Part 5
This is a most capital trick, but it requires a confederate's aid. Place three silver spoons crosswise on a table, request any person to touch one, and assure him you will find out the one he touches by a single inspection; although you will leave the room while he does so, and even if he touches it so gently as not to disarrange the order in which they are once put in the slightest degree. You retire; and when he gives you notice to enter, walk up to the table and inspect the spoons, as if trying to ascertain whether there are any finger-marks upon them, and then decide. Your confederate, of course, makes some sign, previously agreed upon, to give you notice which is the identical spoon; the actions may be, touching a button of his jacket for the top spoon, touching his chin for the second, and putting his finger to his lips may signify the lowest; but the precise actions are immaterial, so that the spoon they indicate be understood.
28. THE JUGGLER'S JOKE.
Take a little ball in each hand, and stretch your hands as far apart as you possibly can, one from the other; then tell the company that you will make both the balls come into whichever hand they please, without bringing the hands into contact with each other. If any of the lookers-on challenge your ability of achieving this feat, all you have to do is to lay one of the balls down upon a table, turn yourself round, and take it up with your other hand. Both the balls will thus be in one of your hands, without the latter approaching the other, agreeably to your promise.
29. TO CAUSE WINE AND WATER TO CHANGE PLACES.
Fill a small narrow-necked bulb with port wine, or with water and colored spirit of wine, and put the bulb into a tall, narrow glass jar, which is then to be filled up with cold water: immediately, the colored fluid will issue from the bulb, and accumulate on the surface of the water in the jar, while colorless water will be seen accumulating at the bottom of the bulb. By close inspection, the descending current of the water may also be observed, and the colored and the colorless liquids be seen to pass each other in the narrow neck of the bulb without mixing. The whole of the colored fluid will shortly have ascended, and the bulb will be entirely filled with clear water.
30. IS IT POSSIBLE?
Side by side place three pieces of anything, (money is most convenient,) then take away the middle piece without touching it.
By removing the right hand piece to the side of the left, you thus take away the center without touching it.
31. THE TOPER'S STRATAGEM.
Get a bottle full of water, with the cork driven tightly in, and the top of it level with the neck of the bottle. You must remove the cork from the bottle without touching the cork with anything, and without injuring the bottle.
Wrap a towel round the bottom of the bottle, and strike it evenly and repeatedly, but not too hard, against a wall, post, or tree, and after some time the cork will be driven out of the bottle.
32. THE IMPOSSIBLE OMELET.
Produce some butter, eggs, and other ingredients for making an omelet, together with a frying-pan, in a room where there is a fire, and offer to bet a wager, that the cleverest cook will not be able to make an omelet with them. The wager is won by having previously caused the eggs to be boiled very hard.
33. NEW PERPETUAL ROTARY MOTION.
By an accidental occurrence, it has recently been discovered that a piece of rock-crystal, or quartz, cut in a peculiar form, produces, upon an inclined plane, and without any apparent impetus, an extraordinary rotary motion, which maybe kept up for an indefinite period of time. The curiosity of this philosophical toy having excited general interest in the scientific world, Professor Leslie, in his lecture, thus explains the phenomenon:
"The crystal has six sides, and being cut accurately from the faces to a perfect convex surface, if placed upon a wetted smooth surface, and held parallel, no motion will take place, because the center of gravity of each face is balanced and supported in this position of the plane surface; but if a slight inclination is given to the plane, a rotary motion commences, in consequence of the support being removed from the center of gravity. The impetus once given, the centrifugal force increases the rotary motion to such a degree, as for an observer to be unable to distinguish the form of the crystal.
"_To produce the effect._--Place the crystal on a piece of plate or common window glass, a china or glazed plate, or any smooth surface, perfectly clean, as grease or a particle of dust would impede its motion. Wet the surface, and give the plane a slight inclination, when, if properly managed, a rotatory motion will commence, which may be kept up for any length of time by giving alternate inclinations to the plane surface, according to the movements of the crystal; to heighten the pleasing effect of which, a variety of paper figures, harlequins, waltzers, &c., may be attached. The first trial of the experiment had better be made by giving a slight rotatory motion to the crystal."
34. THE MIRACULOUS APPLE.
To divide an apple into several parts, without breaking the rind. Pass a needle and thread under the rind of the apple, which is easily done by putting the needle in again at the same hole it came out of; and so passing on till you have gone round the apple. Then take both ends of the thread in your hands and draw it out, by which means the apple will be divided into two parts. In the same manner, you may divide it into as many parts as you please, and yet the rind will remain entire. Present the apple to any one to peel, and it will immediately fall to pieces.
