phases of the career of a fire-engine. His gleeful baby laugh rang against the calm fronts of the houses. After a little the wandering baby began quietly to sidle nearer. His bit of rope, now forgotten, dropped at his feet. He removed his eyes from the toy and glanced expectantly at the other child.
"Say," he breathed softly.
The owner of the toy was running down the walk at top speed. His tongue was clanging like a bell and his legs were galloping. He did not look around at the coaxing call from the small tattered figure on the curb.
The wandering baby approached still nearer, and presently spoke again.
"Say," he murmured, "le' me play wif it?"
The other child interrupted some shrill tootings. He bended his head and spoke disdainfully over his shoulder.
"No," he said.
The wanderer retreated to the curb. He failed to notice the bit of rope, once treasured. His eyes followed as before the winding course of the engine, and his tender mouth twitched.
"Say," he ventured at last, "is dat yours?"
"Yes," said the other, tilting his round chin. He drew his property suddenly behind him as if it were menaced. "Yes," he repeated, "it's mine."
"Well, le' me play wif it?" said the wandering baby, with a trembling note of desire in his voice.
"No," cried the pretty child with determined lips. "It's mine. My ma-ma buyed it."
"Well, tan't I play wif it?" His voice was a sob. He stretched forth little covetous hands.
"No," the pretty child continued to repeat. "No, it's mine."
"Well, I want to play wif it," wailed the other. A sudden fierce frown mantled his baby face. He clenched his fat hands and advanced with a formidable gesture. He looked some wee battler in a war.
"It's mine! It's mine," cried the pretty child, his voice in the treble of outraged rights.
"I want it," roared the wanderer.
"It's mine! It's mine!"
"I want it!"
"It's mine!"
The pretty child retreated to the fence, and there paused at bay. He protected his property with outstretched arms. The small vandal made a charge. There was a short scuffle at the fence. Each grasped the string to the toy and tugged. Their faces were wrinkled with baby rage, the verge of tears. Finally, the child in tatters gave a supreme tug and wrenched the string from the other's hands. He set off rapidly down the street, bearing the toy in his arms. He was weeping with the air of a wronged one who has at last succeeded in achieving his rights. The other baby was squalling lustily. He seemed quite helpless. He rung his chubby hands and railed.
After the small barbarian had got some distance away, he paused and regarded his booty. His little form curved with pride. A soft, gleeful smile loomed through the storm of tears. With great care he prepared the toy for travelling. He stopped a moment on a corner and gazed at the pretty child, whose small figure was quivering with sobs. As the latter began to show signs of beginning pursuit, the little vandal turned and vanished down a dark side street as into a cavern.
A GREAT MISTAKE
An Italian kept a fruit-stand on a corner where he had good aim at the people who came down from the elevated station, and at those who went along two thronged streets. He sat most of the day in a backless chair that was placed strategically.
There was a babe living hard by, up five flights of stairs, who regarded this Italian as a tremendous being. The babe had investigated this fruit-stand. It had thrilled him as few things he had met with in his travels had thrilled him. The sweets of the world had laid there in dazzling rows, tumbled in luxurious heaps. When he gazed at this Italian seated amid such splendid treasures, his lower lip hung low and his eyes, raised to the vendor's face, were filled with deep respect, worship, as if he saw omnipotence.
The babe came often to this corner. He hovered about the stand and watched each detail of the business. He was fascinated by the tranquillity of the vendor, the majesty of power and possession. At times he was so engrossed in his contemplation that people, hurrying, had to use care to avoid bumping him down.
He had never ventured very near to the stand. It was his habit to hang warily about the curb. Even there he resembled a babe who looks unbidden at a feast of gods.
One day, however, as the baby was thus staring, the vendor arose, and going along the front of the stand, began to polish oranges with a red pocket handkerchief. The breathless spectator moved across the side walk until his small face almost touched the vendor's sleeve. His fingers were gripped in a fold of his dress.
At last, the Italian finished with the oranges and returned to his chair. He drew a newspaper printed in his language from behind a bunch of bananas. He settled himself in a comfortable position, and began to glare savagely at the print. The babe was left face to face with the massed joys of the world. For a time he was a simple worshipper at this golden shrine. Then tumultuous desires began to shake him. His dreams were of conquest. His lips moved. Presently into his head there came a little plan. He sidled nearer, throwing swift and cunning glances at the Italian. He strove to maintain his conventional manner, but the whole plot was written upon his countenance.
At last he had come near enough to touch the fruit. From the tattered skirt came slowly his small dirty hand. His eyes were still fixed upon the vendor. His features were set, save for the under lip, which had a faint fluttering movement. The hand went forward.
Elevated trains thundered to the station and the stairway poured people upon the sidewalks. There was a deep sea roar from feet and wheels going ceaselessly. None seemed to perceive the babe engaged in a great venture.
