The Nabob, Vol. 1 (of 2)

Chapter 10

Chapter 104,122 wordsPublic domain

"Joyeuse, you have assumed to criticize in our offices our recent operations on the market in Tunis. No use to deny it. What you said has been repeated to me word for word. And as I can't allow such things from one of my clerks, I notify you that with the end of this month you will cease to be in my employ."

The blood rushed to the clerk's face, receded, returned, causing each time a confused buzzing in his ears, a tumult of thoughts and images in his brain.

His daughters!

What would become of them?

Places are so scarce at that time of year!

Want stared him in the face, and also the vision of a poor devil falling at Hemerlingue's feet, imploring him, threatening him, leaping at his throat in an outburst of desperate frenzy. All this agitation passed across his face like a gust of wind which wrinkles the surface of a lake, hollowing out shifting caverns of all shapes therein; but he stood mute on the same spot, and at a hint from his employer that he might withdraw, went unsteadily down to resume his task in the counting-room.

That evening, on returning to Rue Saint-Ferdinand, M. Joyeuse said nothing to his daughters. He dared not. The thought of casting a shadow upon that radiant gayety, which was the whole life of the house, of dimming with great tears those sparkling eyes, seemed to him unendurable. Moreover he was timid and weak, one of those who always say: "Let us wait till to-morrow." So he waited before speaking, in the first place until the month of November should be at an end, comforting himself with the vague hope that Hemerlingue might change his mind, as if he did not know that unyielding will, like the flabby, tenacious grasp of a mollusk clinging to its gold ingot. Secondly, when his accounts were settled and another clerk had taken his place at the tall desk at which he had stood so long, he hoped speedily to find something else and to repair the disaster before he was obliged to avow it.

Every morning he pretended to start for the office, allowed himself to be equipped and escorted to the door as usual, his great leather bag all ready for the numerous parcels he was to bring home at night. Although he purposely forgot some of them because of the approach of the perplexing close of the month, he no longer lacked time in which to do his daughters' errands. He had his day to himself, an interminable day, which he passed in running about Paris in search of a place. They gave him addresses and excellent recommendations. But in that month of December, when the air is so cold and the days are so short, a month overburdened with expenses and anxieties, clerks suffer in patience and employers too. Every one tries to end the year in tranquillity, postponing to the month of January, when time takes a great leap onward toward another station, all changes, ameliorations, attempts to lead a new life.

Wherever M. Joyeuse called, he saw faces suddenly turn cold as soon as he explained the purpose of his visit. "What! you are no longer with Hemerlingue and Son? How does that happen?" He would explain the condition of affairs as best he could, attributing it to a caprice of his employer, that violent-tempered Hemerlingue whom all Paris knew; but he was conscious of a cold, suspicious accent in the uniform reply: "Come and see us after the holidays." And, timid as he was at best, he reached a point at which he hardly dared apply anywhere, but would walk back and forth twenty times in front of the same door, nor would he ever have crossed the threshold but for the thought of his daughters. That thought alone would grasp his shoulder, put heart into his legs and send him to opposite ends of Paris in the same day, to exceedingly vague addresses given him by comrades, to a great bone-black factory at Aubervilliers, for instance, where they made him call three days in succession, and all for nothing.

Oh! the long walks in the rain and frost, the closed doors, the employer who has gone out or has visitors, the promises given and suddenly retracted, the disappointed hopes, the enervating effect of long suspense, the humiliation in store for every man who asks for work, as if it were a shameful thing to be without it. M. Joyeuse experienced all those heartsickening details, and he learned too how the will becomes weary and discouraged in the face of persistent ill-luck. And you can imagine whether the bitter martyrdom of "the man in search of a place" was intensified by the fantasies of his imagination, by the chimeras which rose before him from the pavements of Paris, while he pursued his quest in every direction.

