Chapter 3

'Don't tell anybody just yet,' she stipulated.

Tom would have given much to be allowed to announce his triumph defiantly to old Mr Williams, to say nothing of making a considerable noise about it in the village; but her wish was law, and he reluctantly agreed.

* * * * *

There are moments in a man's life when, however enthusiastic a gardener he may be, his soul soars above vegetables. Tom's shot with a jerk into the animal kingdom. The first present he gave Sally in his capacity of fiance was a dog.

It was a half-grown puppy with long legs and a long tail, belonging to no one species, but generously distributing itself among about six. Sally loved it, and took it with her wherever she went. And on one of these rambles down swooped Constable Cobb, the village policeman, pointing out that, contrary to regulations, the puppy had no collar.

It is possible that a judicious meekness on Sally's part might have averted disaster. Mr Cobb was human, and Sally was looking particularly attractive that morning. Meekness, however, did not come easily to Sally. In a speech which began as argument and ended (Mr Cobb proving solid and unyielding) as pure cheek, she utterly routed the constable. But her victory was only a moral one, for as she turned to go Mr Cobb, dull red and puffing slightly, was already entering particulars of the affair in his note-book, and Sally knew that the last word was with him.

On her way back she met Tom Kitchener. He was looking very tough and strong, and at the sight of him a half-formed idea, which she had regretfully dismissed as impracticable, of assaulting Constable Cobb, returned to her in an amended form. Tom did not know it, but the reason why she smiled so radiantly upon him at that moment was that she had just elected him to the post of hired assassin. While she did not want Constable Cobb actually assassinated, she earnestly desired him to have his helmet smashed down over his eyes; and it seemed to her that Tom was the man to do it.

She poured out her grievance to him and suggested her scheme. She even elaborated it.

'Why shouldn't you wait for him one night and throw him into the creek? It isn't deep, and it's jolly muddy.'

'Um!' said Tom, doubtfully.

'It would just teach him,' she pointed out.

But the prospect of undertaking the higher education of the police did not seem to appeal to Tom. In his heart he rather sympathized with Constable Cobb. He saw the policeman's point of view. It is all very well to talk, but when you are stationed in a sleepy village where no one ever murders, or robs, or commits arson, or even gets drunk and disorderly in the street, a puppy without a collar is simply a godsend. A man must look out for himself.

He tried to make this side of the question clear to Sally, but failed signally. She took a deplorable view of his attitude.

'I might have known you'd have been afraid,' she said, with a contemptuous jerk of her chin. 'Good morning.'

Tom flushed. He knew he had never been afraid of anything in his life, except her; but nevertheless the accusation stung. And as he was still afraid of her he stammered as he began to deny the charge.

'Oh, leave off!' said Sally, irritably. 'Suck a lozenge.'

'I'm not afraid,' said Tom, condensing his remarks to their minimum as his only chance of being intelligible.

'You are.'

'I'm not. It's just that I--'

A nasty gleam came into Sally's eyes. Her manner was haughty.

'It doesn't matter.' She paused. 'I've no doubt Ted Pringle will do what I want.'

For all her contempt, she could not keep a touch of uneasiness from her eyes as she prepared to make her next remark. There was a look about Tom's set jaw which made her hesitate. But her temper had run away with her, and she went on.

'I am sure he will,' she said. 'When we became engaged he said that he would do anything for me.'

There are some speeches that are such conversational knockout blows that one can hardly believe that life will ever pick itself up and go on again after them. Yet it does. The dramatist brings down the curtain on such speeches. The novelist blocks his reader's path with a zareba of stars. But in life there are no curtains, no stars, nothing final and definite--only ragged pauses and discomfort. There was such a pause now.

'What do you mean?' said Tom at last. 'You promised to marry me.'

'I know I did--and I promised to marry Ted Pringle!'

