Chapter 2

Now was the chance Maurice had longed for. Now he could carry out that idea of his. He was very thirsty, for he had had nothing since that delicious breakfast in the dust-bin. But not for worlds would he have drunk the milk. No. He carefully dipped his right paw in it, for his idea was to make letters with it on the kitchen oil-cloth. He meant to write: 'Please tell me to leave off being a cat and be Maurice again,' but he found his paw a very clumsy pen, and he had to rub out the first 'P' because it only looked like an accident. Then he tried again and actually did make a 'P' that any fair-minded person could have read quite easily.

'I wish they'd notice,' he said, and before he got the 'l' written they did notice.

'Drat the cat,' said cook; 'look how he's messing the floor up.'

And she took away the milk.

Maurice put pride aside and mewed to have the milk put down again. But he did not get it.

Very weary, very thirsty, and very tired of being Lord Hugh, he presently found his way to the schoolroom, where Mabel with patient toil was doing her home-lessons. She took him on her lap and stroked him while she learned her French verb. He felt that he was growing very fond of her. People were quite right to be kind to dumb animals. Presently she had to stop stroking him and do a map. And after that she kissed him and put him down and went away. All the time she had been doing the map, Maurice had had but one thought: _Ink!_

The moment the door had closed behind her--how sensible people were who closed doors gently--he stood up in her chair with one paw on the map and the other on the ink. Unfortunately, the inkstand top was made to dip pens in, and not to dip paws. But Maurice was desperate. He deliberately upset the ink--most of it rolled over the table-cloth and fell pattering on the carpet, but with what was left he wrote quite plainly, across the map:--

'Please tell Lord Hugh to stop being a cat and be Mau rice again.'

'There!' he said; 'they can't make any mistake about that.' They didn't. But they made a mistake about who had done it, and Mabel was deprived of jam with her supper bread.

Her assurance that some naughty boy must have come through the window and done it while she was not there convinced nobody, and, indeed, the window was shut and bolted.

Maurice, wild with indignation, did not mend matters by seizing the opportunity of a few minutes' solitude to write:--

'It was not Mabel it was Maur ice I mean Lord Hugh,'

because when that was seen Mabel was instantly sent to bed.

'It's not fair!' cried Maurice.

'My dear,' said Maurice's father, 'if that cat goes on mewing to this extent you'll have to get rid of it.'

Maurice said not another word. It was bad enough to be a cat, but to be a cat that was 'got rid of'! He knew how people got rid of cats. In a stricken silence he left the room and slunk up the stairs--he dared not mew again, even at the door of Mabel's room. But when Jane went in to put Mabel's light out Maurice crept in too, and in the dark tried with stifled mews and purrs to explain to Mabel how sorry he was. Mabel stroked him and he went to sleep, his last waking thought amazement at the blindness that had once made him call her a silly little kid.

If you have ever been a cat you will understand something of what Maurice endured during the dreadful days that followed. If you have not, I can never make you understand fully. There was the affair of the fishmonger's tray balanced on the wall by the back door--the delicious curled-up whiting; Maurice knew as well as you do that one mustn't steal fish out of other people's trays, but the cat that he was didn't know. There was an inward struggle--and Maurice was beaten by the cat-nature. Later he was beaten by the cook.

Then there was that very painful incident with the butcher's dog, the flight across gardens, the safety of the plum tree gained only just in time.

And, worst of all, despair took hold of him, for he saw that nothing he could do would make any one say those simple words that would release him. He had hoped that Mabel might at last be made to understand, but the ink had failed him; she did not understand his subdued mewings, and when he got the cardboard letters and made the same sentence with them Mabel only thought it was that naughty boy who came through locked windows. Somehow he could not spell before any one--his nerves were not what they had been. His brain now gave him no new ideas. He felt that he was really growing like a cat in his mind. His interest in his meals grew beyond even what it had been when they were a schoolboy's meals. He hunted mice with growing enthusiasm, though the loss of his whiskers to measure narrow places with made hunting difficult.