The Italian turned his paper. Sudden panic smote the babe. His hand dropped, and he gave vent to a cry of dismay. He remained for a moment staring at the vendor. There was evidently a great debate in his mind. His infant intellect had defined this Italian. The latter was undoubtedly a man who would eat babes that provoked him. And the alarm in the babe when this monarch had turned his newspaper brought vividly before him the consequences if he were detected. But at this moment the vendor gave a blissful grunt, and tilting his chair against a wall, closed his eyes. His paper dropped unheeded.
The babe ceased his scrutiny and again raised his hand. It was moved with supreme caution toward the fruit. The fingers were bent, claw-like, in the manner of great heart-shaking greed. Once he stopped and chattered convulsively, because the vendor moved in his sleep. The babe, with his eyes still upon the Italian, again put forth his hand, and the rapacious fingers closed over a round bulb.
And it was written that the Italian should at this moment open his eyes. He glared at the babe a fierce question. Thereupon the babe thrust the round bulb behind him, and with a face expressive of the deepest guilt, began a wild but elaborate series of gestures declaring his innocence. The Italian howled. He sprang to his feet, and with three steps overtook the babe. He whirled him fiercely, and took from the little fingers a lemon.
AN ELOQUENCE OF GRIEF
The windows were high and saintly, of the shape that is found in churches. From time to time a policeman at the door spoke sharply to some incoming person. "Take your hat off!" He displayed in his voice the horror of a priest when the sanctity of a chapel is defied or forgotten. The court-room was crowded with people who sloped back comfortably in their chairs, regarding with undeviating glances the procession and its attendant and guardian policemen that moved slowly inside the spear-topped railing. All persons connected with a case went close to the magistrate's desk before a word was spoken in the matter, and then their voices were toned to the ordinary talking strength. The crowd in the court-room could not hear a sentence; they could merely see shifting figures, men that gestured quietly, women that sometimes raised an eager eloquent arm. They could not always see the judge, although they were able to estimate his location by the tall stands surmounted by white globes that were at either hand of him. And so those who had come for curiosity's sweet sake wore an air of being in wait for a cry of anguish, some loud painful protestation that would bring the proper thrill to their jaded, world-weary nerves--wires that refused to vibrate for ordinary affairs.
Inside the railing the court officers shuffled the various groups with speed and skill; and behind the desk the magistrate patiently toiled his way through mazes of wonderful testimony.
In a corner of this space, devoted to those who had business before the judge, an officer in plain clothes stood with a girl that wept constantly. None seemed to notice the girl, and there was no reason why she should be noticed, if the curious in the body of the court-room were not interested in the devastation which tears bring upon some complexions. Her tears seemed to burn like acid, and they left fierce pink marks on her face. Occasionally the girl looked across the room, where two well-dressed young women and a man stood waiting with the serenity of people who are not concerned as to the interior fittings of a jail.
The business of the court progressed, and presently the girl, the officer, and the well-dressed contingent stood before the judge. Thereupon two lawyers engaged in some preliminary fire-wheels, which were endured generally in silence. The girl, it appeared, was accused of stealing fifty dollars' worth of silk clothing from the room of one of the well-dressed women. She had been a servant in the house.
In a clear way, and with none of the ferocity that an accuser often exhibits in a police-court, calmly and moderately, the two young women gave their testimony. Behind them stood their escort, always mute. His part, evidently, was to furnish the dignity, and he furnished it heavily, almost massively.
When they had finished, the girl told her part. She had full, almost Afric, lips, and they had turned quite white. The lawyer for the others asked some questions, which he did--be it said, in passing--with the air of a man throwing flower-pots at a stone house.
It was a short case and soon finished. At the end of it the judge said that, considering the evidence, he would have to commit the girl for trial. Instantly the quick-eyed court officer began to clear the way for the next case. The well-dressed women and their escort turned one way and the girl turned another, toward a door with an austere arch leading into a stone-paved passage. Then it was that a great cry rang through the court-room, the cry of this girl who believed that she was lost.
The loungers, many of them, underwent a spasmodic movement as if they had been knived. The court officers rallied quickly. The girl fell back opportunely for the arms of one of them, and her wild heels clicked twice on the floor. "I am innocent! Oh, I am innocent!"
People pity those who need none, and the guilty sob alone; but innocent or guilty, this girl's scream described such a profound depth of woe--it was so graphic of grief, that it slit with a dagger's sweep the curtain of common-place, and disclosed the gloom-shrouded spectre that sat in the young girl's heart so plainly, in so universal a tone of the mind, that a man heard expressed some far-off midnight terror of his own thought.
The cries died away down the stone-paved passage. A patrol-man leaned one arm composedly on the railing, and down below him stood an aged, almost toothless wanderer, tottering and grinning.
"Plase, yer honer," said the old man as the time arrived for him to speak, "if ye'll lave me go this time, I've niver been dhrunk befoor, sir."
A court officer lifted his hand to hide a smile.
THE AUCTION
Some said that Ferguson gave up sailoring because he was tired of the sea. Some said that it was because he loved a woman. In truth it was because he was tired of the sea and because he loved a woman.