For a whole month he was like one of those pitiful marionettes who soliloquize and gesticulate on the sidewalks, and from whom the slightest jostling on the part of the crowd extorts a somnambulistic ejaculation: "I said as much," or "Don't you doubt it, monsieur." You pass on, you almost laugh, but you are moved to pity at the unconsciousness of those poor devils, possessed by a fixed idea, blind men led by dreams, drawn on by an invisible leash. The terrible feature of it all was this, that when M. Joyeuse returned home, after those long, cruel days of inaction and fatigue, he must enact the comedy of the man returning from work, must describe the events of the day, tell what he had heard, the gossip of the office, with which he was always accustomed to entertain the young ladies.

In humble households there is always one name that comes to the lips more frequently than others, a name that is invoked on days of disaster, that plays a part in every wish, in every hope, even in the play of the children, who are permeated with the idea of its importance, a name that fills the rôle of a sub-providence in the family, or rather of a supernatural household god. It is the name of the employer, the manager of the factory, the landlord, the minister, the man, in short, who holds in his powerful hand the welfare, the very existence of the family. In the Joyeuse household it was Hemerlingue, always Hemerlingue; ten, twenty times a day the name was mentioned in the conversation of the girls, who associated it with all their plans, with the most trivial details of their girlish ambitions: "If Hemerlingue would consent. It all depends on Hemerlingue." And nothing could be more delightful than the familiar way in which those children spoke of the wealthy boor whom they had never seen.

They asked questions about him. Had their father spoken to him? Was he in good humor? To think that all of us, however humble we may be, however cruelly enslaved by destiny, have always below us some poor creature more humble, more enslaved than ourselves, in whose eyes we are great, in whose eyes we are gods, and, as gods, indifferent, scornful or cruel.

We can fancy M. Joyeuse's torture when he was compelled to invent incidents, to manufacture anecdotes concerning the villain who had dismissed him so heartlessly after ten years of faithful service. However, he played his little comedy in such way as to deceive them all completely. They had noticed only one thing, and that was that their father, on returning home at night, always had a hearty appetite for the evening meal. I should say as much! Since he had lost his place, the poor man had ceased to eat any luncheon.

The days passed. M. Joyeuse found nothing. Yes, he was offered a clerkship at the _Caisse Territoriale_, which he declined, being too well acquainted with the banking operations, with all the nooks and corners of financial Bohemia in general and the _Caisse Territoriale_ in particular, to step foot in that den.

"But," said Passajon--for it was Passajon, who, happening to meet the good man and finding that he was unemployed, had spoken to him of taking service with Paganetti--"but I tell you again that it's all right. We have plenty of money. We pay our debts. I have been paid; just see what a dandy I am."

In truth, the old clerk had a new livery, and his paunch protruded majestically beneath his tunic with silver buttons. For all that, M. Joyeuse had withstood the temptation, even after Passajon, opening wide his bulging eyes, had whispered with emphasis in his ear these words big with promise:

"The Nabob is in it."

Even after that, M. Joyeuse had had the courage to say no. Was it not better to die of hunger than to enter the service of an unsubstantial house whose books he might some day be called upon to examine as an expert before a court of justice?

So he continued to wander about; but he was discouraged and had abandoned his search for employment. As it was necessary for him to remain away from home, he loitered in front of the shop-windows on the quays, leaned for hours on the parapets, watching the river and the boats discharging their cargoes. He became one of those idlers whom we see in the front rank of all street crowds, taking refuge from a shower under porches, drawing near the stoves on which the asphalters boil their tar in the open air, to warm themselves, and sinking on benches along the boulevard when their feet can no longer carry them.

What an excellent way of lengthening one's days, to do nothing!

