Chapter 28
Where should he dine? At the club? Place Vendome? To hear still more talk of this death that obsessed him! He preferred to go somewhere by chance, walking straight before him, like all those who are a prey to some fixed idea which they hope to conjure away by rapid movement. The evening was warm, the air full of sweet scents. He walked along the quays, and reached the trees of the Cours-la-Reine, then found himself breathing that air in which is mingled the freshness of watered roads and the odour of fine dust so characteristic of summer evenings in Paris. At that hour all was deserted. Here and there chandeliers were being lighted for the concerts, blazes of gaslight flared among the green trees. A sound of glasses and plates from a restaurant gave him the idea of going in.
The strong man was hungry despite all his troubles. He was served under a veranda with glazed walls backed by shrubs, and facing the great porch of the Palais de l’Industrie, where the duke, in the presence of a thousand people, had greeted him as a deputy. The refined, aristocratic face rose before his memory in the darkness of the sky, while he could see it also as it lay over yonder on the funereal whiteness of the pillow; and suddenly, as he ran his eye over the bill of fare presented to him by the waiter, he noticed with stupefaction that it bore the date of the 20th of May. So a month had not elapsed since the opening of the exhibition. It seemed to him like ten years ago. Gradually, however, the warmth of the meal cheered him. In the corridor he could hear waiters talking:
“Has anybody heard news of Mora? It appears he is very ill.”
“Nonsense! He will get over it, you will see. Men like him get all the luck.”
And so deeply is hope implanted in the human soul, that, despite what Jansoulet had himself seen and heard, these few words, helped by two bottles of burgundy and a few glasses of cognac, sufficed to restore his courage. After all, people had been known to recover from illnesses quite as desperate. Doctors often exaggerate the ill in order to get more credit afterward for curing it. “Suppose I called to inquire.” He made his way back towards the house, full of illusion, trusting to that chance which had served him so many times in his life. And indeed the aspect of the princely abode had something about it to fortify his hope. It presented the reassuring and tranquil appearance of ordinary evenings, from the avenue with its lights at long intervals, majestic and deserted, to the steps where stood waiting a huge carriage of old-fashioned shape.
In the antechamber, peaceful also, two enormous lamps were burning. A footman slept in a corner; the porter was reading before the fireplace. He looked at the new arrival over his spectacles, made no remark, and Jansoulet dared ask no question. Piles of newspapers lying on the table in their wrappers, addressed to the duke, seemed to have been thrown there as useless. The Nabob took up one of them, opened it, and tried to read, but quick and gliding steps, a muttered chanting, made him lift his eyes, and he saw a white-haired and bent old man, decked out in lace as though he had been an altar, who was praying aloud as he departed with a long priestly stride, his ample red cassock spreading in a train over the carpet. It was the Archbishop of Paris, accompanied by two assistants. The vision, with its murmur as of an icy north wind, passed quickly before Jansoulet, plunged into the great carriage and disappeared, carrying away with it his last hope.
“Doing the right thing, _mon cher_,” remarked Monpavon, appearing suddenly at his side. “Mora is an epicurean, brought up in the ideas of how do you say--you know--what is it you call it? Eighteenth century. Very bad for the masses, if a man in his position--ps--ps--ps--Ah, he is the master who sets us all an example--ps--ps--irreproachable manners!”
“Then, it is all over?” said Jansoulet, overwhelmed. “There is no longer any hope?”
Monpavon signed to him to listen. A carriage rolled heavily along the avenue on the quay. The visitors’ bell rang sharply several times in succession. The marquis counted aloud: “One, two, three, four.” At the fifth he rose:
“No more hope now. Here comes the other,” said he, alluding to the Parisian superstition that a visit from the sovereign was always fatal to dying persons. From every side the lackeys hastened up, opened the doors wide, ranged themselves in line, while the porter, his hat cocked forward and his staff resounding on the marble floor, announced the passage of two august shadows, of whom Jansoulet only caught a confused glimpse behind the liveried domestics, but whom he saw beyond a long perspective of open doors climbing the great staircase, preceded by a footman bearing a candelabrum. The woman ascended, erect and proud, enveloped in a black Spanish mantilla; the man supported himself by the baluster, slower in his movements and tired, the collar of his light overcoat turned up above a rather bent back, which was shaken by a convulsive sob.