35. AN OMELET COOKED IN A HAT, OVER THE FLAME OF A CANDLE.
State that you are about to cook an omelet; then you break four eggs in a hat, place the hat for a short time over the flame of a candle, and shortly after produce an omelet, completely cooked, and quite hot.
Some persons will be credulous enough to believe that by the help of certain ingredients you have been enabled to cook the omelet without fire; but the secret of the trick is, that the omelet had been previously cooked and placed in the hat, but could not be seen, because the operator, when breaking the eggs, placed it too high for the spectators to observe the contents. The eggs were empty ones, the contents having been previously extracted, by being sucked through a small aperture; but to prevent the company from suspecting this, the operator should, as if by accident, let a full egg fall on the table, which breaking, induces a belief that the others are also full.
36. THE INFALLIBLE PROPHET.
In this trick one of three articles being taken by each of three persons, you propose to tell the article each person has taken. We will suppose the articles to be a ring, dime or shilling, and a key. The performer must in his own mind, term the ring _a_, the shilling or dime _e_, and key _i_: (this being the alphabetical order of the vowels, can be easily recollected) and he must also mentally distinguish the persons as first, second and third. Then taking twenty-four counters or cards, he gives one to the first person, two to the second and three to the third; and placing the remainder of the counters on the table, he turns his back or leaves the room, telling the persons each to take an article, and that whoever takes the ring is to take also as many counters as he already has; he who takes the shilling, twice as many; and he who takes the key, four times as many. This being done, the performer advances, and reckons the remaining counters, and according to their number and the underneath line, which he must have previously acquired, he tells who has taken each of the different articles.
1. 2. 3. 5. 6. 7. Salve certa animæ semita vita quies.
Thus, if there had been a remainder of six counters, the position of the vowels in the corresponding word _vita_, shows that the first person took _i_, the key; and the second person took _a_, the ring; and, consequently, the third person must have taken the shilling. It must be observed, that in no instance can there be a remainder of four counters; and that the first syllable of each word represents the first person, and the second syllable the second person. This ingenious feat is founded on the permutation of the three articles, or their representative vowels, which can only be placed in six different positions, and the corresponding numerical arrangement of the counters, thus:
1. _a_ _e_ _i_ salve. 2. _e_ _a_ _i_ certa. 3. _a_ _i_ _e_ animæ. 5. _e_ _i_ _a_ semita. 6. _i_ _a_ _e_ vita. 7. _i_ _e_ _a_ quies.
The three vowels, in their different positions, are made easy of recollection, by being united with consonants and formed in their regular succession into the above Latin line, or into this similarly constructed French one:
1. 2. 3. 5. 6. 7. Par fer Cesar jadis devint si grand prince.
37. PHILOSOPHY CHEATED.
This feat is really an excellent one, and has astonished crowds of spectators in different parts of the United States. It was one of the favorites of a late professor, by whom it was promulgated. Before you perform it in public, you must practice it until you are quite perfect, in private, for it would be a pity to spoil its effect by making a blunder in it. Begin by stating that you are about performing what you have no doubt will be regarded as a very extraordinary maneuver, and you will leave the company to decide upon what principle of natural philosophy it is accomplished. The mode of performance is as follows: Lay the piece of wood across the palm of your left hand, which keep wide open, with the thumb and all the fingers far apart, lest you be suspected of supporting the wood with them. Next, take your left wrist in your right hand, and grasp it tightly, for the purpose, as you state, of giving the hand more steadiness. Now, suddenly turn the back of your left hand uppermost, and as your wrist moves in your right hand, stretch out the forefinger of your right hand, and as soon as the wood comes undermost, support it with such forefinger. You may now shake the hand, and, after a moment or two, suffer the wood to drop. It is two to one but the spectators will suppose it to be produced by the action of the air, and try to do it themselves; but, of course, they must, unless you have performed the feat so awkwardly as to be discovered, fail in its performance. If you have no objection to reveal the secret, you can do it again, and while they are gravely philosophizing upon it, suddenly lift up your hand (_vide_ Cut), and expose the trick. This will, doubtless, create much amusement. Observe that, in doing this feat, you must keep your fingers so low that no one can see the palm of your left hand; and move your finger so carefully, that its action may not be detected; and if it be not, you may rest satisfied that its absence from round the wrist of the left hand will not be discovered, some of the fingers being naturally supposed to be under the coat; so that, if the spectators only see two or even one, they will imagine the others are beneath the cuff. When you have turned your hand over, do not keep the stick too long upheld, lest the spectators should take hold of your hands, and discover the trick; before their surprise is over, remove your forefinger, and suffer the stick to fall.