On certain days, however, when M. Joyeuse was too tired or the weather too inclement, he waited at the end of the street until the young ladies had closed their window, then went back to the house, hugging the walls, hurried upstairs, holding his breath as he passed his own door, and took refuge with the photographer, André Maranne, who, being aware of his catastrophe, offered him the compassionate welcome which poor devils extend to one another. Customers are rare so near the barriers. He would sit for many hours in the studio, talking in an undertone, reading by his friend's side, listening to the rain on the window-panes or the wind whistling as in mid-ocean, rattling the old doors and window-frames in the graveyard of demolished buildings below. On the next floor he heard familiar sounds, full of charm for him, snatches of song accompanying the work of willing hands, a chorus of laughter, the piano lesson given by _Grandmamma_, the tic-tac of the metronome, a delicious domestic hurly-burly that warmed his heart. He lived with his darlings, who certainly had no idea that they had him so near at hand.

Once, while Maranne was out, M. Joyeuse, acting as a faithful custodian of the studio and its brand-new equipment, heard two little taps on the ceiling of the fourth floor, two separate, very distinct taps, then a cautious rumbling like the scampering of a mouse. The intimacy between the photographer and his neighbors justified this prisoner-like method of communication, but what did that mean? How should he answer what seemed like a call? At all hazards he repeated the two taps, the soft drumming sound, and the interview stopped there. When André Maranne returned, he explained it. It was very simple: sometimes, during the day, the young ladies, who never saw their neighbor except in the evening, took that means of inquiring for his health and whether business was improving. The signal he had heard signified: "Is business good to-day?" and M. Joyeuse had instinctively but unwittingly replied: "Not bad for the season." Although young Maranne blushed hotly as he said it, M. Joyeuse believed him. But the idea of frequent communication between the two households made him fear lest his secret should be divulged, and thereafter he abstained from what he called his "artistic days." However, the time was drawing near when he could no longer conceal his plight, for the end of the month was at hand, complicated by the end of the year.

Paris was already assuming the usual festal aspect of the last weeks of December. That is about all that is left in the way of national or popular merrymaking. The revels of the carnival died with Gavarni, the religious festivals, the music of which we scarcely hear above the din of the streets, seclude themselves behind the heavy church doors, the Fifteenth of August has never been aught but the Saint-Charlemagne of the barracks; but Paris has retained its respect for the first day of the year.

Early in December a violent epidemic of childishness is apparent in the streets. Wagons pass, laden with gilded drums, wooden horses, playthings by the score. In the manufacturing districts, from top to bottom of the five-story buildings, former palaces of the Marais, where the shops have such lofty ceilings and stately double doors, people work all night, handling gauze, flowers and straw, fastening labels on satin-covered boxes, sorting out, marking and packing; the innumerable details of the toy trade, that great industry upon which Paris places the sign-manual of its refined taste. There is a smell of green wood, of fresh paint, of glistening varnish, and in the dust of the garrets, on the rickety stairways where the common people deposit all the mud through which they have tramped, chips of rosewood are strewn about, clippings of satin and velvet, bits of tinsel, all the débris of the treasures employed to dazzle childish eyes. Then the shop-windows array themselves. Behind the transparent glass the gilt binding of gift-books ascends like a gleaming wave under the gas-lights, rich stuffs of kaleidoscopic, tempting hues display their heavy, graceful folds, while the shop-girls, with their hair piled high upon their heads and ribbons around their necks, puff their wares with the little finger in the air, or fill silk bags, into which the bonbons fall like a shower of pearls.

But face to face with this bourgeois industry, firmly established and intrenched behind its gorgeous shop fronts, is the ephemeral industry carried on in the stalls built of plain boards, open to the wind from the street, standing in a double row which gives the boulevard the aspect of a foreign market place. There are to be found the real interest, the poetry of New Year's gifts. Luxurious in the Madeleine quarter, less ostentatious toward Boulevard Saint-Denis, cheaper and more tawdry as you approach the Bastille, these little booths change their character to suit their customers, estimate their chances of success according to the condition of the purses of the passers-by. Between them stand tables covered with trifles, miracles of the petty Parisian trades, made of nothing, fragile and insignificant, but sometimes whirled away by fashion in one of its fierce gusts, because of their very lightness. And lastly, along the sidewalks, lost in the line of vehicles which brush against them as they stroll along, the orange-women put the final touch to this ambulatory commerce, heaping up the sun-colored fruit under their red lanterns, and crying: "La Valence!" in the fog, the uproar, the excessive haste with which Paris rushes to meet the close of the year.