He saw the woman once, and immediately she became for him the symbol of all things unconnected with the sea. He did not trouble to look again at the grey old goddess, the muttering slave of the moon. Her splendours, her treacheries, her smiles, her rages, her vanities, were no longer on his mind. He took heels after a little human being, and the woman made his thought spin at all times like a top; whereas the ocean had only made him think when he was on watch.
He developed a grin for the power of the sea, and, in derision, he wanted to sell the red and green parrot which had sailed four voyages with him. The woman, however, had a sentiment concerning the bird's plumage, and she commanded Ferguson to keep it in order, as it happened, that she might forget to put food in its cage.
The parrot did not attend the wedding. It stayed at home and blasphemed at a stock of furniture, bought on the installment plan, and arrayed for the reception of the bride and groom.
As a sailor, Ferguson had suffered the acute hankering for port; and being now always in port, he tried to force life to become an endless picnic. He was not an example of diligent and peaceful citizenship. Ablution became difficult in the little apartment, because Ferguson kept the wash-basin filled with ice and bottles of beer: and so, finally, the dealer in second-hand furniture agreed to auction the household goods on commission. Owing to an exceedingly liberal definition of a term, the parrot and cage were included. "On the level?" cried the parrot, "On the level? On the level? On the level?"
On the way to the sale, Ferguson's wife spoke hopefully. "You can't tell, Jim," she said. "Perhaps some of 'em will get to biddin', and we might get almost as much as we paid for the things."
The auction room was in a cellar. It was crowded with people and with house furniture; so that as the auctioneer's assistant moved from one piece to another he caused a great shuffling. There was an astounding number of old women in curious bonnets. The rickety stairway was thronged with men who wished to smoke and be free from the old women. Two lamps made all the faces appear yellow as parchment. Incidentally they could impart a lustre of value to very poor furniture.
The auctioneer was a fat, shrewd-looking individual, who seemed also to be a great bully. The assistant was the most imperturbable of beings, moving with the dignity of an image on rollers. As the Fergusons forced their way down the stair-way, the assistant roared: "Number twenty-one!"
"Number twenty-one!" cried the auctioneer. "Number twenty-one! A fine new handsome bureau! Two dollars? Two dollars is bid! Two and a half! Two and a half! Three? Three is bid. Four! Four dollars! A fine new handsome bureau at four dollars! Four dollars! Four dollars! F-o-u-r d-o-l-l-a-r-s! Sold at four dollars."
"On the level?" cried the parrot, muffled somewhere among furniture and carpets. "On the level? On the level?" Every one tittered.
Mrs. Ferguson had turned pale, and gripped her husband's arm. "Jim! Did you hear? The bureau--four dollars--"
Ferguson glowered at her with the swift brutality of a man afraid of a scene. "Shut up, can't you!"
Mrs. Ferguson took a seat upon the steps; and hidden there by the thick ranks of men, she began to softly sob. Through her tears appeared the yellowish mist of the lamplight, streaming about the monstrous shadows of the spectators. From time to time these latter whispered eagerly: "See, that went cheap!" In fact when anything was bought at a particularly low price, a murmur of admiration arose for the successful bidder.
The bedstead was sold for two dollars, the mattresses and springs for one dollar and sixty cents. This figure seemed to go through the woman's heart. There was derision in the sound of it. She bowed her head in her hands. "Oh, God, a dollar-sixty! Oh, God, a dollar-sixty!"
The parrot was evidently under heaps of carpet, but the dauntless bird still raised the cry, "On the level?"
Some of the men near Mrs. Ferguson moved timidly away upon hearing her low sobs. They perfectly understood that a woman in tears is formidable.
The shrill voice went like a hammer, beat and beat, upon the woman's heart. An odour of varnish, of the dust of old carpets, assailed her and seemed to possess a sinister meaning. The golden haze from the two lamps was an atmosphere of shame, sorrow, greed. But it was when the parrot called that a terror of the place and of the eyes of the people arose in her so strongly that she could not have lifted her head any more than if her neck had been of iron.
At last came the parrot's turn. The assistant fumbled until he found the ring of the cage, and the bird was drawn into view. It adjusted its feathers calmly and cast a rolling wicked eye over the crowd.
"Oh, the good ship Sarah sailed the seas, And the wind it blew all day--"
This was the part of a ballad which Ferguson had tried to teach it. With a singular audacity and scorn, the parrot bawled these lines at the auctioneer as if it considered them to bear some particular insult.
The throng in the cellar burst into laughter. The auctioneer attempted to start the bidding, and the parrot interrupted with a repetition of the lines. It swaggered to and fro on its perch, and gazed at the faces of the crowd, with so much rowdy understanding and derision that even the auctioneer could not confront it. The auction was brought to a halt; a wild hilarity developed, and every one gave jeering advice.
Ferguson looked down at his wife and groaned. She had cowered against the wall, hiding her face. He touched her shoulder and she arose. They sneaked softly up the stairs with heads bowed.