38. THE DISAPPEARING DIME.
Provide yourself with a piece of India rubber cord about twelve inches long, and a dime with a hole on the edge; attach the dime to the cord with a piece of white sewing silk, and after having done this, sew the cord to your coat sleeve lining, but be very careful and ascertain that the end upon which the dime is attached does not extend lower than within two inches of the extreme end of the sleeve when the coat is on. It is better to have the dime in the left arm sleeve. Having done this, bring down the dime with the right hand, and place it between the thumb and index finger of the left hand, and, showing it to the company, tell them that you will give the coin to any one present who will not let it slip away. You must then select one of the audience to whom you proffer the dime, and just as he is about to receive it you must let it slip from between your fingers, and the contraction of the elastic cord will make the coin disappear up your sleeve, much to the astonishment of the person who thinks he is about to receive it. This feat can be varied by pretending to wrap the coin in a piece of paper, or a handkerchief. Great care should be taken not to let any part of the cord be seen, as this would, of course, discover the trick. This is one of the most surprising feats of legerdemain, and its chief beauty consists in its extreme simplicity. The writer has frequently astonished a whole room full of company by the performance of this trick.
* * * * *
TRICKS REQUIRING SPECIAL APPARATUS.
I admit no tricks that are wholly managed by the apparatus, as I think they are unworthy of notice. Therefore, every trick mentioned in the following pages must be carefully practiced in private before it is produced in public. The apparatus, of course, cannot be inspected by the audience, and for that reason it is better to mix them with those tricks that have been already mentioned, in order that suspicious persons may be quieted by an occasional permission to inspect the objects used in the performances.
The young conjuror should always vary the mode of performance in the non-essentials, and should study combinations of one trick with another, by which means he will produce more astonishing results than if he restricted himself to the methods mentioned in this work. He should also invariably make a little speech, acknowledging that he is only deceiving the eye and not the mind, and should therefore request the company not to ask any questions, or to demand inspection of any of his apparatus.
39. THE DIE TRICK.
Get a wooden die about two inches and a half square (1), and a hollow tin die exactly the size of the wooden one, but without one of the sides (2). Then paint them both exactly alike, as in the engraving. It will be better to let an _accidental_ flaw appear on the same side of each. Then get a tin cover (4) that exactly fits the dice. Now for the trick itself.
Borrow two hats, and while you turn your back upon the audience as you go to your table, slip into one of them the false die. Place both hats on the table, and send round the real die and cover for inspection. When they are returned, say, "Now, ladies and gentlemen, it is my intention to place these hats one above another, thus." You then place the two hats as in No. 3, the hollow die being in the bottom hat. "I shall then cover the die thus," which you do, "and after I have knocked on the cover, I shall take it off, and you will find that the die is not under the cover, as it is now," taking it off, "but inside the hat, like this." You then put the real die into the hat. "You do not believe me, ladies and gentlemen, but I will soon convince you." You then take out the false die, and replacing the upper hat, put the die on the upper hat (of course, with the open side downward,) and place the cover over it. Pick up your conjuring wand, give it a few flourishes, and bring it down on the cover. Grasp the cover tightly near the bottom, when both cover and false die will come up together; put the end of your wand into them, and give them a good rattle. Then knock off the upper hat with a blow of the wand, and push the lower one off the table, so that the die tumbles out of it. Always use plenty of gesture about your tricks.
40. THE PENETRATIVE CENTS.
Get a brazier to cut out all the interior of five cents, only leaving the rims. He must then bore out nearly all the interior of a sixth cent, merely leaving a shell of copper at the top. A long rivet must then be let into the rim, as shown in Fig. 1, No. 2, and a hole must be drilled in each of the five rings, as in No. 3. The rivet is to be passed through the holes in the rings, and fastened below, so that all the rings can play easily upon it. Fig. 1, No. 1, is a section of the entire apparatus, the dotted lines representing the rivet. They can then be placed as shown in Fig. 2, No. 1, and no one will imagine that they are only shams, as you can rattle them or move them about upon each other. A leathern cover, Fig. 2, No. 2, is then made, which passes easily over the heap of cents, but being pliable, is capable of picking up the hollow cents with it, when it is held firmly. To the under surface of the table you fasten a little shelf, Fig. 2, No. 3, which moves on a hinge, and is let fall by placing the foot on the pedal, Fig. 2, No. 4, which draws the catch.
To perform the trick, place six real cents on the little shelf, and have the sham cents on the table. Take them up and rattle them, and put them down as in Fig. 2, No. 1. Keep a sixpence in the palm of your hand, pick up the sham cents, and as you put them down, slip the sixpence under them, as you do the ball in trick 6. Take the cover, and put it over the sham cents, make a short speech, and knock the cover with your wand, at the same time pressing the pedal with your foot, which will cause all the six real cents to tumble down with a great crash. Take up the cover and false cents together, put the end of your wand into them and hold them up triumphantly, showing the spectators that the six cents have been replaced by a silver sixpence. While you are picking up the cents, slip the sham ones out of the cover into your left hand, and take some opportunity of letting the empty cover roll towards the audience, one of whom you ask to pick it up and bring it to you. This maneuver generally disarms all suspicion, for the picker-up is sure to examine it very closely.
