Chapter 11

A few of the sculptor’s friends gathered together as a family council to consider the future of this unfortunate child without relatives or fortune. Fifty francs had been discovered in the box where Sebastien used to put his money, on a piece of the studio furniture well known to its needy frequenters and visited by them without scruple. There was no other inheritance, at least in cash; only a quantity of artistic and curious furniture of the most sumptuous description, a few valuable pictures, and a certain amount of money owing but scarcely sufficing to cover numberless debts. It was proposed to organize a sale. Felicia, when she was consulted, replied that she would not care if everything were sold, but, for God’s sake, let them leave her in peace.

The sale did not take place, however, thanks to the godmother, the excellent Crenmitz, who suddenly made her appearance, calm and gentle as usual.

“Don’t listen to them, my child. Sell nothing. Your old Constance has an income of fifteen thousand francs, which was destined to come to you later on. You will take advantage of it at once, that is all. We will live here together. You will see, I shall not be in the way. You will work at your sculpture, I shall manage the house. Does that suit you?”

It was said so tenderly, with that childishness of accent which foreigners have when expressing themselves in French, that the girl was deeply moved. Her heart that had seemed turned to stone opened, a burning flood came pouring from her eyes, and she rushed, flung herself into the arms of the dancer. “Ah, godmother, how good you are to me! Yes, yes, don’t leave me any more. Stay with me always. Life frightens and disgusts me. I see so much hypocrisy in it, so much falsehood.” And the old woman arranged for herself a silken and embroidered nest in this house so like a traveller’s camp laden with treasures from every land, and the suggested dual life began for these two different natures.

It was no small sacrifice that Constance had made for the dear demon in quitting her Fontainebleau retreat for Paris, which inspired her with terror. Ever since the day when this dancer, with her extravagant caprices, who made princely fortunes flow and disappear through her five open fingers, had descended from her triumphant position, a little of its dazzling glitter still in her eyes, and had attempted to resume an ordinary existence, to manage her little income and her modest household, she had been the object of a thousand impudent exploitations, of frauds that were easy in view of the ignorance of this poor butterfly that was frightened by reality and came into collision with all its unknown difficulties. Living in Felicia’s house, the responsibility became still more serious by reason of the wastefulness introduced long ago by the father and continued by the daughter, two artists knowing nothing of economy. She had, moreover, other difficulties to conquer. She found the studio insupportable with its permanent atmosphere of tobacco smoke, an impenetrable cloud for her, in which the discussions on art, the analysis of ideas, were lost and which infallibly gave her a headache. “Chaff,” above all, frightened her. As a foreigner, as at one time a divinity of the green-room, brought up on out-of-date compliments, on gallantries _a la Dorat_, she did not understand it, and would feel terrified in the presence of the wild exaggerations, the paradoxes of these Parisians refined by the liberty of the studio.

That kind of thing was intimidating to her who had never possessed wit save in the vivacity of her feet, and reduced her simply to the rank of a lady-companion; and, seeing this amiable old dame sitting, silent and smiling, her knitting in her lap, like one of Chardin’s _bourgeoises_, or hastening by the side of her cook up the long Rue de Chaillot, where the nearest market happened to be, one would never have guessed that that simple old body had ruled kings, princes, the whole class of amorous nobles and financiers, at the caprice of her step and pirouettings.

Paris is full of such fallen stars, extinguished by the crowd.

Some of these famous ones, these conquerors of a former day, cherish a rage in their heart; others, on the contrary, enjoy the past blissfully, digest in an ineffable content all their glorious and ended joys, asking only repose, silence, shadow, good enough for memory and contemplations, so that when they die people are quite astonished to learn that they had been still living.