Out in the street, Ferguson gripped his fists and said: "Oh, but wouldn't I like to strangle it!"
His wife cried in a voice of wild grief: "It--it m--made us a laughing-stock in--in front of all that crowd!"
For the auctioning of their household goods, the sale of their home--this financial calamity lost its power in the presence of the social shame contained in a crowd's laughter.
THE PACE OF YOUTH
I
Stimson stood in a corner and glowered. He was a fierce man and had indomitable whiskers, albeit he was very small.
"That young tarrier," he whispered to himself. "He wants to quit makin' eyes at Lizzie. This is too much of a good thing. First thing you know, he'll get fired."
His brow creased in a frown, he strode over to the huge open doors and looked at a sign. "Stimson's Mammoth Merry-Go-Round," it read, and the glory of it was great. Stimson stood and contemplated the sign. It was an enormous affair; the letters were as large as men. The glow of it, the grandeur of it was very apparent to Stimson. At the end of his contemplation, he shook his head thoughtfully, determinedly. "No, no," he muttered. "This is too much of a good thing. First thing you know, he'll get fired."
A soft booming sound of surf, mingled with the cries of bathers, came from the beach. There was a vista of sand and sky and sea that drew to a mystic point far away in the northward. In the mighty angle, a girl in a red dress was crawling slowly like some kind of a spider on the fabric of nature. A few flags hung lazily above where the bath-houses were marshalled in compact squares. Upon the edge of the sea stood a ship with its shadowy sails painted dimly upon the sky, and high overhead in the still, sun-shot air a great hawk swung and drifted slowly.
Within the Merry-Go-Round there was a whirling circle of ornamental lions, giraffes, camels, ponies, goats, glittering with varnish and metal that caught swift reflections from windows high above them. With stiff wooden legs, they swept on in a never-ending race, while a great orchestrion clamoured in wild speed. The summer sunlight sprinkled its gold upon the garnet canopies carried by the tireless racers and upon all the devices of decoration that made Stimson's machine magnificent and famous. A host of laughing children bestrode the animals, bending forward like charging cavalrymen, and shaking reins and whooping in glee. At intervals they leaned out perilously to clutch at iron rings that were tendered to them by a long wooden arm. At the intense moment before the swift grab for the rings one could see their little nervous bodies quiver with eagerness; the laughter rang shrill and excited. Down in the long rows of benches, crowds of people sat watching the game, while occasionally a father might arise and go near to shout encouragement, cautionary commands, or applause at his flying offspring. Frequently mothers called out: "Be careful, Georgie!" The orchestrion bellowed and thundered on its platform, filling the ears with its long monotonous song. Over in a corner, a man in a white apron and behind a counter roared above the tumult: "Pop corn! Pop corn!"
A young man stood upon a small, raised platform, erected in a manner of a pulpit, and just without the line of the circling figures. It was his duty to manipulate the wooden arm and affix the rings. When all were gone into the hands of the triumphant children, he held forth a basket, into which they returned all save the coveted brass one, which meant another ride free and made the holder very illustrious. The young man stood all day upon his narrow platform, affixing rings or holding forth the basket. He was a sort of general squire in these lists of childhood. He was very busy.
And yet Stimson, the astute, had noticed that the young man frequently found time to twist about on his platform and smile at a girl who shyly sold tickets behind a silvered netting. This, indeed, was the great reason of Stimson's glowering. The young man upon the raised platform had no manner of licence to smile at the girl behind the silvered netting. It was a most gigantic insolence. Stimson was amazed at it. "By Jiminy," he said to himself again, "that fellow is smiling at my daughter." Even in this tone of great wrath it could be discerned that Stimson was filled with wonder that any youth should dare smile at the daughter in the presence of the august father.
Often the dark-eyed girl peered between the shining wires, and, upon being detected by the young man, she usually turned her head away quickly to prove to him that she was not interested. At other times, however, her eyes seemed filled with a tender fear lest he should fall from that exceedingly dangerous platform. As for the young man, it was plain that these glances filled him with valour, and he stood carelessly upon his perch, as if he deemed it of no consequence that he might fall from it. In all the complexities of his daily life and duties he found opportunity to gaze ardently at the vision behind the netting.
This silent courtship was conducted over the heads of the crowd who thronged about the bright machine. The swift eloquent glances of the young man went noiselessly and unseen with their message. There had finally become established between the two in this manner a subtle understanding and companionship. They communicated accurately all that they felt. The boy told his love, his reverence, his hope in the changes of the future. The girl told him that she loved him, that she did not love him, that she did not know if she loved him, that she loved him. Sometimes a little sign saying "cashier" in gold letters, and hanging upon the silvered netting, got directly in range and interfered with the tender message.
