The Moon: A Popular Treatise

Part 7

Chapter 74,085 wordsPublic domain

“You shall not be kept long in expectation. Turn your eyes once more to the _Mare Imbrium_. You will observe that its northern shore consists of a series of curves, each terminating with a promontory projecting into the sea. When looking at it I am often reminded of an entrancing view which I once enjoyed from the summit of Mt. Etna over the island of Sicily. From that great elevation nearly the whole eastern and southeastern coast of the island was visible as upon a map. The indented shore stretched away in long, graceful curves, where the blue Mediterranean contrasted sharply with the yellow sands, and the eye, wandering from Catania to Syracuse, was enchanted with the beauty of those geometric lines. But the winding coast of the _Mare Imbrium_ is far longer than the shores of Sicily, and the mountains and cliffs bordering it are more wonderful than any corresponding scenes on the earth. I wish, particularly, to have you look at the easternmost of the indentations on the northern side of the _mare_. It bears a designation that must surely please your imagination. It is the _Sinus Iridum_, ‘Gulf or Bay of Rainbows.’”

“I recognize the work of my old friend the unknown astronomer. Verily he had a poetic soul! And he has written his poem on the chart of the moon, for those to read who can.”

“It is a charming landscape that the telescope reveals there,” I said, “even though no rainbows are visible.”

“But you will not deny that they may once have spanned that bay and its shores with their exquisite arches?”

“No, I shall not deny so pleasing a possibility. I will only say that it lies beyond the ken, and even outside the field, of science.”

“Then I regard it as fortunate that _he_ was not too exclusive in his devotion to science, for then he could never have seen the rainbows with the eye of fancy, and your charts would not have been adorned with so delightful a name.”

“Let me tell you about this bay or gulf,” I said, tapping the photograph to recall her from her reverie. “You observe that it terminates at each end with a promontory. That at the western end is named Laplace, and the other Heraclides. The latter is the more picturesque. If ever you have an opportunity to see the moon with a good telescope do not fail to look at the promontory of Heraclides, for if you are fortunate in the choice of the time of observation when the setting sun is throwing its shadow over the adjoining ‘bay,’ you will find that the serrated outlines of the promontory represent, in a very striking manner, the profile of a woman, more sharply defined than the face of our familiar Moon Maiden, but a mere miniature in relative size. The shores of the _Sinus Iridum_ are bordered with high cliffs, behind which rise the peaks of a mighty mountain mass. Just back of the center of the great bowed shore of the ‘bay’ appears, in the photograph, a small, bright crater ring. This bears the name of Bianchini. It is a lunar volcano, 18 miles in diameter, rising out of the midst of many ranges of nearly parallel hills and mountains, the general direction of which corresponds with that of the shore of the ‘bay.’ If there is any place on the moon where one is tempted to think that the scenes of a living world might once have been witnessed it is the _Sinus Iridum_ and its neighborhood. Its latitude is between 40° and 50° north, corresponding with the most thickly populated zone of our own globe. The surface of the ‘bay’—once its bottom, if we admit that it was ever filled with water—is gently undulating, with winding ridges that suggest the action of tides and currents in sweeping to and fro deposits of sand and gravel, and piling them in long rows of bars and shallows. One can hardly help picturing in the mind’s eye waves breaking on the curving beach and dashing against the projecting rocks of the promontories; a white city seated just at the center of the shore of the ‘bay,’ near Bianchini, like Naples at the feet of Vesuvius; a rich vegetation covering the slopes of the mountain valleys, and romantic sails dotting the ‘bay’ and the neighboring ‘sea.’”

“I am very glad to observe,” interrupted my friend, “that you are not hopelessly prejudiced against my opinion that the moon has not always been ‘dead,’ as you call it.”

“I am so far from it,” I replied, “that I am half disposed to admit that she is not altogether dead even yet. But it is my duty to keep you as close as possible to the known facts. We shall see the _Mare Imbrium_ and the neighborhood of the ‘Bay of Rainbows’ again. Meanwhile, suppose we turn to the next photograph of the series, No. 11. The age of the moon here is about thirteen days. She is fast approaching the phase of Full Moon. The first thing to which I would direct your attention now is the exceedingly brilliant point of light which has come into view near the terminator, a little north of east where the _Mare Imbrium_ merges into the _Oceanus Procellarum_. In several ways this is the most noteworthy object on the moon. It led the famous English astronomer, Sir William Herschel, to believe that he had seen an active volcano on our satellite. He naïvely wrote in his notebook on a certain occasion: ‘The volcano glows more brightly to-night!’ Yet it is no more active than the other craters and crater rings in the lunar world. It is only extraordinarily, almost incredibly brilliant—by far the most dazzling point on the moon. It is a ring mountain, and is named Aristarchus. It has a near neighbor, barely visible in this photograph, close by toward the east named Herodotus. Herodotus is by no means remarkable for brilliancy. The central peak and a part of the floor and the east wall of Aristarchus consist of some material—nobody can tell what it is—which gleams in the sunlight, I had almost said like diamonds, although that would be an exaggeration. There are three or four other crater rings on the moon, including Proclus, which are also very brilliant, but not one of them can be regarded as a rival of Aristarchus. Its power of reflection is so great that it is even visible with a telescope in the lunar night, when the only light of any consequence that reaches it is that sent from the earth. It was, indeed, this fact which misled Herschel. He saw Aristarchus shining on the night side of the moon, and naturally thought that only the fires of an active volcano could have rendered it thus visible.”

