The Man from Bar 20: A Story of the Cow Country
CHAPTER XXIII
"ALL BUT TH' COWS"
Gates, the wounded, tossed restlessly in his bunk, and finally rolled over and faced the dark room. "Never was so wide awake in my life," he grumbled. "Been settin' around too much lately. If I wanted to stay awake I'd be as sleepy as th' devil."
"Better try it again," counseled Quigley, shifting from his loophole. "You don't want to be sleepy tomorrow when yo're on guard."
"Tom," said Gates, ignoring the advice. "I've been doin' some thinkin'. A feller does a lot of thinkin' when he can't sleep. We made a couple of mistakes, holin' up like this. In th' first place, if we had to hole up, we should 'a' occupied _both_ end houses, 'stead of only one. This way, they can walk right up to within twenty feet of us, use th' cook shack, th' grub in th' store-house, an' them store-house loopholes, which is worse. If we had both end houses, two men in each, they couldn't get anywhere close to us except along th' crick an' up on th' cliff."
"Yes; I reckon so," said Quigley. "'Tain't too late yet, mebby. I didn't like th' idea of splittin' up our forces. As far as grub is concerned, we're near as well off that way as we are in our water supply. We got grub in here for two months, an' plenty of cartridges if we don't get reckless with 'em. Of course, I wish that other case was in here, too; it'd give us another thousand rounds for th' rifles; but I ain't worryin' none about that. An' I'm purty near shore, now, that there's only two of 'em fightin' us: Nelson an' that Tedrue, judgin' from th' knife-work."
"That's th' way I figger it," agreed Gates. "An' that's why we shouldn't 'a' holed up like this. Me ah' th' cook could 'a' held this house, while you an' Purdy was on th' outside stalkin' 'em. Any man that can stalk like you can is plumb wastin' his time cooped up in here; an' you could 'a' made things sizzlin' hot for them two fellers, good as they are. This way, they've got us located, an' they only have to look for trouble in front of 'em. They know where to expect it all th' time. It was a big mistake."
"Mebby," grunted Quigley. "We'll try it in here tonight an' tomorrow, an' then if we don't have no luck, I'll fade away tomorrow night an' give 'em a taste of Injun fightin'. There ain't no moon this week, so we can pick our time to suit ourselves."
Purdy leaned his rifle against the wall and groped for the water bucket. "I'll make a try for that extra case of cartridges right now, if you say th' word," he offered. "Huh! We shore drink a lot of water," he grunted. "I filled this pail before sundown, an' it's near empty now. Too much bacon, I reckon."
Quigley laughed softly. "Water is one thing we don't have to worry about at all. That ditch was a great idea."
Could he have followed the ditch in the dark he would have been surprised to have seen the dam across it, and the cut through the artificial bank, where Luke Tedrue and a commandeered shovel had released the little stream and let it flow to Rustler Creek along its old, original bed down a shallow gully. That was Johnny's idea; but after the old scout had carried it out, he had an idea of his own which pleased him greatly, and he acted upon it without loss of time.
The cook stirred and sat up, feeling for his pipe, which was always his first act upon awakening. He grunted sleepily and sat on the edge of his bunk. "This is a whole lot like bein' in jail," he yawned. "An' what do you think? I dreamed that somebody had just tapped a keg of beer, an' when I sidled over to see that none of it was wasted, why I woke up! That's allus my luck. How soon'll it be daylight? That dream made me thirsty. Where's that cussed water bucket?"
"Right where it was th' last time you found it," grinned Purdy. "It ain't moved none at all."
"Yo're right, it ain't," grumbled the cook, scraping a tin cup across the bottom of the pail. "It never does unless _I_ do it. I'll bet four bits that I've filled it every time it got empty; an' I'll bet four bits more that I ain't goin' to fill it _this_ time," he chuckled. "There's just enough here for me. Th' next gent that wants a drink will be observed bendin' over th' trapdoor an' fillin' it for hisself. Here's how! An' d--n th' beer what only comes in dreams."
Gates crawled out of his bunk and limped to the bucket. "Get out of my way," he growled. "Speakin' of beer started my throat to raspin'. No you don't; not a-tall," he grumbled, pushing the cook aside. "I'll wait on myself, slugs or _no_ slugs. I ain't no teethin' infant, even if I _am_ full of holes." He crossed to the trapdoor and fumbled around in the dark. "Huh! I knowed it couldn't get far away. I've been kneelin' on it all th' time!"
"Better lemme do that," offered the cook, advancing.
"Better yore grandmother," said Gates. "No, ma'am; you put on too many airs, you do." He raised the door. "You might strain yore delicate back, Cookie, old boss. An' anyhow, I'm aimin' to spite you for that unnecessary remark about openin' a keg of beer. This ain't no time to talk about things like that." He leaned down and swung the bucket, but there was no splash, only a rattling, tinny thump. "Why," said his muffled voice, "there ain't no water here! Mebby I missed it. Why, d--n it, there ain't no water here a-tall! What th'--" His voice ceased abruptly and a solid, muffled thump came up through the opening.