The love affair had not continued without anger, unhappiness, despair. The girl had once smiled brightly upon a youth who came to buy some tickets for his little sister, and the young man upon the platform observing this smile had been filled with gloomy rage. He stood like a dark statue of vengeance upon his pedestal and thrust out the basket to the children with a gesture that was full of scorn for their hollow happiness, for their insecure and temporary joy. For five hours he did not once look at the girl when she was looking at him. He was going to crush her with his indifference; he was going to demonstrate that he had never been serious. However, when he narrowly observed her in secret he discovered that she seemed more blythe than was usual with her. When he found that his apparent indifference had not crushed her he suffered greatly. She did not love him, he concluded. If she had loved him she would have been crushed. For two days he lived a miserable existence upon his high perch. He consoled himself by thinking of how unhappy he was, and by swift, furtive glances at the loved face. At any rate he was in her presence, and he could get a good view from his perch when there was no interference by the little sign: "Cashier."
But suddenly, swiftly, these clouds vanished, and under the imperial blue sky of the restored confidence they dwelt in peace, a peace that was satisfaction, a peace that, like a babe, put its trust in the treachery of the future. This confidence endured until the next day, when she, for an unknown cause, suddenly refused to look at him. Mechanically he continued his task, his brain dazed, a tortured victim of doubt, fear, suspicion. With his eyes he supplicated her to telegraph an explanation. She replied with a stony glance that froze his blood. There was a great difference in their respective reasons for becoming angry. His were always foolish, but apparent, plain as the moon. Hers were subtle, feminine, as incomprehensible as the stars, as mysterious as the shadows at night.
They fell and soared, and soared and fell in this manner until they knew that to live without each other would be a wandering in deserts. They had grown so intent upon the uncertainties, the variations, the guessings of their affair that the world had become but a huge immaterial background. In time of peace their smiles were soft and prayerful, caresses confided to the air. In time of war, their youthful hearts, capable of profound agony, were wrung by the intricate emotions of doubt. They were the victims of the dread angel of affectionate speculation that forces the brain endlessly on roads that lead nowhere.
At night, the problem of whether she loved him confronted the young man like a spectre, looming as high as a hill and telling him not to delude himself. Upon the following day, this battle of the night displayed itself in the renewed fervour of his glances and in their increased number. Whenever he thought he could detect that she too was suffering, he felt a thrill of joy.
But there came a time when the young man looked back upon these contortions with contempt. He believed then that he had imagined his pain. This came about when the redoubtable Stimson marched forward to participate.
"This has got to stop," Stimson had said to himself, as he stood and watched them. They had grown careless of the light world that clattered about them; they were become so engrossed in their personal drama that the language of their eyes was almost as obvious as gestures. And Stimson, through his keenness, his wonderful, infallible penetration, suddenly came into possession of these obvious facts. "Well, of all the nerves," he said, regarding with a new interest the young man upon the perch.
He was a resolute man. He never hesitated to grapple with a crisis. He decided to overturn everything at once, for, although small, he was very fierce and impetuous. He resolved to crush this dreaming.
He strode over to the silvered netting. "Say, you want to quit your everlasting grinning at that idiot," he said, grimly.
The girl cast down her eyes and made a little heap of quarters into a stack. She was unable to withstand the terrible scrutiny of her small and fierce father.
Stimson turned from his daughter and went to a spot beneath the platform. He fixed his eyes upon the young man and said--
"I've been speakin' to Lizzie. You better attend strictly to your own business or there'll be a new man here next week." It was as if he had blazed away with a shot-gun. The young man reeled upon his perch. At last he in a measure regained his composure and managed to stammer: "A--all right, sir." He knew that denials would be futile with the terrible Stimson. He agitatedly began to rattle the rings in the basket, and pretend that he was obliged to count them or inspect them in some way. He, too, was unable to face the great Stimson.
For a moment, Stimson stood in fine satisfaction and gloated over the effect of his threat.
"I've fixed them," he said complacently, and went out to smoke a cigar and revel in himself. Through his mind went the proud reflection that people who came in contact with his granite will usually ended in quick and abject submission.
II
One evening, a week after Stimson had indulged in the proud reflection that people who came in contact with his granite will usually ended in quick and abject submission, a young feminine friend of the girl behind the silvered netting came to her there and asked her to walk on the beach after "Stimson's Mammoth Merry-Go-Round" was closed for the night. The girl assented with a nod.
The young man upon the perch holding the rings saw this nod and judged its meaning. Into his mind came an idea of defeating the watchfulness of the redoubtable Stimson.
When the Merry-Go-Round was closed and the two girls started for the beach, he wandered off aimlessly in another direction, but he kept them in view, and as soon as he was assured that he had escaped the vigilance of Stimson, he followed them.
