Chapter 5

"Prayin'!" she repeated, entering on tiptoe. "He's down on his knees--_prayin'_!" She began to pace the floor--wringing her hands: a tragic figure. "It's come, Poddle!" she whimpered, beginning now to bite at her fingernails. "He's changed. He never seen me pray. _I_ never told him how. Oh, he's--different. And he'll change more. I got to face it. He'll soon be like the people that--that--don't understand us. I couldn't stand it to see that stare in his eyes. It'll kill me, Poddle! I knew it would come," she continued, uninterrupted, Mr. Poddle being unable to come to her assistance for lack of breath. "But I didn't think it would be so--awful soon. And I didn't know how much it would hurt. I didn't _think_ about it. I didn't dare. Oh, my baby!" she sobbed. "You'll not love your mother any more--when you find her out. You'll be just like--all them people!" She came to a full stop. "Poddle," she declared, trembling, her voice rising harshly, "I got to do something. I got to do it--_quick_! What shall I do? Oh, what shall I do?"

Mr. Poddle drew a long breath. "Likewise!" he gasped.

She did not understand.

"Likewise!" Mr. Poddle repeated. "'Fought the Devil With Fire.' Quick!" He weakly beckoned her to be off. "Don't--let him know--you're different. Go and--pray yourself. Don't--let on you--never done it--before."

She gave him a glad glance of comprehension--and disappeared...

The boy had risen.

"Oh!" she exclaimed, brightly. "You got through, didn't you, dear?"

He was now sitting on the edge of the bed, his legs dangling--still reluctant to crawl within. And he was very gravely regarding her, a cloud of anxious wonder in his eyes.

"Who taught you to," she hesitated, "do it--that way?" she pursued, making believe to be but lightly interested. "The curate? Oh, my!" she exclaimed, immediately changing the thought. "Your mother's awful sleepy." She counterfeited a yawn. "I never kneel to--do it," she continued. In a sharp glance she saw the wonder clearing from his eyes, the beginnings of a smile appear about his lips; and she was emboldened to proceed. "Some kneels," she said, "and some doesn't. The curate, I suppose, kneels. That's his way. Now, _I_ don't. I was brought up--the other way. I wait till I get in bed to--say mine. When you was a baby," she rattled, "I used to--keep it up--for hours at a time. I just _love_ to--do it. In bed, you know. I guess you never seen me kneel, did you? But I think I will, after this, because you--do it--that way."

His serenity was quite restored. Glad to learn that his mother knew the solace of prayer, he rolled back on the pillows. She tucked him in.

"Now, watch me," she said.

"And I," said he, "will pray all over again. In bed," he added; "because that's the way _you_ do it."

She knelt. "In God's name!" she thought, as she inclined her bead, "what can I do? I've lost him. Oh, I've lost him.... What'll I do when he finds out? He'll not love me then. Love me!" she thought, bitterly. "He'll look at me like them people in the church. I can't stand it! I got to _do_ something.... It won't be long. They'll tell him--some one. And I can't do nothing to help it! But I _got_ to do something.... My God! I got to do something. I'll dress better than this. This foulard's a botch." New fashions in dress, in coiffures, multiplied in her mind. She was groping, according to her poor enlightenment. "The pompadour!" she mused, inspired, according to the inspiration of her kind. "It might suit my style. I'll try it.... But, oh, it won't do no good," she thought, despairing. "_It_ won't do no good.... I've lost him! Good God! I've lost my own child...."

She rose.

"It took you an awful long time," said the boy.

"Yes," she answered, absently. "I'm the real thing. When I pray, I pray good and hard."

_A CHILD'S PRAYER_

The boy's room was furnished in the manner of the curate's chamber--which, indeed, was severe and chaste enough: for the curate practiced certain monkish austerities not common to the clergy of this day. It was a white, bare little room, at the top of the house, overlooking the street: a still place, into which, at bedtime, no distraction entered to break the nervous introspection, the high, wistful dreaming, sadly habitual to the child when left alone in the dark. But always, of fine mornings, the sun came joyously to waken him; and often, in the night, when he lay wakeful, the moon peeped in upon the exquisite simplicity, and, discovering a lonely child, companionably lingered to hearten him. The beam fell over the window-sill, crawled across the floor, climbed the bare wall.