Ordinarily M. Joyeuse made a part of the happy crowd that throngs the streets with a jingling of money in the pockets and packages in every hand. He would run about with _Grandmamma_ in quest of presents for the young ladies, stopping in front of the booths of the small shopkeepers whom the slightest indication of a customer excites beyond measure, for they are unfamiliar with the art of selling and have based upon that brief season visions of extraordinary profits. And there would be consultations and meditations, a never-ending perplexity as to the final selection in that busy little brain, always in advance of the present and of the occupation of the moment.

But that year, alas! there was nothing of the sort. He wandered sadly through the joyous city, sadder and more discouraged by reason of all the activity around him, jostled and bumped like all those who impede the circulation of the industrious, his heart beating with constant dread, for _Grandmamma_, for several days past, had been making significant, prophetic remarks at table on the subject of New Year's gifts. For that reason he avoided being left alone with her and had forbidden her coming to meet him at the office. But, struggle as he would, the time was drawing near, he felt it in his bones, when further mystery would be impossible and his secret would be divulged. Was this _Grandmamma_ of whom M. Joyeuse stood in such fear such a terrible creature, pray? _Mon Dieu_, no! A little stern, that was all, with a sweet smile which promised instant pardon to every culprit. But M. Joyeuse was naturally cowardly and timid; twenty years of housekeeping with a masterful woman, "a person of gentle birth," had enslaved him forever, like those convicts who are subjected to surveillance for a certain period after their sentences have expired. And he was subjected to it for life.

One evening the Joyeuse family was assembled in the small salon, the last relic of its splendor, where there still were two stuffed arm-chairs, an abundance of crochet-work, a piano, two Carcel lamps with little green caps, and a small table covered with trivial ornaments.

The true family exists only among the lowly.

For economy's sake only one fire was lighted for the whole house, and only one lamp around which all their occupations, all their diversions were grouped; an honest family lamp, whose old-fashioned shade--with night scenes, studded with brilliant points--had been the wonder and the delight of all the girls in their infancy. Emerging gracefully from the shadow of the rest of the room, four youthful faces, fair or dark, smiling or engrossed, bent forward in the warm, cheerful rays, which illumined them to the level of the eyes and seemed to feed the fire of their glances, the radiant youth beneath their transparent brows, to watch over them, to shelter them, to protect them from the black cold wind without, from ghosts, pitfalls, misery and terror, from all the sinister things that lurk in an out-of-the-way quarter of Paris on a winter's night.

Thus assembled in a small room near the top of the deserted house, in the warmth and security of its neatly kept and comfortable home, the Joyeuse family resembles a family of birds in a nest at the top of a tall tree. They sew and read and talk a little. A burst of flame, the crackling of the fire, are the only sounds to be heard, save for an occasional exclamation from M. Joyeuse, who sits just outside of his little circle, hiding in the shadow his anxious brow and all the vagaries of his imagination. Now he fancies that, in the midst of the distress by which he is overwhelmed, the absolute necessity of confessing everything to his children to-night, to-morrow at latest, unforeseen succor comes to him. Hemerlingue, seized with remorse, sends to him, to all the others who worked on the Tunisian loan, the accustomed December bonus. It is brought by a tall footman: "From Monsieur le Baron." The _Imaginaire_ says this aloud. The pretty faces turn to look at him; they laugh and move about, and the poor wretch wakes with a start.

