Chapter 13

Where are the flowers, the fair young flowers, that lately sprang and stood In brighter light, and softer airs, a beauteous sisterhood? Alas! they all are in their graves, the gentle race of flowers Are lying in their lowly beds, with the fair and good of ours. The rain is falling where they lie, but the cold November rain Calls not from out the gloomy earth the lovely ones again.

The wind-flower and the violet, they perished long ago, And the brier-rose and the orchis died amid the summer glow; But on the hill the goldenrod, and the aster in the wood, And the yellow sunflower by the brook in autumn beauty stood, Till fell the frost from the clear cold heaven, as falls the plague on men, And the brightness of their smile was gone, from upland, glade, and glen.

And now, when comes the calm mild day, as still such days will come, To call the squirrel and the bee from out their winter home, When the sound of dropping nuts is heard, though all the trees are still, And twinkle in the smoky light the waters of the rill, The south wind searches for the flowers whose fragrance late he bore, And sighs to find them in the wood and by the stream no more.

BRYANT

'TIS THE LAST ROSE OF SUMMER

'Tis the last rose of summer Left blooming alone; All her lovely companions Are faded and gone; No flower of her kindred, No rosebud is nigh, To reflect back her blushes, Or give sigh for sigh.

I'll not leave thee, thou lone one! To pine on the stem; Since the lovely are sleeping, Go, sleep thou with them. Thus kindly I scatter Thy leaves o'er the bed, Where thy mates of the garden Lie scentless and dead.

So soon may I follow, When friendships decay, And from Love's shining circle The gems drop away. When true hearts lie withered, And fond ones are flown, Oh! who would inhabit This bleak world alone!

MOORE

A ROMAN'S HONOUR

The Romans had suffered a terrible defeat in B.C. 251, and Regulus, a famous soldier and senator, had been captured and dragged into Carthage where the victors feasted and rejoiced through half the night, and testified their thanks to their god by offering in his fires the bravest of their captives.

Regulus himself was not, however, one of these victims. He was kept a close prisoner for two years, pining and sickening in his loneliness; while, in the meantime, the war continued, and at last a victory so decisive was gained by the Romans, that the people of Carthage were discouraged, and resolved to ask terms of peace. They thought that no one would be so readily listened to at Rome as Regulus, and they therefore sent him there with their envoys, having first made him swear that he would come back to his prison, if there should neither be peace nor an exchange of prisoners. They little knew how much more a true-hearted Roman cared for his city than for himself--for his word than for his life.

Worn and dejected, the captive warrior came to the outside of the gates of his own city and there paused, refusing to enter. "I am no longer a Roman citizen," he said; "I am but the barbarian's slave, and the Senate may not give audience to strangers within the walls."

His wife, Marcia, ran out to greet him, with his two sons, but he did not look up, and received their caresses as one beneath their notice, as a mere slave, and he continued, in spite of all entreaty, to remain outside the city, and would not even go to the little farm he had loved so well.

The Roman Senate, as he would not come in to them, came out to hold their meeting in the Campagna.

The ambassadors spoke first; then Regulus, standing up, said, as one repeating a task: "Conscript fathers, being a slave to the Carthaginians, I come on the part of my masters to treat with you concerning peace and an exchange of prisoners." He then turned to go away with the ambassadors, as a stranger might not be present at the deliberations of the Senate. His old friends pressed him to stay and give his opinion as a senator, who had twice been consul; but he refused to degrade that dignity by claiming it, slave as he was. But, at the command of his Carthaginian masters, he remained, though not taking his seat.

Then he spoke. He told the senators to persevere in the war. He said he had seen the distress of Carthage, and that a peace would be only to her advantage, not to that of Rome, and therefore he strongly advised that the war should continue. Then, as to the exchange of prisoners, the Carthaginian generals, who were in the hands of the Romans, were in full health and strength, whilst he himself was too much broken down to be fit for service again; and, indeed, he believed that his enemies had given him a slow poison, and that he could not live long. Thus he insisted that no exchange of prisoners should be made.