Constance Crenmitz was among these fortunate ones. The household of these two women was a curious one. Both were childlike, placing side by side in a common domain, inexperience and ambition, the tranquility of an accomplished destiny and the fever of a life plunged in struggle, all the different qualities manifest even in the serene style of dress affected by this blonde who seemed all white like a faded rose, with something beneath her bright colours that vaguely suggested the footlights, and that brunette with the regular features, who almost always clothed her beauty in dark materials, simple in fold, a semblance, as it were, of virility.

Things unforeseen, caprices, ignorance of even the least important details, led to an extreme disorder in the finances of the household, disorder which was only rectified by dint of privations, by the dismissal of servants, by reforms that were laughable in their exaggeration. During one of these crises, Jenkins had made veiled delicate offers, which, however, were repulsed with contempt by Felicia.

“It is not nice of you,” Constance would remark to her, “to be so hard on the poor doctor. After all, there was nothing offensive in his suggestion. An old friend of your father.”

“He, any one’s friend! Ah, the hypocrite!”

And Felicia, hardly able to contain herself, would give an ironical turn to her wrath, imitating Jenkins with his oily manner and his hand on his heart; then, puffing out her cheeks, she would say in a loud, deep voice full of lying unction:

“Let us be humane, let us be kind. To do good without hope of reward! That is the whole point.”

Constance used to laugh till the tears came, in spite of herself. The resemblance was so perfect.

“All the same, you are too hard. You will end by driving him away altogether.”

“Little fear of that,” a shake of the girl’s head would reply.

In effect he always came back, pleasant, amiable, dissimulating his passion, which was visible only when it grew jealous of newcomers, paying assiduous attention to the old dancer, who, in spite of everything, found his good-nature pleasing and recognised in him a man of her own time, of the time when one accosted a woman with a kiss on her hand, with a compliment on her appearance.

One morning, Jenkins having called in the course of his round, found Constance alone and doing nothing in the antechamber.

“You see, doctor, I am on guard,” she remarked tranquilly.

“How is that?”

“Felicia is at work. She wishes not to be disturbed; and the servants are so stupid, I am myself seeing that her orders are obeyed.”

Then, seeing that the Irishman made a step towards the studio:

“No, no, don’t go in. She told me very particularly not to let any one go in.”

“But I?”

“I beg you not. You would get me a scolding.”

Jenkins was about to take his leave when a burst of laughter from Felicia, coming through the curtains, made him prick up his ears.

“She is not alone, then?”

“No, the Nabob is with her. They are having a sitting for the portrait.”

“And why this mystery? It is a very singular thing.” He commenced to walk backward and forward, evidently very angry, but containing his wrath.

At last he burst forth.

It was an unheard-of impropriety to let a girl thus shut herself in with a man.

He was surprised that one so serious, so devoted as Constance--What did it look like?

The old lady looked at him with stupefaction. As though Felicia were like other girls! And then what danger was there with the Nabob, so staid a man and so ugly? Besides, Jenkins ought to know quite well that Felicia never consulted anybody, that she always had her own way.

“No, no, it is impossible! I cannot tolerate this,” exclaimed the Irishman.

And, without paying any further heed to the dancer, who raised her arms to heaven as a call upon it to witness what was about to happen, he moved towards the studio; but, instead of entering immediately, he softly half-opened the door and raised a corner of the hangings, whereby the portion of the room in which the Nabob was posing became visible to him, although at a considerable distance.

Jansoulet, seated without cravat and with his waist-coat open, was talking apparently in some agitation and in a low voice. Felicia was replying in a similar tone, in laughing whispers. The sitting was very animated. Then a silence, a silken rustle of skirts, and the artist, going up to her model, turned down his linen collar all round with familiar gesture, allowing her light hand to run over the sun-tanned skin.

That Ethiopian face on which the muscles stood out in the very intoxication of health, with its long drooping eyelashes as of some deer being gently stroked in its sleep; the bold profile of the girl as she leaned over those strange features in order to verify their proportions; then a violent, irresistible gesture, clutching the delicate hand as it passed and pressing it to two thick, passionate lips. Jenkins saw all that in one red flash.