He grew expert in bird-stalking, and often got quite near to a bird before it flew away, laughing at him. But all the time, in his heart, he was very, very miserable. And so the week went by.

Maurice in his cat shape dreaded more and more the time when Lord Hugh in the boy shape should come back from Dr. Strongitharm's. He knew--who better?--exactly the kind of things boys do to cats, and he trembled to the end of his handsome half-Persian tail.

And then the boy came home from Dr. Strongitharm's, and at the first sound of his boots in the hall Maurice in the cat's body fled with silent haste to hide in the boot-cupboard.

Here, ten minutes later, the boy that had come back from Dr. Strongitharm's found him.

Maurice fluffed up his tail and unsheathed his claws. Whatever this boy was going to do to him Maurice meant to resist, and his resistance should hurt the boy as much as possible. I am sorry to say Maurice swore softly among the boots, but cat-swearing is not really wrong.

'Come out, you old duffer,' said Lord Hugh in the boy shape of Maurice. 'I'm not going to hurt you.'

'I'll see to that,' said Maurice, backing into the corner, all teeth and claws.

'Oh, I've had such a time!' said Lord Hugh. 'It's no use, you know, old chap; I can see where you are by your green eyes. My word, they do shine. I've been caned and shut up in a dark room and given thousands of lines to write out.'

'I've been beaten, too, if you come to that,' mewed Maurice. 'Besides the butcher's dog.'

It was an intense relief to speak to some one who could understand his mews.

'Well, I suppose it's Pax for the future,' said Lord Hugh; 'if you won't come out, you won't. Please leave off being a cat and be Maurice again.'

And instantly Maurice, amid a heap of goloshes and old tennis bats, felt with a swelling heart that he was no longer a cat. No more of those undignified four legs, those tiresome pointed ears, so difficult to wash, that furry coat, that contemptible tail, and that terrible inability to express all one's feelings in two words--'mew' and 'purr.'

He scrambled out of the cupboard, and the boots and goloshes fell off him like spray off a bather.

He stood upright in those very chequered knickerbockers that were so terrible when their knees held one vice-like, while things were tied to one's tail. He was face to face with another boy, exactly like himself.

'_You_ haven't changed, then--but there can't be two Maurices.'

'There sha'n't be; not if I know it,' said the other boy; 'a boy's life's a dog's life. Quick, before any one comes.'

'Quick what?' asked Maurice.

'Why tell me to leave off being a boy, and to be Lord Hugh Cecil again.'

Maurice told him at once. And at once the boy was gone, and there was Lord Hugh in his own shape, purring politely, yet with a watchful eye on Maurice's movements.

'Oh, you needn't be afraid, old chap. It's Pax right enough,' Maurice murmured in the ear of Lord Hugh. And Lord Hugh, arching his back under Maurice's stroking hand, replied with a purrrr-meaow that spoke volumes.

'Oh, Maurice, here you are. It _is_ nice of you to be nice to Lord Hugh, when it was because of him you----'

'He's a good old chap,' said Maurice, carelessly. 'And you're not half a bad old girl. See?'

Mabel almost wept for joy at this magnificent compliment, and Lord Hugh himself took on a more happy and confident air.

Please dismiss any fears which you may entertain that after this Maurice became a model boy. He didn't. But he was much nicer than before. The conversation which he overheard when he was a cat makes him more patient with his father and mother. And he is almost always nice to Mabel, for he cannot forget all that she was to him when he wore the shape of Lord Hugh. His father attributes all the improvement in his son's character to that week at Dr. Strongitharm's--which, as you know, Maurice never had. Lord Hugh's character is unchanged. Cats learn slowly and with difficulty.

Only Maurice and Lord Hugh know the truth--Maurice has never told it to any one except me, and Lord Hugh is a very reserved cat. He never at any time had that free flow of mew which distinguished and endangered the cat-hood of Maurice.

II

THE MIXED MINE

The ship was first sighted off Dungeness. She was labouring heavily. Her paint was peculiar and her rig outlandish. She looked like a golden ship out of a painted picture.