It was wonderful, even to Romans, to hear a man thus pleading against himself; and their chief priest came forward and declared that, as his oath had been wrested from him by force, he was not bound by it to return to his captivity. But Regulus was too noble to listen to this for a moment. "Have you resolved to dishonour me?" he said. "I am not ignorant that death and the extremest tortures are preparing for me; but what are these to the shame of an infamous action, or the wounds of a guilty mind? Slave as I am to Carthage, I have still the spirit of a Roman. I have sworn to return. It is my duty to go; let the gods take care of the rest."

The Senate decided to follow the advice of Regulus, though they bitterly regretted his sacrifice. His wife wept and entreated in vain that they would detain him--they could merely repeat their permission to him to remain; but nothing could prevail with him to break his word, and he turned back to the chains and death he expected, as calmly as if he had been returning to his home. This was in the year B.C. 249.

CHARLOTTE M. YONGE: "Book of Golden Deeds."

THE FIGHTING TÉMÉRAIRE

It was eight bells ringing, For the morning watch was done, And the gunner's lads were singing, As they polished every gun. It was eight bells ringing, And the gunner's lads were singing For the ship she rode a-swinging, As they polished every gun.

_Oh! to see the linstock lighting, Téméraire! Téméraire! Oh! to hear the round shot biting, Téméraire! Téméraire! Oh! to see the linstock lighting, And to hear the round shot biting, For we're all in love with fighting On the Fighting Téméraire._

It was noontide ringing, And the battle just begun, When the ship her way was winging, As they loaded every gun. It was noontide ringing When the ship her way was winging, And the gunner's lads were singing, As they loaded every gun.

_There'll be many grim and gory, Téméraire! Téméraire! There'll be few to tell the story, Téméraire! Téméraire! There'll be many grim and gory, There'll be few to tell the story, But we'll all be one in glory With the Fighting Téméraire._

There's a far bell ringing At the setting of the sun, And a phantom voice is singing Of the great days done. There's a far bell ringing, And a phantom voice is singing Of renown for ever clinging To the great days done.

_Now the sunset breezes shiver, Téméraire! Téméraire! And she's fading down the river, Téméraire! Téméraire! Now the sunset breezes shiver, And she's fading down the river, But in England's song for ever She's the Fighting Téméraire._

HENRY NEWBOLT

DON QUIXOTE'S FIGHT WITH THE WINDMILLS

"I beseech your worship, Sir Knight-errant," quoth Sancho to his master, "be sure you don't forget what you promised me about the island; for I dare say I shall make shift to govern it, let it be never so big."

"You must know, friend Sancho," replied Don Quixote, "that it has been the constant practice of knights-errant in former ages to make their squires governors of the islands or kingdoms they conquered."

As they were thus discoursing, they discovered some thirty or forty windmills that are in that plain; and as soon as the knight had spied them, "Fortune," cried he, "directs our affairs better than we ourselves could have wished: look yonder, friend Sancho, there are at least thirty outrageous giants, whom I intend to encounter; and having deprived them of life, we will begin to enrich ourselves with their spoils; for they are lawful prize; and the extirpation of that cursed brood will be an acceptable service to Heaven."

"What giants?" quoth Sancho Panza.

"Those whom thou seest yonder," answered Don Quixote, "with their long extended arms; some of that detested race have arms of so immense a size, that sometimes they reach two leagues in length."

"Pray look better, sir," quoth Sancho; "those things yonder are no giants, but windmills, and the arms you fancy, are their sails, which being whirled about by the wind, make the mill go."

"'Tis a sign," cried Don Quixote, "thou art but little acquainted with adventures! I tell thee, they are giants; and therefore if thou art afraid, go aside and say thy prayers, for I am resolved to engage in a dreadful unequal combat against them all." This said, he clapped spurs to his horse Rozinante, without giving ear to his squire Sancho, who bawled out to him, and assured him that they were windmills, and no giants. But he was so fully possessed with a strong conceit of the contrary, that he did not so much as hear his squire's outcry, nor was he sensible of what they were, although he was already very near them; far from that: "Stand, cowards," cried he, as loud as he could; "stand your ground, ignoble creatures, and fly not basely from a single knight, who dares encounter you all!"