That touch of panic which she could not wholly repress, the panic that comes to everyone when a situation has run away with them like a strange, unmanageable machine, infused a shade too much of the defiant into Sally's manner. She had wished to be cool, even casual, but she was beginning to be afraid. Why, she could not have said. Certainly she did not anticipate violence on Tom's part. Perhaps that was it. Perhaps it was just because he was so quiet that she was afraid. She had always looked on him contemptuously as an amiable, transparent lout, and now he was puzzling her. She got an impression of something formidable behind his stolidity, something that made her feel mean and insignificant.

She fought against the feeling, but it gripped her; and, in spite of herself, she found her voice growing shrill and out of control.

'I promised to marry Ted Pringle, and I promised to marry Joe Blossom, and I promised to marry Albert Parsons. And I was going to promise to marry Arthur Brown and anybody else who asked me. So now you know! I told you I'd make father take me back to London. Well, when he hears that I've promised to marry four different men, I bet he'll have me home by the first train.'

She stopped. She had more to say, but she could not say it. She stood looking at him. And he looked at her. His face was grey and his mouth oddly twisted. Silence seemed to fall on the whole universe.

Sally was really afraid now, and she knew it. She was feeling very small and defenceless in an extremely alarming world. She could not have said what it was that had happened to her. She only knew that life had become of a sudden very vivid, and that her ideas as to what was amusing had undergone a striking change. A man's development is a slow and steady process of the years--a woman's a thing of an instant. In the silence which followed her words Sally had grown up.

Tom broke the silence.

'Is that true?' he said.

His voice made her start. He had spoken quietly, but there was a new note in it, strange to her. Just as she could not have said what it was that had happened to her, so now she could not have said what had happened to Tom. He, too, had changed, but how she did not know. Yet the explanation was simple. He also had, in a sense, grown up. He was no longer afraid of her.

He stood thinking. Hours seemed to pass.

'Come along!' he said, at last, and he began to move off down the road.

Sally followed. The possibility of refusing did not enter her mind.

'Where are you going?' she asked. It was unbearable, this silence.

He did not answer.

In this fashion, he leading, she following, they went down the road into a lane, and through a gate into a field. They passed into a second field, and as they did so Sally's heart gave a leap. Ted Pringle was there.

Ted Pringle was a big young man, bigger even than Tom Kitchener, and, like Tom, he was of silent habit. He eyed the little procession inquiringly, but spoke no word. There was a pause.

'Ted,' said Tom, 'there's been a mistake.'

He stepped quickly to Sally's side, and the next moment he had swung her off her feet and kissed her.

To the type of mind that Millbourne breeds, actions speak louder than words, and Ted Pringle, who had gaped, gaped no more. He sprang forward, and Tom, pushing Sally aside, turned to meet him.

I cannot help feeling a little sorry for Ted Pringle. In the light of what happened, I could wish that it were possible to portray him as a hulking brute of evil appearance and worse morals--the sort of person concerning whom one could reflect comfortably that he deserved all he got. I should like to make him an unsympathetic character, over whose downfall the reader would gloat. But honesty compels me to own that Ted was a thoroughly decent young man in every way. He was a good citizen, a dutiful son, and would certainly have made an excellent husband. Furthermore, in the dispute on hand he had right on his side fully as much as Tom. The whole affair was one of those elemental clashings of man and man where the historian cannot sympathize with either side at the expense of the other, but must confine himself to a mere statement of what occurred. And, briefly, what occurred was that Tom, bringing to the fray a pent-up fury which his adversary had had no time to generate, fought Ted to a complete standstill in the space of two minutes and a half.

Sally had watched the proceedings, sick and horrified. She had never seen men fight before, and the terror of it overwhelmed her. Her vanity received no pleasant stimulation from the thought that it was for her sake that this storm had been let loose. For the moment her vanity was dead, stunned by collision with the realities. She found herself watching in a dream. She saw Ted fall, rise, fall again, and lie where he had fallen; and then she was aware that Tom was speaking.

'Come along!'