“And are you sure that he was mistaken?”

“Positively. There is no fire in Aristarchus, and has been none for ages.”

“But why do not astronomers undertake to find out what it is that makes Aristarchus so brilliant, then?”

“They have almost no data to go upon. You should be informed that even the greatest telescopes, with their highest powers, are unable to bring the moon within less than an apparent distance of say forty miles. At such a distance it is manifestly impossible to tell of what a lunar formation consists. We cannot analyze the moon with the spectroscope as we can the sun and the stars, because she does not shine with her own inherent light. We can only infer that a large part of the substance of Aristarchus consists of something which reflects a very great proportion of the light that falls upon it. If a mountain on the earth were composed of a vast mass of crystals, or of bare polished metal, we might expect it to present, when seen from the moon, some such appearance as we notice when we look at Aristarchus.

“In this photograph the _Sinus Iridum_, having the sun higher above it, is more brilliantly illuminated than in No. 10. Particularly you will notice the brightness of the line of cliffs along its eastern curve, terminating at the promontory of Heraclides.”

“That is the promontory which presents the profile of a woman’s face, if I recall correctly what you told me.”

“Yes. Please observe also that the oval of Plato is as dark as ever, while Copernicus has, if possible, increased in brightness, and the great splatter of broken rays around it seems to have extended farther over the surrounding maria. Almost directly east of Copernicus, in the _Oceanus Procellarum_, appears a much smaller crater ring, Kepler, which resembles a miniature of Copernicus because it, too, is encircled with a kind of corona of short, bright rays. Copernicus, Kepler, and Aristarchus mark the corners of a large triangle. Speaking of rays recalls us to Tycho. You will see that, as I told you, this wonderful formation grows in relative prominence when the period of Full Moon approaches. Its ringed wall and central mountain are obscured by their own brilliance, while the gigantic system of bright bands, or rays, which have their center of origin at Tycho, is gradually becoming the master feature of the bright part of the moon.

“I have told you that the _Mare Humorum_, which is very sharply defined in the picture before us, is the darkest of all the level areas that go under the name of ‘seas.’ It is not, however, the darkest _spot_ on the moon. There are several places where the surface appears, at times, much duskier than in any part of the _Mare Humorum_. Three or four of these are clearly discernible in this photograph. They lie westward from Copernicus in the _Sinus Medii_, the _Sinus Æstuum_, and the _Mare Vaporum_. Their dusky hue strikes the eye at once. They give the impression of sink holes. No special name is attached to them, but they must have been evident to the first observers, with the smallest telescopes, and it is rather surprising they should have escaped special designation on the lunar charts. A fact which will especially interest you is that some observers look upon these and other dusky areas on the moon as being, possibly, indications of the existence of some kind of vegetation there.”

“But if there is vegetation there may be other kinds of life also, may there not?”

“Ah, I have not said positively that there _is_ vegetation, but _if_ there is then your conclusion as to other life may be correct. Glance next at the upper part of the disk along the terminator. Two or three broad oval rings have come into view there. The largest of these with its long eastern wall lying exactly on the line between day and night is an extremely interesting formation, bearing the name of Schickard. The plain within the ring is almost large enough to have been called a ‘sea’ or at least a ‘lake.’ It is about 134 miles in diameter, and is in reality much more nearly circular than it appears to be. Like all similar formations situated near the ‘limb’ of the moon, by which we mean the edge as viewed from the earth, it is greatly foreshortened by perspective. The scale of the photograph is, unfortunately, not large enough to reveal an unique thing in the immediate neighborhood of Schickard, toward the southeast. I refer to what, as far as its telescopic appearance goes, might be described as an enormous bubble—a bubble 54 miles in diameter. Unlike the other formations the surface of this singular ring is elevated above the general level of the moon. When we come to examine it in detail it hardly answers, perhaps, to my designation of a bubble, since the edges are a little higher than the center, giving it the form of a shallow dish. If we could visit it we should find on approaching that we were climbing the slopes of what would seem to be a chain of low mountains, and on reaching the summit we should see before us an elevated circular plain, sinking gradually toward the middle. Filled with water it would form a shallow lake lying on the top of a broad, flat mountain. There is nothing else quite like it on the moon and certainly nothing on the earth.”