At the same time, the wind rising, the mill-sails began to move, which when Don Quixote spied, "Base miscreants," cried he, "though you move more arms than the giant Briareus, you shall pay for your arrogance."

He most devoutly recommended himself to his Lady Dulcinea, imploring her assistance in this perilous adventure; and, so covering himself with his shield, and couching his lance, he rushed with Rozinante's utmost speed upon the first windmill he could come at, and running his lance into the sail, the wind whirled it about with such swiftness, that the rapidity of the motion presently broke the lance into shivers, and hurled away both knight and horse along with it, till down he fell, rolling a good way off in the field.

Sancho Panza ran as fast as his ass could drive to help his master, whom he found lying, and not able to stir, such a blow had he and Rozinante received. "Mercy o' me!" cried Sancho, "did not I give your worship fair warning? Did not I tell you they were windmills, and that nobody could think otherwise, unless he had also windmills in his head!"

"Peace, friend Sancho," replied Don Quixote: "there is nothing so subject to the inconstancy of fortune as war. I am verily persuaded that cursed necromancer, Freston, who carried away my study and my books, has transformed these giants into windmills to deprive me of the honour of the victory; such is his inveterate malice against me; but in the end, all his pernicious wiles and stratagems shall prove ineffectual against the prevailing edge of my sword."

"Amen, say I," replied Sancho.

And so heaving him up again upon his legs, once more the knight mounted poor Rozinante, that was half shoulder-slipped with his fall.

This adventure was the subject of their discourse, as they made the best of their way towards the pass of Lapice, for Don Quixote took that road, believing he could not miss of adventure in one so mightily frequented. However, the loss of his lance was no small affliction to him; and as he was making his complaint about it to his squire, "I have read," said he, "friend Sancho, that a certain Spanish knight, having broken his sword in the heat of an engagement, pulled up by the roots a huge oak tree, or at least tore down a massy branch, and did such wonderful execution, crushing and grinding so many Moors with it that day, that he won himself and his posterity the surname of The Pounder, or Bruiser. I tell thee this, because I intend to tear up the next oak or holm tree we meet; with the trunk whereof I hope to perform such wondrous deeds that thou wilt esteem thyself particularly happy in having had the honour to behold them, and been the ocular witness of achievements which posterity will scarce be able to believe."

"Heaven grant you may," cried Sancho; "I believe it all, because your worship says it. But, an't please you, sit a little more upright in your saddle; you ride sideling methinks; but that, I suppose, proceeds from your being bruised by the fall."

"It does so," replied Don Quixote; "and if I do not complain of the pain, it is because a knight-errant must never complain of his wounds."

"Then I have no more to say," quoth Sancho; "and yet Heaven knows my heart, I should be glad to hear your worship groan a little now and then when something ails you: for my part, I shall not fail to bemoan myself when I suffer the smallest pain, unless, indeed, it can be proved that the rule of not complaining extends to the squires as well as knights."

Don Quixote could not forbear smiling at the simplicity of his squire; and told him he gave him leave to complain not only when he pleased, but as much as he pleased, whether he had any cause or no; for he had never yet read anything to the contrary in any books of chivalry.

CERVANTES: "The Adventures of Don Quixote."

THE ROMANCE OF THE SWAN'S NEST

Little Ellie sits alone 'Mid the beeches of a meadow, By a stream-side on the grass, And the trees are showering down Doubles of their leaves in shadow, On her shining hair and face.

She has thrown her bonnet by, And her feet she has been dipping In the shallow water's flow. Now she holds them nakedly In her hands, all sleek and dripping, While she rocketh to and fro.