She hung back. Ted was lying very still. Gruesome ideas presented themselves. She had just accepted them as truth when Ted wriggled. He wriggled again. Then he sat up suddenly, looked at her with unseeing eyes, and said something in a thick voice. She gave a little sob of relief. It was ghastly, but not so ghastly as what she had been imagining.

Somebody touched her arm. Tom was by her side, grim and formidable. He was wiping blood from his face.

'Come along!'

She followed him without a word. And presently, behold, in another field, whistling meditatively and regardless of impending ill, Albert Parsons.

In everything that he did Tom was a man of method. He did not depart from his chosen formula.

'Albert,' he said, 'there's been a mistake.'

And Albert gaped, as Ted had gaped.

Tom kissed Sally with the gravity of one performing a ritual.

The uglinesses of life, as we grow accustomed to them, lose their power to shock, and there is no doubt that Sally looked with a different eye upon this second struggle. She was conscious of a thrill of excitement, very different from the shrinking horror which had seized her before. Her stunned vanity began to tingle into life again. The fight was raging furiously over the trampled turf, and quite suddenly, as she watched, she was aware that her heart was with Tom.

It was no longer two strange brutes fighting in a field. It was her man battling for her sake.

She desired overwhelmingly that he should win, that he should not be hurt, that he should sweep triumphantly over Albert Parsons as he had swept over Ted Pringle.

Unfortunately, it was evident, even to her, that he was being hurt, and that he was very far from sweeping triumphantly over Albert Parsons. He had not allowed himself time to recover from his first battle, and his blows were slow and weary. Albert, moreover, was made of sterner stuff than Ted. Though now a peaceful tender of cows, there had been a time in his hot youth when, travelling with a circus, he had fought, week in, week out, relays of just such rustic warriors as Tom. He knew their methods--their headlong rushes, their swinging blows. They were the merest commonplaces of life to him. He slipped Tom, he side-stepped Tom, he jabbed Tom; he did everything to Tom that a trained boxer can do to a reckless novice, except knock the fight out of him, until presently, through the sheer labour of hitting, he, too, grew weary.

Now, in the days when Albert Parsons had fought whole families of Toms in an evening, he had fought in rounds, with the boss holding the watch, and half-minute rests, and water to refresh him, and all orderly and proper. Today there were no rounds, no rests, no water, and the peaceful tending of cows had caused flesh to grow where there had been only muscle. Tom's headlong rushes became less easy to side-step, his swinging blows more difficult than the scientific counter that shot out to check them. As he tired Tom seemed to regain strength. The tide of the battle began to ebb. He clinched, and Tom threw him off. He feinted, and while he was feinting Tom was on him. It was the climax of the battle--the last rally. Down went Albert, and stayed down. Physically, he was not finished; but in his mind a question had framed itself--the question. 'Was it worth it?'--and he was answering, 'No.' There were other girls in the world. No girl was worth all this trouble.

He did not rise.

'Come along!' said Tom.

He spoke thickly. His breath was coming in gasps. He was a terrible spectacle, but Sally was past the weaker emotions. She was back in the Stone Age, and her only feeling was one of passionate pride. She tried to speak. She struggled to put all she felt into words, but something kept her dumb, and she followed him in silence.

In the lane outside his cottage, down by the creek, Joe Blossom was clipping a hedge. The sound of footsteps made him turn.

He did not recognize Tom till he spoke.

'Joe, there's been a mistake,' said Tom.

'Been a gunpowder explosion, more like,' said Joe, a simple, practical man. 'What you been doin' to your face?'

'She's going to marry me, Joe.'

Joe eyed Sally inquiringly.

'Eh? You promised to marry _me_.'

'She promised to marry all of us. You, me, Ted Pringle, and Albert Parsons.'

'Promised--to--marry--all--of--us!'

'That's where the mistake was. She's only going to marry me. I--I've arranged it with Ted and Albert, and now I've come to explain to you, Joe.'

'You promised to marry--!'