“Let us be off, Nabob. Nothing more to be done here,” said the old beau, taking Jansoulet by the arm and drawing him outside. He paused on the threshold, with raised hand, making a little gesture of farewell in the direction of the man who lay dying upstairs. “Good-bye old fellow!” The gesture and the tone were polite, irreproachable, but the voice trembled a little.
The club in the Rue Royale, which was famous for its gambling parties, rarely saw one so desperate as the gaming of that night. It commenced at eleven o’clock and was still going on at five in the morning. Enormous sums were scattered over the green cloth, changing hands, moved now to one side, now to the other, heaped up, distributed, regained. Fortunes were engulfed in this monster play, at the end of which the Nabob, who had started it to forget his terrors in the hazards of chance, after singular alternations and runs of luck enough to turn the hair of a beginner white, retired with winnings amounting to five hundred thousand francs. On the boulevard the next day they said five millions, and everybody cried out on the scandal, especially the _Messenger_, three-quarters filled by an article against certain adventurers tolerated in the clubs, and who cause the ruin of the most honourable families.
Alas! what Jansoulet had won hardly represented enough to meet the first Schwalbach bills.
During this wild play, of which Mora was, however, the involuntary cause, and, as it were, the soul, his name was not once uttered. Neither Cardailhac nor Jenkins put in an appearance. Monpavon had taken to his bed, stricken more deeply than he wished it to be thought. Nobody had any news.
“Is he dead?” Jansoulet said to himself as he left the club; and he felt a desire to make a call to inquire before going home. It was no longer hope that urged him, but that sort of morbid and nervous curiosity which after a great fire leads the smitten unfortunate people, ruined and homeless, back to the wreck of their dwellings.
Although it was still very early, and a pink mist of dawn hung in the sky, the whole mansion stood open as if for a solemn departure. The lamps still smoked over the fire-places, dust floated about the rooms. The Nabob advanced amid an inexplicable solitude of desertion to the first floor, where at last he heard a voice he knew, that of Cardailhac, who was dictating names, and the scratching of pens over paper. The clever stage-manager of the festivities in honour of the Bey was organizing with the same ardour the funeral pomps of the Duc de Mora. What activity! His excellency had died during the evening; when morning came already ten thousand letters were being printed, and everybody in the house who could hold a pen was busy with the writing of the addresses. Without passing through these improvised offices, Jansoulet reached the waiting-room, ordinarily so crowded, to-day with all its arm-chairs empty. In the middle, on a table, lay the hat, cane, and gloves of M. le Duc, always ready in case he should go out unexpectedly, so as to save him even the trouble of giving an order. The objects that we always wear keep about them something of ourselves. The curve of the hat suggested that of the mustache; the light-coloured gloves were ready to grasp the supple and strong Chinese cane; the total effect was one of life and energy, as if the duke were about to appear, stretch out his hand while talking, take up those things, and go out.
Oh, no. M. le Duc was not going out. Jansoulet had but to approach the half-open door of the bed-chamber to see on the bed, raised three steps--always the platform even after death--a rigid, haughty form, a motionless and aged profile, metamorphosed by the beard’s growth of a night, quite gray; near the sloping pillow, kneeling and burying her head in the white drapery, was a woman, whose fair hair lay in rippled disorder, ready to fall beneath the shears of eternal widowhood; then a priest and a nun, gathered in this atmosphere of watch by the dead, in which are mingled the fatigue of sleepless nights and the murmurs of prayer.