The electric lights on the beach made a broad band of tremoring light, extending parallel to the sea, and upon the wide walk there slowly paraded a great crowd, intermingling, intertwining, sometimes colliding. In the darkness stretched the vast purple expanse of the ocean, and the deep indigo sky above was peopled with yellow stars. Occasionally out upon the water a whirling mass of froth suddenly flashed into view, like a great ghostly robe appearing, and then vanished, leaving the sea in its darkness, from whence came those bass tones of the water's unknown emotion. A wind, cool, reminiscent of the wave wastes, made the women hold their wraps about their throats, and caused the men to grip the rims of their straw hats. It carried the noise of the band in the pavilion in gusts. Sometimes people unable to hear the music, glanced up at the pavilion and were reassured upon beholding the distant leader still gesticulating and bobbing, and the other members of the band with their lips glued to their instruments. High in the sky soared an unassuming moon, faintly silver.
For a time the young man was afraid to approach the two girls; he followed them at a distance and called himself a coward. At last, however, he saw them stop on the outer edge of the crowd and stand silently listening to the voices of the sea. When he came to where they stood, he was trembling in his agitation. They had not seen him.
"Lizzie," he began. "I----"
The girl wheeled instantly and put her hand to her throat.
"Oh, Frank, how you frightened me," she said--inevitably.
"Well, you know I--I----" he stuttered.
But the other girl was one of those beings who are born to attend at tragedies. She had for love a reverence, an admiration that was greater the more that she contemplated the fact that she knew nothing of it. This couple, with their emotions, awed her and made her humbly wish that she might be destined to be of some service to them. She was very homely.
When the young man faltered before them, she, in her sympathy, actually over-estimated the crisis, and felt that he might fall dying at their feet. Shyly, but with courage, she marched to the rescue.
"Won't you come and walk on the beach with us?" she said.
The young woman gave her a glance of deep gratitude which was not without the patronage which a man in his condition naturally feels for one who pities it. The three walked on.
Finally, the being who was born to attend at this tragedy, said that she wished to sit down and gaze at the sea, alone.
They politely urged her to walk on with them, but she was obstinate. She wished to gaze at the sea, alone. The young man swore to himself that he would be her friend until he died.
And so the two young lovers went on without her. They turned once to look at her.
"Jennie's awful nice," said the girl.
"You bet she is," replied the young man, ardently.
They were silent for a little time.
At last the girl said--
"You were angry at me yesterday."
"No, I wasn't."
"Yes, you were, too. You wouldn't look at me once all day."
"No, I wasn't angry. I was only putting on."
Though she had, of course, known it, this confession seemed to make her very indignant. She flashed a resentful glance at him.
"Oh, were you, indeed?" she said with a great air.
For a few minutes she was so haughty with him that he loved her to madness. And directly this poem, which stuck at his lips, came forth lamely in fragments.
When they walked back toward the other girl and saw the patience of her attitude, their hearts swelled in a patronizing and secondary tenderness for her.
They were very happy. If they had been miserable they would have charged this fairy scene of the night with a criminal heartlessness; but as they were joyous, they vaguely wondered how the purple sea, the yellow stars, the changing crowds under the electric lights could be so phlegmatic and stolid.
They walked home by the lake-side way, and out upon the water those gay paper lanterns, flashing, fleeting, and careering, sang to them, sang a chorus of red and violet, and green and gold; a song of mystic bands of the future.
One day, when business paused during a dull sultry afternoon, Stimson went up town. Upon his return, he found that the popcorn man, from his stand over in a corner, was keeping an eye upon the cashier's cage, and that nobody at all was attending to the wooden arm and the iron rings. He strode forward like a sergeant of grenadiers.
"Where in thunder is Lizzie?" he demanded, a cloud of rage in his eyes.
The popcorn man, although associated long with Stimson, had never got over being dazed.
"They've--they've--gone round to th'--th'--house," he said with difficulty, as if he had just been stunned.
"Whose house?" snapped Stimson.
"Your--your house, I 'spose," said the popcorn man.
Stimson marched round to his home. Kingly denunciations surged, already formulated, to the tip of his tongue, and he bided the moment when his anger could fall upon the heads of that pair of children. He found his wife convulsive and in tears.
"Where's Lizzie?"
And then she burst forth--"Oh--John--John-they've run away, I know they have. They drove by here not three minutes ago. They must have done it on purpose to bid me good-bye, for Lizzie waved her hand sad-like; and then, before I could get out to ask where they were going or what, Frank whipped up the horse."
Stimson gave vent to a dreadful roar.
"Get my revolver--get a hack--get my revolver, do you hear--what the devil----" His voice became incoherent.
He had always ordered his wife about as if she were a battalion of infantry, and despite her misery, the training of years forced her to spring mechanically to obey; but suddenly she turned to him with a shrill appeal.
"Oh, John--not--the--revolver."
"Confound it, let go of me," he roared again, and shook her from him.
He ran hatless upon the street. There were a multitude of hacks at the summer resort, but it was ages to him before he could find one. Then he charged it like a bull.
"Uptown," he yelled, as he tumbled into the rear seat.
The hackman thought of severed arteries. His galloping horse distanced a large number of citizens who had been running to find what caused such contortions by the little hatless man.
