Category: Essays, Letters & Speeches

The New Spirit Third Edition

“En portant à leur plus haut degré ses sentiments les plus intimes, on devient le chef de file d’un grand nombre d’autres hommes. Pour acquérir une valeur typique, il faut être le plus individuel qu’il est possible.”

Chapters

1. Part 1

“En portant à leur plus haut degré ses sentiments les plus intimes, on devient le chef de file d’un grand nombre d’autres hommes. Pour acquérir une valeur typique, il faut être...

2. Part 2

At the end of the sixteenth century, it was above all the sudden expansion of the world that inspired human effort and aspiration. In later days science has carried on the same...

3. Part 3

The destiny and fate of nations has always fascinated the popular imagination, and the destinies of nations are now shaping themselves before our eyes with singular clearness. W...

4. Part 4

There could have been no better education. It was the seed-time of all his energies, of his encyclopædic knowledge, of his manifold hold on life, of his extraordinary capacity....

5. Part 5

He brought the same eager, impressionable spirit to his novels and stories. It is indeed no great step from “Le Rêve de d’Alembert” to “Le Neveu de Rameau,” and from that to “La...

6. Part 6

But whether the Greek or the Hebrew element happened to be most active in Heine, the ideal that he set up for life generally was the equal activity of both sides--in other words...

7. Part 7

The same complexity of nature that made Heine an artist made him a humorist. But it was a more complicated complexity now, a cosmic game between the real world and the ideal wor...

8. Part 8

Of art, in the conventional sense of the word, there is not much in Whitman. If we wish to approach him as an artist, J. F. Millet probably helps us to understand him, more than...

9. Part 9

“Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God is the promise of my own, And I know that th...

10. Part 10

Knud Ibsen belonged to the aristocracy of Skien, and his house was a centre of its social life. When Henrik was eight years old there was an end of this, for his father became a...

11. Part 11

He is not an aristocrat of the school of Carlyle, eager to put everything beneath the foot of a Cromwell or a Bismarck. The great task for democracy is, as Rosmer says in “Rosme...

12. Part 12

A nation’s instincts are revealed in its art. The complex history of the origin and development of Russian art is full of interest. “Russia,” as Viollet le Duc wrote in his char...

13. Part 13

When peace was made, Tolstoi, then twenty-six years of age, left the army and settled in St. Petersburg, where he was warmly received by the chief literary circle of the capital...

14. Part 14

With Tolstoi the artist we have here little concern. Yet from the first he has been an artist, and in spite of himself he is an artist to the last. We cannot pass by his art. On...

15. Part 15

Tolstoi possesses that social imagination which, though growing among us, is still so rare. If at the dinner where cheerful guests prolong their enjoyment, there were placed beh...

16. Part 16

An æsthetic emotion is not necessarily religious, even within the field of inanimate nature. So also the elusive tints, the subtle perfumes of things, so far from liberating the...

17. Part 17

“Notwithstanding the mass of matter that has been printed relating to Dickens and his works ... we should, until we came across this volume, have been at a loss to recommend any...