The colossal nature of Sally's deceit was plainly troubling Joe Blossom. He expelled his breath in a long note of amazement. Then he summed up.

'Why you're nothing more nor less than a Joshua!'

The years that had passed since Joe had attended the village Sunday-school had weakened his once easy familiarity with the characters of the Old Testament. It is possible that he had somebody else in his mind.

Tom stuck doggedly to his point.

'You can't marry her, Joe.'

Joe Blossom raised his shears and clipped a protruding branch. The point under discussion seemed to have ceased to interest him.

'Who wants to?' he said. 'Good riddance!'

They went down the lane. Silence still brooded over them. The words she wanted continued to evade her.

They came to a grassy bank. Tom sat down. He was feeling unutterably tired.

'Tom!'

He looked up. His mind was working dizzily.

'You're going to marry me,' he muttered.

She sat down beside him.

'I know,' she said. 'Tom, dear, lay your head on my lap and go to sleep.'

If this story proves anything (beyond the advantage of being in good training when you fight), it proves that you cannot get away from the moving pictures even in a place like Millbourne; for as Sally sat there, nursing Tom, it suddenly struck her that this was the very situation with which that 'Romance of the Middle Ages' film ended. You know the one I mean. Sir Percival Ye Something (which has slipped my memory for the moment) goes out after the Holy Grail; meets damsel in distress; overcomes her persecutors; rescues her; gets wounded, and is nursed back to life in her arms. Sally had seen it a dozen times. And every time she had reflected that the days of romance are dead, and that that sort of thing can't happen nowadays.

DEEP WATERS

Historians of the social life of the later Roman Empire speak of a certain young man of Ariminum, who would jump into rivers and swim in 'em. When his friends said, 'You fish!' he would answer, 'Oh, pish! Fish can't swim like _me_, they've no vim in 'em.'

Just such another was George Barnert Callender.

On land, in his land clothes, George was a young man who excited little remark. He looked very much like other young men. He was much about the ordinary height. His carriage suggested the possession of an ordinary amount of physical strength. Such was George--on shore. But remove his clothes, drape him in a bathing-suit, and insert him in the water, and instantly, like the gentleman in _The Tempest_, he 'suffered a sea-change into something rich and strange.' Other men puffed, snorted, and splashed. George passed through the ocean with the silent dignity of a torpedo. Other men swallowed water, here a mouthful, there a pint, anon, maybe, a quart or so, and returned to the shore like foundering derelicts. George's mouth had all the exclusiveness of a fashionable club. His breast-stroke was a thing to see and wonder at. When he did the crawl, strong men gasped. When he swam on his back, you felt that that was the only possible method of progression.

George came to Marvis Bay at about five o'clock one evening in July. Marvis Bay has a well-established reputation as a summer resort, and, while not perhaps in every respect the paradise which the excitable writer of the local guide-book asserts it to be, on the whole it earns its reputation. Its sands are smooth and firm, sloping almost imperceptibly into the ocean. There is surf for those who like it, and smoother water beyond for those whose ideals in bathing are not confined to jumping up and down on a given jelly-fish. At the northern end of the beach there is a long pier. It was to this that George made his way on his arrival.

It was pleasant on the pier. Once you had passed the initial zareba of fruit stands, souvenir stands, ice-cream stands, and the lair of the enthusiast whose aim in life it was to sell you picture post-cards, and had won through to the long walk where the seats were, you were practically alone with Nature. At this hour of the day the place was deserted; George had it to himself. He strolled slowly along. The water glittered under the sun-rays, breaking into a flurry of white foam as it reached the beach. A cool breeze blew. The whole scenic arrangements were a great improvement on the stuffy city he had left. Not that George had come to Marvis Bay with the single aim of finding an antidote to metropolitan stuffiness. There was a more important reason. In three days Marvis Bay was to be the scene of the production of _Fate's Footballs_, a comedy in four acts by G. Barnert Callender. For George, though you would not have suspected it from his exterior, was one of those in whose cerebra the grey matter splashes restlessly about, producing strong curtains and crisp dialogue. The company was due at Marvis Bay on the following evening for the last spasm of rehearsals.