The chamber in which so many ambitions had strengthened their wings, so many hopes and disappointments had throbbed, was wholly given over now to the peace of passing Death. Not a sound, not a sigh. Only, notwithstanding the early hour, away yonder, towards the Pont de la Concorde, a little clarinet, shrill and sharp, could be heard above the rumbling of the first vehicles; but its exasperating mockery was henceforth lost on him who lay there asleep, showing to the terrified Nabob an image of his own destiny, chilled, discoloured, ready for the tomb.
Others besides Jansoulet found that death-chamber lugubrious: the windows wide open, the night and the wind entering freely from the garden, making a strong draught; a human form on a table; the body, which had just been embalmed; the hollow skull filled with a sponge, the brain in a basin. The weight of this brain of a statesman was truly extraordinary. It weighed--it weighed--the newspapers of the period mentioned the figure. But who remembers it to-day?
THE FUNERAL
“Don’t weep, my fairy, you rob me of all my courage. Come, you will be a great deal happier when you no longer have your terrible demon. You will go back to Fontainebleau and look after your chickens. The ten thousand francs from Brahim will help to get you settled down. And then, don’t be afraid, once you are over there I shall send you money. Since this Bey wants to have sculpture done by me, he will have to pay for it, as you may imagine. I shall return rich, rich. Who knows? Perhaps a sultana.”
“Yes, you will be a sultana, but I--I shall be dead and I shall never see you again.” And the good Crenmitz in despair huddled herself into a corner of the cab so that she would not be seen weeping.
Felicia was leaving Paris. She was trying to escape the horrible sadness, the sinister disgust into which Mora’s death had thrown her. What a terrible blow for the proud girl! _Ennui_, pique, had thrown her into this man’s arms; she had given him pride--modesty--all; and now he had carried all away with him, leaving her tarnished for life, a tearless widow, without mourning and without dignity. Two or three visits to Saint-James Villa, a few evenings in the back of some box at some small theatre, behind the curtain that shelters forbidden and shameful pleasure, these were the only memories left to her by this liaison of a fortnight, this loveless intrigue wherein her pride had not found even the satisfaction of the commotion caused by a big scandal. The useless and indelible stain, the stupid fall of a woman who does not know how to walk and who is embarrassed in her rising by the ironical pity of the passers-by.
For a moment she thought of suicide, then the reflection that it would be set down to a broken heart arrested her. She saw in a glance the sentimental compassion of the drawing-rooms, the foolish figure that her sham passion would cut among the innumberable love affairs of the duke, and the Parma violets scattered by the pretty Moessards of journalism on her grave, dug so near the other. Travelling remained to her--one of those journeys so distant that they take even one’s thoughts into a new world. Unfortunately the money was wanting. Then she remembered that on the morrow of her great success at the Exhibition, old Brahim Bey had called to see her, to make her, in behalf of his master, magnificent proposals for certain great works to be executed in Tunis. She had said No at the time, without allowing herself to be tempted by Oriental remuneration, a splendid hospitality, the finest court in the Bardo for a studio, with its surrounding facades of stone in lacework carving. But now she was quite willing. She had to make but a sign, the agreement was immediately concluded, and after an exchange of telegrams, a hasty packing and shutting up of the house, she set out for the railway station as if for a week’s absence, astonished herself by her prompt decision, flattered on all the adventurous and artistic sides of her nature by the hope of a new life in an unknown country.
The Bey’s pleasure yacht was to await her at Genoa; and in anticipation, closing her eyes in the cab which was taking her to the station, she could see the white stone buildings of an Italian port embracing an iridescent sea where the sunshine was already Eastern, where everything sang, to the very swelling of the sails on the blue water. Paris, as it happened, was muddy that day, uniformly gray, flooded by one of those continuous rains of which it seems to have the special property, rains that seem to have risen in clouds from its river, from its smoke, from its monster’s breath, and to fall in torrents from its roofs, from its spouts, from the innumerable windows of its garrets. Felicia was impatient to get away from this gloomy Paris, and her feverish impatience found fault with the cabmen who made slow progress with the horses, two sorry creatures of the veritable cab-horse type, with an inexplicable block of carriages and omnibuses crowded together in the vicinity of the Pont de la Concorde.