“It must have been a great curiosity in the days when the moon was inhabited, and I suppose that scientific ‘lunarians’ organized expeditions to explore it.”

“Perhaps, if you choose to regard it in that way. Now look again at the _Mare Humorum_. You perceive that its eastern side is lined with mountains and crater rings, while near the center of the northern border there is a conspicuous ring with a bright line running from the southern edge to the center. This is one of the most beautiful of lunar formations, and is named Gassendi. It is a favorite object for those who study the moon with telescopes on account of the great variety and singularity of the details visible within the ring. When you become a selenographer and possess your own telescope you will find few things more interesting to study than Gassendi.

“Next let us take up photograph No. 12. Here the moon is once more a little ‘older’ than before, and the sunrise line has again advanced a little eastward. This advance does not appear so rapid when the terminator is near the moon’s limb, because, on account of the rounding away of the lunar globe, the illuminated surface is foreshortened from our point of view on the earth. In this photograph you perceive that the wonderful shining mountain Aristarchus has become even brighter than it was before, or at least it is more conspicuous on account of the appearance of what seems to be a short ray shooting out from it in a southeasterly direction. There is also a light spot just below it which is caused by a little mountain group called the Harbinger Mountains. The bright ray connects Aristarchus with its neighbor Herodotus, of which I spoke a little while ago. There is a very remarkable feature of the moon here, not shown in the photograph, but to which I must briefly refer. It is an enormous cleft, or crack, or, if you please, cañon, which starts from Herodotus, whose northern wall seems to have been broken through to give passage to it, and goes winding across the surface of the _Oceanus Procellarum_ with several sharp turns and angles for a total distance of nearly a hundred miles. What produced this remarkable chasm on the moon it is difficult to say. Some have suggested that it may once have been the bed of a river, but there are many serious objections to that view. Nevertheless, there seems to be little doubt that if we were to visit the moon we should find, in many ways, a striking resemblance between this prodigious cañon and that of the Colorado River.”

“And are not all these things so ancient, as far as you can tell, that, like the terrible volcanic rings, they might have been formed before the appearance of inhabitants upon the moon?”

“They certainly seem to be very ancient, and I cannot deny the _possibility_ of what you say.”

“Very well, then, I, for my part, am convinced that curious eyes, filled with the light of intelligence, have peered down from the verge of that chasm into its fearful depths. If you will not permit me this flight of imagination I shall refuse to take any further interest in the moon.”

“Oh, I should not think of refusing. Imagine what you will, and draw your own inferences, only remembering that they are not supported by _ascertained_ facts, and probably never will be. Yet for all that they may have an element of truth.”

“Pardon me for saying that your astronomical science, as far as it concerns the moon at least, does not seem to me quite satisfying. You are not bold enough in drawing conclusions.”

“On the contrary many astronomers think that some of their brethren are altogether too bold in that respect. However, it must be freely confessed that astronomical science, except perhaps in its mathematics, is not satisfying even to those who have created it. Nobody would rejoice more sincerely than the astronomer at the discovery of evidence of the former, or even the present, habitability of the moon. It is surely a great disappointment that we have not been able to settle so apparently simple a question in regard to our nearest neighbor in the sky.”

“Then if I were a multimillionaire I should certainly devote several of my millions to the construction of a telescope great and powerful enough to reveal so interesting a secret.”

“With your great telescope you could probably render possible many discoveries at present beyond our reach. But the mightiest telescope that you could make would enable no one to _see_ inhabitants on the moon, even if they existed.”

“Not if it magnified the moon a million times?”

“No, for optical imperfections and the disturbances to clear vision produced by our atmosphere would absolutely prohibit the use of any such magnification. And even supposing that one could use a magnifying power of 1,000,000 diameters in viewing the moon, how near do you think that would place us to the lunar surface? It would still appear to be more than a quarter of a mile away.”

“That is not much. I am sure I can see people at that distance.”