The cook, leaning forward in the position he had frozen in when he had grasped the significance of the sound of the striking bucket, moved toward the trap, feeling before him. He touched the edge of the opening and swiftly felt around it. Gates was not there.
"D--n it, he's fell in!" he muttered. "It wasn't no job for a wounded man like him, bendin' over that way. Here, Purdy!" he called "Gimme a hand with Ben. He plumb keeled over an' fell in." He reached down impatiently and felt around. "H--l!" he yelled as an up-thrust hand gripped him, jerked him off his balance and pulled him down through the opening. "Look out, fellers!" he shouted.
A second thump, softer than the first, ended the cry, and Purdy, leaping forward, slammed shut the trap and bolted it. "More knife-work!" he gritted, pale with rage. Arising, he leaped toward the cabin door, yanked it open and dashed along the house, staggering as a finger of flame spurted from a loophole in the wall of the store-house, but recovered his balance and turned the corner. As he did so he caught sight of a thickening in the darkness, which moved swiftly and silently along the ditch, and he fired at it. Something whizzed past his neck and rang out, sharp and clear as a bell, on the end wall of the house. He answered it with another shot and saw the blot stagger and fall.
From the ditch came a spurt of fire and Purdy plunged forward, firing as he fell. Another shot answered him and again he fired, but with a weak and shaking hand. Then from a loophole behind him Quigley's rifle poked out and sent shot after shot along the ditch, firing on a gamble.
As the rifle spoke, a shadow flitted past the corner of the store-house, passed swiftly and silently across the space between the two houses and plunged through the open door of the rustlers' stronghold. It tripped over a box and sprawled headlong just as Quigley wheeled and sent a bullet through the space Johnny had occupied an instant before.
Leaping to his feet, Johnny hurled himself upon the rustler, wrenched the rifle loose and gripped the owner's throat. Plunging, heaving, straining, they thrashed around the room, smashing into bunks, breaking dishes; hammering, gouging, biting, choking, they bumped into the door, plunged through the opening and carried the struggle out under the sky.
Quigley, his face purple and his eyes popping out, almost senseless on his feet, and fighting from instinct, managed to break the grip on his throat and showered blows on his enemy's face. Sinking his teeth in Johnny's upper arm, he got both of his hands around Johnny's throat and closed his grip with all his weakened strength.
Across the yard they reeled, bumped into the corral and along it, following the slope of the ground without thought. Johnny, suffocating, thrust the heel of his right hand against his enemy's nose and pushed upward and back, while his left hand, leaving the gripping fingers around his throat, smashed heavily into Quigley's stomach. The hands relaxed, loosened their grip and fell away, and before they could regain their hold, Johnny's chin settled firmly against his chest and protected his windpipe. Just in time he caught Quigley's gun hand and tore the Colt out of it, whereupon Quigley hammered his face with both hands. Shoving, wrestling, reeling, they came to the edge of the ravine through which flowed Rustler Creek, and, plunging over the steep bank, rolled to the bottom and stopped in the mud and water of the creek itself, where they fought lying down, each trying desperately to remain on top.
Quigley's hand brushed one of Johnny's guns, gripped it, drew it out and shoved the muzzle against his enemy's side. As he pulled the trigger Johnny writhed swiftly and turned the muzzle away. Squirming on top, he again turned the muzzle away as Quigley fired the second time. At the roar of the shot the rustler grunted and grew suddenly limp.
* * * * *
Logan pushed back from the dinner table and glanced out of the window. Shouting an exclamation he leaped for the door, the rest of the outfit piling pell-mell at his heels.
A black horse, carrying double, stopped near the door and eager hands caught Luke Tedrue as he fell from Pepper's back. Johnny, covered with mud, dust, blood, and powder grime, his clothes torn into shreds and his face a battered mass of red and black and blue flesh, swayed slightly, grasped the saddle horn with both hands and sat stiffly erect again.
"Good Lord!" shouted Logan, jumping to him. "What th' h--l's up?"
"Rustlin'," muttered Johnny. "Luke's brains got foundered in th' head an' he pulled three of 'em out of a hole; but I made Quigley skin th' cat."
"Are they _all_ gone under?" yelled Logan incredulously.
"All but th' cows," sighed Johnny, and strong arms caught him as he fell.
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=Siren of the Snows, A.= By Stanley Shaw.
=Sir Richard Calmady.= By Lucas Malet.
=Sixty-First Second, The.= By Owen Johnson.
=Slim Princess, The.= By George Ade.
End of Project Gutenberg's The Man From Bar 20, by Clarence E. Mulford