“But go on, driver, go on, then.”
“I cannot, madame. It is the funeral procession.”
She put her head out of the window and drew it back again immediately, terrified. A line of soldiers marching with reversed arms, a confusion of caps and hats raised from the forehead at the passage of an endless cortege. It was Mora’s funeral procession defiling past.
“Don’t stop here. Go round,” she cried to the cabman.
The vehicle turned about with difficulty, dragging itself regretfully from the superb spectacle which Paris had been awaiting for four days; it remounted the avenues, took the Rue Montaigne, and, with its slow and surly little trot, came out at the Madeleine by the Boulevard Malesherbes. Here the crowd was greater, more compact.
In the misty rain, the illuminated stained-glass windows of the church, the dull echo of the funeral chants beneath the lavishly distributed black hangings under which the very outline of the Greek temple was lost, filled the whole square with a sense of the office in course of celebration, while the greater part of the immense procession was still squeezed up in the Rue Royale, and as far even as the bridges a long black line connecting the dead man with that gate of the Legislative Assembly through which he had so often passed. Beyond the Madeleine the highway of the boulevard stretched away empty, and looking bigger between two lines of soldiers with arms reversed, confining the curious to the pavements black with people, all the shops closed, and the balconies, in spite of the rain, overflowing with human beings all leaning forward in the direction of the church, as if to see a mid-Lent festival or the home-coming of victorious troops. Paris, hungry for the spectacular, constructs it indifferently out of anything, civil war as readily as the burial of a statesman.
It was necessary for the cab to retrace its course again and to make a new circuit; and it is easy to imagine the bad temper of the driver and his beasts, all three of them Parisian in soul and passions, at having to deprive themselves of so fine a show. Then, as all the life of Paris had been drawn into the great artery of the boulevard, there began through the deserted and silent streets--a capricious and irregular drive--the snail-like progress of a cab taken by the hour. First touching the extreme points of the Faubourg Saint-Martin and the Faubourg Saint-Denis, returning again towards the centre, and at the conclusion of circuits and dodges finding always the same obstacle in ambush, the same crowd, some fragment of the black defile perceived for a moment at the branching of a street, unfolding itself in the rain to the sound of muffled drums--a dull and heavy sound, like that of earth falling on a coffin-lid.
What torture for Felicia! It was her weakness and her remorse crossing Paris in this solemn pomp, this funeral train, this public mourning reflected by the very clouds; and the proud girl revolted against this affront done her by fate, and tried to escape from it to the back of the carriage, where she remained exhausted with eyes closed, while old Crenmitz, believing her nervousness to be grief, did her best to comfort her, herself wept over their separation, and hiding also, left the entire window of the cab to the big Algerian hound with his finely modelled head scenting the wind, and his two paws resting in the sash with an heraldic stiffness of pose. Finally, after a thousand interminable windings, the cab suddenly came to a halt, jolted on again with difficulty amid cries and abuse, then, tossed about, the luggage on top threatening its equilibrium, it ended by coming to a full stop, held prisoner, as it were, at anchor.
“_Bon Dieu!_ what a mass of people!” murmured the Crenmitz, terrified.
Felicia came out of her stupor.
“Where are we?”
Under a colourless, smoky sky, blotted out by a fine network of rain and stretched like gauze over everything, there lay an immense space filled by an ocean of humanity surging from all the streets that led to it, and motionless around a lofty column of bronze, which dominated this sea like the gigantic mast of a sunken vessel. Cavalry in squadrons, with swords drawn, guns in batteries stood at intervals along an open passage, awaiting him who was to come by, perhaps in order to try to retake him, to carry him off by force from the formidable enemy who was bearing him away. Alas! all the cavalry charges, all the guns could be of no avail here. The prisoner was departing, firmly guarded, defended by a triple wall of hardwood, metal, and velvet, impervious to grape-shot; and it was not from those soldiers that he could hope for his deliverance.