There was a great white crucifix on the wall, hanging in the broad path of the moonlight. It stared at the boy's pillow, tenderly appealing: the head thorn-crowned, the body drawn tense, the face uplifted in patient agony. Sometimes it made the boy cry.

"They who sin," he would repeat, "crucify the dear Lord again!"

It would be very hard, then, to fall asleep....

So did the crucifix on the wall work within the child's heart--so did the shadows of the wide, still house impress him, so did the curate's voice and gentle teaching, so did the gloom, the stained windows, the lofty arches, the lights and low, sweet music of the Church of the Lifted Cross favour the subtle change--that he was now moved to pain and sickening disgust by rags and pinched faces and discord and dirt and feverish haste and all manner of harshness and unloveliness, conceiving them poignant as sin....

Mother and son were in the park. It was evening--dusk: a grateful balm abroad in the air. Men and women, returning from church, idled through the spring night.

"But, dear," said his mother, while she patted his hand, "you mustn't _hate_ the wicked!"

He looked up in wonder.

"Oh, my! no," she pursued. "Poor things! They're not so bad--when you know them. Some is real kind."

"I could not _love_ them!"

"Why not?"

"I _could_ not!"

So positive, this--the suggestion so scouted--that she took thought for her own fate.

"Would you love me?" she asked.

"Oh, mother!" he laughed.

"What would you do," she gravely continued, "if I was--a wicked woman?"

He laughed again.

"What would you do," she insisted, "if somebody told you I was bad?"

"Mother," he answered, not yet affected by her earnestness, "you could not be!"

She put her hands on his shoulders. "What would you do?" she repeated.

"Don't!" he pleaded, disquieted.

Again the question--low, intense, demanding answer. He trembled. She was not in play. A sinful woman? For a moment he conceived the possibility--vaguely: in a mere flash of feeling.

"What would you do?"

"I don't know!"

She sighed.

"I think," he whispered, "that I'd--die!"

That night, when the moonlight had climbed to the crucifix on the wall, the boy got out of bed. For a long time he stood in the beam of soft light--staring at the tortured Figure.

"I think I'd better do it!" he determined.

He knelt--lifted his clasped hands--began his childish appeal.

"Dear Jesus," he prayed, "my mother says that I must not hate the wicked. You heard her, didn't you, dear Jesus? It was in the park, to-night, after church--at the bench near the lilac bush. You _must_ have heard her.... Mother says the wicked are kind, and not so bad. I would like very much to love them. She says they're nice--when you know them. I know she's right, of course. But it seems queer. And she says I _ought_ to love them. So I want to do it, if you don't mind.... Maybe, if you would let me be a little wicked for a little while, I could do it. Don't you think, Jesus, dear, that it is a good idea? A little wicked--for just a little while. I wouldn't care very much, if you didn't mind. But if it hurts you very much, I don't want to, if you please.... But I would like to be a little wicked. If I do, please don't forget me. I would not like to be wicked long. Just a little while. Then I would be good again--and love the wicked, as my mother wants me to do. Good-bye. I mean--Amen!"

The child knew nothing about sin.

_MR. PODDLE'S FINALE_

Of a yellow, balmy morning, with a languid breeze stirring the curtains in the open windows of the street, a hansom cab, drawn by a lean gray beast, appeared near the curate's door. What with his wild career, the nature of his errand, the extraordinary character of his fare, the driver was all elbows and eyes--a perspiring, gesticulating figure, swaying widely on the high perch.

Within was a lady so monstrously stout that she completely filled the vehicle. Rolls of fat were tucked into every nook, jammed into every corner, calked into every crevice; and, at last, demanding place, they scandalously overflowed the apron. So tight was the fit--so crushed and confined the lady's immensity--that, being quite unable to articulate or stir, but desiring most heartily to do both, she could do little but wheeze, and faintly wave a gigantic hand.

Proceeding thus--while the passenger gasped, and the driver gesticulated, and the hansom creaked and tottered, and the outraged horse bent to the fearful labour--the equipage presently arrived at the curate's door, and was there drawn up with a jerk.

The Fat Lady was released, assisted to alight, helped across the pavement; and having waddled up three steps of the flight, and being unable without a respite to lift her massive foot for the fourth time, she loudly demanded of the impassive door the instant appearance of Dickie Slade: whereupon, the door flew open, and the boy bounded out.

"Madame Lacara!" he cried.

"Quick, child!" the Fat Lady wheezed. "Git your hat. Your mother can't stay no longer--and I can't get up the stairs--and Poddle's dyin'--and _git your hat_!"