Oh! how he reviles himself now for his delay in confessing everything, for the fallacious security which he has encouraged in his home and which he will have to destroy at one blow. Why need he have criticised that Tunisian loan? He even blames himself now for having declined a position at the _Caisse Territoriale_. Had he the right to decline it? Ah! what a pitiful head of a family, who lacked strength to maintain or to defend the welfare of his dear ones. And, in presence of the charming group sitting within the rays of the lamp, whose tranquil aspect is in such glaring contrast to his inward agitation, he is seized with remorse, which assails his feeble mind so fiercely that his secret comes to his lips, is on the point of escaping him in an outburst of sobs, when a ring at the bell--not an imaginary ring--startles them all and checks him as he is about to speak.

Who could have come at that hour? They had lived in seclusion since the mother's death, receiving almost no visitors. André Maranne, when he came down to pass a few moments with them, knocked familiarly after the manner of those to whom a door is always open. Profound silence in the salon, a long colloquy on the landing. At last the old servant--she had been in the family as long as the lamp--introduced a young man, a perfect stranger, who stopped suddenly, spellbound, at sight of the charming picture presented by the four darlings grouped about the table. He entered with an abashed, somewhat awkward air. However, he set forth very clearly the purpose of his call. He was recommended to apply to M. Joyeuse by a worthy man of his acquaintance, old Passajon, to give him lessons in book-keeping. A friend of his was involved in some large financial enterprises, a stock company of some size. He was anxious to be of service to him by keeping an eye upon the employment of his funds and the rectitude of his associates' operations; but he was a lawyer, with a very imperfect knowledge of financial matters and the vernacular of the banking business. Could not M. Joyeuse, in a few months, with three or four lessons a week--"

"Why, yes indeed, monsieur, yes indeed," stammered the father, dazed by this unhoped-for chance; "I will willingly undertake to fit you in a month or two for this work of examining accounts. Where shall we have the lessons?"

"Here, if you please," said the young man, "for I am anxious that nobody should know that I am working at it. But I shall be very sorry if I am to put everybody to flight every time I appear, as I seem to have done this evening."

It was a fact that, as soon as the visitor opened his mouth, the four curly heads had disappeared, with much whispering and rustling of skirts, and the salon appeared very bare now that the great circle of white light was empty.

Always quick to take alarm where his daughters were concerned, M. Joyeuse replied that "the young ladies always retired early," in a short, sharp tone which said as plainly as could be: "Let us confine our conversation to our lessons, young man, I beg."

Thereupon they agreed upon the days and the hours in the evening.

As for the terms, that would be for monsieur to determine.

Monsieur named a figure.

The clerk turned scarlet; it was what he earned at Hemerlingue's.

"Oh! no, that is too much."

But the other would not listen; he hemmed and hawed and rolled his tongue around as if he were trying to say something that it was very difficult to say; then with sudden resolution:

"Here is your first month's pay."

"But, monsieur--"

The young man insisted. He was a stranger. It was fair that he should pay in advance. Evidently Passajon had told him. M. Joyeuse understood and said, beneath his breath: "Thanks, oh! thanks!" so deeply moved that words failed him. Life, it meant life for a few months, time to turn around, to find a situation. His darlings would be deprived of nothing. They would have their New Year's gifts. O Providence!

"Until Wednesday, then, Monsieur Joyeuse."

"Until Wednesday, Monsieur--?"

"De Géry--Paul de Géry."

They parted, equally dazzled, enchanted, one by the appearance of that unexpected saviour, the other by the lovely tableau of which he had caught a glimpse, all those maidens grouped around the table covered with books and papers and skeins, with an air of purity, of hard-working probity. That sight opened up to de Géry a whole new Paris, brave, domestic, very different from that with which he was already familiar, a Paris of which the writers of feuilletons and the reporters never speak, and which reminded him of his province, with an additional element, namely, the charm which the surrounding hurly-burly and turmoil impart to the peaceful shelter that they do not reach.

VI.

FELICIA RUYS.

"By the way, what have you done with your son, Jenkins? Why do we never see him at your house now? He was an attractive boy."