CHAPTER III

THE EPHOD OF THE HIGH PRIEST

“_And yet, as angels in some brighter dreams Call to the soul when men doth sleep, So may some strange thoughts transcend our wonted themes And into glory peep._” HENRY VAUGHAN.

THE EPHOD OF THE HIGH PRIEST: THE HEAVENS, THE GATES, THE CAVES: THE FOUR WORLDS.

In the 28th chapter of Exodus we learn that those that are “wise hearted” and “filled with the spirit of wisdom” were selected to make for Aaron consecrated garments—a breastplate and an ephod, a broidered coat, a mitre and a girdle. On the shoulders of the Ephod (Hebrew, Hepod) which was to be made “of gold, of blue, and of purple, of scarlet”—these being the colours of divinity—“and fine twined linen, with cunning work” were to be placed two stones, each to be engraved after the manner of a signet, with six names of the children of Israel. Authorities generally agree with the translations in classifying these two stones as Onyx, and there are very important reasons from an occult point of view why they should be so identified even though Josephus accounts them Sardonyx which, he says, represents the sun and the moon. These onyx stones were to be worn “for stones of memorial unto the children of Israel.” The ephod was similar to an upper body-garment of the Greeks (Josephus says it resembled the Epomis) and may be described as a kind of waistcoat held by straps which passed over the shoulders and were twined round the waist with the cunningly woven band. The two large onyx stones were set on the shoulder-straps, and on each stone were engraved the names of the children of Israel—“Six of their names on one stone, and the other six names of the rest on the other stone, according to their birth.” In astrology, to which science perhaps on its more esoteric side we are impelled, we can quickly recognize the twelve signs of the Zodiac—six Northern and six Southern—in the twelve tribes of the children of Israel, more distinctly emphasized on the breastplate of the High Priest. The engraving on the two onyx stones, one of which would necessarily be somewhat lighter in colour than the other, can never be explained in our prosaic terms for they were attuned to the whisperings of the Heavenly Hosts and typified the eternal wanderings of the Soul.

In my later remarks on the Onyx I have noted the ancient philosophy regarding the descent of the Soul through the Gate of Cancer and its ascent through the Gate of Capricorn. Peter symbolically represented at the Gate of Heaven, is a veiled allusion to the stone (Petros) gateway through which the departing spirits of Earth pass on their everlasting pilgrimage in search of the pearl above price—the hidden knowledge of perfect truth—a stone so gloriously brilliant that mortal eyes can never gaze on it.

In earlier Egyptian symbolic lore it is assumed that the Heavens were of stone, the goddess Hathor being the Lady of the Turquoise Stones and other deities being represented by stones cut to forms and in their natural state. In rabbinical allegory the Creator, vibrating through the rays of sunrise, is reverenced as “The Opener of the Gates,” and frequent allusions are made to the gates of tears, of prayer, of praise, and of repentance. There is an old Hebrew tradition that one Messiah will come through the Gate of Capricorn and another through the Gate of Cancer. Plato writes of the two gateways—one through which the Soul descends, the other through which the soul ascends, and Porphyry says that on this account the Egyptians did not begin the year like the Romans with Aquarius but with the Moon Sign Cancer.

The Quabalistic Books say that the soul of man passed through the four celestial worlds in its descent, receiving from Aziluth, the Chaiah, spiritual animation: from Briah, Neshamah, understanding: from Jezirah, Ruach, the passions: from Nephesch, material desires. He enters the world by the Gate of Generation (the Moon), the watery sign, the colour of which is indicated as green, and he leaves the world of Matter for the land of the Immortals by the Gate of Material Death (Saturn), the Earth sign Capricorn, the colour of which is black. The Su’n passage through the tribal signs expressed on the onyx stones of the Ephod symbolizes eternally the descent and ascent of immortal man.