George's mind, as he paced the pier, was divided between the beauties of Nature and the forthcoming crisis in his affairs in the ratio of one-eighth to the former and seven-eighths to the latter. At the moment when he had left London, thoroughly disgusted with the entire theatrical world in general and the company which was rehearsing _Fate's Footballs_ in particular, rehearsals had just reached that stage of brisk delirium when the author toys with his bottle of poison and the stage-manager becomes icily polite. _The Footpills_--as Arthur Mifflin, the leading juvenile in the great play, insisted upon calling it, much to George's disapproval--was his first piece. Never before had he been in one of those kitchens where many cooks prepare, and sometimes spoil, the theatrical broth. Consequently the chaos seemed to him unique. Had he been a more experienced dramatist, he would have said to himself, 'Twas ever thus.' As it was, what he said to himself--and others--was more forcible.

He was trying to dismiss the whole thing from his mind--a feat which had hitherto proved beyond his powers--when Fate, in an unusually kindly mood, enabled him to do so in a flash by presenting to his jaundiced gaze what, on consideration, he decided was the most beautiful girl he had ever seen. 'When a man's afraid,' shrewdly sings the bard, 'a beautiful maid is a cheering sight to see'. In the present instance the sight acted on George like a tonic. He forgot that the lady to whom an injudicious management had assigned the role of heroine in _Fate's Footballs_ invariably--no doubt from the best motives--omitted to give the cynical _roue_ his cue for the big speech in Act III. His mind no longer dwelt on the fact that Arthur Mifflin, an estimable person in private life, and one who had been a friend of his at Cambridge, preferred to deliver the impassioned lines of the great renunciation scene in a manner suggesting a small boy (and a sufferer from nasal catarrh at that) speaking a piece at a Sunday-school treat. The recollection of the hideous depression and gloom which the leading comedian had radiated in great clouds fled from him like some grisly nightmare before the goddess of day. Every cell in his brain was occupied, to the exclusion of all other thoughts, by the girl swimming in the water below.

She swam well. His practised eye saw that. Her strong, easy strokes carried her swiftly over the swell of the waves. He stared, transfixed. He was a well-brought-up young man, and he knew how ill-bred it was to stare; but this was a special occasion. Ordinary rules of conventional etiquette could not apply to a case like this. He stared. More, he gaped. As the girl passed on into the shadow of the pier he leaned farther over the rail, and his neck extended in joints like a telescope.

At this point the girl turned to swim on her back. Her eyes met his. Hers were deep and clear; his, bulging. For what seemed an eternity to George, she continued to look at him. Then, turning over again, she shot past under the pier.

George's neck was now at its full stretch. No power of will or muscle could add another yard to it. Realizing this, he leaned farther over the rail, and farther still. His hat slid from his hand. He grabbed at it, and, over-balancing, fell with a splash into the water.

Now, in ordinary circumstances, to fall twelve feet into the ocean with all his clothes on would have incommoded George little. He would hardly have noticed it. He would have swum to shore with merely a feeling of amused self-reproach akin to that of the man who absent-mindedly walks into a lamp-post in the street. When, therefore, he came to the surface he prepared without agitation to strike out in his usual bold fashion. At this moment, however, two hands, grasping him beneath the arms, lifted his head still farther from the waves, and a voice in his ear said, 'Keep still; don't struggle. There's no danger.'

George did not struggle. His brain, working with the cool rapidity of a buzz-saw in an ice-box, had planned a line of action. Few things are more difficult in this world for a young man than the securing of an introduction to the right girl under just the right conditions. When he is looking his best he is presented to her in the midst of a crowd, and is swept away after a rapid hand-shake. When there is no crowd he has toothache, or the sun has just begun to make his nose peel. Thousands of young lives have been saddened in this manner.