It chanced as the bouncing hack went along near the lake, Stimson gazed across the calm grey expanse and recognized a colour in a bonnet and a pose of a head. A buggy was travelling along a highway that led to Sorington. Stimson bellowed--"There--there--there they are--in that buggy."
The hackman became inspired with the full knowledge of the situation. He struck a delirious blow with the whip. His mouth expanded in a grin of excitement and joy. It came to pass that this old vehicle, with its drowsy horse and its dusty-eyed and tranquil driver, seemed suddenly to awaken, to become animated and fleet. The horse ceased to ruminate on his state, his air of reflection vanished. He became intent upon his aged legs and spread them in quaint and ridiculous devices for speed. The driver, his eyes shining, sat critically in his seat. He watched each motion of this rattling machine down before him. He resembled an engineer. He used the whip with judgment and deliberation as the engineer would have used coal or oil. The horse clacked swiftly upon the macadam, the wheels hummed, the body of the vehicle wheezed and groaned.
Stimson, in the rear seat, was erect in that impassive attitude that comes sometimes to the furious man when he is obliged to leave the battle to others. Frequently, however, the tempest in his breast came to his face and he howled--
"Go it--go it--you're gaining; pound 'im! Thump the life out of 'im; hit 'im hard, you fool." His hand grasped the rod that supported the carriage top, and it was clenched so that the nails were faintly blue.
Ahead, that other carriage had been flying with speed, as from realization of the menace in the rear. It bowled away rapidly, drawn by the eager spirit of a young and modern horse. Stimson could see the buggy-top bobbing, bobbing. That little pane, like an eye, was a derision to him. Once he leaned forward and bawled angry sentences. He began to feel impotent; his whole expedition was a tottering of an old man upon a trail of birds. A sense of age made him choke again with wrath. That other vehicle, that was youth, with youth's pace; it was swift-flying with the hope of dreams. He began to comprehend those two children ahead of him, and he knew a sudden and strange awe, because he understood the power of their young blood, the power to fly strongly into the future and feel and hope again, even at that time when his bones must be laid in the earth. The dust rose easily from the hot road and stifled the nostrils of Stimson.
The highway vanished far away in a point with a suggestion of intolerable length. The other vehicle was becoming so small that Stimson could no longer see the derisive eye.
At last the hackman drew rein to his horse and turned to look at Stimson.
"No use, I guess," he said.
Stimson made a gesture of acquiescence, rage, despair. As the hackman turned his dripping horse about, Stimson sank back with the astonishment and grief of a man who has been defied by the universe. He had been in a great perspiration, and now his bald head felt cool and uncomfortable. He put up his hand with a sudden recollection that he had forgotten his hat.
At last he made a gesture. It meant that at any rate he was not responsible.
A DETAIL
The tiny old lady in the black dress and curious little black bonnet had at first seemed alarmed at the sound made by her feet upon the stone pavements. But later she forgot about it, for she suddenly came into the tempest of the Sixth Avenue shopping district, where from the streams of people and vehicles went up a roar like that from headlong mountain torrents.
She seemed then like a chip that catches, recoils, turns and wheels, a reluctant thing in the clutch of the impetuous river. She hesitated, faltered, debated with herself. Frequently she seemed about to address people; then of a sudden she would evidently lose her courage. Meanwhile the torrent jostled her, swung her this and that way.
At last, however, she saw two young women gazing in at a shop-window. They were well-dressed girls; they wore gowns with enormous sleeves that made them look like full-rigged ships with all sails set. They seemed to have plenty of time; they leisurely scanned the goods in the window. Other people had made the tiny old woman much afraid because obviously they were speeding to keep such tremendously important engagements. She went close to the girls and peered in at the same window. She watched them furtively for a time. Then finally she said--
"Excuse me!"
The girls looked down at this old face with its two large eyes turned towards them.
"Excuse me, can you tell me where I can get any work?"
For an instant the two girls stared. Then they seemed about to exchange a smile, but, at the last moment, they checked it. The tiny old lady's eyes were upon them. She was quaintly serious, silently expectant. She made one marvel that in that face the wrinkles showed no trace of experience, knowledge; they were simply little, soft, innocent creases. As for her glance, it had the trustfulness of ignorance and the candour of babyhood.
"I want to get something to do, because I need the money," she continued since, in their astonishment, they had not replied to her first question. "Of course I'm not strong and I couldn't do very much, but I can sew well; and in a house where there was a good many men folks, I could do all the mending. Do you know any place where they would like me to come?"
The young women did then exchange a smile, but it was a subtle tender smile, the edge of personal grief.
"Well, no, madame," hesitatingly said one of them at last; "I don't think I know any one."
A shade passed over the tiny old lady's face, a shadow of the wing of disappointment.
"Don't you?" she said, with a little struggle to be brave, in her voice.
Then the girl hastily continued--"But if you will give me your address, I may find some one, and if I do, I will surely let you know of it."
The tiny old lady dictated her address, bending over to watch the girl write on a visiting card with a little silver pencil. Then she said--
"I thank you very much." She bowed to them, smiling, and went on down the avenue.