In a moment the boy returned. The Fat Lady was standing beside the cab--the exhausted horse contemplating her with no friendly eye.

"Git in!" said she.

"Don't you do it," the driver warned.

"Git in!" the Fat Lady repeated.

"Not if he knows what's good for him," said the driver. "Not first."

The boy hesitated.

"Git in, child!" screamed the Fat Lady.

"Don't you do it," said the driver.

"Child," the Fat Lady gasped, exasperated, "git in!"

"Not first," the driver repeated. "There ain't room for both; and once she lets her weight down----"

"Maybe," the Fat Lady admitted, after giving the matter most careful consideration, "it would be better for you to set on me."

"Maybe," the boy agreed, much relieved, "it would."

So Madame Lacara entered, and took the boy in her arms; and off, at last, they went towards the Box Street tenement, swaying, creaking, wheezing, with a troop of joyous urchins in the wake....

It was early afternoon--with the sunlight lying thick and warm on the window-ledge of Mr. Poddle's room, about to enter, to distribute cheer, to speak its unfailing promises. The sash was lifted high; a gentle wind, clean and blue, blowing from the sea, over the roofs and the river, came sportively in, with a joyous little rush and swirl--but of a sudden failed: hushed, as though by unexpected encounter with the solemnity within.

The boy's mother was gone. It was of a Saturday; she had not dared to linger. When the boy entered, Mr. Poddle lay alone, lifted on the pillows, staring deep into the wide, shining sky: composed and dreamful. The distress of his deformity, as the pains of dissolution, had been mitigated by the woman's kind and knowing hand: the tawny hair, by nature rank and shaggy, by habit unkempt, now damp with sweat, was everywhere laid smooth upon his face--brushed away from the eyes: no longer permitted to obscure the fast failing sight.

Beside him, close--drawing closer--the boy seated himself. Very low and broken--husky, halting--was the Dog-faced Man's voice. The boy must often bend his ear to understand.

"The hirsute," Mr. Poddle whispered, "adornment. All ready for the last appearance. 'Natural Phenomonen Meets the Common Fate.' Celebrities," he added, with a little smile, "is just clay."

The boy took his hand.

"She done it," Mr. Poddle explained, faintly indicating the unusual condition of his deforming hair, "with a little brush."

"She?" the boy asked, with significant emphasis.

"No," Mr. Poddle sighed. "Hush! Not She--just her."

By this the boy knew that the Mexican Sword Swallower had not relented--but that his mother had been kind.

"She left that there little brush somewheres," Mr. Poddle continued, with an effort to lift his head, but failing to do more than roll his glazed eyes. "There was a little handkerchief with it. Can't you find 'em, Richard? I wish you could. They make me--more comfortable. Oh, I'm glad you got 'em! I feel easier--this way. She said you'd stay with me--to the last. She said, Richard, that maybe you'd keep the hair away from my eyes, and the sweat from rollin' in. For I'm easier that way; and I want to _see_," he moaned, "to the last!"

The boy pressed his hand.

"I'm tired of the hair," Mr. Poddle sighed. "I used to be proud of it; but I'm tired of it--now. It's been admired, Richard; it's been applauded. Locks of it has been requested by the Fair; and the Strong has wished they was me. But, Richard, celebrities sits on a lonely eminence. And I _been_ lonely, God knows! though I kept a smilin' face.... I'm tired of the hair--tired of fame. It all looks different--when you git sight of the Common Leveller. 'Tired of His Talent.' Since I been lyin' here, Richard, sick and alone, I been thinkin' that talent wasn't nothin' much after all. I been wishin', Richard--wishin'!"

The Dog-faced Man paused for breath.

"I been wishin'," he gasped, "that I wasn't a phenomonen--but only a man!"

The sunlight began to creep towards Mr. Poddle's bed--a broad, yellow beam, stretching into the blue spaces without: lying like a golden pathway before him.

"Richard," said Mr. Poddle, "I'm goin' to die."

The boy began to cry.

"Don't cry!" Mr. Poddle pleaded. "I ain't afraid. Hear me, Richard? I ain't afraid."

"No, no!"