“Get away from this. I will not stay here,” said Felicia, furious, plucking at the wet box-coat of the driver, and seized by a wild dread at the thought of the nightmare which was pursuing her, of _that_ which she could hear coming in a frightful rumbling, still distant, but growing nearer from minute to minute. At the first movement of the wheels, however, the cries and shouts broke out anew. Thinking that he would be allowed to cross the square, the driver had penetrated with great difficulty to the front ranks of the crowd; it now closed behind him and refused to allow him to go forward. There they had to remain, to endure those odours of common people and of alcohol, those curious glances, already fired by the prospect of an exceptional spectacle. They stared rudely at the beautiful traveller who was starting off with so many trunks, and a dog of such size for her defender. Crenmitz was horribly afraid; Felicia, for her part, could think of only one thing, and that was that _he_ was about to pass before her eyes, that she would be in the front rank to see him.
Suddenly a great shout “Here it comes!” Then silence fell on the whole square at last at the end of three weary hours of waiting.
It came.
Felicia’s first impulse was to lower the blind on her side, on the side past which the procession was about to pass. But at the rolling of the drums close at hand, seized by the nervous wrath at her inability to escape the obsession of the thing, perhaps also infected by the morbid curiosity around her, she suddenly let the blind fly up, and her pale and passionate little face showed itself at the window, supported by her two clinched hands.
“There! since you will have it: I am watching you.”
As a funeral it was as fine a thing as can be seen, the supreme honours rendered in all their vain splendour, as sonorous, as hollow as the rhythmic accompaniment on the muffled drums. First the white surplices of the clergy, amid the mourning drapery of the first five carriages; next, drawn by six black horses, veritable horses of Erebus, there advanced the funeral car, all beplumed, fringed and embroidered in silver, with big tears, heraldic coronets surmounting gigantic M’s, prophetic initials which seemed those of Death himself, _La Mort_ made a duchess decorated with the eight waving plumes. So many canopies and massive hangings hid the vulgar body of the hearse, as it trembled and quivered at each step from top to bottom as though crushed beneath the majesty of its dead burden. On the coffin, the sword, the coat, the embroidered hat, parade undress--which had never been worn--shone with gold and mother-of-pearl in the darkened little tent formed by the hangings and among the bright tints of fresh flowers telling of spring in spite of the sullenness of the sky. At a distance of ten paces came the household servants of the duke; then, behind, in majestic isolation, the cloaked officer bearing the emblems of honour--a veritable display of all the orders of the whole world--crosses, multicoloured ribbons, which covered to overflowing the cushion of black velvet with silver fringe.
The master of ceremonies came next, in front of the representatives of the Legislative Assembly--a dozen deputies chosen by lot, among them the tall figure of the Nabob, wearing the official costume for the first time, as if ironical Fortune had desired to give to the representative on probation a foretaste of all parliamentary joys. The friends of the dead man, who followed, formed a rather small group, singularly well chosen to exhibit in its crudity the superficiality and the void of that existence of a great personage reduced to the intimacy of a theatrical manager thrice bankrupt, of a picture-dealer grown wealthy through usuary, of a nobleman of tarnished reputation, and of a few men about town without distinction. Up to this point everybody was walking on foot and bareheaded; among the parliamentary representatives there were only a few black skull-caps, which had been put on timidly as they approached the populous districts. After them the carriages began.
At the death of a great warrior it is the custom for the funeral convoy to be followed by the favourite horse of the hero, his battle charger, regulating to the slow step of the procession that dancing step excited by the smell of powder and the pageantry of standards. In this case, Mora’s great brougham, that “C-spring” which used to bear him to fashionable or political gatherings, took the place of that companion in victory, its panels draped with black, its lamps veiled in long streamers of light crape, floating to the ground with undulating feminine grace. These veiled lamps constituted a new fashion for funerals--the supreme “chic” of mourning; and it well became this dandy to give a last lesson in elegance to the Parisians, who flocked to his obsequies as to a “Longchamps” of death.