'Blessed if I ever see such a rig--nor such lines neither,' old Hawkhurst said.

It was a late afternoon, wild and grey. Slate-coloured clouds drove across the sky like flocks of hurried camels. The waves were purple and blue, and in the west a streak of unnatural-looking green light was all that stood for the splendours of sunset.

'She do be a rum 'un,' said young Benenden, who had strolled along the beach with the glasses the gentleman gave him for saving the little boy from drowning. 'Don't know as I ever see another just like her.'

'I'd give half a dollar to any chap as can tell me where she hails from--and what port it is where they has ships o' that cut,' said middle-aged Haversham to the group that had now gathered.

'George!' exclaimed young Benenden from under his field-glasses, 'she's going.' And she went. Her bow went down suddenly and she stood stern up in the water--like a duck after rain. Then quite slowly, with no unseemly hurry, but with no moment's change of what seemed to be her fixed purpose, the ship sank and the grey rolling waves wiped out the place where she had been.

Now I hope you will not expect me to tell you anything more about this ship--because there is nothing more to tell. What country she came from, what port she was bound for, what cargo she carried, and what kind of tongue her crew spoke--all these things are dead secrets. And a dead secret is a secret that nobody knows. No other secrets are dead secrets. Even I do not know this one, or I would tell you at once. For I, at least, have no secrets from you.

When ships go down off Dungeness, things from them have a way of being washed up on the sands of that bay which curves from Dungeness to Folkestone, where the sea has bitten a piece out of the land--just such a half-moon-shaped piece as you bite out of a slice of bread-and-butter. Bits of wood tangled with ropes--broken furniture--ships' biscuits in barrels and kegs that have held brandy--seamen's chests--and sometimes sadder things that we will not talk about just now.

Now, if you live by the sea and are grown-up you know that if you find anything on the seashore (I don't mean starfish or razor-shells or jellyfish and sea-mice, but anything out of a ship that you would really like to keep) your duty is to take it up to the coast-guard and say, 'Please, I've found this.' Then the coast-guard will send it to the proper authority, and one of these days you'll get a reward of one-third of the value of whatever it was that you picked up. But two-thirds of the value of anything, or even three-thirds of its value, is not at all the same thing as the thing itself--if it happened to be the kind of thing you want. But if you are not grown-up and do not live by the sea, but in a nice little villa in a nice little suburb, where all the furniture is new and the servants wear white aprons and white caps with long strings in the afternoon, then you won't know anything about your duty, and if you find anything by the sea you'll think that findings are keepings.

Edward was not grown-up--and he kept everything he found, including sea-mice, till the landlady of the lodgings where his aunt was threw his collection into the pig-pail.

Being a quiet and persevering little boy he did not cry or complain, but having meekly followed his treasures to their long home--the pig was six feet from nose to tail, and ate the dead sea-mouse as easily and happily as your father eats an oyster--he started out to make a new collection.

And the first thing he found was an oyster-shell that was pink and green and blue inside, and the second was an old boot--very old indeed--and the third was _it_.

It was a square case of old leather embossed with odd little figures of men and animals and words that Edward could not read. It was oblong and had no key, but a sort of leather hasp, and was curiously knotted with string--rather like a boot-lace. And Edward opened it. There were several things inside: queer-looking instruments, some rather like those in the little box of mathematical instruments that he had had as a prize at school, and some like nothing he had ever seen before. And in a deep groove of the russet soaked velvet lining lay a neat little brass telescope.

T-squares and set-squares and so forth are of little use on a sandy shore. But you can always look through a telescope.

Edward picked it out and put it to his eye, and tried to see through it a little tug that was sturdily puffing up Channel. He failed to find the tug, and found himself gazing at a little cloud on the horizon. As he looked it grew larger and darker, and presently a spot of rain fell on his nose. He rubbed it off--on his jersey sleeve, I am sorry to say, and not on his handkerchief. Then he looked through the glass again; but he found he needed both hands to keep it steady, so he set down the box with the other instruments on the sand at his feet and put the glass to his eye again.