"I'm glad to die. 'Death the Dog-faced Man's Best Friend.' I'm glad! Lyin' here, I seen the truth. It's only when a man looks back that he finds out what he's missed--only when he looks back, from the end of the path, that he sees the flowers he might have plucked by the way.... Lyin' here, I been lookin' back--far back. And my eyes is opened. Now I see--now I know! I have been travellin' a road where the flowers grows thick. But God made me so I couldn't pick 'em. It's love, Richard, that men wants. Just love! It's love their hearts is thirsty for.... And there wasn't no love--for me. I been awful thirsty, Richard; but there wasn't no water anywhere in all the world--for me. 'Spoiled In the Making.' That's me. 'God's Bad Break.' Oh, that's me! I'm not a natural phenomonen no more. I'm only a freak of nature. I ain't got no kick comin'. I stand by what God done. Maybe it wasn't no mistake; maybe He wanted to show all the people in the world what would happen if He was in the habit of gittin' careless. Anyhow, I guess He's man enough to stand by the job He done. He made me what I am--a freak. I ain't to blame. But, oh, my God! Richard, it hurts--to be that!"

The boy brushed the tears from the Dog-faced Man's eyes.

"No," Mr. Poddle repeated. "I ain't afraid to die. For I been thinkin'--since I been lyin' here, sick and alone--I been thinkin' that us mistakes has a good deal----"

The boy bent close.

"Comin' to us!"

The sunlight was climbing the bed-post.

"I been lookin' back," Mr. Poddle repeated. "Things don't look the same. You gits a bird's-eye view of life--from your deathbed. And it looks--somehow--different."

There was a little space of silence--while the Dog-faced Man drew long breaths: while his wasted hand wandered restlessly over the coverlet.

"You got the little brush, Richard?" he asked, his voice changing to a tired sigh. "The adornment has got in the way again."

The boy brushed back the fallen hair--wiped away the sweat.

"Your mother," said Mr. Poddle, faintly smiling, "does it better. She's used--to doing it. You ain't--done it--quite right--have you? You ain't got--all them hairs--out of the way?"

"Yes."

"Not all," Mr. Poddle gently persisted; "because I can't--see--very well."

While the boy humoured the fancy, Mr. Poddle lay musing--his hand still straying over the coverlet: still feverishly searching.

"I used to think, Richard," he whispered, "that it ought to be done--in public." He paused--a flash of alarm in his eyes. "Do you hear me, Richard?" he asked.

"Yes."

"Sure?"

"Oh, yes!"

Mr. Poddle frowned--puzzled, it may be, by the distant sound, the muffled, failing rumble, of his own voice.

"I used to think," he repeated, dismissing the problem, as beyond him, "that I'd like to do it--in public."

The boy waited.

"Die," Mr. Poddle explained.

A man went whistling gaily past the door. The merry air, the buoyant step, were strangely not discordant; nor was the sunshine, falling over the foot of the bed.

"'Last Appearance of a Famous Freak!'" Mr. Poddle elucidated, his eyes shining with delight--returning, all at once, to his old manner. "Git me, Richard?" he continued, excitedly. "'Fitting Finale! Close of a Curious Career! Mr. Henry Poddle, the eminent natural phenomonen, has consented to depart this life on the stage of Hockley's Musee, on Sunday next, in the presence of three physicians, a trained nurse, a minister of the gospel and a undertaker. Unparalleled Entertainment! The management has been at unprecedented expense to git this unique feature. Death Defied! A Extraordinary Educational Exhibition! Note: Mr. Poddle will do his best to oblige his admirers and the patrons of the house by dissolving the mortal tie about the hour of ten o'clock; but the management cannot guarantee that the exhibition will conclude before midnight.'" Mr. Poddle made a wry face--with yet a glint of humour about it. "'Positively,'" said he, "'the last appearance of this eminent freak. No return engagement.'"

Again the buoyant step in the hall, the gaily whistled air--departing: leaving an expectant silence.

"Do it," Mr. Poddle gasped, worn out, "in public. But since I been lyin' here," he added, "lookin' back, I seen the error. The public, Richard, has no feelin'. They'd laugh--if I groaned. I don't like the public--no more. I don't want to die--in public. I want," he concluded, his voice falling to a thin, exhausted whisper, "only your mother--and you, Richard--and----"

"Did you say--Her?"

"The Lovely One!"

"I'll bring her!" said the boy, impulsively.

"No, no! She wouldn't come. I been--in communication--recent. And she writ back. Oh, Richard, she writ back! My heart's broke!"

The boy brushed the handkerchief over the Dog-faced Man's eyes.