Little Ellie sits alone, And the smile she softly uses, Fills the silence like a speech, While she thinks what shall be done,-- And the sweetest pleasure chooses For her future within reach.

Little Ellie in her smile Chooses ... "I will have a lover, Riding on a steed of steeds! He shall love me without guile, And to _him_ I will discover The swan's nest among the reeds.

"And the steed shall be red-roan, And the lover shall be noble, With an eye that takes the breath. And the lute he plays upon, Shall strike ladies into trouble, As his sword strikes men to death.

"And the steed it shall be shod All in silver, housed in azure; And the mane shall swim the wind; And the hoofs along the sod Shall flash onward and keep measure, Till the shepherds look behind.

"But my lover will not prize All the glory that he rides in, When he gazes in my face. He will say: 'O Love, thine eyes Build the shrine my soul abides in, And I kneel here for thy grace.'

"Then, ay, then--he shall kneel low, With the red-roan steed anear him Which shall seem to understand-- Till I answer: 'Rise and go!' For the world must love and fear him Whom I gift with heart and hand.

"Then he will arise so pale, I shall feel my own lips tremble With a _yes_ I must not say, Nathless maiden-brave, 'Farewell,' I will utter, and dissemble-- 'Light to-morrow with to-day.'

"Then he'll ride among the hills To the wide world past the river, There to put away all wrong; To make straight distorted wills, And to empty the broad quiver Which the wicked bear along.

"Three times shall a young foot-page Swim the stream and climb the mountain And kneel down beside my feet-- 'Lo, my master sends this gage, Lady, for thy pity's counting! What wilt thou exchange for it?'

"And the first time, I will send A white rosebud for a guerdon,-- And the second time, a glove; But the third time--I may bend From my pride, and answer: 'Pardon, If he comes to take my love.'

"Then the young foot-page will run-- Then my lover will ride faster, Till he kneeleth at my knee: 'I am a duke's eldest son! Thousand serfs do call me master,-- But, O Love, I love but _thee!_'

"He will kiss me on the mouth Then, and lead me as a lover Through the crowds that praise his deeds: And, when soul-tied by one troth, Unto _him_ I will discover That swan's nest among the reeds."

Little Ellie, with her smile Not yet ended, rose up gaily, Tied the bonnet, donned the shoe, And went homeward, round a mile, Just to see, as she did daily, What more eggs were with the two.

Pushing through the elm tree copse, Winding up the stream, light-hearted, Where the osier pathway leads-- Past the boughs she stoops--and stops. Lo, the wild swan had deserted,-- And a rat had gnawed the reeds.

Ellie went home sad and slow. If she found the lover ever, With his red-roan steed of steeds, Sooth I know not! but I know She could never show him--never, That swan's nest among the reeds.

E. B. BROWNING

MOONLIGHT SONATA

It happened at Bonn. One moonlight winter's evening I called upon Beethoven; for I wished him to take a walk, and afterwards sup with me. In passing through a dark, narrow street, he suddenly paused. "Hush!" he said, "what sound is that? It is from my Sonata in F. Hark! how well it is played!"

It was a little, mean dwelling, and we paused outside and listened. The player went on; but, in the midst of the finale, there was a sudden break; then the voice of sobbing: "I cannot play any more. It is too beautiful; it is utterly beyond my power to do it justice. Oh! what would I not give to go to the concert at Cologne!"

"Ah! my sister," said her companion; "why create regrets when there is no remedy? We can scarcely pay our rent."

"You are right, and yet I wish for once in my life to hear some really good music. But it is of no use."

Beethoven looked at me. "Let us go in," he said.

"Go in!" I exclaimed. "What can we go in for?"

"I will play to her," he said, in an excited tone. "Here is feeling--genius--understanding! I will play to her, and she will understand it."

And before I could prevent him his hand was upon the door. It opened and we entered.

A pale young man was sitting by the table, making shoes, and near him, leaning sorrowfully upon an old-fashioned piano, sat a young girl, with a profusion of light hair falling over her face.