He never saw the box again. For in his unpractised efforts to cover the tug with his glass he found himself looking at the shore instead of at the sea, and the shore looked so odd that he could not make up his mind to stop looking at it.

He had thought it was a sandy shore, but almost at once he saw that it was not sand but fine shingle, and the discovery of this mistake surprised him so much that he kept on looking at the shingle through the little telescope, which showed it quite plainly. And as he looked the shingle grew coarser; it was stones now--quite decent-sized stones, large stones, enormous stones.

Something hard pressed against his foot, and he lowered the glass.

He was surrounded by big stones, and they all seemed to be moving; some were tumbling off others that lay in heaps below them, and others were rolling away from the beach in every direction. And the place where he had put down the box was covered with great stones which he could not move.

Edward was very much upset. He had never been accustomed to great stones that moved about when no one was touching them, and he looked round for some one to ask how it had happened.

The only person in sight was another boy in a blue jersey with red letters on its chest.

'Hi!' said Edward, and the boy also said 'Hi!'

'Come along here,' said Edward, 'and I'll show you something.'

'Right-o!' the boy remarked, and came.

The boy was staying at the camp where the white tents were below the Grand Redoubt. His home was quite unlike Edward's, though he also lived with his aunt. The boy's home was very dirty and very small, and nothing in it was ever in its right place. There was no furniture to speak of. The servants did not wear white caps with long streamers, because there were no servants. His uncle was a dock-labourer and his aunt went out washing. But he had felt just the same pleasure in being shown things that Edward or you or I might have felt, and he went climbing over the big stones to where Edward stood waiting for him in a sort of pit among the stones with the little telescope in his hand.

'I say,' said Edward, 'did you see any one move these stones?'

'I ain't only just come up on to the sea-wall,' said the boy, who was called Gustus.

'They all came round me,' said Edward, rather pale. 'I didn't see any one shoving them.'

'Who're you a-kiddin' of?' the boy inquired.

'But I _did_,' said Edward, 'honour bright I did. I was just taking a squint through this little telescope I've found--and they came rolling up to me.'

'Let's see what you found,' said Gustus, and Edward gave him the glass. He directed it with inexpert fingers to the sea-wall, so little trodden that on it the grass grows, and the sea-pinks, and even convolvulus and mock-strawberry.

'Oh, look!' cried Edward, very loud. 'Look at the grass!'

Gustus let the glass fall to long arm's length and said 'Krikey!'

The grass and flowers on the sea-wall had grown a foot and a half--quite tropical they looked.

'Well?' said Edward.

'What's the matter wiv everyfink?' said Gustus. 'We must both be a bit balmy, seems ter me.'

'What's balmy?' asked Edward.

'Off your chump--looney--like what you and me is,' said Gustus. 'First I sees things, then I sees you.'

'It was only fancy, I expect,' said Edward. 'I expect the grass on the sea-wall was always like that, really.'

'Let's have a look through your spy-glass at that little barge,' said Gustus, still holding the glass. 'Come on outer these 'ere paving-stones.'

'There was a box,' said Edward, 'a box I found with lots of jolly things in it. I laid it down somewhere--and----'

'Ain't that it over there?' Gustus asked, and levelled the glass at a dark object a hundred yards away. 'No; it's only an old boot. I say, this is a fine spy-glass. It does make things come big.'

'That's not it. I'm certain I put it down somewhere just here. Oh, _don't_!'

He snatched the glass from Gustus.

'Look!' he said, 'look!' and pointed.

A hundred yards away stood a boot about as big as the bath you see Marat in at Madame Tussaud's.

'S'welp me,' said Gustus, 'we're asleep, both of us, and a-dreaming as things grow while we look at them.'

'But we're not dreaming,' Edward objected. 'You let me pinch you and you'll see.'

'No fun in that,' said Gustus. 'Tell you what--it's the spy-glass--that's what it is. Ever see any conjuring? I see a chap at the Mile End Empire what made things turn into things like winking. It's the spy-glass, that's what it is.'