I have only given mere outlines of this really excellent trick, which may be varied in a hundred ways, and is capable of combination with other tricks to a large extent. For the pedal may be substituted a lever running immediately under the surface of the table, if the performer prefers to have a short cloth on it. There should be always two cloths on the table; the lower one thick and soft, to prevent jingling of objects, and the upper one white, as it displays everything better than a colored one. The ingenuity of the young conjuror will easily find methods of varying this trick. _See Trick_ 67, _page_ 48.
41. THE DOLL TRICK.
Get a comical looking doll, and cut off his head diagonally, taking care to do it very neatly. Drive a peg into the neck, and bore a hole in the body, into which the peg fits, as in the cut. Paint his body and head carefully, and if you put a gold chain or two round his neck, it will conceal the line of junction. Make also a coat of silk, and sew a pocket inside the edge of the skirt.
Take up the doll, and say, "Now, ladies and gentlemen, here is a very learned man. Observe the development of his forehead, the sagacity of his nose, the eloquence of his lips, the dignity of his spectacles, and the philosophy of his pigtail. He is professor of astronomy at Timbuctoo, and here is his gown of office. See how handsome he looks in it. He is going to Amsterdam to see the eclipse of the last new comet. He has the honor to wish you all farewell before starting on his journey. Now, professor, we are waiting to see you go. Oh! you want funds, do you? I beg your pardon; here is a quarter for you." So saying, you take your right hand from under the gown, taking with it the body, and put the body into your pocket, while you jingle some silver. The head is now supported by your left hand. Pretend to give him some money, and then say, "What! you won't go unless you have more! Get along!" Hit the head a hard rap with your right hand, which drives it into the pocket, which you hold open for it with your left thumb and little finger. "O dear! the doctor is dead, and cannot be found." Saying this, you grasp the gown by the place where the head is, and shake it about to show that it is empty. If you like you can make another oration and hold a dialogue, making the doctor resuscitate himself, which is of course done by taking the head out of the pocket with the left hand, and working it about by the peg.
42. THE FLYING COINS.
Take two eagles, or rather brass imitations, and grind them down until they are reduced to half their thickness. Do the same with two quarter dollars, and fasten them accurately together, so that you will have two coins, each having one silver face, and one brass face. Take one of them in each hand, showing the silver side of one and the brass side of another, and offer to change them without moving your arms. Shut your hands and the coins will turn over. Then, on opening them again, they will appear to have changed from one hand into the other.
43. THE VANISHED HALF-DIME.
Put a little wax on the nail of the middle finger of the right hand, and take a half-dime into the palm of the same hand. Close the hand, pressing the wax on the coin. Then rapidly open it, and the silver piece will adhere to the wax, and be quite concealed behind the finger when you hold your hand up.
44. THE RESTORED DOCUMENT.
Make a memorandum book, and line the cover with paper which has been previously rubbed with a mixture of lamp-black and oil. The paper must be loosely affixed, so that it can be raised up, and a leaf from the memorandum book placed under it. You must also make a flat box, having a double opening.
You now take a leaf out of the memorandum book, and ask some one to write a sentence, at the same time offering him the book to write upon. The pencil with which you furnish him is very hard, and he is forced to press upon the paper in order to mark. In so doing, the black is transferred by the pressure of the pencil from the blackened paper to the white leaf that has been placed under it, and of course makes an exact copy of the writing. You then give the man his document, put the memorandum book in your pocket, and go out of the room to fetch your box, which you have _forgotten_. While you are out of the room, you take out the leaf from under the black paper, and put it into one side of the flat box, and shut down the cover that hides it. You bring in the box, apologising for your absence, and give the box, open at the _other_ side, into the writer's hands. Tell him to burn his writing in a candle, and to place the ashes in the box. He does so, and closing the box, returns it to you. You then flourish about a little with the box, wave it in the air, bring it down with a bang on the table, strike it with your wand, and then, opening it as at first, you produce the duplicate leaf, which the writer acknowledges to be in his own hand-writing. If the lamp-black should have come off and smeared the paper, you can account for it by observing that it is very difficult to get rid of all traces of the burning.
45. THE MAGIC RINGS.
Get a blacksmith to make a number of rings, about six or seven inches in diameter, as in the cut. A is made with a spring opening on one side, B is a set of two rings forged permanently within each other, C is a set of three rings formed in the same manner, and D D are two simple rings. The rings should be about the thickness of a rather large black-lead pencil.