"'Are you muzzled,' says she, 'in dog days?'"

"Don't mind her!" cried the boy.

"In the eyes of the law, Richard," Mr. Poddle exclaimed, his eyes flashing, "I ain't no dog!"

The boy kissed his forehead--there was no other comfort to offer: and the caress was sufficient.

"I wish," Mr. Poddle sighed, "that I knew how God will look at it--to-night!"

Mr. Poddle, exhausted by speech and emotion, closed his eyes. By and by the boy stealthily withdrew his hand from the weakening clasp. Mr. Poddle gave no sign of knowing it. The boy slipped away.... And descending to the third floor of the tenement, he came to the room where lived the Mexican Sword Swallower: whom he persuaded to return with him to Mr. Poddle's bedside.

They paused at the door. The woman drew back.

"Aw, Dick," she simpered, "I hate to!"

"Just this once!" the boy pleaded.

"Just to say it!"

The reply was a bashful giggle.

"You don't have to _mean_ it," the boy argued. "Just _say_ it--that's all!"

They entered. Mr. Poddle was muttering the boy's name--in a vain effort to lift his voice. His hands were both at the coverlet--picking, searching: both restless in the advancing sunshine. With a sob of self-reproach the boy ran quickly to the bedside, took one of the wandering hands, pressed it to his lips. And Mr. Poddle sighed, and lay quiet again.

"Mr. Poddle," the boy whispered, "she's come at last."

There was no response.

"She's come!" the boy repeated. He gave the hand he held to the woman. Then he put his lips close to the dying man's ear. "Don't you hear me? She's come!"

Mr. Poddle opened his eyes. "Her--massive--proportions!" he faltered.

"Quick!" said the boy.

"Poddle," the woman lied, "I love you!"

Then came the Dog-faced Man's one brief flash of ecstasy--expressed in a wondrous glance of joy and devotion: but a swiftly fading fire.

"She loves me!" he muttered.

"I do, Poddle!" the woman sobbed, willing, now, for the grotesque deception. "Yes, I do!"

"'Beauty,'" Mr. Poddle gasped, "'and the Beast!'"

They listened intently. He said no more.... Soon the sunbeam glorified the smiling face....

_HIS MOTHER_

While he waited for his mother to come--seeking relief from the melancholy and deep mystification of this death--the boy went into the street. The day was well disposed, the crowded world in an amiable mood; he perceived no menace--felt no warning of catastrophe. He wandered far, unobservant, forgetful: the real world out of mind. And it chanced that he lost his way; and he came, at last, to that loud, seething place, thronged with unquiet faces, where, even in the sunshine, sin and poverty walked abroad, unashamed.... Rush, crash, joyless laughter, swollen flesh, red eyes, shouting, rags, disease: flung into the midst of it--transported from the sweet feeling and quiet gloom of the Church of the Lifted Gross--he was confused and frightened....

A hand fell heartily on the boy's shoulder. "Hello, there!" cried a big voice. "Ain't you Millie Blade's kid?"

"Yes, sir," the boy gasped.

It was a big man--a broad-shouldered, lusty fellow, muscular and lithe: good-humoured and dull of face, winning of voice and manner. Countenance and voice were vaguely familiar to the boy. He felt no alarm.

"What the devil you doing here?" the man demanded. "Looking for Millie?"

"Oh, no!" the boy answered, horrified. "My mother isn't--_here_!"

"Well, what you doing?"

"I'm lost."

The man laughed. He clapped the boy on the back. "Don't you be afraid," said he, sincerely hearty. "I'll take you home. You know me, don't you?"

"Not your name."

"Anyhow, you remember me, don't you? You've seen me before?"

"Yes, sir."

"Well, my name's Jim Millette. I'm an acrobat. And I know you. Why, sure! I remember when you was born. Me and your mother is old friends. Soon as I seen you I knew who you was. 'By gad!' says I, 'if that ain't Millie Slade's kid!' How is she, anyhow?"

"She's very well."

"Working?"

"No," the boy answered, gravely; "my mother does not work."

The man whistled.

"I am living with Mr. Fithian, the curate," said the boy, with a sigh. "So my mother is having--a very good--time."

"She must be lonely."

The boy shook his head. "Oh, no!" said he. "She is much happier--without me."

"She's _what_?"

"Happier," the boy repeated, "without me. If she were not," he added, "I would not live with the curate."