'It can't be,' said the little boy who lived in a villa.

'But it _is_,' said the little boy who lived in a slum. 'Teacher says there ain't no bounds to the wonders of science. Blest if this ain't one of 'em.'

'Let me look,' said Edward.

'All right; only you mark me. Whatever you sets eyes on'll grow and grow--like the flower-tree the conjurer had under the wipe. Don't you look at _me_, that's all. Hold on; I'll put something up for you to look at--a mark like--something as doesn't matter.'

He fumbled in his pocket and brought out a boot-lace.

'I hold this up,' he said, 'and you look.'

Next moment he had dropped the boot-lace, which, swollen as it was with the magic of the glass, lay like a snake on the stone at his feet.

So the glass _was_ a magic glass, as, of course, you know already.

'My!' said Gustus, 'wouldn't I like to look at my victuals through that there!'

* * * * *

Thus we find Edward, of the villa--and through him Gustus, of the slum--in possession of a unique instrument of magic. What could they do with it?

This was the question which they talked over every time they met, and they met continually. Edward's aunt, who at home watched him as cats watch mice, rashly believed that at the seaside there was no mischief for a boy to get into. And the gentleman who commanded the tented camp believed in the ennobling effects of liberty.

After the boot, neither had dared to look at anything through the telescope--and so they looked _at_ it, and polished it on their sleeves till it shone again.

Both were agreed that it would be a fine thing to get some money and look at it, so that it would grow big. But Gustus never had any pocket-money, and Edward had had his confiscated to pay for a window he had not intended to break.

Gustus felt certain that some one would find out about the spy-glass and take it away from them. His experience was that anything you happened to like was always taken away. Edward knew that his aunt would want to take the telescope away to 'take care of' for him. This had already happened with the carved chessmen that his father had sent him from India.

'I been thinking,' said Gustus, on the third day. 'When I'm a man I'm a-going to be a burglar. You has to use your headpiece in that trade, I tell you. So I don't think thinking's swipes, like some blokes do. And I think p'r'aps it don't turn everything big. An' if we could find out what it don't turn big we could see what we wanted to turn big or what it didn't turn big, and then it wouldn't turn anything big except what we wanted it to. See?'

Edward did not see; and I don't suppose you do, either.

So Gustus went on to explain that teacher had told him there were some substances impervious to light, and some to cold, and so on and so forth, and that what they wanted was a substance that should be impervious to the magic effects of the spy-glass.

'So if we get a tanner and set it on a plate and squint at it it'll get bigger--but so'll the plate. And we don't want to litter the place up with plates the bigness of cartwheels. But if the plate didn't get big we could look at the tanner till it covered the plate, and then go on looking and looking and looking and see nothing but the tanner till it was as big as a circus. See?'

This time Edward did see. But they got no further, because it was time to go to the circus. There was a circus at Dymchurch just then, and that was what made Gustus think of the sixpence growing to that size.

It was a very nice circus, and all the boys from the camp went to it--also Edward, who managed to scramble over and wriggle under benches till he was sitting near his friend.

It was the size of the elephant that did it. Edward had not seen an elephant before, and when he saw it, instead of saying, 'What a size he is!' as everybody else did, he said to himself, 'What a size I could make him!' and pulled out the spy-glass, and by a miracle of good luck or bad got it levelled at the elephant as it went by. He turned the glass slowly--as it went out--and the elephant only just got out in time. Another moment and it would have been too big to get through the door. The audience cheered madly. They thought it was a clever trick; and so it would have been, very clever.

'You silly cuckoo,' said Gustus, bitterly, 'now you've turned that great thing loose on the country, and how's his keeper to manage him?'

'I could make the keeper big, too.'

'Then if I was you I should just bunk out and do it.'

Edward obeyed, slipped under the canvas of the circus tent, and found himself on the yellow, trampled grass of the field among guy-ropes, orange-peel, banana-skins, and dirty paper. Far above him and every one else towered the elephant--it was now as big as the church.