As for the two girls, they walked to the curb and watched this aged figure, small and frail, in its black gown and curious black bonnet. At last, the crowd, the innumerable wagons, intermingling and changing with uproar and riot, suddenly engulfed it.
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Richard Clay & Sons, Limited, London & Bungay.
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STEPHEN CRANE'S WORKS
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THE RED BADGE OF COURAGE
_Post 8vo, cloth, 3s. net; ornamental wrapper, 2s. 6d. net._ [PIONEER SERIES.
_The Saturday Review_--"Mr. Stephen Crane's picture of the effect of actual fighting on a raw regiment is simply unapproached in intimate knowledge and sustained imaginative strength. In the supreme moments of the fight he is possessed by the fiery breath of battle, and finds an inspired utterance that will reach the universal heart of man. This extraordinary book will appeal strongly to the insatiable desire to know the psychology of war--how the sights and sounds, the terrible details of the drama of battle, affect the senses and the soul of man."
_St. James's Gazette_--"This is not merely a remarkable book; it is a revelation Mr. Crane has laid the War God on the dissecting-table, and exposed his every bone and nerve and sinew and artery to the public gaze."
_The Speaker_--"Every page is crowded, not merely with incidents such as the war correspondent describes, but with the tragedy of life. The reader sees the battle, not from afar, but from the inside. He hears the laboured breathing of the wearied soldiers, sees the colour rising and falling in their cheeks, and feels at heart as they themselves did in this first act in the tremendous drama which so many people talk about and so few understand.... As a work of art, _The Red Badge of Courage_ deserves high praise. As a moral lesson that mankind still needs, the praise it deserves is higher still."
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THE LITTLE REGIMENT
_Post 8vo, cloth, 3s. net; ornamental wrapper, 2s. 6d. net._ [PIONEER SERIES.
_The Athenæum_--"The extraordinary power of imagination is more wonderful than that of Defoe. It is in dialogue that he is at his strongest, for in this the words are used as the soldiers would have used them."
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London: WILLIAM HEINEMANN, 21 Bedford Street, W.C.
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STEPHEN CRANE'S WORKS
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THE THIRD VIOLET
_Crown 8vo, cloth extra, 6s._
_The Athenæum_--"A vividness of portraiture which puts _The Third Violet_ on a high level--higher, we think, than Mr. Crane's very different _Maggie_, though perhaps lower than _The Little Regiment_, which is also very different. In his present book Mr. Crane is more the rival of Mr. Henry James than of Mr. Rudyard Kipling. But he is intensely American, which can hardly be said of Mr. Henry James, and it is possible that if he continues in his present line of writing he may be the author who will introduce the United States to the ordinary English world. We have never come across a book that brought certain sections of American society so perfectly before the reader as does _The Third Violet_. The picture is an extremely pleasant one, and its truth appeals to the English reader, so that the effect of the book is to draw him nearer to his American cousins. _The Third Violet_ incidentally contains the best dog that we have come across in modern fiction. Mr. Crane's dialogue is excellent, and it is dialogue of a type for which neither _The Red Badge of Courage_ nor his other books had prepared us."
_The Academy_--"By this latest product of his genius our impression of Mr. Crane is confirmed: that for psychological insight, for dramatic intensity, and for potency of phrase he is already in the front rank of English-American writers of fiction, and that he possesses a certain separate quality which places him apart. It is a short story and a slender, but taking it in conjunction with what he has previously given us, there remains, in our judgment, no room for doubt."
_The Bookman_--"An idyll, and a very pretty one. In _The Red Badge of Courage_ and _Maggie_ there is an intenser force; but in this slighter effort we feel the same directness, the same true reading of the workings of the mind, the same contempt for conventions and clap-trap sentiment."
_The Sketch_--"There is a strong human interest in it, and a boyish vigour which is refreshing."
_The Scotsman_--"It is very light, very amusing, and very American. The literary touch is singularly deft and felicitous, the strokes playful but unerring.... The treatment has the distinction which only a vivid imagination, a fine dramatic faculty and an intuitive perception of the deeper things of human nature can give to a book."
_Manchester Guardian_--"It is invigorating to follow the breezy mountain life up in the pine woods.... The book abounds in those felicitous descriptions and bright dialogues of which Mr. Crane is master.... One more delightful dog is added to the heroes of fiction."
_Daily Mail_--"We would not for the world have it other than it is.... In its short tantalisingly abrupt chapters, the tale gives the history of a wooing, a history clear, simple, and often sparkling as a rill of spring water."
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MAGGIE: A Child of the Streets
_12mo, buckram, gilt top, 2s._
_The Literary World_--"Contains all the force, all the power, and all the reality which Mr. Crane has proved his pen to possess."
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THE BLACK RIDERS: Verse
_12mo, leather, gilt top, 3s. net._
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London: WILLIAM HEINEMANN, 21 Bedford Street, W.C.