The noise that he made in entering caused the two personages instantly to resume their respective positions, and, in the strong light which dazzled his prying eyes, he saw the young girl standing before him, indignant, stupefied.

“Who is that? Who has taken the liberty?” and the Nabob, on his platform, with his collar turned down, petrified, monumental.

Jenkins, a little abashed, frightened by his own audacity, murmured some excuses. He had something very urgent to say to M. Jansoulet, a piece of news which was most important and would suffer no delay. “He knew upon the best authority that certain decorations were to be bestowed on the 16th of March.”

Immediately the face of the Nabob, that for a moment had been frowning, relaxed.

“Ah! can it be true?”

He abandoned his pose. The thing was worth the trouble, _que diable!_ M. de la Perriere, a secretary of the department involved had been commissioned by the Empress to visit the Bethlehem Refuge. Jenkins had come in search of the Nabob to take him to see the secretary at the Tuileries and to appoint a day. This visit to Bethlehem, it meant the cross for him.

“Quick, let us start, my dear doctor. I follow you.”

He was no longer angry with Jenkins for having disturbed him, and he knotted his cravat feverishly, forgetting in his new emotions how he had been upset a moment earlier, for ambition with him came before all else.

While the two men were talking in a half-whisper, Felicia, standing motionless before them, with quivering nostrils and her lip curled in contempt, watched them with an air of saying, “Well, I am waiting.”

Jansoulet apologized for being obliged to interrupt the sitting; but a visit of the most extreme importance--She smiled in pity.

“Don’t mention it, don’t mention it. At the point which we have reached I can work without you.”

“Oh, yes,” said the doctor, “the work is almost completed.”

He added with the air of a connoisseur:

“It is a fine piece of work.”

And, counting upon covering his retreat with this compliment, he made for the door with shoulders drooped; but Felicia detained him abruptly.

“Stay, you. I have something to say to you.”

He saw clearly from her look that he would have to yield, on pain of an explosion.

“You will excuse me, _cher ami_? Mademoiselle has a word for me. My brougham is at the door. Get in. I will be with you immediately.”

As soon as the door of the studio had closed on that heavy, retreating foot, each of them looked at the other full in the face.

“You must be either drunk or mad to have allowed yourself to behave in this way. What! you dare to enter my house when I am not at home? What does this violence mean? By what right--”

“By the right of a despairing and incurable passion.”

“Be silent, Jenkins, you are saying words that I will not hear. I allow you to come here out of pity, from habit, because my father was fond of you. But never speak to me again of your--love”--she uttered the word in a very low voice, as though it were shameful--“or you shall never see me again, even though I should have to kill myself in order to escape you once and for all.”

A child caught in mischief could not bend its head more humbly than did Jenkins, as he replied:

“It is true. I was in the wrong. A moment of madness, of blindness--But why do you amuse yourself by torturing my heart as you do?”

“I think of you often, however.”

“Whether you think of me or not, I am there, I see what goes on, and your coquetry hurts me terribly.”

A touch of red mounted to her cheeks at this reproach.

“A coquette, I? And with whom?”

“With that,” said the Irishman, indicating the ape-like and powerful bust.

She tried to laugh.

“The Nabob? What folly!”

“Don’t tell an untruth about it now. Do you think I am blind, that I do not notice all your little manoeuvres? You remain alone with him for very long at a time. Just now, I was there. I saw you.” He dropped his voice as though breath had failed him. “What do you want, strange and cruel child? I have seen you repulse the most handsome, the most noble, the greatest. That little de Gery devours you with his eyes; you take no notice. The Duc de Mora himself has not been able to reach your heart. And it is that man there who is ugly, vulgar, who had no thought of you, whose head is full of quite other matters than love. You saw how he went off just now. What can you mean? What do you expect from him?”

“I want--I want him to marry me. There!”