“Oh, yes, but the distinctness of view would be nothing like so great as if you were looking at the same objects on the earth. Still, if we could obviate the atmospheric and other difficulties, a magnifying power of one million would certainly enable us to discover the works of the moon’s inhabitants—their houses, their fields, their plantations, their great establishments of art and industry. But I assure you that a telescope of such power is a mere dream. It could never be constructed without some fundamentally new and unheard-of discovery in optics. We shall do better to turn once more to our photographs which, at least, have no deceptions. Dropping No. 12, we shall take up No. 13, which brings us practically to the Full Moon phase. The moon’s age at the time this photograph was made was nearly fourteen and one-half days. You see that its whole eastward face is now lying in the sunlight. The march of day across its surface has been completed, and on the western edge of the moon the sun is about to set, while on the eastern edge it is just rising. Among the new things that have come into view is a conspicuous dark oval, shaped like Plato, but very much larger, near the eastern edge. This is a walled plain named Grimaldi, and it enjoys the distinction of being the darkest on the moon. Near it on the northeast and consequently closer to the limb is another walled plain, which I promised some time ago to point out to you because it bears the name of the astronomer Riccioli, the great bestower of names on the moon, and upon whose lack of imagination you have so severely commented. But, as you have already learned, the time of Full Moon is not the best for studying the mountains and rings, because then the light strikes too nearly vertical upon them and they cast no shadows. But it is the best time for seeing the broad general features of the lunar surface. Turn the picture upside down again, thus bringing the disk into its natural position as seen with the naked eye, and this photograph shows the moon very much as it appears with a small pocket telescope, or with a powerful binocular. The new prism binoculars that have come into use within the past few years are excellent for general views of the moon. Their defining powers are superb, and one who has never seen the moon with such a glass is always greatly surprised and delighted with the view which it affords. You see now that Tycho forms a blazing brooch, resting on the Maiden’s neck, while its rays extend across her profile, and the long one lying over the _Mare Serenitatis_ bears some resemblance to a pin displayed in her hair, with the crater ring, Menelaus, glittering at its lower end. The other bright point, to the left of Menelaus (we will henceforth keep the picture reversed), is a ring mountain named Manilius. After the detailed study which we have given to the various ‘seas’ and formations you should be able to recognize them with the picture in this position, and I wish that you should do so because, as I have just remarked, this is the position of the Full Moon as it is always seen with the naked eye or with a simple binocular, for the latter does not reverse it, as does a telescope. The western edge is now at the right hand, and the north at the top. All the _mares_ are clearly visible. On the right the _Mare Crisium_, the _Mare Fœcunditatis_, the _Mare Nectaris_ and the _Mare Tranquillitatis_; in the center, above, the _Mare Serenitatis_; on the left the _Mare Imbrium_, the _Mare Vaporum_, the _Mare Nubium_, the _Mare Humorum_, and the _Oceanus Procellarum_. The two bright spots on the right, lower than the _Mare Fœcunditatis_, are Petavius and a neighboring ring. Vendelinus forms a less brilliant spot at the western edge of an extension of the _Mare Fœcunditatis_, and Langrenus is distinctly seen on the western shore of the main body of that _mare_. Proclus and the remarkable diamond of the ‘Marsh of a Dream’ are very plain just under the large oval of the _Mare Crisium_. The mountains and cliffs encircling the _Mare Imbrium_ on the west, north, and east you will recognize at a glance. The dark Plato is conspicuous in the lighter mountainous area north of this ‘sea,’ and the semicircle of the ‘Bay of Rainbows’ is sharply defined. Farther north is the long, dark _Mare Frigoris_, whose eastern end merges into the broad _Oceanus Procellarum_. Aristarchus appears as a very bright point in this ‘ocean,’ and far to the right of Aristarchus, toward the center of the disk, Copernicus, with its splatter of irregular rays, is conspicuous. Following the eastern limb round toward the south we see again the dark oval of Grimaldi, beyond which the bright mountainous region broadens as we approach the South Pole.

“There is just one other thing on which I should like to dwell a little while we have the Full Moon before us. I have already referred to it once or twice—I mean the system of bright rays or bands radiating from Tycho. These rays, as I have told you, are among the greatest mysteries of the moon. Their appearance is so singular and, if I may so describe it, unnatural, that when the first photographs of the Full Moon were published, some persons actually thought that they were being imposed upon. They imagined that the photographer had indulged in a practical joke, by photographing a peeled orange and dubbing it ‘the moon.’ The mysterious rays do not start from the central mountain of Tycho, nor even from the ring itself, but from a considerable distance outside the ring. Nevertheless, Tycho is manifestly the center from which they arise. It looks as though some irresistible force had been focused at that point—a force that split the moon along a hundred radiating lines. This is, in substance, the theory of the English selenographer Nasmyth. He supposed that, the lunar globe being burst by internal stress, molten lava welled up and filled the cracks. After solidifying this lava possessed a lighter color and greater reflecting power than its surroundings and thus gave rise to the appearance of long bands.”

“Really, your moon history seems to me to be made up of extremely tragical chapters. But I am content as long as you put all these terrific events sufficiently far in the past to leave time for the moon to have enjoyed a different kind of history since they occurred.”

“But,” I said, “even if I grant what you wish, you must admit that the greatest tragedy of all succeeded.”

“What do you mean?”

“I mean simply that your imagined lunar age of gold, when the moon was full of animated existences and beautiful scenes, has also become a thing of the past; and what geological cataclysm can be compared in tragic intensity with the disappearance of a world of life?”

“But that disappearance was gradual, was it not?”

“Very likely it was, if it depended upon the slow withdrawal of the atmosphere and water.”