The Mirror Of Literature Amusement And Instruction Volume 13 No

Chapter 4

Chapter 4848 wordsPublic domain

We have so often spoken in terms of the highest commendation of the Regent's Park Diorama, that we hardly know in what set of words to point out the beauties of these new views, the merits of which must not alter our meed of praise, however the subjects may its details. The Interior of St. Peter's is by M. Bouton. The point of view is at the east entry, opposite to the choir; the reader, perhaps, not being aware that the choir in this cathedral is situated differently from all others, being at the west end. So beautiful are the proportions of the cathedral itself, that its vastness does not strike at first sight, and this effect is admirably preserved in the Diorama. We think we could point out a few inaccuracies in the drawing; but the projections, capitals of the columns, and some of the medallion portraits which ornament them, are so well painted, that we can scarcely believe ourselves looking on a flat surface. Again, the emmet-like figures of the distant congregation are admirable illustrations of the vastness of the building; and above all, the flood of light shed from the lantern of the dome is a perfect triumph of art.

The other view is the French Village of Thiers in the department of the Puy de Doue, on the bank of the little River Durolle, which is actually made to flow, or rather trickle over large stones; whilst smoke ascends from the chimney of an adjoining cottage. As a romantic picture of still life, its merits can scarcely be too highly spoken of, and when we say it is quite equal to _Unterseen_, by the same artist, and engraved in our last volume, we hope our readers will not be long ere they judge for themselves. We could have lingered for an hour in the contemplation of this peaceful picture, with the devotional interior of St. Peter's--and in contrasting them with the turmoil of the Great Town out of which we had just stepped to view this little _Creation_ of art.

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THE GATHERER

A snapper up of unconsidered trifles. SHAKSPEARE.

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LINES

_Written impromptu, by Sir Lumley Skeffington, Bart. in the Theatre Royal, Drury Lane, at the Benefit of Miss Foote, on Wednesday, May 10, 1826, the last night of her engagement._

Maria departs!--'tis a sentence of dread, For the Graces turn pale, and the Fates droop their head! In mercy to breasts that tumultuously burn, Dwell no more on departure--but speak of return. Since she goes, when the buds are just ready to burst, In expanding its leaves, let the Willow be first. We here shall no longer find beauties in May; It cannot be Spring, when Maria's away: If vernal at all, 'tis an April appears, For the Blossom flies off, in the midst of our tears.

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THE KING'S SPEECH IN 993.

Sharon Turner, in his "History of the Anglo-Saxons," vol. iv. says, "The King presided at the witena-gemots, and sometimes, perhaps, always addressed them." In 993, we have this account of a royal speech. The King says, in a charter which recites what had passed at one of their meetings, "I benignantly addressed to them salutary and pacific words. I admonished all--that those things which were worthy of the Creator, and serviceable to the health of my soul, or to my royal dignity, and which should prevail as proper for the English people, they might, with the Lord's assistance, discuss in common." P.T.W.

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A very common excuse set up by economists for being too late for dinner is, "There was not a coach to be found."--Uncalculating and improvident selfish idiot, not to send for one till the very last moment; you save nothing by it, and spoil your friend's dinner, in order to save yourself sixpence. Suppose you have a mile and a half to go, the fare is one shilling and sixpence; you will be about eighteen minutes going that distance, and for that sum you may detain the coach forty-four minutes. Always call a coach a quarter of an hour before you want it--i.e. if you do not wish to be too late.

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