Coldly, in a softened tone, as though this avowal had brought her nearer the level of the man whom she so much despised, she explained her motives. The life which she led was pushing her into a situation from which there was no way out. She had luxurious and expensive tastes, habits of disorder which nothing could conquer and which would bring her inevitably to poverty, both her and that good Crenmitz, who was allowing herself to be ruined without saying a word. In three years, four years at the outside, all would be over with them. And then the wretched expedients, the debts, the tatters and old shoes of poor artists’ households. Or, indeed, the lover, the man who keeps a mistress--that is to say, slavery and infamy.

“Come, come,” said Jenkins. “And what of me, am I not here?”

“Anything rather than you,” she exclaimed, stiffening. “No, what I require, what I want, is a husband who will protect me from others and from myself, who will save me from many terrible things of which I am afraid in my moments of ennui, from the gulfs in which I feel that I may perish, some one who will love me while I am at work and relieve my poor old wearied fairy of her sentry duty. This man here suits my purpose, and I thought of him from the first time I met him. He is ugly, but he has a kind manner; then, too, he is ridiculously rich, and wealth, upon that scale, must be amusing. Oh, I know well enough. No doubt there is in his life some blemish that has brought him luck. All that money cannot be made honestly. But come, truly now, Jenkins, with your hand on that heart you so often invoke, do you think me a wife who should be very attractive to an honest man? See: among all these young men who ask permission as a favour to be allowed to come here, which one has dreamed of offering me marriage? Never a single one. De Gery no more than the rest. I am attractive, but I make men afraid. It is intelligible enough. What can one imagine of a girl brought up as I have been, without a mother, among my father’s models and mistresses? What mistresses, _mon Dieu_! And Jenkins for sole guardian. Oh, when I think, when I think!”

And from that far-off memory things surged up that stirred her to a deeper wrath.

“Ah, yes, _parbleu_! I am a daughter of adventure, and this adventurer is, of a truth, the fit husband for me.”

“You must wait at least till he is a widower,” replied Jenkins calmly. “And, in that case, you run the risk of having a long time to wait, for his Levantine seems to enjoy excellent health.”

Felicia Ruys turned pale.

“He is married?”

“Married? certainly, and father of a bevy of children. The whole camp of them landed a couple of days ago.”

For a minute she remained overwhelmed, looking into space, her cheeks quivering. Opposite her, the Nabob’s large face, with its flattened nose, its sensual and weak mouth, spoke insistently of life and reality in the gloss of its clay. She looked at it for an instant, then made a step forward and, with a gesture of disgust, overturned, with the high wooden stool on which it stood, the glistening and greasy block, which fell on the floor shattered to a heap of mud.

JANSOULET AT HOME

Married he was and had been so for twelve years, but he had mentioned the fact to no one among his Parisian acquaintances, through Eastern habit, that silence which the people of those countries preserve upon affairs of the harem. Suddenly it was reported that madame was coming, that apartments were to be prepared for herself, her children, and her female attendants. The Nabob took the whole second floor of the house on the Place Vendome, the tenant of which was turned out at an expense worthy of a Nabob. The stables also were extended, the staff doubled; then, one day, coachmen and carriages went to the Gare de Lyon to meet madame, who arrived by train heated expressly for her during the journey from Marseilles and filled by a suite of negresses, serving-maids, and little negro boys.

She arrived in a condition of frightful exhaustion, utterly worn out and bewildered by her long railway journey, the first of her life, for, after being taken to Tunis while still quite a child, she had never left it. From her carriage, two negroes carried her into her apartments on an easy chair which, subsequently, always remained downstairs beneath the entrance porch, in readiness for these difficult removals. Mme. Jansoulet could not mount the staircase, which made her dizzy; she would not have lifts, which creaked under her weight; besides, she never walked. Of enormous size, bloated to such a degree that it was impossible to assign to her any particular age between twenty-five and forty, with a rather pretty face but grown shapeless in its features, dull eyes beneath lids that drooped, vulgarly dressed in foreign clothes, laden with diamonds and jewels after the fashion of a Hindu idol, she was as fine a sample as could be found of those transplanted European women called Levantines--a curious race of obese creoles whom speech and costume alone attach to our world, but whom the East wraps round with its stupefying atmosphere, with the subtle poisons of its drugged air in which everything, from the tissues of the skin to the waists of garments, even to the soul, is enervated and relaxed.