"Pardon me," said Beethoven, "but I heard music and was tempted to enter. I am a musician."

The girl blushed, and the young man looked grave and somewhat annoyed.

"I--I also overheard something of what you said," continued my friend. "You wish to hear--that is, you would like--that is--shall I play for you?"

There was something so odd in the whole affair, and something so comical and pleasant in the manner of the speaker, that the spell was broken in a moment.

"Thank you!" said the shoemaker; "but our piano is so wretched, and we have no music."

"No music!" echoed my friend; "how, then, does the young lady--" he paused and coloured; for, as he looked in the girl's face, he saw that she was blind. "I--I entreat your pardon," he stammered. "I had not perceived before. Then you play by ear? But when do you hear the music, since you frequent no concerts?"

"We lived at Bruhl for two years, and while there I used to hear a lady practising near us. During the summer evenings her windows were generally open, and I walked to and fro outside to listen to her."

She seemed so shy that Beethoven said no more, but seated himself quietly before the piano and began to play. He had no sooner struck the first chord than I knew what would follow. Never, during all the years I knew him, did I hear him play as he then played to that blind girl and her brother. He seemed to be inspired; and, from the instant that his fingers began to wander along the keys, the very tones of the instrument seemed to grow sweeter and more equal.

The brother and sister were silent with wonder and rapture. The former laid aside his work; the latter, with her head bent slightly forward, and her hands pressed tightly over her breast, crouched down near the end of the piano, as if fearful lest even the beating of her heart should break the flow of those magical sounds.

Suddenly the flame of the single candle wavered, sank, flickered, and went out. Beethoven paused, and I threw open the shutters, admitting a flood of brilliant moonlight. The room was almost as light as before, the moon rays falling strongest upon the piano and the player. His head dropped upon his breast; his hands rested upon his knees; he seemed absorbed in deep thought. He remained thus for some time. At length the young shoemaker arose and approached him eagerly.

"Wonderful man!" he said, in a low tone. "Who and what are you?"

"Listen!" said Beethoven, and he played the opening bars of the Sonata in F. A cry of recognition burst from them both, and exclaiming: "Then you are Beethoven!" they covered his hands with tears and kisses.

He rose to go, but we held him back with entreaties.

"Play to us once more--only once more!"

He suffered himself to be led back to the instrument. The moon shone brightly in through the window, and lighted up his glorious, rugged head and massive figure.

"I will improvise a Sonata to the Moonlight!" said he, looking up thoughtfully to the sky and stars. Then his hands dropped on the keys, and he began playing a sad and infinitely lovely movement, which crept gently over the instrument, like the calm flow of moonlight over the dark earth. This was followed by a wild, elfin passage in triple time--a sort of grotesque interlude, like the dance of spirits upon the lawn. Then came a swift agitato finale--a breathless, hurrying, trembling movement, descriptive of flight, and uncertainty, and vague impulsive terror, which carried us away on its rustling wings, and left us all in emotion and wonder.

"Farewell to you!" said Beethoven, pushing back his chair, and turning towards the door--"farewell to you!"

"You will come again?" asked they in one breath.

He paused and looked compassionately, almost tenderly, at the face of the blind girl.

"Yes, yes," he said hurriedly, "I will come again, and give the young lady some lessons! Farewell! I will come again!"

Their looks followed us in silence more eloquent than words till we were out of sight.

"Let us make haste back," said Beethoven, "that I may write out that Sonata while I can yet remember it."

We did so, and he sat over it till long past day dawn. And this was the origin of the Moonlight Sonata with which we are all so fondly acquainted.

UNKNOWN

THE RED-WINGED BLACKBIRD

Black beneath as the night, With wings of a morning glow, From his sooty throat three syllables float, Ravishing, liquid, low; And 'tis oh, for the joy of June, And the bliss that ne'er can flee From that exquisite call, with its sweet, sweet fall-- O-ke-lee, o-ke-lee, o-ke-lee!