Category: Novels

The Marble Faun; Or, The Romance of Monte Beni - Volume 2

I MIRIAM, HILDA, KENYON, DONATELLO II THE FAUN III SUBTERRANEAN REMINISCENCES IV THE SPECTRE OF THE CATACOMB V MIRIAM’S STUDIO VI THE VIRGIN’S SHRINE VII BEATRICE VIII THE SUBURBAN VILLA IX THE FAUN AND NYMPH X THE SYLVAN DANCE XI FRAGMENTARY SENTENCES XII A STROLL ON THE PINC...

Chapters

11. Chapter 11

When it came to the point of quitting the reposeful life of Monte Beni, the sculptor was not without regrets, and would willingly have dreamed a little longer of the sweet parad...

29. Chapter 29

The gentle reader, we trust, would not thank us for one of those minute elucidations, which are so tedious, and, after all, so unsatisfactory, in clearing up the romantic myster...

5. Chapter 5

From the old butler, whom he found to be a very gracious and affable personage, Kenyon soon learned many curious particulars about the family history and hereditary peculiaritie...

10. Chapter 10

In an old Tuscan villa, a chapel ordinarily makes one among the numerous apartments; though it often happens that the door is permanently closed, the key lost, and the place lef...

16. Chapter 16

Hilda descended, day by day, from her dove-cote, and went to one or another of the great old palaces,--the Pamfili Doria, the Corsini, the Sciarra, the Borghese, the Colonna,--w...

8. Chapter 8

The sculptor now looked through art embrasure, and threw down a bit of lime, watching its fall, till it struck upon a stone bench at the rocky foundation of the tower, and flew...

28. Chapter 28

The crowd and confusion, just at that moment, hindered the sculptor from pursuing these figures,--the peasant and contadina,--who, indeed, were but two of a numerous tribe that...

19. Chapter 19

When Hilda knelt to receive the priest’s benediction, the act was witnessed by a person who stood leaning against the marble balustrade that surrounds the hundred golden lights,...

23. Chapter 23

Kenyon knew the sanctity which Hilda (faithful Protestant, and daughter of the Puritans, as the girl was) imputed to this shrine. He was aware of the profound feeling of respons...

6. Chapter 6

After the sculptor’s arrival, however, the young Count sometimes came down from his forlorn elevation, and rambled with him among the neighboring woods and hills. He led his fri...

4. Chapter 4

“Come,” said the Count, “I see you already find the old house dismal. So do I, indeed! And yet it was a cheerful place in my boyhood. But, you see, in my father’s days (and the...

26. Chapter 26

They descended into the excavation: a young peasant, in the short blue jacket, the small-clothes buttoned at the knee, and buckled shoes, that compose one of the ugliest dresses...

17. Chapter 17

Rome has a certain species of consolation readier at hand, for all the necessitous, than any other spot under the sun; and Hilda’s despondent state made her peculiarly liable to...

22. Chapter 22

Between Hilda and the sculptor there had been a kind of half-expressed understanding, that both were to visit the galleries of the Vatican the day subsequent to their meeting at...

18. Chapter 18

Still gliding onward, Hilda now looked up into the dome, where the sunshine came through the western windows, and threw across long shafts of light. They rested upon the mosaic...

12. Chapter 12

After wide wanderings through the valley, the two travellers directed their course towards its boundary of hills. Here, the natural scenery and men’s modifications of it immedia...

20. Chapter 20

It being still considerably earlier than the period at which artists and tourists are accustomed to assemble in Rome, the sculptor and Hilda found themselves comparatively alone...

24. Chapter 24

Along with the lamp on Hilda’s tower, the sculptor now felt that a light had gone out, or, at least, was ominously obscured, to which he owed whatever cheerfulness had heretofor...

7. Chapter 7

“It is plainly enough to be seen, methinks,” answered the Count, with a kind of sulkiness that often appeared in him, as one of the little symptoms of inward trouble.

14. Chapter 14

When the last of the twelve strokes had fallen from the cathedral clock, Kenyon threw his eyes over the busy scene of the market place, expecting to discern Miriam somewhere in...

27. Chapter 27

It was carnival time. The merriment of this famous festival was in full progress; and the stately avenue of the Corso was peopled with hundreds of fantastic shapes, some of whic...

21. Chapter 21

When Hilda and himself turned away from the unfinished bust, the sculptor’s mind still dwelt upon the reminiscences which it suggested. “You have not seen Donatello recently,” h...

15. Chapter 15

When we have once known Rome, and left her where she lies, like a long-decaying corpse, retaining a trace of the noble shape it was, but with accumulated dust and a fungous grow...

25. Chapter 25

It was a bright forenoon of February; a month in which the brief severity of a Roman winter is already past, and when violets and daisies begin to show themselves in spots favor...

3. Chapter 3

It was in June that the sculptor, Kenyon, arrived on horseback at the gate of an ancient country house (which, from some of its features, might almost be called a castle) situat...

9. Chapter 9

Kenyon, it will be remembered, had asked Donatello’s permission to model his bust. The work had now made considerable progress, and necessarily kept the sculptor’s thoughts broo...

13. Chapter 13

Perugia, on its lofty hilltop, was reached by the two travellers before the sun had quite kissed away the early freshness of the morning. Since midnight, there had been a heavy,...

2. Chapter 2

XXIV THE TOWER AMONG THE APENNINES XXV SUNSHINE XXVI THE PEDIGREE OF MONTE BENI XXVII MYTHS XXVIII THE OWL TOWER XXIX ON THE BATTLEMENTS XXX DONATELLO’S BUST XXXI THE MARBLE SAL...

1. Chapter 1

I MIRIAM, HILDA, KENYON, DONATELLO II THE FAUN III SUBTERRANEAN REMINISCENCES IV THE SPECTRE OF THE CATACOMB V MIRIAM’S STUDIO VI THE VIRGIN’S SHRINE VII BEATRICE VIII THE SUBUR...