This particular specimen of it was the daughter of an immensely rich Belgian who was engaged in the coral trade at Tunis, and in whose business Jansoulet, after his arrival in the country, had been employed for some months. Mlle. Afchin, in those days a delicious little doll of twelve years old, with radiant complexion, hair, and health, used often to come to fetch her father from the counting-house in the great chariot with its yoke of mules which carried them to their fine villa at La Marsu, in the vicinity of Tunis. This mischievous child with splendid bare shoulders, had dazzled the adventurer as he caught glimpses of her amid her luxurious surroundings, and, years afterward, when, having become rich and the favourite of the Bey, he began to think of settling down, it was to her that his thoughts went. The child had grown into a fat young woman, heavy and white. Her intelligence, dull in the first instance, had become still more obscured through the inertia of a dormouse’s existence, the carelessness of a father given over to business, the use of opium-saturated tobacco and of preserves made from rose-leaves, the torpor of her Flemish blood, re-enforced by Oriental indolence. Furthermore, she was ill-bred, gluttonous, sensual, arrogant, a Levantine jewel in perfection.

But Jansoulet saw nothing of all this.

For him she was, and remained, up to the time of her arrival in Paris, a superior creature, a lady of the most exalted rank, a Demoiselle Afchin. He addressed her with respect, in her presence maintained an attitude which was a little constrained and timid, gave her money without counting, satisfied her most costly fantasies, her wildest caprices, all the strange desires of a Levantine’s brain disordered through boredom and idleness. One word alone excused everything. She was a Demoiselle Afchin. Beyond this, no intercourse between them; he always at the Kasbah or the Bardo, courting the favour of the Bey, or else in his counting-houses; she passing her days in bed, wearing in her hair a diadem of pearls worth three hundred thousand francs which she never took off, befuddling her brain with smoking, living as in a harem, admiring herself in the glass, adorning herself, in company with a few other Levantines, whose supreme distraction consisted in measuring with their necklaces arms and legs which rivalled each other in plumpness, and bearing children about whom she never gave herself the least trouble, whom she never used to see, who had not even cost her a pang, for she gave birth to them under chloroform. A lump of white flesh perfumed with musk. And, as Jansoulet used to say with pride: “I married a Demoiselle Afchin!”

Under the sky of Paris and its cold light the disillusion began. Determined to settle down, to receive, to give entertainments, the Nabob had brought his wife over with the idea of setting her at the head of the establishment; but when he saw the arrival of that display of gaudy draperies of Palais-Royal jewelry, and all the strange paraphernalia in her suite, he had the vague impression of a Queen Pomare in exile. The fact was that now he had seen real women of the world, and he made comparisons. After having planned a great ball to celebrate her arrival, he prudently changed his mind. Besides, Mme. Jansoulet desired to see nobody. Here her natural indolence was increased by the home-sickness which she suffered, from the first hour of her coming, by the chilliness of a yellow fog and the dripping rain. She passed several days without getting up, weeping aloud like a child, saying that it was in order to cause her death that she had been brought to Paris, and not permitting her women to do even the least thing for her. She lay there bellowing among the laces of her pillow, with her hair bristling in disorder about her diadem, the windows of the room closed, the curtains drawn close, the lamps lighted night and day, crying out that she wanted to go away-y, to go away-y; and it was pitiful to see, in that funeral gloom, the half-unpacked trunks scattered over the carpets, the frightened maids, the negresses crouched around their mistress in her nervous attack, they also groaning, with haggard eyes like those dogs of artic travellers that go mad without the sun.